Ballade No. 2 (Liszt)
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Ballade No. 2 (Liszt)
The Ballade No. 2 in B minor, S. 171, is a piano composition by Franz Liszt, written in 1853. Claudio Arrau, who studied under Liszt's disciple Martin Krause, maintained that the Ballade was based on the Greek myth of Hero and Leander Hero and Leander is the Greek myth relating the story of Hero ( grc, Ἡρώ, ''Hērṓ''; ), a priestess of Aphrodite (Venus in Roman mythology) who dwelt in a tower in Sestos on the European side of the Hellespont, and Leander ( grc, Λέ ..., with the piece's chromatic ostinati representing the sea: "You really can perceive how the journey turns more and more difficult each time. In the fourth night he drowns. Next, the last pages are a transfiguration". The ballad is based largely on two themes: a broad opening melody underpinned by menacing chromatic rumbles in the lower register of the keyboard, and a luminous ensuing chordal meditation. These themes are repeated a half-step lower; then march-like triplet-rhythms unleash a flood of ...
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B Minor
B minor is a minor scale based on B, consisting of the pitches B, C, D, E, F, G, and A. Its key signature has two sharps. Its relative major is D major and its parallel major is B major. The B natural minor scale is: : Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The B harmonic minor and melodic minor scales are: : : Christian Friedrich Daniel Schubart (1739–1791) regarded B minor as a key expressing a quiet acceptance of fate and very gentle complaint, something commentators find to be in line with Bach's use of the key in his '' St John Passion''. By the end of the Baroque era, however, conventional academic views of B minor had shifted: Composer-theorist Francesco Galeazzi (1758–1819) opined that B minor was not suitable for music in good taste. Beethoven labelled a B-minor melodic idea in one of his sketchbooks as a "black key". Notable compositions in B minor * Johann Sebastian ...
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Franz Liszt
Franz Liszt, in modern usage ''Liszt Ferenc'' . Liszt's Hungarian passport spelled his given name as "Ferencz". An orthographic reform of the Hungarian language in 1922 (which was 36 years after Liszt's death) changed the letter "cz" to simply "c" in all words except surnames; this has led to Liszt's given name being rendered in modern Hungarian usage as "Ferenc". From 1859 to 1867 he was officially Franz Ritter von Liszt; he was created a '' Ritter'' (knight) by Emperor Francis Joseph I in 1859, but never used this title of nobility in public. The title was necessary to marry the Princess Carolyne zu Sayn-Wittgenstein without her losing her privileges, but after the marriage fell through, Liszt transferred the title to his uncle Eduard in 1867. Eduard's son was Franz von Liszt., group=n (22 October 1811 – 31 July 1886) was a Hungarian composer, pianist and teacher of the Romantic period. With a diverse body of work spanning more than six decades, he is considered to be o ...
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Claudio Arrau
Claudio Arrau León (; February 6, 1903June 9, 1991) was a Chilean pianist known for his interpretations of a vast repertoire spanning the baroque to 20th-century composers, especially Bach, Beethoven, Schubert, Chopin, Schumann, Liszt and Brahms. He is widely considered one of the greatest pianists of the twentieth century. Life Arrau was born in Chillán, Chile, the son of Carlos Arrau, an ophthalmologist who died when Claudio was only a year old, and Lucrecia León Bravo de Villalba, a piano teacher. He belonged to an old, prominent family of Southern Chile. His ancestor Lorenzo de Arrau, a Spanish engineer, was sent to Chile by King Carlos III of Spain. Through his great-grandmother, María del Carmen Daroch del Solar, Arrau was a descendant of the Campbells of Glenorchy, a Scottish noble family. Arrau was raised as a Catholic, but gave it up in his late teens. Arrau was a child prodigy and he could read music before he could read words, but unlike many virtuosos, th ...
