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Back To Balboa
''Back to Balboa'' is an album by bandleader and pianist Stan Kenton featuring performances recorded at the Rendezvous Ballroom in 1958 and released on the Capitol label.Vosbein, PStan Kenton Discographyaccessed April 16, 2016 The liner notes for the original LP release stated: "It was late in 1957 that the Rendezvous became home base for the Kenton orchestra. Balboa offered the stimulating surroundings; the Rendezvous offered a location spot between tours and incomparable acoustical properties." "The body of sound, and the crystal clear overtones achieved in this album, is attributed to the orchestra's blowing over a block-long polished dance floor and reverberating from the great arched wooden ceiling. The effect, without the use of echo chambers or electronic magic, is one which seemingly places the listener within the walls of the pastel hall."Liner notes to Capitol LP album T995 Reception Down Beat critic Don Gold wrote in his July 10, 1958 review that "Kenton, in describ ...
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Stan Kenton
Stanley Newcomb Kenton (December 15, 1911 – August 25, 1979) was an American popular music and jazz artist. As a pianist, composer, arranger and band leader, he led an innovative and influential jazz orchestra for almost four decades. Though Kenton had several pop hits from the early 1940s into the 1960s, his music was always forward-looking. Kenton was also a pioneer in the field of jazz education, creating the Stan Kenton Jazz Camp in 1959 at Indiana University.Sparke, Michael. ''Stan Kenton: This is an Orchestra.'' UNT Press (2010). . Early life Stan Kenton was born on December 15, 1911, in Wichita, Kansas; he had two sisters (Beulah and Erma Mae) born three and eight years after him. His parents, Floyd and Stella Kenton, moved the family to Colorado, and in 1924, to the Greater Los Angeles Area, settling in suburban Bell, California. Kenton attended Bell High School; his high-school yearbook picture has the prophetic notation "Old Man Jazz". Kenton started learning pian ...
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Out Of This World (Johnny Mercer Song)
"Out of This World" is an American popular song composed by Harold Arlen, with lyrics written by Johnny Mercer. It was first recorded by Jo Stafford with Paul Weston and his Orchestra in 1944. It was introduced in the film '' Out of This World'' (1945) by Bing Crosby dubbing in for the voice of the main character played by Eddie Bracken. Alec Wilder describes the Arlen melody as creating a modal feeling (E-flat Dorian) that achieves an unearthly effect. It is unlike his other lyric ballads in that it is one of Arlen's most direct and deliberately unrhythmic melodies—altogether a strong song with splendid support from the Johnny Mercer lyric. Notable recordings *Jo Stafford with Paul Weston and his Orchestra - recorded September 1944, released 1945 and reached he Billboard charts with a peak position of No. 9. *Bing Crosby - recorded December 4, 1944 with John Scott Trotter and His Orchestra. *Tommy Dorsey and His Orchestra (vocal by Stuart Foster). This charted briefly in 1945 ...
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Billy Catalano
William Catalano, Jr. (July 9, 1934 – July 15, 2005) was an American jazz trumpet player who performed with Stan Kenton And His Orchestra in the late 1950s, appearing on at least 30 original recordings as well new compilations from Capitol, Omega, Playboy Records, and Verve. After returning to his hometown of San Francisco, he resumed playing the local scene as a side musician, bandleader, and musical contractor, hiring local musicians for numerous touring performers and shows. Alongside his performing career he was an educator for 41 years, teaching music to middle school and high school students in San Francisco. One of his best known private students was jazz trumpet player, Jon Faddis. Early life Billy Catalano, Jr. was born on July 9, 1934, in San Francisco, California. Growing up part of a legendary musical family, Catalano was surrounded by extremely talented musicians. His uncles, Frankie, Johnny, and Leo Catalano, were multi-instrumentalists who could play any stan ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ...
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Richard A
Richard is a male given name. It originates, via Old French, from Old Frankish and is a compound of the words descending from Proto-Germanic ''*rīk-'' 'ruler, leader, king' and ''*hardu-'' 'strong, brave, hardy', and it therefore means 'strong in rule'. Nicknames include "Richie", "Dick", "Dickon", " Dickie", "Rich", "Rick", "Rico", "Ricky", and more. Richard is a common English, German and French male name. It's also used in many more languages, particularly Germanic, such as Norwegian, Danish, Swedish, Icelandic, and Dutch, as well as other languages including Irish, Scottish, Welsh and Finnish. Richard is cognate with variants of the name in other European languages, such as the Swedish "Rickard", the Catalan "Ricard" and the Italian "Riccardo", among others (see comprehensive variant list below). People named Richard Multiple people with the same name * Richard Andersen (other) * Richard Anderson (other) * Richard Cartwright (other) * Ri ...
