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Balinese Theater
Balinese theatre and dramas include Janger dance, pendet dance performances and masked performances of Topèng. Performances are also part of funeral rituals involving a procession, war dance, and other rituals before the cremation of the patulangan. Balinese use the word '' sesolahan'' for both theatre and dance. * Arja (dance), Balinese dance-opera *Barong dance performances featuring Rangda, a dancer with keris, Jero Gede (black masked figures) and Jero Luh (white masked performers) :::Barong Ket: lion barong, the most common Barong, it is the symbol of a good spirit. :::Barong Landung: giant barong, the form is similar to Betawi Ondel-ondel :::Barong Celeng: boar barong :::Barong Macan: tiger barong :::Barong Naga: dragon (or serpent) *Gambuh, plays with chanting and music including the use of long flute like instruments * Topèng, masked theatre * Calonarang, performances at temples during times of danger or difficulty that involve stories * Drama Gong, popular theatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
09 21 07 GAMBUH Budakeling ( 2007 — PICs ) — 02 Condong & Kawan-2
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance In Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folklore Of Indonesia
Folklore of Indonesia is known in Indonesian as ''dongeng'' (), ''cerita rakyat'' () or ''folklor'' (), refer to any folklore found in Indonesia. Its origins are probably an oral culture, with a range of stories of heroes associated with wayang and other forms of theatre, transmitted outside of a written culture. Folklore in Indonesia are closely connected with mythology. Themes Indonesian folklore reflects the diverse culture of Indonesia as well as the diversity of ethnic groups in Indonesia. Many ethnic groups have their own collection of tales and folklores that have been told for generations. The stories are usually told to children as bedtime stories, and have pedagogical values such as kindness, benevolence, modesty, honesty, bravery, patience, persistence, virtue, and morality. For example, one popular theme is "the truth will always prevail, and evil will always be defeated." While most Indonesian folkloric stories have happy endings and 'happily ever after' themes, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Of Indonesia
''Indonesian theatre'' is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia (also called Nusantara). Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 Ethnic groups in Indonesia, ethnic cultures in Indonesia. History Theatre performances in Indonesia have been going on for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary tra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese Dance
Balinese dance ( id, Tarian Bali; ban, ᬇᬕᬾᬮᬦ᭄ᬩᬮᬶ) is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular and intensely expressive. Balinese dancers express the stories of dance-drama through the bodily gestures including gestures of fingers, hands, head and eyes. There is a great richness of dance forms and styles in Bali; and particularly notable are those ritualistic dance dramas which involve Rangda, the witch, and the great beast Barong. Most of the dances in Bali are connected to Hindu or traditional folk rituals, such as the Sanghyang Dedari sacred dance that invoke benevolent hyang spirits, believed to possess the dancers in a trance state during the performance. Other Balinese dances are not linked to religious rituals and are created for certain occasions or purposes, such as the Baris or Pendet welcoming dances and Joged dance, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balinese Art
Balinese art is art of Hindu-Javanese origin that grew from the work of artisans of the Majapahit, Majapahit Kingdom, with their expansion to Bali in the late 14th century. From the sixteenth until the twentieth centuries, the village of Kamasan, Klungkung (East Bali), was the centre of classical Balinese art. During the first part of the twentieth century, new varieties of Balinese art developed. Since the late twentieth century, Ubud and its neighboring villages established a reputation as the center of Balinese art. Ubud and Batuan, Bali, Batuan are known for their paintings, Mas, Indonesia, Mas for their woodcarvings, Celuk for gold and silver smiths, and Batubulan for their stone carvings. Covarrubias describes Balinese art as, "... a highly developed, although informal Baroque folk art that combines the peasant liveliness with the refinement of classicism of Hinduistic Java, but free of the conservative prejudice and with a new vitality fired by the exuberance of the demonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barong Landung
