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Backstage (album)
''Backstage'' is the fifth album by American singer-actress Cher, released in July 1968 by Imperial Records. This album was her first commercial failure, failing to chart. The album is by-and-large a covers album. Album information ''Backstage'' was released in 1968, was produced once again by Sonny Bono with Denis Pregnolato and Harold R. Battiste Jr. and was Cher's last album on the Liberty Records subsidiary, Imperial Records. The album was not a success and was her first to produce no hit singles.http://chernews.blogspot.com/p/biography-page-i.html "The Click Song" and "Take Me For A Little While" were released as singles, but they did not chart. Ten of the 12 tracks were also issued in 1970 as an LP on Sunset Records (Liberty Records' budget subsidiary) as ''This Is Cher'' (the songs "A House is Not a Home" and "Song Called Children" were not included). In this year Cher recorded also others two songs: "Yours Until Tomorrow" and "The Thought Of Loving You". "Yours Un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Manhã De Carnaval
"Manhã de Carnaval" ("Carnival Morning") is a song by Brazilian composer Luiz Bonfá and lyricist Antônio Maria. "Manhã de Carnaval" appeared as a principal theme in the 1959 Portuguese-language film ''Orfeu Negro'' by French director Marcel Camus. The film's soundtrack also included songs by Antônio Carlos Jobim and Vinícius de Moraes, as well as the composition by Bonfá "Samba de Orfeu". "Manhã de Carnaval" appears in the film, including versions sung or hummed by both the principal characters (Orfeu and Euridice), as well as an instrumental version, so that the song has been described as the main musical theme of the film. In the portion of the film in which the song is sung by the character Orfeu, portrayed by Breno Mello, the song was dubbed by Agostinho dos Santos. The song was initially rejected for inclusion in the film by Camus, but Bonfá was able to convince the director that the music for ''Manhã de Carnaval'' was superior to the song Bonfá composed as a replace ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Click Song
''Qongqothwane'' is a traditional song of the Xhosa people of South Africa. It is sung at weddings to bring good fortune. In the western world it is mainly known as ''The Click Song''. The Xhosa title literally means "knock-knock beetle", which is a popular name for various species of darkling beetles that make a distinctive knocking sound by tapping their abdomens on the ground. These beetles are believed by the Xhosa to bring good luck and rain. The song is known world-wide thanks to the interpretation of South African singer Miriam Makeba (herself a Xhosa). In her discography the song appears in several versions, both with the title ''Qongqothwane'' and as ''The Click Song''. More information on the song can be found in Makeba's book ''The World of African Song'' (Chicago: Quadrangle Books, 1971), including the following translation: "The doctor of the road is the beetle / He climbed past this way / They say it is the beetle / Oh! It is the beetle." She explains the song as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trade Martin
Trade Martin is an American musician, songwriter and producer. Martin worked with Johnny Power in the late 1950s, recording as Johnny & the Jokers and together launching the label Rome Records, active from 1960 to 1962. The label signed the groups The Earls, Del & the Escorts, and The Glens. On many of these recordings, Martin played all of the backing instruments, overdubbing them track by track.Biography Allmusic.com Martin also released some solo material on Coed Records, including the 1962 hit "That Stranger Used to Be My Girl", a #28 hit on the ''Billboard'' Hot 100 in 1962. He released several further singles on Roulette Records and other labels in the 1960s and an LP entitled ''Let Me Touch You'' on Buddah Records in 1972. Martin spent nearly thirty years in production and arrangement, doing work from the 1960s girl group era through to 1980s pop. Among his credits are songs by Eric Andersen, Ellie Greenwich, Lesley Gore, The Tokens, Ian & Sylvia, Ricky Nelson, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hal David
Harold Lane David (May 25, 1921 – September 1, 2012) was an American lyricist. He grew up in New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick. Early life David was born in New York City, a son of Austrian Jewish immigrants Lina (née Goldberg) and Gedalier David, who owned a delicatessen in New York. He is the younger brother of American lyricist and songwriter Mack David. Career David is credited with popular music lyrics, beginning in the 1940s with material written for bandleader Sammy Kaye and for Guy Lombardo. He worked with Morty Nevins of The Three Suns on four songs for the feature film ''Two Gals and a Guy'' (1951), starring Janis Paige and Robert Alda. In 1957, David met composer Burt Bacharach at Famous Music in the Brill Building in New York. The two teamed up and wrote their first hit " The Story of My Life", recorded by Marty Robbins in 1957. Subsequently, in the 1960s and early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burt Bacharach
Burt Freeman Bacharach ( ; born May 12, 1928) is an American composer, songwriter, record producer and pianist who composed hundreds of pop songs from the late 1950s through the 1980s, many in collaboration with lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. , he had written 73 US and 52 UK Top 40 hits. He is considered one of the most important composers of 20th-century popular music. His music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. Most of Bacharach and David's hits were written specifically for and performed by Dionne Warwick but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels and Jerry Butler. Following the initial success of these collaborations, Bacharach went on to write hits for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A House Is Not A Home (song)
