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Baksa Kembang
Baksa Kembang is one of the classical Banjar dances originating from South Kalimantan, Indonesia, which functions as a welcoming dance () for guests. This dance is usually played by female dancers with the condition that the number of dancers must be odd. Baksa Kembang was originally a dance that was only performed in the royal environment to welcome guests of honor or royal relatives. But along with developments, this dance became popular in the community when the Sultanate of Banjar began to open access for the public to watch this dance performance, so the Baksa kembang became popular in the community and became one of the regional cultures in South Kalimantan. Performance Baksa Kembang dancers are equipped with a scarf () that is used to dance so that when dancing they look elegant and charming. One of the characteristics of the Baksa Kembang dance costume is the crown on its head called the ''gajah gemuling'', which is a crown decorated with two small bogam flowers and wove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scarf
A scarf, plural ''scarves'', is a piece of fabric worn around the neck or head for warmth, sun protection, cleanliness, fashion, religious reasons, or used to show the support for a sports club or team. They can be made in a variety of different materials such as wool, linen, silk or cotton. It is a common type of neckwear. History Scarves have been worn since ancient times. In 1350BC Ancient Egypt, Queen Nefertiti is said to have worn a tightly-woven headscarf, and the Statue of Ashurnasirpal II from the 9th century BC features the emperor wearing a shawl. In Ancient Rome, the garment was used to keep clean rather than warm. It was called a focale or ''sudarium'' (sudarium from the Latin for "sweat cloth"), and was used to wipe the sweat from the neck and face in hot weather. They were originally worn by men around their neck or tied to their belt. Historians believe that during the reign of the Chinese Emperor Cheng, scarves made of cloth were used to identify officers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gambyong
Gambyong ( jv, ꦒꦩ꧀ꦧꦾꦺꦴꦁ) is a traditional Javanese dance originating from Surakarta, Central Java, Indonesia. It has existed since ancient times, and began to be displayed at the Mangkunegaran Palace in the era of 1916 to 1944. Gambyong became famous for its smooth and graceful dance moves that amazed the audience who saw it. History The Serat Centini, a Javanese book written during the reigns of Pakubuwana IV (1788-1820) and Pakubuwana V (1820-1823), mentioned the existence of gambyong as a tledhek dance. At that time, one of the dance stylists in the reign of Pakubuwana IX (1861-1893) named K.R.M.T. Wreksadiningrat worked on this folk dance so that it was appropriate to be performed among the nobles or aristocrats. This refined folk dance became popular and was usually performed in front of guests at the Mangkunegaran Palace. An important change in Gambyong Dance occurred when in 1950, Nyi Bei Mintoraras, a dance trainer from the Mangkunegaran Palace durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Srimpi
The Srimpi ( jv, ꦱꦿꦶꦩ꧀ꦥꦶ, translit=Srimpi) (also written as Serimpi) is a ritualised dance of Java, Indonesia, associated with the royal palaces of Yogyakarta and Surakarta. The ''srimpi'' dance is one of the classical dances of Central Java. Along with the '' bedhaya'', ''srimpi'' epitomised the elegant ( jv, script=Latn, alus) character of the royal Javanese court, becoming a symbol of the ruler's power as well as the refinement of Javanese culture. Form and movement The ''srimpi'' dance is usually performed by four female dancers, however other numbers such as two, six or eight dancers is also possible, depending on the type of ''srimpi'' being performed. Similarity in looks, height and body type among dancers is preferred to achieve better aesthetics. ''Srimpi'' demonstrate soft, slow and graceful movements, highly stylised hand positions, stances and body poses, coupled with the shoulder-baring ''kemben'' outfit, to describe elegance, modesty, refinement, bea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cananga Odorata
''Cananga odorata'', known as ylang-ylang ( ) or cananga tree, is a tropical tree that is native to the Philippines, Malaysia, Indonesia, New Guinea, the Solomon Islands, and Queensland, Australia. It is also native to parts of Thailand and Vietnam. It is valued for the essential oils extracted from its flowers (also called "ylang-ylang"), which has a strong floral fragrance. Ylang-ylang is one of the most extensively used natural materials in the perfume industry, earning it the name "Queen of Perfumes". The ylang-ylang vine (''Artabotrys odoratissimus'') and climbing ylang-ylang (''Artabotrys hexapetalus'') are woody, evergreen climbing plants in the same family. ''Artabotrys odoratissimus'' is also a source of perfume. Etymology and nomenclature The name ''ylang-ylang'' is the Spanish spelling of the Tagalog term for the tree, - a reduplicative form of the word , meaning "wilderness", alluding to the tree's natural habitat. A common mistranslation is "flower of flowers". ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Magnolia × Alba
