Back On The Streets (Tower Of Power Album)
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Back On The Streets (Tower Of Power Album)
''Back on the Streets'' is an album by the American band Tower of Power, released in 1979. It was their last album with Columbia Records. The title derives from the song "Back on the Streets Again" from their debut album '' East Bay Grease''. David Garibaldi returns to the drummer's spot a third time, only to leave after this album, again. (He would not return again until 1998, and he's stayed for good since.) It also marked the debut of bassist Vito San Filippo and guitarist Danny Hoefer. This would be Hoefer's only album as a member of Tower of Power. ''Back on the Streets'' peaked at No. 106 on the ''Billboard'' 200. Track listing # "Rock Baby" (Crockett, Michael Jeffries) – 4:48 # "Our Love" (Clifford Coulter, McGee) – 3:34 # "Heaven Must Have Made You" (Geoffrey Leib) – 3:33 # "And You Know It" (Emilio Castillo, Kupka) – 3:02 # "Nowhere to Run" ( Lamont Dozier, Eddie Holland, Brian Holland) – 4:35 # "Something Calls Me" (Lenny Pickett) – 4:24 # "It Tak ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Cheryl Lynn
Cheryl Lynn (born Lynda Cheryl Smith; March 11, 1957) is an American singer. She is best known for her songs during the late 1970s through the mid-1980s, including the 1978 R&B/disco song "Got to Be Real". Lynn's singing career began with her church choir when she was a girl. Her professional singing career started in 1976 when she obtained a job as a backing vocalist for the national touring company of the musical drama ''The Wiz''. Eventually, she obtained the role of Evillene, the Wicked Witch of the West, during the six-month national tour. Prior to her appearance in ''The Wiz'', Lynn appeared in an episode of ''The Gong Show'', a daytime entertainment show during June 1976, performing Joe Cocker's "You Are So Beautiful". Career 1976–85: Columbia Records years After her performance on ''The Gong Show'', Ahmed Ertegun of Atlantic Records company could not come to an initial meeting with Lynn, with the result that she was contracted with Columbia Records. She released her ...
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Greg Adams (musician)
Greg Adams is an American trumpet/flugelhorn player and music arranger, probably best known for his work with the band Tower of Power. Adams grew up in the San Francisco Bay Area, and while attending Westmoor High School in Daly City he had already established a reputation as a musical prodigy. He had made plans to attend the Berklee School of Music in Boston, but instead accepted an invitation to join Tower of Power for their first album, ''East Bay Grease'' (1970). He remained with the band for 25 years and was responsible for many of their distinctive horn arrangements, including "What Is Hip?" (1973) which earned him a Grammy Award nomination. In 1995 Adams recorded his first solo album, ''Hidden Agenda'' (Epic), which reached #1 on the U.S. smooth jazz charts. His subsequent albums include ''Midnight Morning'' (Ripa, Blue Note) (2002), ''Firefly'' (215) (2004), and ''Cool To The Touch'' (Ripa) (2006). Adams has recorded with and/or arranged for other artists, including Chic ...
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Piccolo Trumpet
The piccolo trumpet is the smallest member of the trumpet family, pitched one octave higher than the standard B trumpet. Most piccolo trumpets are built to play in either B or A, using a separate leadpipe for each key. The tubing in the B piccolo trumpet is one-half the length of that in a standard B trumpet. Piccolo trumpets in G, F, and even high C are also manufactured, but are rarer. The piccolo trumpet should not be confused with the pocket trumpet, which plays in the same pitch as the regular B trumpet. Types and details The piccolo trumpet in B is a transposing instrument, which sounds a minor seventh higher than written. It is, however, rarely written for specifically; it is often just used at the player's discretion to cover high material as appropriate. The soprano trumpet in D, also known as the ''Bach trumpet'', was invented in about 1890 by the Belgian instrument maker Victor Mahillon to play the high trumpet parts in music by Bach and Handel. The modern piccol ...
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Bass Trombone
The bass trombone (german: Bassposaune, it, trombone basso) is the bass instrument in the trombone family of brass instruments. Modern instruments are pitched in the same B♭ as the tenor trombone but with a larger bore, bell and mouthpiece to facilitate low register playing, and usually two valves to fill in the missing range immediately above the pedal tones. History The earliest bass trombones were the bass sackbuts, usually pitched in G, F, or E♭ below the B♭ tenor. They had a smaller bore and less flared bell than modern instruments, and a longer slide with an attached handle to allow slide positions otherwise beyond the reach of a fully outstretched arm. The earliest known surviving specimen is an instrument in G built in Germany in 1593. This instrument matches descriptions and illustrations by Praetorius from his 1614–20 ''Syntagma Musicum''. These bass sackbuts were sometimes called , , and (Old German, , referring to intervals below B♭), though sometimes ...
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Mic Gillette
Mic Gillette (May 7, 1951 – January 17, 2016) was an American brass player, born and raised in the San Francisco Bay Area's East Bay. He is best known for being a member of the bands; Tower of Power, Cold Blood, and The Sons of Champlin. He played in the horn section with Tower of Power for 19 years. Biography His father Ray Gillette was a trombonist, playing with acts such as Harry James, Tommy Dorsey, Stan Kenton, and other big bands. A child prodigy, Gillette picked up the trumpet and was reading music by age four. At age 15, he joined the band that would later be known as Tower of Power, playing various brass instruments for the band including the trumpet, trombone, baritone horn and tuba. He took a brief break from Tower of Power to tour in the 1970s and record with the band Cold Blood. He re-joined Tower of Power a year later, touring and opening for Santana and Creedence Clearwater Revival. As its reputation as a premier horn band grew, Tower of Power toured with H ...