Barong is a panther-like creature and character in the Balinese mythology of Bali, Indonesia. He is the king of the spirits, leader of the hosts of good, and enemy of Rangda, the demon queen and mother of all spirit guarders in the mythological traditions of Bali. The battle between Barong and Rangda is featured in the Barong dance to represent the eternal battle between good and evil. Origin Barong animal mask dance, together with ''sanghyang'' dance are considered native Balinese dances, predating Hindu influences. The native Indonesians of Austronesian heritage often have similar mask dances that represent either ancestral or natural spirits; an example is Dayak's ''Hudoq'' dance or any similar bear worship practice. The term ''barong'' is thought to have been derived from the local term ''bahruang'', which today corresponds to the Indonesian word ''beruang'' which means "bear". It refers to a good spirit, that took the form of an animal as the guardian of forest. In Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bali
Bali () is a province of Indonesia and the westernmost of the Lesser Sunda Islands. East of Java and west of Lombok, the province includes the island of Bali and a few smaller neighbouring islands, notably Nusa Penida, Nusa Lembongan, and Nusa Ceningan to the southeast. The provincial capital, Denpasar, is the most populous city in the Lesser Sunda Islands and the second-largest, after Makassar, in Eastern Indonesia. The upland town of Ubud in Greater Denpasar is considered Bali's cultural centre. The province is Indonesia's main tourist destination, with a significant rise in tourism since the 1980s. Tourism-related business makes up 80% of its economy. Bali is the only Hindu-majority province in Indonesia, with 86.9% of the population adhering to Balinese Hinduism. It is renowned for its highly developed arts, including traditional and modern dance, sculpture, painting, leather, metalworking, and music. The Indonesian International Film Festival is held every year in Bal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karangasem Regency
Karangasem Regency (Indonesian: ''Kabupaten Karangasem'') is a regency (''kabupaten'') of Bali, Indonesia. It covers the east part of Bali, has an area of 839.54 km2 and had a population of 396,487 at the 2010 Census which rose to 492,402 at the 2020 Census. Its regency seat is the town of Amlapura. Karangasem was devastated when Mount Agung erupted in 1963, killing 1,900 people. Karangasem was a kingdom before Bali was conquered by the Dutch. Administrative districts The regency is divided into eight districts (''kecamatan''), tabulated below with their areas and population totals at the 2010 Census and the 2020 Census. The table also includes the number of administrative villages (rural ''desa'' and urban ''kelurahan'') in each district, and its postal codes. Note: (a) including 6 small offshore islands. Tourism Interesting places include: * The major Pura Besakih Hindu temple, sometimes called the Mother Temple of Besakih. * Mount Agung, the highest peak in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenganan
Tenganan Pegringsingan or Pageringsingan is a village in the regency of Karangasem in East Bali, Indonesia. Before the 1970s was known by anthropologists to be a secluded society in the archipelago. Rapid changes have occurred in the village since the 1970s, such as the development of local communications by the central government, the opening up to tourism, the breaking of the endogamic rules. Tourists are attracted to Tenganan by its unique Bali Aga culture that still holds to the original traditions, ceremonies and rules of ancient Balinese, and its unique village layout and architecture. It is known for its ''gamelan'' ''selunding'' or Gambelan selonding music played on iron metalophones and ''gringsing'' or geringsing double ikat textiles woven in only 3 places in the world. Historical legend of Tenganan Pegringsingan According to legend, the people of Tenganan Pegringsingan were selected by the Hindu god of storms and warfare Indra to administer a territory that was con ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pandan War
Perang pandan (lit. pandan battle) is a Balinese tradition of ritual combat with clubs made of pandan (Pandanus amaryllifolius). It is known in the Balinese language as ''mageret pandan'' or ''makare-kare''. Perang pandan is practiced by the Bali Aga population of Tenganan village in Karangasem Regency, Indonesia. The people of Tenganan are devotees of the deity Indra. To honour Indra as a warrior god, many major religious festivals in Tenganan involve a ritualistic battle. Legend The tradition of mageret pandan is said to have originated from Hindu mythology about King Maya Denawa and Indra. King Maya Denawa claimed himself a god greater than the entire Hindu pantheon. He forbade the people from performing their religious ceremonies, which angered the gods. Indra himself fought and defeated Maya Denawa for his blasphemy, and their battle was commemorated through mageret pandan ritual. Rituals Among Tenganan people, mageret pandan is part of a month-full ceremony called 'Usabha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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