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Ballet égyptien
''Ballet égyptien'', Op. 12 (1875), is Alexandre Luigini's best-known composition and the only one of his works in the standard repertoire. It was dedicated to Jules Pasdeloup. The ballet consists of eight movements, from which two different concert suites have been extracted. The first suite is the better known. It originally gained prominence when it was included in Act II of Giuseppe Verdi's opera ''Aida'' for a performance in Lyon in 1886. The fame of the piece inspired Luigini to write other pieces on exotic themes, such as ''Ballet russe'', ''Marche d'émir'', and symphonic poems ''Fête arabe'', Op. 49 and ''Carnaval turc'', Op. 51. ''Ballet égyptien'' has been arranged for piano solo, 2 pianos 4-hands and 2 pianos 8-hands, as well as for brass band. It has been recorded numerous times, by conductors such as Anatole Fistoulari, John Lanchbery, Jean Fournet and Richard Bonynge. It often appears in compilations of light music. It is perhaps best known as the background ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alexandre Luigini
Alexandre Clément Léon Joseph Luigini (9 March 185029 July 1906) was a French composer and conductor, especially active in the opera house.Charton D. Alexandre Luigini. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. As a composer, he is now remembered almost solely for his '' Ballet égyptien''. Life and career Luigini was born in Lyon in 1850. His grandparents had moved to Lyon from Modena, Italy, when his grandfather took up the post of trumpeter with the orchestra of the Grand Théâtre. Alexandre Luigini was brought up with music, his father Joseph also playing with, and later conducting, the orchestra of the Grand Théâtre. He was the nephew of César and (another) Alexandre Luigini, both noted instrumentalists.Carré’s funeral oration, quoted in : Stoullig E. ''Les Annales du Théâtre et de la Musique, 32ème édition, 1906.'' G Charpentier et Cie, Paris, 1907, pp109-110. His daughter was the harpist Caroline Luigini, who married t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Bonynge
Richard Alan Bonynge ( ) (born 29 September 1930) is an Australian conductor and pianist. He is the widower of Australian dramatic coloratura soprano Dame Joan Sutherland. Bonynge conducted virtually all of Sutherland's operatic performances from 1962 until her retirement in 1990. Biography Bonynge was born in Epping, a suburb of Sydney, and educated at Sydney Boys' High School before studying piano at the Sydney Conservatorium of Music and gaining a scholarship to the Royal College of Music in London, where his piano teacher was Herbert Fryer. He gave up his music scholarship, continuing his private piano studies, and became a coach for singers. One of these was Joan Sutherland, whom he had accompanied in Australia. They married in 1954 and became a duo, performing operatic recitals until 1962. When the scheduled conductor for a recital of operatic arias became ill and the replacement conductor was involved in a car accident, Bonynge stepped in and, from that time on, he c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compositions For Symphony Orchestra
Composition or Compositions may refer to: Arts and literature *Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation *Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science *Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hungaria ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballet Music
Ballet as a music form progressed from simply a complement to dance, to a concrete compositional form that often had as much value as the dance that went along with it. The dance form, originating in France during the 17th century, began as a theatrical dance. It was not until the 19th century that ballet gained status as a “classical” form. In ballet, the terms ‘classical’ and ‘romantic’ are chronologically reversed from musical usage. Thus, the 19th century Classical period in ballet coincided with the 19th century Romantic era in music. Ballet music composers from the 17th–20th centuries, including the likes of Jean-Baptiste Lully, Pyotr Ilyich Tchaikovsky, Igor Stravinsky, and Sergei Prokofiev, were predominantly in France and Russia. Yet with the increased international notoriety seen in Tchaikovsky's and Stravinsky's lifetime, ballet music composition and ballet in general spread across the western world. History Until about the second half of the 19th century, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballets By Alexandre Luigini
Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of dance with its own vocabulary. Ballet has been influential globally and has defined the foundational techniques which are used in many other dance genres and cultures. Various schools around the world have incorporated their own cultures. As a result, ballet has evolved in distinct ways. A ''ballet'' as a unified work comprises the choreography and music for a ballet production. Ballets are choreographed and performed by trained ballet dancers. Traditional classical ballets are usually performed with classical music accompaniment and use elaborate costumes and staging, whereas modern ballets are often performed in simple costumes and without elaborate sets or scenery. Etymology Ballet is a French word which had its origin in Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1875 Compositions
