Ballets By Aram Khachaturian
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Ballets By Aram Khachaturian
This is a list of compositions by Armenian composer Aram Khachaturian. Ballets *''Shchastye'' ("Happiness"; Yerevan, 1939) *'' Gayane'' (1939–41), which includes the famous Sabre Dance *'' Spartacus'' (1950–54) Orchestral *Symphonies **Symphony No. 1 (1934) ** Symphony No. 2 ''The Bell Symphony'' (two versions: 1943, 1944) ** Symphony No. 3 ''Symphony-Poem'' (1947) *Dance Suite (1933) *Suite from ''Gayane'' No. 1 (1943) *Suite from ''Gayane'' No. 2 (1943) *Suite from ''Gayane'' No. 3 (1943) * State Anthem of the Armenian SSR (1944) *''The Russian Fantasy'' (1944) * Suite from ''Masquerade'' (1944) *''Ode in Memory of Vladimir Ilich Lenin'' (1948) *Suite from ''Battle of Stalingrad'' (1949) *''Triumphal Poem'', a festive poem (1950) *Suite from ''The Valencian Widow'' (1952) *Suite from ''Spartacus'' No. 1 (1955) *Suite from ''Spartacus'' No. 2 (1955) *Suite from ''Spartacus'' No. 3 (1955) *Symphonic Pictures from ''Spartacus'' (1955) *Greeting (or ''Salutatory'') Overture ...
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Aram Khachaturian 1971
Aram may refer to: Arts and entertainment * ''Aram'' (film), 2002 French action drama * Aram, a fictional character in Japanese manga series '' MeruPuri'' * Aram Quartet, an Italian music group * ''Aram'' (Kural book), the first of the three books of the Kural literature People * Aram (given name), including a list of people with the name * Aram (surname), including a list of people with the surname * Aram, son of Shem, a biblical character * Aram, from whom the name of Armenia may derive * Aram I (born 1947), catholicos of the Armenian Apostolic Church * Aram (actress) (Azam Mirhabibi, born 1953), Iranian film actress * Ram (biblical figure), or Aram in the New Testament Places *Aram (region), or Aramea, an ancient region, located in modern Syria *Åram, Norway * Aram, Iran *Aram, Mazandaran, Iran *Aram Street, a street in Yerevan, Armenia Other uses * ''Aram'', the third day of the month in the Armenian calendar * ''ARAM Periodical'', an academic journal * Associate of ...
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Mikhail Lermontov
Mikhail Yuryevich Lermontov (; russian: Михаи́л Ю́рьевич Ле́рмонтов, p=mʲɪxɐˈil ˈjurʲjɪvʲɪtɕ ˈlʲɛrməntəf; – ) was a Russian Romantic writer, poet and painter, sometimes called "the poet of the Caucasus", the most important Russian poet after Alexander Pushkin's death in 1837 and the greatest figure in Russian Romanticism. His influence on later Russian literature is still felt in modern times, not only through his poetry, but also through his prose, which founded the tradition of the Russian psychological novel. Biography Mikhail Yuryevich Lermontov was born in Moscow into the respectable noble family of Lermontov, and he grew up in the village of Tarkhany (now Lermontovo in Penza Oblast). His paternal family descended from the Scottish family of Learmonth, and can be traced to Yuri (George) Learmonth, a Scottish officer in the Polish–Lithuanian service who settled in Russia in the middle of the 17th century. He had been captur ...
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Those People Of The Nile
Those People of the Nile (Egyptian Arabic: الناس والنيل, French: ''Ces gens du Nil'', translit: ''Al Nass Wal Nil or Al Nas wal Nil'', aliases: People of the Nile) is a 1972 drama film directed by Youssef Chahine. It stars Salah Zulfikar and Soad Hosny. The film is co-produced by companies in Egypt and Russia . Plot Set during the diversion of the Nile current in 1964 during the building of the High Dam. The foreground of the film shows Yehia as a worker in the high dam project. Later, we will understand that Yehia is not a real worker but a committed writer, tired by years of activism. Because of this past and this fatigue, the young girl from a good family with whom he falls in love, and who loves him, finally leaves him. Because she doesn't want a worn-out man. But Yehia is focused on covering the secrets of the huge project. And the rest of personalities begin to remember the past, through the story of Amin, the doctor who joins the dam to serve its staff, his wife ...
