|
Ballad Essentials
''Ballad Essentials'' is an album by Susannah McCorkle, released in 2002. Reception Music critic Ronnie D. Lankford of Allmusic praised the album and wrote "For those less familiar with the great vocalist's work, ''Ballad Essentials'' serves as an excellent primer. For fans, the album gathers a dozen similarly toned pieces, or an hour's worth of music, in one place. A fine collection." Track listing Personnel * Susannah McCorkle – vocals * Allen Farnham – piano, arranger, musical director * Conrad Herwig – trombone * Greg Gisbert – flugelhorn * Digby Fairweather – cornet * Duncan Lamont – flute * Chris Potter – flute * Scott Hamilton – tenor saxophone * Ken Peplowski – clarinet * Benny Aronov – piano * Keith Ingham – piano * Howard Alden – guitar * Al Gafa – guitar * Paul Meyers – guitar * Bucky Pizzarelli – guitar * Emily Remler – guitar * Steve Gilmore – bass * Dennis Irwin – bass * Kiyoshi Kitagawa – bass * Steve LaSpina – bass * R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susannah McCorkle
Susannah McCorkle (January 1, 1946 – May 19, 2001) was an American jazz singer. Life and career A native of Berkeley, California, McCorkle studied Italian literature at the University of California at Berkeley before dropping out to move to Europe. She was inspired to become a singer when she heard Billie Holiday sing "I've Got a Right to Sing the Blues". She began her career in the early 1970s by singing at pubs in London with bandleader John Chilton. She also worked in London with Keith Ingham and Dick Sudhalter and recorded her first two albums, one a tribute to Harry Warren, the other to Johnny Mercer. After moving back to the U.S. in the 1970s, she sang at the Cookery in Greenwich Village and the Riverboat in Manhattan. Later in her career she sang often at the Algonquin Hotel. ''No More Blues'' (1989), her first album for Concord Jazz, was recorded with guitarists Emily Remler and Bucky Pizzarelli and pianist Dave Frishberg. Her writing was published in ''Cosmopolitan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Luiz Bonfá
Luiz Floriano Bonfá (17 October 1922 – 12 January 2001) was a Brazilian guitarist and composer. He was best known for the music he composed for the film ''Black Orpheus''. Biography Luiz Floriano Bonfá was born on October 17, 1922, in Rio de Janeiro. He began studying with Uruguayan classical guitarist Isaías Sávio at the age of 11. These weekly lessons entailed a long, harsh commute (on foot, plus two and half hours on train) from his family home in Santa Cruz, in the western rural outskirts of Rio de Janeiro, to the teacher's home in the hills of Santa Teresa. Given Bonfá's extraordinary dedication and talent for the guitar, Sávio excused the youngster's inability to pay for his lessons. Bonfá first gained widespread exposure in Brazil in 1947 when he was featured on Rio's Rádio Nacional, then an important showcase for up-and-coming talent. He was a member of the vocal group Quitandinha Serenaders in the late 1940s. Some of his first compositions such as "Ranchi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conrad Herwig
Lee Conrad Herwig III (born 1959) is an American jazz trombonist from New York City. Biography Herwig began his career in Clark Terry's band in the early 1980s and has been a featured member in the Joe Henderson Sextet, Tom Harrell's Septet and Big Band, and the Joe Lovano Nonet (featured as a soloist on Lovano's '' 52nd Street Themes''). He also performs and records with Eddie Palmieri's La Perfecta II and Afro-Caribbean Jazz Octet, Michel Camilo's 3+3, the Mingus Big Band (often serving as musical director, and was an arranger on the 2007 Grammy nominated ''Live at the Tokyo Blue Note''), the Jon Faddis Jazz Orchestra, and Jeff "Tain" Watts Family Reunion Band, among many others. ''A Voice Through the Door'' on Criss Cross Jazz and ''the Tip of the Sword'' on RadJazz Music featured Richie Beirach and Jack DeJohnette. He has recorded several highly acclaimed projects in the Afro-Caribbean jazz genre, including the Grammy nominated ''the Latin Side of Joe Henderson featuring Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Allen Farnham
Allen Nicholas Farnham (born May 19, 1961) is a record producer, educator, jazz pianist, composer, and arranger. He has recorded several albums under his own name – as a soloist, in a small group, and with a big band. Early life Farnham was born in Boston on May 19, 1961. He "first played piano when he was 12 and in 1983 he graduated from the Oberlin Conservatory of Music in Ohio". Later life and career Farnham moved to New York City in the following year. He played as a freelance, then signed to Concord Records in 1986. "Between 1986 and 1990 he led his own quartet, with either Joe Lovano or Dick Oatts on saxophone and Drew Gress and Jamey Haddad filling out the rhythm section, and from 1990 he was pianist and music director for Susannah McCorkle." Farnham has produced more than 50 albums for Concord. He is a faculty member at New Jersey City University New Jersey City University (NJCU) is a public university in Jersey City, New Jersey. Originally chartered in 1927, and kno ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gordon Jenkins
Gordon Hill Jenkins (May 12, 1910 – May 1, 1984) was an American arranger, composer, and pianist who was influential in popular music in the 1940s and 1950s. Jenkins worked with The Andrews Sisters, Johnny Cash, The Weavers, Frank Sinatra, Louis Armstrong, Judy Garland, Nat King Cole, Billie Holiday, Harry Nilsson, Peggy Lee and Ella Fitzgerald. Biography Career Gordon Jenkins was born in Webster Groves, Missouri. He began his career writing arrangements for a radio Station in St. Louis. He was hired by Isham Jones, the director of a dance band known for its ensemble playing, which gave Jenkins the opportunity to develop his skills in melodic scoring. He also conducted ''The Show Is On'' on Broadway. After the Jones band broke up in 1936, Jenkins worked as a freelance arranger and songwriter, contributing to sessions by Isham Jones, Paul Whiteman, Benny Goodman, Andre Kostelanetz, Lennie Hayton, and others. In 1938, Jenkins moved to Hollywood and worked for Paramount Picture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
