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Bad Painting
"Bad" Painting is the name given by critic and curator Marcia Tucker to a trend in American figurative painting in the 1970s. Tucker curated an exhibition of the same name at the New Museum of Contemporary Art, New York, featuring the work of fourteen artists mostly unknown in New York at the time. The exhibition ran from January 14 to February 28, 1978. Tucker defined "Bad" Painting as a focused or deliberate disrespect for recent styles of painting, not the more common sense of technical incompetence, poor artistic judgement, or amateur or outsider dabbling. The press release for the exhibition summarized "Bad" Painting as "an ironic title for 'good painting', which is characterized by deformation of the figure, a mixture of art-historical and non-art resources, and fantastic and irreverent content. In its disregard for accurate representation and its rejection of conventional attitudes about art, 'bad' painting is at once funny and moving, and often scandalous in its scorn for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marcia Tucker
Marcia Tucker (born Marcia Silverman; April 11, 1940 – October 17, 2006)Smith, Roberta ''The New York Times'' (October 19, 2006), Retrieved 23 November 2014. was an American art historian, art critic and curator. In 1977 she founded the New Museum of Contemporary Art, a museum dedicated to innovative art and artistic practice in New York City, which she ran as the director until 1999. Early life and education Marcia Tucker was born on April 11, 1940, in Brooklyn, New York.Rourke, Mary"Obituaries - Marcia Tucker" ''Los Angeles Times'', Retrieved 23 November 2014. In 1961 she earned a Bachelor of Arts degree from Connecticut College, where she studied theatre and art. Tucker spent her junior year studying at the École du Louvre, in Paris. Her first job was as a secretary of the Museum of Modern Art; however, she soon quit after being asked to sharpen too many pencils. Career In 1969, Tucker became the Curator of Painting and Sculpture at the Whitney Museum of American Art. She ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philip Guston
Philip Guston (born Phillip Goldstein, June 27, 1913 – June 7, 1980), was a Canadian American painter, printmaker, muralist and draftsman. Early in his five decade career, muralist David Siquieros described him as one of "the most promising painters in either the US or Mexico," in reference to his antifascist fresco ''The Struggle Against Terror,'' which "includes the hooded figures that became a lifelong symbol of bigotry for the artist." "Guston worked in a number of artistic modes, from Renaissance-inspired figuration to formally accomplished abstraction," and is now regarded one of the "most important, powerful, and influential American painters of the last 100 years." He also frequently depicted racism, antisemitism, fascism and American identity, as well as, especially in his later most cartoonish and mocking work, the banality of evil. In 2013, Guston's painting ''To Fellini'' set an auction record at Christie's when it sold for $25.8 million. A founding figure in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William T
William is a male given name of Germanic origin.Hanks, Hardcastle and Hodges, ''Oxford Dictionary of First Names'', Oxford University Press, 2nd edition, , p. 276. It became very popular in the English language after the Norman conquest of England in 1066,All Things William"Meaning & Origin of the Name"/ref> and remained so throughout the Middle Ages and into the modern era. It is sometimes abbreviated "Wm." Shortened familiar versions in English include Will, Wills, Willy, Willie, Bill, and Billy. A common Irish form is Liam. Scottish diminutives include Wull, Willie or Wullie (as in Oor Wullie or the play ''Douglas''). Female forms are Willa, Willemina, Wilma and Wilhelmina. Etymology William is related to the given name ''Wilhelm'' (cf. Proto-Germanic ᚹᛁᛚᛃᚨᚺᛖᛚᛗᚨᛉ, ''*Wiljahelmaz'' > German ''Wilhelm'' and Old Norse ᚢᛁᛚᛋᛅᚼᛅᛚᛘᛅᛋ, ''Vilhjálmr''). By regular sound changes, the native, inherited English form of the name shoul ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Outsider Art
Outsider art is art made by self-taught or supposedly naïve artists with typically little or no contact with the conventions of the art worlds. In many cases, their work is discovered only after their deaths. Often, outsider art illustrates extreme mental states, unconventional ideas, or elaborate fantasy worlds. The term ''outsider art'' was coined in 1972 as the title of a book by art critic Roger Cardinal. It is an English equivalent for ''art brut'' (, "raw art" or "rough art"), a label created in the 1940s by French artist Jean Dubuffet to describe art created outside the boundaries of official culture. Dubuffet focused particularly on art by those on the outside of the established art scene, using as examples psychiatric hospital patients, hermits, and spiritualists.Cardinal, Roger (1972). ''Outsider Art''. New York: Praeger. pp. 24–30.Bibliography The 20th Century Art Book. New York, NY: Phaidon Press, 1996. Outsider art has emerged as a successful art marketing ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naïve