"A House Is Not a Home" is a 1964 ballad written by the team of Burt Bacharach and Hal David for the 1964 film of the same name, starring Shelley Winters and Robert Taylor. The song was recorded by American singer Dionne Warwick at Bell Sound Studios in New York City, and was a modest hit in the United States for the singer, peaking at #71 on the pop singles chart as the B-side of the top 40 single, "You'll Never Get to Heaven (If You Break My Heart)". Another version of the song, by Brook Benton, which was the version that appeared in the film, was released at nearly the same time. It debuted two weeks earlier on the ''Billboard'' Hot 100. Benton's version split airplay with Warwick's, and ultimately peaked at #75. Warwick's version of "A House Is Not a Home" fared better in Canada, where it was a top 40 hit, peaking at #37. The ballad made the R&B top 10 in Cashbox by both Warwick and Benton, with neither artist specified as best seller. Despite its modest initial success, th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Sebastian
John Benson Sebastian (born March 17, 1944) is an American singer-songwriter, guitarist and harmonicist who founded the rock band The Lovin' Spoonful. He made an impromptu appearance at the Woodstock festival in 1969Rock & Roll Hall of Fame – Lovin' Spoonful Biography , rockhall.com. Retrieved June 4, 2015. and scored a U.S. No. 1 hit in 1976 with " Welcome Back." Sebastian was inducted into the Rock and Roll Hall of Fame in 2000 as a member of the Lovin' Spoonful. Early life Sebastian was born in |
Do You Believe In Magic (song)
"Do You Believe in Magic" is a song by American rock band the Lovin' Spoonful, written by John Sebastian in 1965. The single peaked at number 9 on the ''Billboard'' Hot 100 chart. In 1978, Shaun Cassidy reached the Top 40 with his cover version. The Lovin' Spoonful version In 1965, The Lovin' Spoonful originally recorded and released the song as the first single from their debut studio album '' Do You Believe in Magic''. The single was well received by the public and became a top ten hit on the ''Billboard'' Hot 100, peaking at number 9. According to the lyrics, the magic referenced in the title is the power of music to supply happiness and freedom to both those who make it and those who listen to it. Session drummer Gary Chester played tambourine on the track. The Lovin' Spoonful's version was ranked number 216 on ''Rolling Stone''s list of The 500 Greatest Songs of All Time. ''Billboard'' said of the original single release that the "pulsating folk-flavored rhythm number serv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Dylan
Bob Dylan (legally Robert Dylan, born Robert Allen Zimmerman, May 24, 1941) is an American singer-songwriter. Often regarded as one of the greatest songwriters of all time, Dylan has been a major figure in popular culture during a career spanning more than 60 years. Much of his most celebrated work dates from the 1960s, when songs such as "Blowin' in the Wind" (1963) and " The Times They Are a-Changin' (1964) became anthems for the civil rights and antiwar movements. His lyrics during this period incorporated a range of political, social, philosophical, and literary influences, defying pop music conventions and appealing to the burgeoning counterculture. Following his self-titled debut album in 1962, which comprised mainly traditional folk songs, Dylan made his breakthrough as a songwriter with the release of ''The Freewheelin' Bob Dylan'' the following year. The album features "Blowin' in the Wind" and the thematically complex " A Hard Rain's a-Gonna Fall". Many of his s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masters Of War
"Masters of War" is a song by Bob Dylan, written over the winter of 1962–63 and released on the album ''The Freewheelin' Bob Dylan'' in the spring of 1963. The song's melody was adapted from the traditional songs, traditional "Nottamun Town." Dylan's lyrics are a protest against the Cold War nuclear arms build-up of the early 1960s. Basis of melody With many of his early songs, Dylan adapted or "borrowed" melodies from traditional songs. In the case of "Nottamun Town," however, the arrangement was by veteran Folk music, folksinger Jean Ritchie. Unknown to Dylan, the song had been in Ritchie's family for generations, and she wanted a writing credit for her arrangement. In a legal settlement, Dylan's lawyers paid Ritchie $5,000 against any further claims. Recordings and performances Dylan first recorded "Masters of War" in January 1963 for ''Broadside (magazine), Broadside'' magazine, which published the lyrics and music on the cover of its February issue.Bjorner, "Still on the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tim Hardin
James Timothy Hardin (December 23, 1941 – December 29, 1980) was an American folk and blues musician and composer. As well as releasing his own material, several of his songs, including " If I Were a Carpenter" and "Reason to Believe", became hits for other artists. Hardin grew up in Oregon and joined the Marine Corps. He started his music career in Greenwich Village which led to recording several albums in the mid- to late 1960s, and a performance at the Woodstock Festival. Hardin struggled with drug abuse throughout most of his adult life, and live performances were sometimes erratic. He was planning a comeback when he died in late 1980 from a heroin overdose. Early life and career Hardin was born in Eugene, Oregon to parents who both had musical training. His mother, Molly Small Hardin, was an accomplished violinist who performed with the Portland Symphony Orchestra and his father played in jazz bands. He attended South Eugene High School but dropped out at age 18 to jo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
