Back To Back (Brecker Brothers Album)
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Back To Back (Brecker Brothers Album)
''Back to Back'' is the second album by American jazz fusion group, the Brecker Brothers. It was released by Arista Records in 1976. AllMusic gave the album three stars. Track listing # "Keep it Steady (Brecker Bump)" (Randy Brecker, Steve Khan, David Sanborn, Luther Vandross) – 6:24 # "If You Wanna Boogie...Forget It" (Don Grolnick, Steve Khan, Will Lee (bassist), Will Lee) – 3:58 # "Lovely Lady" (Randy Brecker, Allee Willis, Charlotte Crossley) – 6:17 # "Night Flight" (Michael Brecker) – 6:17 # "Slick Stuff" (Randy Brecker) – 4:48 # "Dig a Little Deeper" (Don Grolnick, Will Lee, Allee Willis, David Lasley) – 4:00 # "Grease Piece" (Michael Brecker, Randy Brecker, Steve Khan, David Sanborn) – 5:47 # "What Can a Miracle Do" (Don Grolnick, Luther Vandross) – 4:16 # "I Love Wastin' Time With You" (Michael Brecker, Allee Willis, Charlotte Crossley) – 6:31 Personnel The Brecker Brothers * Michael Brecker – tenor saxophone, flute * Randy Brecker – trumpet, el ...
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Brecker Brothers
The Brecker Brothers were a jazz fusion music duo consisting of siblings Michael Brecker, Michael and Randy Brecker, Randy. Michael played saxophone, flute, and EWI (musical instrument), EWI, and Randy played trumpet and flugelhorn. The brothers attended Cheltenham High School in Wyncote, Pennsylvania. Randy, the older brother, became famous as an original member of the group Blood, Sweat & Tears. He appeared on their debut album ''Child Is Father to the Man'' in 1968. Michael first appeared on record supporting Randy on his solo debut album, titled ''Score (Randy Brecker album), Score'', which was released in 1969. In 1970 and 1971 the brothers were members of the group Dreams (band), Dreams who recorded two albums for Columbia Records. The brothers frequently played together, and individually, as session musicians on recordings by other artists. They were heard on Todd Rundgren's hit "Hello It's Me", which reached No. 5 on the Billboard Hot 100, ''Billboard'' Hot 100 chart in ...
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Charlotte Crossley
Charlotte Crossley, nicknamed "Charlo", is an American singer and actress, best known for her roles in the musical theatrical productions of ''Hairspray'', ''The Color Purple'', ''Jesus Christ Superstar'', as a member of the Harlettes in Bette Midler's '' Clams On The Half-Shell Revue'', and for her appearance in '' 20 Feet from Stardom''. She has been described as a comedienne. Crossley won the 2005 NAACP Theatre Award for Best Supporting Actress for her performance in the first national tour of ''Hairspray''. Early life Crossley grew up in Chicago, where she studied music and theatre. Career In the early '70's, Crossley auditioned for ''Jesus Christ, Superstar'' and was chosen to join the cast. She sang in the choir of the original Broadway cast album of ''Jesus Christ Superstar (a Decca Broadway Original Cast)''. In those years, she appeared in ''Hair''. Crossley joined Bette Midler, "The Divine Miss M", in 1973. Crossley has performed as a featured artist in musicals a ...
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Jimmy Douglass
Jimmy Douglass, also known as "The Senator", is an American recording engineer and record producer. His career has spanned more than four decades. Career In the early 1970s at Atlantic Records studios in New York City, he started his studio career as a part-time tape duplicator while still attending high school. There he learned how to operate the studio's custom made 16-channel console and observed, was trained by, as well as worked with some of the greatest engineers, producers and record moguls including Tom Dowd, Arif Mardin, Jerry Wexler and Ahmet Ertegun. For his first time behind the faders, he was encouraged by Wexler to engineer the session recording for a demo of a new band. He went on to work with Atlantic Recording artists such as Aretha Franklin, Hall & Oates, Roberta Flack, Donny Hathaway, Foreigner, Led Zeppelin and AC/DC. During the 1980s, Douglass continued to hone his engineering skills while also taking on the role as producer. He engineered and produced est ...
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Patti Austin
Patti Austin (born August 10, 1950) is an American R&B, pop, and jazz singer and songwriter. Music career Austin was born in Harlem, New York, to Gordon Austin, a jazz trombonist. She was raised in Bay Shore, New York on Long Island. Quincy Jones and Dinah Washington have referred to themselves as her godparents. When Austin was four years old, she performed at the Apollo Theater. As a teenager she recorded commercial jingles and worked as a session singer in soul and R&B. She had an R&B hit in 1969 with "Family Tree". She sang backing vocals on Paul Simon's 1975 number-one hit " 50 Ways to Leave Your Lover". The jazz label CTI released her debut album, ''End of a Rainbow'', in 1976. She sang "The Closer I Get to You" for Tom Browne's album ''Browne Sugar'', a duet with Michael Jackson for his album '' Off the Wall'', and a duet with George Benson on "Moody's Mood for Love". After singing on Quincy Jones's album '' The Dude'', she signed a contract with his record labe ...
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Robin Clark
Robin Clark is an American vocalist known for her work as a vocalist on David Bowie's 1975 album ''Young Americans'' and Simple Minds' 1985 album ''Once Upon a Time''. Clark was born in New York. In 1966, when Clark was 16, she and future singer and songwriter Luther Vandross worked together after school in the stockroom at Alexander's department store in the Bronx. They started singing together and then joined a 16-member group called Listen My Brother, which was managed by the owners of the Apollo Theatre. Clark began dating Listen My Brother member and Puerto Rican guitarist Carlos Alomar, and they were married in 1970. Their daughter, Lea-Lorién Karima Alomar, is also a singer, songwriter and recording artist.Lea Lorién entry @Discogs.com
Retrieved 1-21-2013. Clark appeared with Vandross and Alomar on David Bowie's al ...
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Marimba
The marimba () is a musical instrument in the percussion family that consists of wooden bars that are struck by mallets. Below each bar is a resonator pipe that amplifies particular harmonics of its sound. Compared to the xylophone, the timbre of the marimba is warmer, deeper, more resonant, and more pure. It also tends to have a lower range than that of a xylophone. Typically, the bars of a marimba are arranged chromatically, like the keys of a piano. The marimba is a type of idiophone. Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles. Etymology and terminology The term ''marimba'' refers to both the traditional version of this instrument and its modern form. Its first documented use in the English language dates back to 1704. The term is of Bantu origin, deriving from the prefix meaning 'many' and ...
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David Friedman (percussionist)
David Friedman (born March 10, 1944, New York, United States) is an American jazz percussionist. His primary instruments are vibraphone and marimba. Friedman studied drums in the 1950s, then marimba and xylophone in the 1960s at Juilliard. In the 1960s he was a member of the New York Philharmonic and the pit orchestra of the Metropolitan Opera, and worked as a jazz musician with Wayne Shorter, Joe Chambers, Hubert Laws, Horace Silver, and Horacee Arnold in the 1970s. He and Dave Samuels played together in drum workshops before starting a project in 1975, called The Mallet Duo. They also assembled a quartet called Double Image during the years 1977–1980. Friedman later worked with Daniel Humair and Chet Baker, and taught at the Manhattan School of Music and in Montreux in the 1970s. He moved to Europe and now(-2021) lives in Berlin, Germany, and has been teaching many European percussionists/vibraphonists. Discography As leader * ''Winter Love April Joy'' (East Wind, 1975) ...
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Sammy Figueroa
Sammy Figueroa (born November 16, 1948, The Bronx, New York) is an American percussionist. At 18 he joined the band of bassist Bobby Valentín and also co-led the Brazilian/Latin fusion group Raíces. Selected Discography Sammy Figueroa recording credits
at . ''www.discogs.com''


