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Back In Bean's Bag
''Back in Bean's Bag'' is an album by saxophonist Coleman Hawkins with trumpeter Clark Terry which was recorded in late 1962 and released on the Columbia label.Lord, T.Clark Terry Discography Retrieved July 10, 2017 Reception Scott Yanow of AllMusic states, "Hawkins teamed up with the personable trumpeter Clark Terry for this upbeat set of solid swing. Terry in particular is in exuberant form on "Feedin' the Bean" and a delightful version of "Don't Worry About Me", but Hawkins's playing (particularly on the trumpeter's ballad "Michelle") is also in fine form". Track listing # "A Tune for the Tutor" ( Pat Patrick) – 6:27 # " Don't Worry 'bout Me" (Rube Bloom, Ted Koehler) – 3:16 # " Just Squeeze Me (But Don't Tease Me)" (Duke Ellington, Lee Gaines) – 5:05 # " Ain't Misbehavin'" (Fats Waller, Harry Brooks, Andy Razaf) – 8:09 # "Feedin' the Bean" ( Count Basie) – 6:18 # "Michelle" (Clark Terry) – 3:29 # "Squeeze Me" (Waller, Clarence Williams) – 5:01 # "Tommy's B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie Bar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lee Gaines
Otho Lee Gaines (April 21, 1914 – July 15, 1987) was an American jazz singer and lyricist. Gaines wrote the lyrics for "Take the "A" Train" and "Just A-Sittin' and A-Rockin'", two jazz standards by Billy Strayhorn. Lee Gaines was from Buena Vista, in Mississippi, and began singing as a bass in high school, he formed a vocal quartet at Langston University in 1933, and returned to the United States in 1937 having toured South America. Gaines was a founding member of the Delta Rhythm Boys who achieved their peak popularity in the 1940s and 50's, having recorded with Ella Fitzgerald, Count Basie, Jimmy Lunceford, Charlie Barnet, Fred Astaire, Ruth Brown and Les Paul. The Delta Rhythm Boys moved to Europe in the 1950s. Gaines had lived in Finland for a year at the time of his death from cancer in 1987 and he is buried in Maunulan uurnalehto, an urn cemetery at Helsinki (section 39, lot 109). Gaines was married to Muriel Gaines, a calypso singer and former Cotton Club The Cot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Major Holley
Major "Mule" Holley Jr. (July 10, 1924 – October 25, 1990) was an American jazz upright bassist. Biography Holley was born in Detroit, Michigan, United States. He attended the prestigious Cass Technical High School in Detroit. Holley played violin and tuba when young. He started playing bass while serving in the Navy, playing in the Ships Company A Band at Camp Robert Smalls, which was led by Leonard Bowden and included Clark Terry, and several other musicians recruited from civilian dance bands.Floyd, Samuel A. “An Oral History: The Great Lakes Experience,” in ''The Black Experience in Music'' 11.1: (Spring 1983): pp. 41-61. In the latter half of the 1940s, he played with Dexter Gordon, Charlie Parker, and Ella Fitzgerald; in 1950 he and Oscar Peterson recorded duets, and he also played with Peterson and Charlie Smith as a trio. He was married to Minnie Walton (born Millicent Aitcheson). In the mid-1950s, he moved to England and worked at the BBC. Upon his return to A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tommy Flanagan
Thomas Lee Flanagan (March 16, 1930 – November 16, 2001) was an American jazz pianist and composer. He grew up in Detroit, initially influenced by such pianists as Art Tatum, Teddy Wilson, and Nat King Cole, and then by bebop musicians. Within months of moving to New York in 1956, he had recorded with Miles Davis and on Sonny Rollins' album ''Saxophone Colossus''. Recordings under various leaders, including ''Giant Steps'' of John Coltrane, continued well into 1962, when he became vocalist Ella Fitzgerald's full-time accompanist. He worked with Fitzgerald for three years until 1965, and then in 1968 returned to be her pianist and musical director, this time for a decade. After leaving Fitzgerald in 1978, Flanagan attracted praise for the elegance of his playing, which was principally in trio settings when under his own leadership. In his 45-year recording career, he recorded more than three dozen albums under his own name and more than 200 as a sideman. By the time of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Flugelhorn
The flugelhorn (), also spelled fluegelhorn, flugel horn, or flügelhorn, is a brass instrument that resembles the trumpet and cornet but has a wider, more conical bore. Like trumpets and cornets, most flugelhorns are pitched in B, though some are in C. It is a type of valved bugle, developed in Germany in the early 19th century from a traditional English valveless bugle. The first version of a valved bugle was sold by Heinrich Stölzel in Berlin in 1828. The valved bugle provided Adolphe Sax (creator of the saxophone) with the inspiration for his B soprano (contralto) saxhorns, on which the modern-day flugelhorn is modeled. Etymology The German word ''Flügel'' means ''wing'' or ''flank'' in English. In early 18th century Germany, a ducal hunt leader known as a ''Flügelmeister'' blew the ''Flügelhorn'', a large semicircular brass or silver valveless horn, to direct the wings of the hunt. Military use dates from the Seven Years' War, where this instrument was employed as a pre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trumpet