It Never Entered My Mind
"It Never Entered My Mind" is a show tune from the 1940 Rodgers and Hart musical '' Higher and Higher'', where it was introduced by Shirley Ross. Notable recordings *Frank Sinatra – ''Frankly Sentimental'' (1949) Originally recorded November 5, 1947, ''In the Wee Small Hours'' (1955), '' She Shot Me Down'' (1981) *Patty Andrews (with Gordon Jenkins and orchestra) (1951) *Julie London – ''Julie Is Her Name'' (1955) *Miles Davis – '' Miles Davis, Volume 3'' (Blue Note 1954) & ''Workin' with the Miles Davis Quintet'' (Prestige 1956) *Ella Fitzgerald – ''Ella Fitzgerald Sings the Rodgers & Hart Songbook'' (1956) *Bud Powell – ''Bud Powell's Moods'' (1956) *Coleman Hawkins and Ben Webster – '' Coleman Hawkins Encounters Ben Webster'' (1957) *Stan Getz – ''Stan Getz and J. J. Johnson at the Opera House'' (1957) *Jeri Southern – ''Southern Hospitality'' (1958) *Stan Getz – '' Jazz Giants '58'' *Sarah Vaughan – '' Sarah Vaughan Sings Broadway: Great Songs from Hit Show ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
There's No Business Like Show Business
"There's No Business Like Show Business" is an Irving Berlin song, written for the 1946 musical '' Annie Get Your Gun'' and orchestrated by Ted Royal. The song, a slightly tongue-in-cheek salute to the glamour and excitement of a life in show business, is sung in the musical by members of ''Buffalo Bill's Wild West'' Show in an attempt to persuade Annie Oakley to join the production. It is reprised three times in the musical. In 1953, Ethel Merman sang the song before a live television audience of 60 million persons, broadcast live over the NBC and CBS networks, as part of ''The Ford 50th Anniversary Show''. Film The song is also featured in the 1954 movie of the same name, where it is notably sung by Ethel Merman as the main musical number. The movie, in which she starred with Marilyn Monroe and was directed by Walter Lang, is essentially a catalog of various Berlin's pieces, in the same way that ''Singin' in the Rain''—which starred Donald O'Connor as well—was a collect ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Irving Berlin
Irving Berlin (born Israel Beilin; yi, ישראל ביילין; May 11, 1888 – September 22, 1989) was a Russian-American composer, songwriter and lyricist. His music forms a large part of the Great American Songbook. Born in Imperial Russia, Berlin arrived in the United States at the age of five. He published his first song, "Marie from Sunny Italy", in 1907, receiving 33 cents for the publishing rights,Starr, Larry and Waterman, Christopher, American Popular Music: From Minstrelsy to MP3, Oxford University Press, 2009, pg. 64 and had his first major international hit, "Alexander's Ragtime Band", in 1911. He also was an owner of the Music Box Theatre on Broadway. For much of his career Berlin could not read sheet music, and was such a limited piano player that he could only play in the key of F-sharp; he used his custom piano equipped with a transposing lever when he needed to play in keys other than F-sharp. "Alexander's Ragtime Band" sparked an international dance craze ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Let's Face The Music And Dance
"Let's Face the Music and Dance" is a song written in 1936 by Irving Berlin for the film ''Follow the Fleet'', where it was introduced by Fred Astaire and featured in a celebrated dance duet with Astaire and Ginger Rogers. The jazz song has also been covered by various artists years following its release, including Nat King Cole, Ella Fitzgerald, Frank Sinatra, Mel Torme, Todd Gordon and others. Background The song was composed and written by Irving Berlin. Berlin's repertoire of Hollywood compositions was growing at the time, as he ‘adapted’ to the trends and ideas in vogue in Hollywood. “Let’s Face the Music and Dance’s” debut as an original song for the Hollywood film, ''Follow the Fleet'', signified the popularisation of jazz, demonstrating a notable example of jazz on the silver screen. This jazz composition adheres to the typical conventions within the genre of jazz in the 1930s paradigm, classed as part of the ‘classical age.' “Let’s Face the Music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rupert Holmes
David Goldstein (born February 24, 1947), better known as Rupert Holmes, is a British-American composer, singer-songwriter, dramatist and author. He is widely known for the hit singles "Escape (The Piña Colada Song)" (1979) and " Him" (1980). He is also known for his musicals ''The Mystery of Edwin Drood'', which earned him two Tony Awards, and ''Curtains'', and for his television series ''Remember WENN''. Life and career Holmes was born David Goldstein in Northwich, Cheshire, England. His father, Leonard Eliot Goldstein, was a United States Army warrant officer and bandleader. His mother, Gwendolen Mary (''née'' Pynn), was English, and both were musical. Holmes has dual British and American citizenship. The family moved when Holmes was six years old to the northern New York City suburb of Nanuet, New York, where Holmes grew up and attended nearby Nyack High School and then the Manhattan School of Music (majoring in clarinet). Holmes's brother, Richard, is the principal lyr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