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The Battle Of Stalingrad (film)
''The Battle of Stalingrad'' (russian: Сталинградская битва) is a 1949 two-part Soviet war film about the Battle of Stalingrad, directed by Vladimir Petrov. The script was written by Nikolai Virta. Plot Film I In the Kremlin, Stalin analyzes the Wehrmacht's movements and concludes that the Germans aim to capture Stalingrad. Hitler, who believes the city is the key to final victory, orders his generals take it at all costs. As the enemy approaches Stalingrad, the Red Army and the local population rally to defend it in bitter house-to-house combat, stalling the German advance. In Moscow, Stalin plans the counter-offensive. Film II The Wehrmacht launches a last, massive assault, intended to overwhelm the defenders of Stalingrad. As the Red Army is pushed back to the Volga, Stalin orders the commencement of Operation Uranus. The German 6th Army is encircled, and efforts to relieve the Stalingrad pocket fail. General Friedrich Paulus, ordered by Hitler to hold ...
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Girl No
A girl is a young female human, usually a child or an adolescent. When a girl becomes an adult, she is accurately described as a ''woman''. However, the term ''girl'' is also used for other meanings, including ''young woman'',Dictionary.com, "Girl"'' Retrieved January 2, 2008. and is sometimes used as a synonym for ''daughter'', or ''girlfriend''. In certain contexts, the usage of ''girl'' for a woman may be derogatory. ''Girl'' may also be a term of endearment used by an adult, usually a woman, to designate adult female friends. ''Girl'' also appears in portmanteaus (compound words) like '' showgirl'', ''cowgirl'', and '' schoolgirl''. The treatment and status of girls in any society is usually closely related to the status of women in that culture. In cultures where women have a low societal position, girls may be unwanted by their parents, and the state may invest less in services for girls. Girls' upbringing ranges from being relatively the same as that of boys to c ...
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Salavat Yulayev (film)
''Salavat Yulayev'' (russian: Салават Юлаев) is a 1940 Soviet film directed by Yakov Protazanov, about Bashkir national hero, poet Salawat Yulayev (1754-1800) and Pugachev's Rebellion. Synopsis Son of the village elder, young Salavat, is forced to permanently leave his native village for physically assaulting an officer of the king. A runaway convict Khlopusha, helps him escape from pursuing soldiers. Salavat does not trust Khlopusha, because he thinks of every Russian as an enemy. But the shared shackles and forced labor in the mines bring them closer together. The friends manage to escape from prison. Two years Salavat and Khlopusha wander around the vast expanses of the Urals. In one of the Cossack farms they meet Pugachev and become his staunch supporters. Salavat is sent home to his native village. The people elevated by them flock to Pugachev's banner. Together with the Russian peasants and workers of the Ural fortified factories, the Bashkir cavalry led by ...
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Zangezur (1938 Film)
''Zangezur'' is a 1938 Soviet Armenian war film by Hamo Beknazarian. The propaganda film is about the Dashnak opposition to the incursion of the Red Army and the local Bolshevik partisans in the Armenian province of Zangezur Zangezur ( hy, Զանգեզուր) is a historical and geographical region in Eastern Armenia on the slopes of the Zangezur Mountains which largely corresponds to the Syunik Province of the Republic of Armenia. It was ceded to Russia by Qajar Ir ... (present-day Syunik) at the time of Sovietization. Cast External links * 1930s war drama films Films directed by Hamo Beknazarian Soviet black-and-white films Films set in Armenia Soviet war drama films Soviet-era Armenian films Armenfilm films Films scored by Aram Khachaturian Armenian drama films 1938 drama films 1938 films {{Armenia-film-stub ...
