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Baglione Carradoli
Giovanni Baglione (1566 – 30 December 1643) was an Italian Late Mannerist and Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase in the 1610s, Baglione's final ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottavio Leoni
Ottavio Leoni (1578 – 1630) was an Italian painter and printmaker of the early-Baroque, active mainly in Rome. Life Ottavio Leoni (sometimes spelled 'Lioni'), draughtsman and engraver was in his day the most fashionable portraitist in Rome. He is sometimes also referred to as the Cavaliere Ottavio, il Padovano, il Padovanino or Cavaliere Padovano . He was born in Rome, where he first trained with his father, Lodovico Leoni. He painted altarpieces for churches in Rome such as an ''Annunciation'' for Sant'Eustachio and a ''Virgin and child with St. Giacinto'' for Santa Maria della Minerva, and a ''Saints Charles, Francis, & Nicholas'' for Sant’ Urbano. He became a member, and later president, of the Accademia di San Luca and a Cavalieri of the Order of Christ, on which occasion he presented the church of the Academy the ''Martyrdom of St. Martina''. He died in Rome. Ottavio Leoni was also the engraver of a set of portraits of painters. His portrait of Michelangelo Merisi Ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinando Gonzaga, Duke Of Mantua
Ferdinand I Gonzaga (26 April 1587 – 29 October 1626) was Duke of Mantua and Duke of Montferrat from 1612 until his death. Biography Born in Mantua, he was the son of Vincenzo I and Eleonora de' Medici. He was appointed a cardinal at the age of 20. A few years after his elder brother, Duke Francesco IV, died in 1612 without male heirs, he renounced the ecclesiastical career and succeeded his brother in both the Duchy of Mantua and the Duchy of Montferrat. In 1616 he secretly married Camilla Faà di Bruno, whom he divorced in the same year. Their son Francesco Giacinto Teodoro Giovanni Gonzaga, although accepted at court, was not made Ferdinando's heir. He died of the plague during the 1630 siege of Mantua. On 16 February 1617 he married Catherine de' Medici (1593–1629), the daughter of Ferdinand I, Grand Duke of Tuscany. Ferdinand Gonzaga died in 1626. His younger brother Vincenzo II inherited the duchy. Family In 1616 he married Camilla Faà di Bruno, they had: *Fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galleria Nazionale D'Arte Antica
The Galleria Nazionale d'Arte Antica or National Gallery of Ancient Art is an art museum in Rome, Italy. It is the principal national collection of older paintings in Rome – mostly from before 1800; it does not hold any antiquities. It has two sites: the Palazzo Barberini and the Palazzo Corsini. Design The Palazzo Barberini was designed for Pope Urban VIII, a member of the Barberini family, by the sixteenth-century architect Carlo Maderno on the old location of Villa Sforza. Its central salon ceiling was decorated by Pietro da Cortona with the visual panegyric of the '' Allegory of Divine Providence and Barberini Power''. Paletti Corsini The Palazzo Corsini, formerly known as Palazzo Riario, is a fifteenth-century palace, rebuilt in the eighteenth century by the architect Ferdinando Fuga for Cardinal Neri Maria Corsini. See also * Paintings in the Galleria Nazionale d'Arte Antica References External links * * Arte Antica National museums of Italy Ancient ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gemäldegalerie, Berlin
The Gemäldegalerie (, ''Painting Gallery'') is an art museum in Berlin, Germany, and the museum where the main selection of paintings belonging to the Berlin State Museums (''Staatliche Museen zu Berlin'') is displayed. It was first opened in 1830, and the current building was completed in 1998. It is located in the Kulturforum museum district west of Potsdamer Platz. It holds one of the world's leading collections of European paintings from the 13th to the 18th centuries. Its collection includes masterpieces from such artists as Albrecht Dürer, Lucas Cranach, Hans Holbein, Rogier van der Weyden, Jan van Eyck, Raphael, Botticelli, Titian, Caravaggio, Peter Paul Rubens, David Teniers the Younger, Rembrandt, Johannes Vermeer, Thomas Gainsborough, Joshua Reynolds and Antonio Viviani. Collection The Gemäldegalerie prides itself on its scientific methodology in collecting and displaying art. Each room can be taken in as a single statement about one to five artists ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor Vincit Omnia (Caravaggio)