''Magnolia'' × ''alba'', also known as the white champaca, white sandalwood, or white jade orchid tree, is a flowering plant of hybrid origin that is commonly cultivated in Southeast Asia and tropical regions of East Asia. Although the exact origin is uncertain, it is considered to be a hybrid of '' Magnolia champaca'' and '' Magnolia montana''. Names The current name of the white champaca is derived from its local name in Indonesian, ''Cempaka Putih''. The white champaca is known by various names in English including ''pak lan'' in Hawaii like Cantonese transcription of 白蘭. Horticultural trade names used in the United States include the taxonomic synonym ''Michelia alba'' to fanciful ones such as 'white fragrant himalayan champaca'. Names in other languages include ''kantil'' in Javanese. In Taiwan, the tree and specifically the flower, is known as 玉蘭花 (yü lan hua). Description ''Magnolia'' × ''alba'' matures to 30 meters with evergreen leaves; the flowers have ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jasmine
Jasmine ( taxonomic name: ''Jasminum''; , ) is a genus of shrubs and vines in the olive family (Oleaceae). It contains around 200 species native to tropical and warm temperate regions of Eurasia, Africa, and Oceania. Jasmines are widely cultivated for the characteristic fragrance of their flowers. A number of unrelated plants contain the word "jasmine" in their common names (see Other plants called "jasmine"). Description Jasmine can be either deciduous (leaves falling in autumn) or evergreen (green all year round), and can be erect, spreading, or climbing shrubs and vines. Their leaves are borne in opposing or alternating arrangement and can be of simple, trifoliate, or pinnate formation. The flowers are typically around in diameter. They are white or yellow, although in rare instances they can be slightly reddish. The flowers are borne in cymose clusters with a minimum of three flowers, though they can also be solitary on the ends of branchlets. Each flower has about four t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roses
A rose is either a woody perennial flowering plant of the genus ''Rosa'' (), in the family Rosaceae (), or the flower it bears. There are over three hundred species and tens of thousands of cultivars. They form a group of plants that can be erect shrubs, climbing, or trailing, with stems that are often armed with sharp prickles. Their flowers vary in size and shape and are usually large and showy, in colours ranging from white through yellows and reds. Most species are native to Asia, with smaller numbers native to Europe, North America, and northwestern Africa. Species, cultivars and hybrids are all widely grown for their beauty and often are fragrant. Roses have acquired cultural significance in many societies. Rose plants range in size from compact, miniature roses, to climbers that can reach seven meters in height. Different species hybridize easily, and this has been used in the development of the wide range of garden roses. Etymology The name ''rose'' comes from Lat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sultanate Of Banjar
Sultanate of Banjar or Sultanate of Banjarmasin ( Banjar: كسلطانن بنجر, Kasultanan Banjar) was a sultanate located in what is today the South Kalimantan Province of Indonesia. For most of its history, its capital was at Banjarmasin. History The second king of Negara Daha, Maharaja Sukarama had four commoner wives, and four sons and one daughter. As Maharaja Sukarama followed the traditional belief of Negara Dipa requiring the king had to be of royal blood, arranged marriage of his sole daughter, Putri Galuh Baranakan and the son of his brother, Raden Bagawan, with the name Raden Mantri. The result this union (of Mantri and Galuh) will produce the ideal heir to rule Daha as they would have patrilineal and matrilineal royal blood. This union result in Raden Samudra who was prepared by Sukarama to rule. However after Sukarama's death this succesion was challenged by his sons, Pangeran Mangkubumi dan Pangeran Tumanggung who usurped the throne. Raden Samudra, escap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gamelan
Gamelan () ( jv, ꦒꦩꦼꦭꦤ꧀, su, ᮌᮙᮨᮜᮔ᮪, ban, ᬕᬫᭂᬮᬦ᭄) is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called '' kendhang/Kendang'', which register the beat. The kemanak (a banana-shaped idiophone) and gangsa (another metallophone) are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a ''rebab'', a zither-like instrument ''siter'' (in Javanese ensemble) and vocalists named '' sindhen'' (female) or ''gerong'' (male).Sumarsam (1998)''Introduction to Javanese Gamelan'' Middletown. Although the popularity of gamelan has declined since the introduction of pop music, gamelan is still commonly played in many traditional ceremonies and other modern activities in Indonesia, b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
South Kalimantan
South Kalimantan ( id, Kalimantan Selatan) is a Provinces of Indonesia, province of Indonesia. It is the smallest province in Kalimantan, the Indonesian territory of Borneo. The provincial capital was Banjarmasin until 15 February 2022 when it was Law on South Kalimantan province, legally moved to Banjarbaru. The population of South Kalimantan was recorded at just over 3.625 million people at the 2010 Census, Sultanate era The Banjar Sultanate began experiencing its heyday in the first decade of the 17th century with Black pepper, pepper as a commodity of trade, practically southwest, southeast and east of the island of Borneo paying tribute to the Sultanate . Previously, the Banjar Sultanate paid tribute to the Demak Sultanate, but after the fall of the Demak Sultanate and the rise of the Kingdom of Pajang, Pajang Sultanate, the Banjar Sultanate no longer sent tribute to Java. The supremacy of Java against Banjarmasin, was carried out again by Tuban in 1615 to conquer B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance In Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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