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Martin Krause
Martin Krause (17 June 18532 August 1918) was a German concert pianist, piano teacher,James Methuen-Campbell (2001). Krause, Martin. '' Grove Music Online'', Oxford University Press music critic, and writer. Career Martin Krause was born in Lobstädt, Saxony as the youngest son of the choirmaster and church schoolmaster Johann Carl Friedrich Krause in Lobstädt. He initially attended the teacher training college in Borna, then at the Leipzig Conservatory with Wenzel and Reinecke. He performed on the concert platform in 1878–80 but stopped because of a nervous breakdown. In 1882, he became a pupil of Franz Liszt and studied his technique; he was later among Liszt's most prominent promoters. Krause later established himself as a piano teacher and writer on music in Leipzig, where he was one of the founders of the Franz-Liszt-Verein association. From 1900, he also taught in Dresden. From 1901 Krause worked as a professor at the Royal Academy of Music in Munich, and from at ...
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Greek Myth
A major branch of classical mythology, Greek mythology is the body of myths originally told by the ancient Greeks, and a genre of Ancient Greek folklore. These stories concern the origin and nature of the world, the lives and activities of deities, heroes, and mythological creatures, and the origins and significance of the ancient Greeks' own cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of myth-making itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in the 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer's epic poems, the ''Iliad'' and the ''Odyssey''. Two poems by Homer's near contemporary Hesiod, the ''Theogony'' and the ''Works and Days'', contain accounts of the genesis of the ...
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Hero And Leander
Hero and Leander is the Greek myth relating the story of Hero ( grc, Ἡρώ, ''Hērṓ''; ), a priestess of Aphrodite (Venus in Roman mythology) who dwelt in a tower in Sestos on the European side of the Hellespont, and Leander ( grc, Λέανδρος, ''Léandros''), a young man from Abydos on the opposite side of the strait. Leander fell in love with Hero and would swim every night across the Hellespont to spend time with her. Hero would light a lamp at the top of her tower to guide his way. Succumbing to Leander's soft words and to his argument that Aphrodite, as the goddess of love and sex, would scorn the worship of a virgin, Hero succumbed to his charms and they made love. Their secret love affair lasted through a warm summer. They had agreed to part during winter and resume in the spring due to the nature of the waters. One stormy winter night, Leander saw the torch at the top of Hero's tower. The strong winter wind blew out Hero's light and Leander lost his way and ...
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Joseph Horowitz
Joseph Horowitz (born 1948 in New York City) is an American cultural historian whose seven books mainly deal with the institutional history of classical music in the United States. As a producer of concerts, he has played a pioneering role in promoting thematic programming and new concert formats. His tenure as Artistic Advisor and, subsequently, Executive Director of the Brooklyn Philharmonic Orchestra at the Brooklyn Academy of Music (1992–1997) attracted national attention for its radical departure from traditional functions and templates. Life and work Horowitz’s books treat the late nineteenth century as the apex of American classical music, before it generated into a “culture of performance“ spotlighting celebrity conductors and instrumentalists, whom he terms “performance specialists” in contradistinction to the composer/performers of an earlier era. He is also credited (as by Alex Ross in The New Yorker) with coining the phrase “post-classical music” ...
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Compositions By Franz Liszt
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History * Composition of 1867, Austro-Hung ...
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Compositions In B Minor
Composition or Compositions may refer to: Arts and literature * Composition (dance), practice and teaching of choreography *Composition (language), in literature and rhetoric, producing a work in spoken tradition and written discourse, to include visuals and digital space *Composition (music), an original piece of music and its creation * Composition (visual arts), the plan, placement or arrangement of the elements of art in a work * ''Composition'' (Peeters), a 1921 painting by Jozef Peeters * Composition studies, the professional field of writing instruction * ''Compositions'' (album), an album by Anita Baker * Digital compositing, the practice of digitally piecing together a video Computer science * Function composition (computer science), an act or mechanism to combine simple functions to build more complicated ones *Object composition, combining simpler data types into more complex data types, or function calls into calling functions History *Composition of 1867, Austro-Hunga ...
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