''Amor Vincit Omnia'' ("Love Conquers All" in Latin, known in English by a variety of names including ''Amor Victorious'', ''Victorious Cupid'', ''Love Triumphant'', ''Love Victorious'', or ''Earthly Love'') is a painting by the Italian Baroque artist Caravaggio. ''Amor Vincit Omnia'' shows Amor, the Roman Cupid, wearing dark eagle wings, half-sitting on or climbing down from what appears to be a table. Scattered around are the emblems of all human endeavors – violin and lute, armor, coronet, square and compasses, pen and manuscript, bay leaves, and flower, tangled and trampled under Cupid's foot. The painting illustrates the line from Virgil's ''Eclogues'', ''Omnia Vincit Amor et nos cedamus amori'' ("Love conquers all; let us all yield to love"). A musical manuscript on the floor shows a large "V". It has therefore been suggested also that the picture is a reference to the achievements of Marchese Vincenzo Giustiniani. Giustiniani is said to have prized it above all other ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amor Vincet Omnia
Amor ("love" in Latin, Spanish and Portuguese) may refer to: Music Albums * ''Amor'' (Julio Iglesias album), 1982 * ''Amor'' (Andrea Bocelli album), 2006 Songs * "Amor" (Los Auténticos Decadentes song), 2000 * "Amor" (Cristian Castro song), 1995 * "Amor" (Gabriel Ruiz song), recorded by Bing Crosby in 1944, Ben E. King in 1961, and Luis Miguel in 2001 * "Amor" (Ricky Martin song), 2001 Other uses * Amor (name), a list of notable people with the name * Amor, the Roman deity Cupid *The land of the ancient Amorites, also known as Amurru *1221 Amor, an asteroid *Amor asteroid, a group of near-Earth asteroids named after 1221 Amor *Amor (automobile), a German car * ''Amor Vincit Omnia'' (Caravaggio), 17th-century painting * ''Amor'' (film), a 1940 Argentine comedy film * WPAT-FM, branded as ''93.1 Amor'', a radio station in Paterson, New Jersey * WAMR-FM, branded as ''107.5 Amor'',a radio station in Miami,Florida See also *Amor Amor (other) *Amora (other) *Amore (d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vasari
Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculptors, and Architects'', considered the ideological foundation of all art-historical writing, and the basis for biographies of several Renaissance artists, including Leonardo da Vinci and Michelangelo. Vasari designed the ''Tomb of Michelangelo'' in the Basilica of Santa Croce, Florence that was completed in 1578. Based on Vasari's text in print about Giotto's new manner of painting as a ''rinascita'' (rebirth), author Jules Michelet in his ''Histoire de France'' (1835) suggested adoption of Vasari's concept, using the term ''Renaissance'' (rebirth, in French) to distinguish the cultural change. The term was adopted thereafter in historiography and still is in use today. Life Vasari was born prematurely on 30 July 1511 in Arezzo, Tuscany. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Battista Passeri
Giovanni Battista Passeri (c. 1610 – 22 April 1679) was an Italian painter of the Baroque period. He was a pupil of the painter Domenichino, as the latter worked at Frascati. He painted genre and still life paintings. Life Born in Rome, Passeri is also known for his volume of artists' biographies, or ''Lives of the painters sculptors, and architects who practiced in Rome, and died between 1641 and 1673'', published in 1773. Passeri became director or president of the Accademia di San Luca in Rome, which once had his portrait of Domenichino, now in Florence. He was also the author of ''Il silenzio, discorso sopra la pittura'' (Rome, 1670) and ''La fantasia, discorso accademico'' (Rome, 1673). These publications are based on Passeri's lectures on art theory, which he delivered between 1662/3 and 1675 at the Accademia di S Luca. Another lecture remained unpublished.Dieter Graf. "Passeri." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 Feb. 2016. He d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bellori
