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Ballad Of Easy Rider
"Ballad of Easy Rider" is a song written by Roger McGuinn, with input from Bob Dylan (although Dylan is not credited as a co-writer), for the 1969 film, ''Easy Rider''. The song was initially released in August 1969 on the ''Easy Rider'' soundtrack album as a Roger McGuinn solo performance. It was later issued in an alternate version as a single by McGuinn's band the Byrds on October 1, 1969. Senior editor for ''Rolling Stone'' magazine, David Fricke, has described the song as perfectly capturing the social mood of late 1969 and highlighting "the weary blues and dashed expectations of a decade's worth of social insurrection". Roger McGuinn's version The star and script writer of ''Easy Rider'', Peter Fonda, had initially intended to use Bob Dylan's song "It's Alright, Ma (I'm Only Bleeding)" in the film, but after failing to license the track, Fonda asked Roger McGuinn of the Byrds to record a cover version of the song instead. Fonda also wanted Dylan to write the film's theme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roger McGuinn
James Roger McGuinn (born James Joseph McGuinn III; July 13, 1942) is an American musician. He is best known for being the frontman and leader of the Byrds. He was inducted into the Rock and Roll Hall of Fame for his work with the Byrds. As a solo artist he has released 10 albums and collaborated with, among others, Bob Dylan, Tom Petty and Chris Hillman. The 12-string Rickenbacker guitar is his signature instrument. Early life McGuinn was born and raised in Chicago, Illinois, United States, son of James Joseph McGuinn Jr (b. 1909) and Dorothy Irene (b. 1911), daughter of engineer Louis Heyn. His parents worked in journalism and public relations, and during his childhood, they had written a bestseller titled ''Parents Can't Win''. He attended the Latin School of Chicago. He became interested in music after hearing Elvis Presley's "Heartbreak Hotel", and asked his parents to buy a guitar for him. (During the early 1980s, he paid tribute to the song that encouraged him to play gu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Take
A take is a single continuous recorded performance. The term is used in film and music to denote and track the stages of production. Film In cinematography, a take refers to each filmed "version" of a particular shot or "setup". Takes of each shot are generally numbered starting with "take one" and the number of each successive take is increased (with the director calling for "take two" or "take eighteen") until the filming of the shot is completed. Film takes are often designated with the aid of a clapperboard. It is also referred to as the slate. The number of each take is written or attached to the clapperboard, which is filmed briefly prior to or at the beginning of the actual take. Only those takes which are vetted by the continuity person and/or script supervisor are printed and are sent to the film editor. Single-takes A single-take or one-take occurs when the entire scene is shot satisfactorily the first time, whether by necessity (as with certain expensive special e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hit Single
A hit song, also known as a hit record, hit single or simply a hit, is a recorded song or instrumental that becomes broadly popular or well-known. Although ''hit song'' means any widely played or big-selling song, the specific term ''hit record'' usually refers to a single that has appeared in an official music chart through repeated radio airplay audience impressions, or significant streaming data and commercial sales. Historically, before the dominance of recorded music, commercial sheet music sales of individual songs were similarly promoted and tracked as singles and albums are now. For example, in 1894, Edward B. Marks and Joe Stern released ''The Little Lost Child'', which sold more than a million copies nationwide, based mainly on its success as an illustrated song, analogous to today's music videos. Chart hits In the United States and the United Kingdom, a single is usually considered a hit when it reaches the top 40 of the ''Billboard'' Hot 100 or the top 75 of the UK ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overdubbing
Overdubbing (also known as layering) is a technique used in audio recording in which audio tracks that have been pre-recorded are then played back and monitored, while simultaneously recording new, doubled, or augmented tracks onto one or more available tracks of a digital audio workstation (DAW) or tape recorder. The overdub process can be repeated multiple times. This technique is often used with singers, as well as with instruments, or ensembles/orchestras. Overdubbing is typically done for the purpose of adding richness and complexity to the original recording. For example, if there are only one or two artists involved in the recording process, overdubbing can give the effect of sounding like many performers. In vocal performances, the performer usually listens to an existing recorded performance (usually through headphones in a recording studio) and simultaneously plays a new performance along with it, which is also recorded. The intention is that the final mix will contain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempo
In musical terminology, tempo (Italian, 'time'; plural ''tempos'', or ''tempi'' from the Italian plural) is the speed or pace of a given piece. In classical music, tempo is typically indicated with an instruction at the start of a piece (often using conventional Italian terms) and is usually measured in beats per minute (or bpm). In modern classical compositions, a "metronome mark" in beats per minute may supplement or replace the normal tempo marking, while in modern genres like electronic dance music, tempo will typically simply be stated in BPM. Tempo may be separated from articulation and meter, or these aspects may be indicated along with tempo, all contributing to the overall texture. While the ability to hold a steady tempo is a vital skill for a musical performer, tempo is changeable. Depending on the genre of a piece of music and the performers' interpretation, a piece may be played with slight tempo rubato or drastic variances. In ensembles, the tempo is often ind ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terry Melcher
Terrence Paul Melcher (born Terrence Paul Jorden; February 8, 1942 – November 19, 2004) was an American record producer, singer, and songwriter who was instrumental in shaping the mid-to-late 1960s California Sound and folk rock movements. His best-known contributions were producing the Byrds' first two albums ''Mr. Tambourine Man'' (1965) and ''Turn! Turn! Turn!'' (1965), as well as most of the hit recordings of Paul Revere & the Raiders and Gentle Soul. He is also known for his collaborations with Bruce Johnston and for his association with the Manson Family. Melcher was the only child of actress/singer Doris Day; his father was Day's first husband Al Jorden, and he was adopted by her third husband Martin Melcher. Most of his early recordings were with the vocal surf acts the Rip Chords and Bruce & Terry. In the 1960s, Melcher was acquainted with the Beach Boys and later produced several singles for the group in the 1980s and the 1990s, including " Kokomo" (1988), which t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Columbia Records
Columbia Records is an American record label owned by Sony Music, Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of Japanese Conglomerate (company), conglomerate Sony. It was founded on January 15, 1889, evolving from the Graphophone#Commercialization, American Graphophone Company, the successor to the Volta Laboratory and Bureau#Commercialization of phonograph patents, Volta Graphophone Company. Columbia is the oldest surviving brand name in the recorded sound business, and the second major company to produce records. From 1961 to 1991, its recordings were released outside North America under the name CBS Records International, CBS Records to avoid confusion with EMI's Columbia Graphophone Company. Columbia is one of Sony Music's four flagship record labels, alongside former longtime rival RCA Records, as well as Arista Records and Epic Records. Artists who have recorded for Columbia include AC/DC, Adele, Aerosmith, Julie And ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Country Rock
Country rock is a genre of music which fuses rock and country. It was developed by rock musicians who began to record country-flavored records in the late 1960s and early 1970s. These musicians recorded rock records using country themes, vocal styles, and additional instrumentation, most characteristically pedal steel guitars.V. Bogdanov, C. Woodstra and S. T. Erlewine, ''All Music Guide to Rock: The Definitive Guide to Rock, Pop, and Soul'' (Backbeat Books, 3rd ed., 2002), p. 1327. Country rock began with artists like Buffalo Springfield, Michael Nesmith, Bob Dylan, Nitty Gritty Dirt Band, the Byrds, the Flying Burrito Brothers, The International Submarine Band and others, reaching its greatest popularity in the 1970s with artists such as Emmylou Harris, the Eagles, Linda Ronstadt, Michael Nesmith, Poco, Charlie Daniels Band, and Pure Prairie League. Country rock also influenced artists in other genres, including the Band, the Grateful Dead, Creedence Clearwater Revival, the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wasn't Born To Follow
"Wasn't Born to Follow", also known as "I Wasn't Born to Follow", is a song written by Gerry Goffin and Carole King. Goffin wrote the lyrics and King provided the music. The song was first recorded by the Byrds on their 1968 album, ''The Notorious Byrd Brothers''. King's short-lived band the City also recorded the song for their 1968 album, '' Now That Everything's Been Said''. It has also been covered by many other artists, including the Monkees, the Lemon Pipers, Dusty Springfield, and as a solo recording by King. The Byrds recording was featured in the 1969 film ''Easy Rider'' and was released as a single in the UK and Germany in the same year as a result. Lyrics and music The lyrics of "Wasn't Born to Follow" celebrate the freedom that hippies enjoyed in the late 1960s. They express the need for escape and independence. Music critic Johnny Rogan describes the lyrics as an "evocation of pastoral freedom and the implicit desire to escape from the restrictions of conventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil In My Lamp
"Oil in My Lamp", also known as "Give Me Oil in My Lamp" and "Sing Hosanna", is a traditional Christian hymn based on the Parable of the Ten Virgins. The song has been recorded many times and was a hit in Jamaica in 1964 for Eric "Monty" Morris, as well as appearing on The Byrds' 1969 album ''Ballad of Easy Rider'', and also as a single (on the B side of Ballad of Easy Rider, Columbia 44990). Lyrics Verse: Give me oil in my lamp, Keep me burning, Give me oil in my lamp, I pray! Give me oil in my lamp, Keep me burning, Keep me burning Till the break of day. Chorus: Sing hosanna! Sing hosanna! Sing hosanna to the King of kings! Sing hosanna! Sing hosanna! Sing hosanna to the King! The song is sung in verse-chorus format; subsequent verses replace "oil in my lamp" with a different request, with the verb "burning" replaced with an appropriate verb for the request. Thus the second verse runs: "Give me joy in my heart, Keep me singing, Give me joy in my heart, I pray (etc.)", conti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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