Naivety (also spelled naïvety), naiveness, or naïveté is the state of being naive. It refers to an apparent or actual lack of experience and sophistication, often describing a neglect of pragmatism in favor of moral idealism. A ''naïve'' may be called a ''naïf''. Etymology In its early use, the word ''naïve'' meant "natural or innocent", and did not connote ineptitude. As a French adjective, it is spelled ''naïve'', for feminine nouns, and ''naïf'', for masculine nouns. As a French noun, it is spelled ''naïveté''. It is sometimes spelled "naïve" with a diaeresis, but as an unitalicized English word, "naive" is now the more usual spelling. "naïf" often represents the French masculine, but has a secondary meaning as an artistic style. “Naïve” is pronounced as two syllables, in the French manner, and with the stress on the second one. Culture The naïf appears as a cultural type in two main forms. On the one hand, there is 'the satirical naïf, such as Candide'. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stylized Painting
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrative, s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roy Lichtenstein
Roy Fox Lichtenstein (; October 27, 1923 – September 29, 1997) was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist among others, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City. ''Whaam!'' and '' Drowning Girl'' are generally regarded as Lichtenstein's most famous works. ''Drowning Girl'', ''Whaam!,'' and ''Look Mickey'' are regarded as his most influential works. His most expensive piece is '' Masterpiece'', which was sold for $165 million ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Warhol
Andy Warhol (; born Andrew Warhola Jr.; August 6, 1928 – February 22, 1987) was an American visual artist, film director, and producer who was a leading figure in the visual art movement known as pop art. His works explore the relationship between artistic expression, advertising, and celebrity culture that flourished by the 1960s, and span a variety of media, including painting, silkscreening, photography, film, and sculpture. Some of his best-known works include the silkscreen paintings '' Campbell's Soup Cans'' (1962) and ''Marilyn Diptych'' (1962), the experimental films ''Empire'' (1964) and ''Chelsea Girls'' (1966), and the multimedia events known as the '' Exploding Plastic Inevitable'' (1966–67). Born and raised in Pittsburgh, Warhol initially pursued a successful career as a commercial illustrator. After exhibiting his work in several galleries in the late 1950s, he began to receive recognition as an influential and controversial artist. His New York studio, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Funk Art
Funk art is an American art movement that was a reaction against the nonobjectivity of abstract expressionism. An anti-establishment movement, Funk art brought figuration back as subject matter in painting again rather than limiting itself to the non-figurative, abstract forms that abstract expressionists such as Jackson Pollock and Mark Rothko were depicting. The movement's name was derived from the jazz musical term "funky", describing the passionate, sensuous, and quirky. During the 1920s, jazz was thought of as very basic, unsophisticated music, and many people believed Funk was an unrefined style of art as well. The term funk also had negative connotations because the word had an association with a foul odor. Throughout the 1960s and 1970s, Funk was a popular art form, mainly in California's Bay Area in the United States. Although discussed as a cohesive movement, Funk artists did not feel as if they belonged to a collective art style or group.Karlstrom, Paul J. ''Peter Selz: ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Hairy Who
The Chicago Imagists are a group of representational artists associated with the School of the Art Institute of Chicago who exhibited at the Hyde Park Art Center in the late 1960s. Their work was known for grotesquerie, Surrealism and complete indifference to New York art world trends. Critic Ken Johnson referred to Chicago Imagism as "the postwar tradition of fantasy-based art making."Ken Johnson, "ART IN REVIEW; Ray Yoshida," The New York Times, September 17, 1999 Senior ''Chicago'' magazine editor Christine Newman said, "Even with the Beatles and the Vietnam War in the forefront, the artists made their own way, staking out their time, their place, and their work as an unforgettable happening in art history." The Imagists had an unusually high proportion of female artists. There are three distinct groups which, outside of Chicago, are indiscriminately bundled together as Imagists: The Monster Roster, The Hairy Who, and The Chicago Imagists. The Monster Roster The Monster Rost ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pattern And Decoration
Pattern and Decoration was a United States art movement from the mid-1970s to the early 1980s. The movement has sometimes been referred to as "P&D" or as The New Decorativeness. The movement was championed by the gallery owner Holly Solomon. The movement was the subject of a retrospective exhibition at the Hudson River Museum in 2008. Background and influences The Pattern and Decoration movement consisted of artists, many of whom had art education backgrounds, who had been involved with the abstract schools of art of the 1960s. The westernised, male dominated climate of artistic thought throughout Modernism had led to a marginalisation of what was considered non-Western and feminine. The P&D movement wanted to revive an interest in minor forms such as patterning which at that point was equated with triviality. The prevailing negative view of decoration was one not generally shared by non-Western cultures. The Pattern and Decoration movement was influenced by sources outside of w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