Giovanni Pietro Bellori (15 January 1613 – 19 February 1696), also known as Giovan Pietro Bellori or Gian Pietro Bellori, was an Italian painter and antiquarian, but, more famously, a prominent biographer of artists of the 17th century, equivalent to Giorgio Vasari in the 16th century. His ''Lives of the Artists'' (''Vite de' Pittori, Scultori et Architetti Moderni''), published in 1672, was influential in consolidating and promoting the theoretical case for classical idealism in art. «Bellori is the "predecessor of Winckelmann" not only as an antiquarian but also as an art theorist. Winckelmann's theory of the "ideally beautiful" as he expounds it in ''Geschichte der Kunst des Altertums'', IV.2.33 ff., thoroughly agrees—except for the somewhat stronger Neoplatonic impact, which is to be explained perhaps more as an influence of Raphael Mengs than as an influence of Shaftesbury—with the content of Bellori's ''Idea'' (to which Winckelmann also owes his acquaintance with th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists In Biographies By Giovanni Baglione
''Le Vite de’ Pittori, Scultori et Architetti. Dal Pontificato di Gregorio XII del 1572 in fino a’ tempi di Papa Urbano VIII nel 1642'' ("Lives of the painters, sculptors, architects, from the papacies of Gregory XII in 1572 to Urban VIII in 1642") is an art history book by Giovanni Baglione, first published in 1642. It represents an encyclopedic compendium of biographies of the artists active in Rome during late Mannerism and early Baroque. Baglione (1566 – 1643) was a Late Mannerist and Early Baroque painter and art historian, best remembered for his writings and his acrimonious involvement with the artist Caravaggio, by whom he was nonetheless greatly influenced. The book was first published in 1642, with a final version published in Naples in 1733, long after Baglione's death, with a biography of Salvator Rosa by Giovanni Battista Passeri as an appendix. The poet Ottavio Tronsarelli may have contributed a good deal of the text. The biographies are structured ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baglione
Giovanni Baglione (1566 – 30 December 1643) was an Italian Mannerism, Late Mannerist and Baroque, Early Baroque painter and art historian. He is best remembered for his acrimonious and damaging involvement with the slightly younger artist Caravaggio and his important collection of biographies of the other artists working in Rome in his lifetime, although there are many works of his in Roman churches and galleries and elsewhere. Life He was born and died in Rome, but from his own account came from a noble family of Perugia. A pupil of the obscure Florentine artist working in Rome, Francesco Morelli (not to be confused with the later French-Italian engraver Francesco Morelli), he worked mainly in Rome, initially with a late-Mannerism, Mannerist style influenced by Giuseppe Cesari (or the "Cavaliere d'Arpino"). After an ''intermezzo Caravaggesco'' when he was heavily influenced by the young Caravaggio in the early years of the new century, and a Bolognese-influenced phase i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Baglione - The Divine Eros Defeats The Earthly Eros - Google Art Project
Giovanni may refer to: * Giovanni (name), an Italian male given name and surname * Giovanni (meteorology), a Web interface for users to analyze NASA's gridded data * ''Don Giovanni'', a 1787 opera by Wolfgang Amadeus Mozart, based on the legend of Don Juan * Giovanni (Pokémon), boss of Team Rocket in the fictional world of Pokémon * Giovanni (World of Darkness), a group of vampires in ''Vampire: The Masquerade/World of Darkness'' roleplay and video game * "Giovanni", a song by Band-Maid from the 2021 album ''Unseen World'' * ''Giovanni's Island'', a 2014 Japanese anime drama film * ''Giovanni's Room'', a 1956 novel by James Baldwin * Via Giovanni, places in Rome See also * * *Geovani *Giovanni Battista *San Giovanni (other) *San Giovanni Battista (other) San Giovanni Battista is the Italian translation of Saint John the Baptist. It may also refer to: Italian churches * San Giovanni Battista, Highway A11, a church in Florence, Italy * San Giovanni Battista, Pra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