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Stephen "Doc" Kupka
Tower of Power is an American R&B and funk based band and horn section, originating in Oakland, California, that has been performing since 1968. There have been a number of lead vocalists, the best-known being Lenny Williams, who fronted the band between early 1973 and late 1974, the period of their greatest commercial success. They have had eight songs on the ''Billboard'' Hot 100; their highest-charting songs include "You're Still a Young Man", "So Very Hard to Go", "What Is Hip?", and "Don't Change Horses (in the Middle of a Stream)". History In the summer of 1968, tenor saxophonist/vocalist Emilio Castillo met Stephen "Doc" Kupka, who played baritone sax. Castillo had played in several bands, but Castillo's father told his son to "hire that guy" after a home audition. Within months the group, then known as The Motowns, began playing various gigs around Oakland and Berkeley, their soul sound appealing to both minority and counterculture listeners. Castillo wanted to play ...
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Lenny Pickett
Lenny Pickett (born April 10, 1954) is an American saxophonist and musical director of the ''Saturday Night Live'' band. From 1973 to 1981 he was a member of Tower of Power. He is known for his skill in the altissimo register (executed by using a combination of voicing control, air stream control, and alternate fingerings), which can be heard during the opening credits of ''Saturday Night Live''. Music career Pickett grew up in Berkeley, California. He has no formal musical training, did not attend high school beyond the first year and did not attend college. After dropping out of high school, he took lessons from Bert Wilson, a jazz saxophonist known for his facility with the altissimo register. Other than those lessons, he is self-taught on saxophone. In the 1970s and early 1980s, he led the horn section for Tower of Power, an innovative and funk-focused East San Francisco Bay area band, and also a popular session band that backed many musicians in multiple genres, from Elto ...
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Emilio Castillo
Emilio Castillo (born September 24, 1950) is an American saxophone player and composer, best known as the founder of the band Tower of Power. Background In 1965, Emilio Castillo took to music after he and his brother Jack were caught stealing by his father who told him he could stay in his room until he thought of something to 'Keep him off the street'. Castillo and his brother chose music. Emilio chose saxophone and Jack chose drums. He took lessons in saxophone, piano, and guitar, and also took lessons in music theory from one-time Dave Brubeck bass player Norman Bates (musician), Norman Bates. His first musical endeavor was in Extension Five which later became The Gotham City Crime Fighters due to the Batman craze at the time. He played both organ and sax. The group also consisted of his brother Jack on drums, Jody Lopez on guitar Frank “Rocco’ Houghton on bass (later going by the name of Rocco Prestia, Francis Rocco Prestia), and Dave Genthner on vocals. In March, 1966 ...
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Syndrum
The Pollard Syndrum is the first commercially available electronic drum, invented by Joe Pollard and Mark Barton in 1976. There were 3 major types: The Syndrum 1, the Syndrum TwinDrum, and the Syndrum Quad, the last being the most famous. At the time of its conception, Pollard was a session musician, session drummer working for the Beach Boys and the Grass Roots. In 1976, he met Barton, who had designed and built some working prototypes which were previewed to some prominent drummers. Their reactions were encouraging, so Joe, Mark and Donald Stone incorporated Pollard Industries and starting selling Syndrums in Culver City, California. There were two models sold at the time, the single drum 177 and the four drum 477. Syndrums were a musical success with a surplus of endorsees, but a financial failure for the young company. Legacy Although the Syndrum was capable of many different sounds, the one favored by most recording artists was a sine wave that pitch-bends down; it can be hear ...
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Minimoog
The Minimoog is an analog synthesizer first manufactured by Moog Music between 1970 and 1981. Designed as a more affordable, portable version of the modular Moog synthesizer, it was the first synthesizer sold in retail stores. It was first popular with progressive rock and jazz musicians and found wide use in disco, pop, rock and electronic music. Production of the Minimoog stopped in the early 1980s after the sale of Moog Music. In 2002, founder Robert Moog regained the rights to the Moog brand, bought the company, and released an updated version of the Minimoog, the Minimoog Voyager. In 2016 and in 2022, Moog Music released another new version of the original Minimoog. Development In the 1960s, RA Moog Co manufactured Moog synthesizers, which helped bring electronic sounds to music but remained inaccessible to ordinary people. These modular synthesizers were difficult to use and required users to connect components manually with patch cables to create sounds. They were a ...
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Electric Organ
An electric organ, also known as electronic organ, is an electronic keyboard instrument which was derived from the harmonium, pipe organ and theatre organ. Originally designed to imitate their sound, or orchestral sounds, it has since developed into several types of instruments: * Hammond-style organs used in pop, rock and jazz; * digital church organs, which imitate pipe organs and are used primarily in churches; * other types including combo organs, home organs, and software organs. History Predecessors ;Harmonium The immediate predecessor of the electronic organ was the harmonium, or reed organ, an instrument that was common in homes and small churches in the late 19th and early 20th centuries. In a fashion not totally unlike that of pipe organs, reed organs generate sound by forcing air over a set of reeds by means of a bellows, usually operated by constantly pumping a set of pedals. While reed organs have limited tonal quality, they are small, inexpensive, self-po ...
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