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Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ...
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Beyond The Blue Horizon (song)
"Beyond the Blue Horizon" is a 1930 song composed by Leo Robin, Richard A. Whiting, and W. Franke Harling, and was first performed by Jeanette MacDonald in the 1930 film ''Monte Carlo''. It was released that November as a single on a 78 rpm disc along with the song "Always, in All Ways" on Victor Records. Four takes were recorded on August 4 at the Hollywood Recording Studio, conducted by LeRoy Shield, with MacDonald and the vocal group The Rounders; the second take was chosen for release. The song reached #9 in the United States and became MacDonald's signature song, selling over 12,000 copies; it was re-released in 1944. MacDonald commonly performed it in concerts and on tours would also perform it in the movie '' Follow the Boys'' in 1944, and frequently performed it on tours. She also re-recorded the song for the albums ''Favorites'' and '' Favorites in Hi-Fi'' (1959). Cover versions * George Olsen and His Orchestra released a version in 1930. The song reached #5 in the Un ...
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I Concentrate On You
"I Concentrate on You" is a song written by Cole Porter for the 1940 film ''Broadway Melody of 1940'', where it was introduced by Douglas McPhail. Notable recordings *Franck Amsallem - ''Amsallem Sings'' (2009) *Fred Astaire - ''The Astaire Story'' (1952) *Tony Bennett - '' Steppin' Out'' (1993) *Freddy Cole - ''Rio de Janeiro Blue'' (2009) *Perry Como - ''TV Favorites'' (1952), ''Easy Listening'' (1970) *Ray Conniff - ''Rhapsody in Rhythm '' (1962), ''The very best of Ray Conniff '' (2017) *Ella Fitzgerald - ''Ella Fitzgerald Sings the Cole Porter Songbook'' (1956), ''Ella Loves Cole'' (1972) *The Four Freshmen - ''Live in the New Millennium'' (2002) *Tony Bennett and Lady Gaga recorded a version of the song for their 2021 collaborative album '' Love for Sale''. *Judy Garland - ''Judy in Love'' (1958) *Bunky Green - ''Healing the Pain'' (1990) *Grant Green – ''Nigeria'' (1962) *Johnny Hartman - '' Thank You for Everything'' (1998), rec. 1976 *Lena Horne - '' Lena...Lovely and Al ...
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Bill Holman (musician)
Willis Leonard Holman (born May 21, 1927), known professionally as Bill Holman, is an American composer, arranger, conductor, saxophonist, and songwriter working in jazz and traditional pop. His career is over seven decades long, having started with the Charlie Barnet orchestra in 1950. Early life Bill Holman was born in Olive, California, United States. His family moved to Orange, east of Anaheim, then Santa Ana. He started playing the clarinet in junior high school. While attending Orange High School he played the tenor saxophone and formed a band. Although his family had no musical background, Holman was influenced by Count Basie and Duke Ellington while constantly listening to the radio. He was drafted at the later end of World War II and served in the U.S. Navy from 1944 to 1946. Through the Navy, he studied mechanical engineering at the University of Colorado and then studied at UCLA. In the late 1940s, he started to concentrate on music instead of engineering. He enr ...
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Get Out Of Town
"Get Out of Town" is a 1938 popular song written by Cole Porter, for his musical ''Leave It to Me!'', where it was introduced by Tamara Drasin. Notable recordings *Ginny Simms - recorded December 7, 1938 for Vocalion Records (catalog No. 4549). *Frances Langford - recorded December 14, 1938 for Decca Records (catalog No. 2229A). *Eddy Duchin and His Orchestra (vocal by Stanley Worth) - a popular record in 1939. *Artie Shaw and His Orchestra (vocal by Mel Torme) - recorded on June 25, 1946, for Musicraft Records (catalog No. 389). *Maysa Matarazzo - recorded in 1959 for RGE - 45rpm (No. 90.000). *Steve Rochinski - ''A Bird In The Hand'' (1999) *Dena DeRose - ''Live at Jazz Standard, Volume 1'' (2007) *Melody Gardot Melody Gardot (; born February 2, 1985) is an American jazz singer. At the age of 19, Gardot was involved in a bicycle accident and sustained a head injury. Music played a critical role in her recovery. She became an advocate of music therapy, ... - Bye Bye Black ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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