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Baccio Bandinelli Self-portrait, Vasari Corridor 2016-05-06
Baccio is an Italian masculine given name, the diminutive form of the name Bartolommeo. Notable people with the name include: *Bartolommeo Bandinelli, Florentine Mannerist sculptor * Baccio D'Agnolo (Bartolomeo Bagglioni), Florentine Renaissance sculptor and architect *Baccio Pontelli, Florentine Renaissance architect * Baccio Baldini, Renaissance engraver *Baccio Ciarpi, Tuscan Mannerist painter * Baccio della Porta, Florentine Renaissance painter also known as Fra Bartolommeo *Baccio del Bianco (1604-1657), Florentine architect, engineer, scenic designer and painter *Baccio da Montelupo Baccio da Montelupo (1469–1523(?)), born Bartolomeo di Giovanni d'Astore dei Sinibaldi, was a sculptor of the Italian Renaissance. He is the father of another Italian sculptor, Raffaello da Montelupo. Both father and son are profiled in ..., Italian Renaissance sculptor See also * Bart (other) {{given name Italian masculine given names ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Name
A name in the Italian language consists of a given name ( it, nome), and a surname (); in most contexts, the given name is written before the surname. (In official documents, the Western surname may be written before the given name or names.) Italian names, with their fixed ''nome'' and ''cognome'' structure, have little to do with the ancient Roman naming conventions, which used a tripartite system of given name, gentile name, and hereditary or personal name (or names). The Italian ''nome'' is not analogous to the ancient Roman ''nomen''; the Italian ''nome'' is the given name (distinct between siblings), while the Roman ''nomen'' is the gentile name (inherited, thus shared by all in a gens). Female naming traditions, and name-changing rules after adoption, for both sexes likewise differ between Roman antiquity and modern Italian use. Moreover, the low number, and the steady decline of importance and variety, of Roman ''praenomina'' starkly contrast with the current number of It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masculine Name
A given name (also known as a forename or first name) is the part of a personal name quoted in that identifies a person, potentially with a middle name as well, and differentiates that person from the other members of a group (typically a family or clan) who have a common surname. The term ''given name'' refers to a name usually bestowed at or close to the time of birth, usually by the parents of the newborn. A ''Christian name'' is the first name which is given at baptism, in Christian custom. In informal situations, given names are often used in a familiar and friendly manner. In more formal situations, a person's surname is more commonly used. The idioms 'on a first-name basis' and 'being on first-name terms' refer to the familiarity inherent in addressing someone by their given name. By contrast, a surname (also known as a family name, last name, or ''gentile'' name) is normally inherited and shared with other members of one's immediate family. Regnal names and religiou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Italian Diminutive
A diminutive is a root word that has been modified to convey a slighter degree of its root meaning, either to convey the smallness of the object or quality named, or to convey a sense of intimacy or endearment. A (abbreviated ) is a word-formation device used to express such meanings. In many languages, such forms can be translated as "little" and diminutives can also be formed as multi-word constructions such as " Tiny Tim". Diminutives are often employed as nicknames and pet names when speaking to small children and when expressing extreme tenderness and intimacy to an adult. The opposite of the diminutive form is the augmentative. Beyond the ''diminutive form'' of a single word, a ''diminutive'' can be a multi-word name, such as "Tiny Tim" or "Little Dorrit". In many languages, formation of diminutives by adding suffixes is a productive part of the language. For example, in Spanish can be a nickname for someone who is overweight, and by adding an suffix, it becomes which is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolommeo (name)
Bartolomeo or Bartolommeo is a masculine Italian given name, the Italian equivalent of Bartholomew. Its diminutive form is Baccio. Notable people with the name include: * Abramo Bartolommeo Massalongo (1824–1860), Italian paleobotanist and lichenologist * Bartolomeo Aimo (1889–1970), Italian professional bicycle road racer * Bartolomeo Altomonte, a.k.a. Bartholomäus Hohenberg (1694–1783), Austrian baroque painter * Bartolomeo Amico a.k.a. Bartholomeus Amicus (1562–1649), Jesuit priest, teacher and writer who spent his adult life in Naples * Bartolomeo Ammanati (1511–1592), Florentine architect and sculptor * Bartolomeo Avanzini (1608–1658), Italian architect of the Baroque period * Bartolomeo Bacilieri (1842–1923), Italian cardinal, Bishop of Verona 1900–1923 * Bartolommeo Bandinelli (1488–1560), Italian sculptor * Bartolomeo Barbarino (c. 1568–c. 1617 or later), Italian composer and singer of the early Baroque era * Bartolomeo Bassi (early 1600s-1640s), Genoese ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bartolommeo Bandinelli