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Pepo (film)
''Pepo'' ( hy, Պեպո) is a 1935 Soviet drama film based on Gabriel Sundukyan's 1876 play of the same name, scripted and directed by Hamo Beknazarian, with music composed by Aram Khachaturian. Considered the 'most outstanding' film in Soviet cinema before the outbreak of World War II, the film has gained international recognition and has come to represent Armenian culture abroad. Plot Set in 19th century Tiflis, the film details the day-to-day life of a poor but honest Armenian fisherman Pepo (Hrachia Nersisyan) who opposes a cunning trader Arutin Kirakozovich Zimzimov ( Avet Avetisyan), who has robbed the former by trickery. The story comes to a conclusion of sorts when Pepo falls in love. Cast *Hrachia Nersisyan – Pepo *Tatyana Makhmuryan – Kekel, his sister *David Malyan – Kakuli, a friend * Avet Avetisyan – Arutin Kirakozovich Zimzimov *Hambartsum Khachanyan – Darcho, merchant * Hasmik – Shushan *Grigor Avetyan – Giko *Nina Manucharyan Nina Manucharyan ( ...
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Masquerade (Khachaturian)
''Masquerade'' was written in 1941 by Aram Khachaturian as incidental music for a production of the play of the same name by Russian poet and playwright Mikhail Lermontov. The music is better known in the form of a five-movement suite. Background Khachaturian was asked to write music for a production of ''Masquerade'' being produced by the director Ruben Simonov. The famous waltz theme in particular gave Khachaturian much trouble in its creation: moved by the words of the play's heroine, Nina – "How beautiful the new waltz is! ... something between sorrow and joy gripped my heart." – the composer struggled to "find a theme that I considered beautiful and new". His former teacher, Nikolai Myaskovsky, attempted to help Khachaturian by giving him a collection of romances and waltzes from Lermontov's time; though these did not give immediate inspiration, Khachaturian admitted that "had it not been for the strenuous search" for the appropriate style and melodic inspiration, he ...
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Toccata (Khachaturian)
The Toccata in E-flat minor is a piece for solo piano written in 1932 by Aram Khachaturian. It is a favorite of piano students, and has been recorded many times. Khachaturian wrote this work as the first movement of a three-movement suite for piano: * Toccata * Waltz-Capriccio * Dance. He wrote the suite in 1932 while studying at the Moscow Conservatory under Nikolai Myaskovsky. However, the Toccata became so well known so quickly that it is now considered a separate piece; the suite from which it came is little known. The first performance was given by then-classmate Lev Oborin, who also recorded it. The Toccata utilises some Armenian folk melodies and rhythms, as well as baroque and contemporary 20th Century techniques. It begins ''Allegro marcatissimo''. A central section ''Andante espressivo'' leads to a reprise of the opening motifs. The coda is based on the central section's theme. It lasts around 5 minutes. Those who have recorded the Toccata include Benno Moiseiwitsc ...
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Bayan (accordion)
The bayan ( rus, бая́н, p=bɐˈjan) is a type of chromatic button accordion developed in the Russian Empire in the early 20th century and named after the 11th-century bard Boyan. Characteristics The bayan differs from western chromatic button accordions in some details of construction: * Reeds are broader and rectangular (rather than trapezoidal). * Reeds are often attached in large groups to a common plate (rather than in pairs); the plates are screwed to the reed block (rather than attached with wax). * The melody-side keyboard is attached near the middle of the body (rather than at the rear). * Reeds are generally not tuned with tremolo. * Register switches may be operated with the chin on some larger models (also possible with some larger European button accordions). * The diminished chord row is shifted, so that the diminished G chord is where one would expect the diminished C chord in the Stradella bass system. * Converter switches that go from standard preset c ...
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Cello Concerto (Khachaturian)
Aram Khachaturian wrote his Cello Concerto in E minor in 1946 for Sviatoslav Knushevitsky. It was the last of the three concertos he wrote for the individual members of a renowned Soviet piano trio that performed together from 1941 until 1963. The others were: the Piano Concerto for Lev Oborin (1936); and the Violin Concerto for David Oistrakh (1940). Although the last written of the three, the Cello Concerto was the first one Khachaturian had considered writing, when he was a cello student at the Gnessin Institute. The work was premiered on 30 October 1946 (or November 1946), in the Great Hall of the Moscow Conservatory, with the dedicatee Sviatoslav Knushevitsky as soloist. The conductor was Aleksandr Gauk. The Cello Concerto is the least known of the three concertos, and has not entered the core repertoire of cellists in the way the other two have for pianists and violinists, despite its difficulty level being comparable to the piano and violin concerti. It has received rela ...
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