The trumpet is a brass instrument commonly used in classical and jazz ensembles. The trumpet group ranges from the piccolo trumpet—with the highest register in the brass family—to the bass trumpet, pitched one octave below the standard B or C trumpet. Trumpet-like instruments have historically been used as signaling devices in battle or hunting, with examples dating back to at least 1500 BC. They began to be used as musical instruments only in the late 14th or early 15th century. Trumpets are used in art music styles, for instance in orchestras, concert bands, and jazz ensembles, as well as in popular music. They are played by blowing air through nearly-closed lips (called the player's embouchure), producing a "buzzing" sound that starts a standing wave vibration in the air column inside the instrument. Since the late 15th century, trumpets have primarily been constructed of brass tubing, usually bent twice into a rounded rectangular shape. There are many distinc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clarence Williams (musician)
Clarence Williams (October 6, 1898 or October 8, 1893 – November 6, 1965) was an American jazz pianist, composer, promoter, vocalist, theatrical producer, and publisher. Biography Williams was born in Plaquemine, Louisiana, to Dennis, a bassist, and Sally Williams, and ran away from home at age 12 to join Billy Kersands' Traveling Minstrel Show, then moved to New Orleans. At first, Williams worked shining shoes and doing odd jobs, but soon became known as a singer and master of ceremonies. By the early 1910s, he was a well-regarded local entertainer also playing piano, and was composing new tunes by 1913. Williams was a good businessman and worked arranging and managing entertainment at the local African American vaudeville theater as well as at various saloons and dance halls around Rampart Street, and at clubs and houses in Storyville. Williams started a music publishing business with violinist/bandleader Armand J. Piron in 1915, which by the 1920s was the leading African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeeze Me
"Squeeze Me" is a 1925 jazz standard composed by Fats Waller. It was based on an old blues song called "The Boy in the Boat". The lyrics were credited to publisher Clarence Williams, although Andy Razaf has claimed to have actually written the lyrics. at ''jazzstandards.com'' - retrieved on 19 May 2009 The song has been recorded by numerous artists, including , , , |
Count Basie
William James "Count" Basie (; August 21, 1904 – April 26, 1984) was an American jazz pianist, organist, bandleader, and composer. In 1935, he formed the Count Basie Orchestra, and in 1936 took them to Chicago for a long engagement and their first recording. He led the group for almost 50 years, creating innovations like the use of two "split" tenor saxophones, emphasizing the rhythm section, riffing with a big band, using arrangers to broaden their sound, and others. Many musicians came to prominence under his direction, including the tenor saxophonists Lester Young and Herschel Evans, the guitarist Freddie Green, trumpeters Buck Clayton and Harry "Sweets" Edison, plunger trombonist Al Grey, and singers Jimmy Rushing, Helen Humes, Thelma Carpenter, and Joe Williams. Biography Early life and education William Basie was born to Lillian and Harvey Lee Basie in Red Bank, New Jersey. His father worked as a coachman and caretaker for a wealthy judge. After automobiles replaced ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andy Razaf
Andy Razaf (born Andriamanantena Paul Razafinkarefo; December 16, 1895 – February 3, 1973) was an American poet, composer and lyricist of such well-known songs as " Ain't Misbehavin'" and " Honeysuckle Rose". Biography Razaf was born in Washington, D.C., United States. His birth name was Andriamanantena Paul Razafinkarefo. He was the son of Henri Razafinkarefo, nephew of Queen Ranavalona III of the Imerina kingdom in Madagascar, and Jennie Razafinkarefo (née Waller), the daughter of John L. Waller, the first African American consul to Imerina. The French invasion of Madagascar (1894-95) left his father dead, and forced his pregnant 15-year-old mother to escape to the United States, where he was born in 1895. He was raised in Harlem, Manhattan, and at the age of 16 he quit school and took a job as an elevator operator at a Tin Pan Alley office building. A year later he penned his first song text, embarking on his career as a lyricist. During this time he would spend many ni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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