Events January–March * January 1 – The Midland Railway of England abolishes the Second Class passenger category, leaving First Class and Third Class. Other British railway companies follow Midland's lead during the rest of the year (Third Class is renamed Second Class in 1956). * January 5 – The Palais Garnier, one of the most famous opera houses in the world, is inaugurated in Paris. * January 12 – Guangxu becomes the 11th Qing Dynasty Emperor of China at the age of 3, in succession to his cousin. * January 14 – The newly proclaimed King Alfonso XII of Spain (Queen Isabella II's son) arrives in Spain to restore the monarchy during the Third Carlist War. * February 3 – Third Carlist War – Battle of Lácar: Carlist commander Torcuato Mendíri secures a brilliant victory, when he surprises and routs a Government force under General Enrique Bargés at Lácar, east of Estella, nearly capturing newly crowned King Alfonso XII. The Carlis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wilson, Keppel And Betty
Wilson, Keppel and Betty formed a popular British music hall and vaudeville act in the middle decades of the 20th century. They capitalised on the fashion for Ancient Egyptian imagery following the discovery of the tomb of Tutankhamun. The " sand dance" that formed the highlight of their act was a parody of postures from Egyptian tomb paintings, combined with references to Arabic costume. The lithe and extremely lanky Wilson and Keppel, who wore long moustaches and make-up to emphasise the sharp angularity of their features and make them appear almost identical, demonstrated their impressive suppleness in adopting wild gestures and dancing in identical "stereo" movements, while Betty joined their antics. The act included a soft-shoe routine performed on a layer of sand spread on the stage to create a rhythmic scratching with their shuffling feet and was usually performed to the familiar '' Egyptian Ballet'' (1875), by Alexandre Luigini. Early careers Jack Wilson (30 January 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Fournet
Jean Fournet (14 April 1913 – 3 November 2008) was a French flautist and conductor. Fournet was born in Rouen in 1913. His father was a flutist who gave him some instruction on the flute and music theory. Fournet was then trained at the Conservatoire de Paris in flute by Gaston Blanquart and Marcel Moyse, and conducting by Philippe Gaubert (himself a flutist). He performed on the flute at age fifteen with the Orchestra of the Théâtre des Arts in Rouen. He first established himself as a conductor in his native country conducting in Rouen 1936-1940, Marseilles 1940-1944, and then as director of the Paris Opéra-Comique 1944-1957. He was also a professor of conducting at the École Normale de Musique de Paris 1944-1962. In 1949, and again in 1950, he was guest conductor with the Radio Éireann Symphony Orchestra. His debut with the Concertgebouw Orchestra was in 1950. The Netherlands became Fournet’s second home. He became principal guest conductor of the Netherlands R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Pasdeloup
Jules Étienne Pasdeloup (15 September 1819 – 13 August 1887) was a French conductor. Life Pasdeloup was born in Paris. His father was an assistant conductor at the Opéra Comique; he was educated in music at the Conservatoire de Paris, leaving with a first prize in piano. He founded in 1851 a ''Société des jeunes artistes du conservatoire'' that gave concerts in the Salle Hertz for a decade, and, as conductor of its concerts, did much to popularize the best new compositions of the time. His popular Concerts Pasdeloup at the ''Cirque d'hiver'', Paris, from 1861 till 1884, had also a great effect in promoting French taste in music, introducing works by Wagner and Schumann, as well as reviving public interest in the symphonies of Mozart, Haydn, and Beethoven. In 1868 he founded the Société des Oratories to present oratorios, and joined the Théâtre Lyrique the same year, though he was disappointed there at his lack of popular success in reviving operas like Gluck's ''Iphigé ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Lanchbery
John Arthur Lanchbery OBE (15 May 1923 – 27 February 2003) was an English-Australian composer and conductor, famous for his ballet arrangements. He served as the Principal Conductor of the Royal Ballet from 1959 to 1972, Principal Conductor of the Australian Ballet from 1972 to 1977, and Musical Director of the American Ballet Theatre from 1978 to 1980. He continued to conduct regularly for the Royal Ballet until 2001. Lanchbery was widely considered (including by Nureyev) to be the greatest ballet conductor of his time, and to be ‘a conductor and music director of unmatched experience’ who was ‘directly responsible for raising the status and the standards of musical performance'. Maina Gielgud, Artistic Director of Australian Ballet, stated that "He anchberyis not only the finest conductor for dance of his generation and probably well beyond". One critic wrote that ‘the music was always on its best behaviour’ when Lanchbery was conducting. He was also famous for h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anatole Fistoulari
Anatole Fistoulari (20 August 1907 – 21 August 1995) was a Ukrainian conductor, who became a British citizen.Obituary – Anatole Fistoulari. ''Opera'', October 1995, Vol.46 No.10, p1172. A child prodigy, he later conducted around Europe and America, and left a significant discography Biography Fistoulari was born into a musical family in Kyiv. His principal teacher was his father, the conductor Gregor Fistoulari, who had studied with Rimsky-Korsakov and Anton Rubinstein. Anatole conducted for the first time, at the age of seven, Tchaikovsky's 6th Symphony, the '' Pathetique'', at a charity concert at the Opera House in Kiev.Brook, Donald. Anatole Fistoulari. In: Conductors' Gallery. Rockcliff, London, 1946, p56-60. He then conducted a concert of the Imperial Court Orchestra in Odessa from memory. At the age of 13 he went to Bucharest, where he was invited to conduct ''Samson and Delilah'' at the Opera House. Next he went to Germany and in Berlin undertook engagements with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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