As leader or co-leader

Solo * ''Talisman'' (2014, Savant, SCD 2144) with Glaucia Nasser * ''Memory of Water'' (2015, Ashe Records) * ''Imaginary World'' (2015, Savant, SCD 2151) With Sammy Figueroa & His Latin Jazz Explosion * ''...and Sammy Walked In'' (2006, Savant Records 2066) * ''The Magician'' (2007, Savant 2079) * ''Urban Nature'' (2011, Senator Records, SEN-1001)


A ...
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Ralph MacDonald
Ralph Anthony MacDonald (March 15, 1944 – December 18, 2011) was a Trinidadian and Tobagonian American, Trinbagonian-American percussionist, songwriter, musical arranger, record producer, steelpan virtuoso and philanthropist. His compositions include "Where Is the Love (Roberta Flack and Donny Hathaway song), Where Is the Love", a Grammy Award winner for the duet of Roberta Flack and Donny Hathaway; "Just the Two of Us (Grover Washington Jr. song), Just the Two of Us", recorded by Bill Withers and Grover Washington Jr.; and "Mister Magic" recorded by Grover Washington Jr. Career Growing up in Harlem, New York City, New York, United States, under the close mentorship of his Trinbagonian father, Patrick MacDonald (a calypsonian and bandleader originally from Trinidad and Tobago who used the stage name "Macbeth the Great"), MacDonald began showing his musical talent, particularly with the steelpan, and when he was 17 years old started playing pan for the Harry Belafonte show. He ...
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Steve Gadd
Stephen Kendall Gadd (born April 9, 1945) is an American drummer, percussionist, and session musician. Gadd is one of the best-known and highly regarded session and studio drummers in the industry, recognized by his induction into the ''Modern Drummer'' Hall of Fame in 1984. Gadd's performances on Paul Simon's "50 Ways to Leave Your Lover" and "Late in the Evening" and Steely Dan's "Aja (song), Aja" are examples of his style. He has worked with other popular musicians from many genres including Simon & Garfunkel, Paul McCartney, James Taylor, Harry Chapin, Joe Cocker, Bonnie Raitt, Grover Washington Jr., Michael Brecker, Chick Corea, Lee Ritenour, Paul Desmond, Kate Bush, Chet Baker, Al Di Meola, Chuck Mangione, Kenny Loggins, Eric Clapton, Pino Daniele, Michel Petrucciani, and Toshiki Kadomatsu. Early life Gadd grew up in Irondequoit, New York. He started playing the drums at a very early age. At age 11, he entered the Mickey Mouse National Talent Round Up contest and was one of ...
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Chris Parker (musician)
Chris Parker is an American drummer. During his childhood, Parker's father, artist Robert Andrew Parker, attached wooden blocks to the hi-hat and bass drum pedals, so that Parker's feet could reach the pedals to play the drums along with records. His father, who was also a jazz drummer, introduced young Parker to the music of Thelonious Monk, Miles Davis, Leadbelly, Ray Charles, Woody Herman, Count Basie, Lionel Hampton, Bix Beiderbecke, Louis Armstrong and Duke Ellington. When he became a teenager he began practicing with friends and finding out the nostalgia of rock and roll by listening to such jazz drummers as Roger Hawkins, D. J. Fontana, and New Orleans icons such as Earl Palmer, Smokey Johnson and James Black. His enthusiasm grew as he went to New York City's School of Visual Arts to study painting, where he saw an ad for a drummer. He became a member of a band called Holy Moses when he moved to Woodstock, New York. That band was short lived during which Parker recorded ...
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Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ...
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