Baccio Bandinelli (also called Bartolommeo Brandini; 12 November 1493 – shortly before 7 February 1560), was an Italian Renaissance sculptor, draughtsman, and painter. Biography Bandinelli was the son of a prominent Florentine goldsmith, and first apprenticed in his shop. As a boy, he was apprenticed under Giovanni Francesco Rustici, a sculptor friend of Leonardo da Vinci. Among his earliest works was a ''Saint Jerome'' in wax, made for Giuliano de' Medici, identified as Bandinelli's by John Pope-Hennessy. Giorgio Vasari, a former pupil in Bandinelli's workshop, claimed Bandinelli was driven by jealousy of Benvenuto Cellini and Michelangelo; and recounts that: Bandinelli's lifelong obsession with Michelangelo is a recurring theme in assessments of his career. Bandinelli was a leader in the group of Florentine Mannerists who were inspired by the revived interest in Donatello attendant on the installation of Donatello's bas-relief panels for the pulpit in San Lorenzo, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baccio Pontelli
Baccio Pontelli (c. 1450 – 1492) was an Italian architect, who designed the Sistine Chapel in The Vatican City. Baccio is an abbreviation of Bartolomeo. Pontelli was born in Florence. Passing the phase of artistic formation with Giuliano and Benedetto da Maiano in Florence, and influenced by Francesco di Giorgio Martini during the trip to Urbino (1480–1482), he was an in-layer in Florence and later in Urbino. There he worked on the Studio di Federico, Palazzo Ducale. Acting as an architect in Rome, he participated in the pope Sixtus IV's urban renewal. His projects included: Santa Aurea in Ostia; the Ponte Sisto in Rome; the hospital of Santo Spirito in Sassia; the church Sant'Agostino; the facade of Santa Maria del Popolo; San Pietro in Vincoli; Santi Apostoli and design for the Sistine Chapel. In the last years of his life he worked on the military fortresses of Ostia, Acquaviva Picena Jesi, Osimo and Senigallia. He died in Urbino Urbino ( ; ; Romagnol: ''Urbìn'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baccio Baldini
Baccio Baldini (c. 1436 – buried 12 December 1487) was an Italian goldsmith and engraver of the Renaissance, active in his native Florence. All that is known of Baldini's life, apart from the date of his burial in Florence, is what Vasari says of him: that Baldini was a goldsmith and pupil of Maso Finiguerra, the Florentine goldsmith who was, according to Vasari's incorrect claim, the inventor of engraving. Vasari says Baldini based all of his works on designs by Sandro Botticelli because he lacked '' disegno'' himself. Today Baldini is best remembered for his collaboration with Botticelli on the first printed Dante in 1481, where it is believed the painter supplied the drawings for Baldini to turn into engravings, but it does not seem to be the case that all his work was after Botticelli. He has long been attributed with a number of other engravings as the leading practitioner of the Florentine Fine Manner of engraving, this rather tentatively; he is often given a "wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baccio Ciarpi
Baccio Ciarpi (1574–1654) was an Italian painter of the late- Mannerism and early- Baroque style. Born in Barga in Tuscany, he was active in Rome and Florence. He is best known for having mentored briefly Pietro da Cortona. He painted a number of canvases, including a ''Madonna del Rosario'' and ''Crucifixion with Saints'', for the Pieve di Santa Maria in Barga. In Rome, there are paintings by him in Santa Maria della Concezione dei Cappuccini, San Silvestro in Capite The Basilica of Saint Sylvester the First, also known as ( it, San Silvestro in Capite, la, Sancti Silvestri in Capite), is a Roman Catholic minor basilica and titular church in Rome dedicated to Pope Sylvester I (d. AD 335). It is located on t ... and Santa Lucia in Selci. References * 1574 births 1654 deaths Artists from the Province of Lucca 16th-century Italian painters Italian male painters 17th-century Italian painters Italian Baroque painters People from Barga, Tuscany {{Italy-painter- ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baccio Della Porta
Fra Bartolomeo or Bartolommeo (, , ; 28 March 1472 – 31 October 1517), also known as Bartolommeo di Pagholo, Bartolommeo di S. Marco, and his original nickname Baccio della Porta, was an Italian Renaissance painter of religious subjects. He spent all his career in Florence until his mid-forties, when he travelled to work in various cities, as far south as Rome. He trained with Cosimo Rosselli and in the 1490s fell under the influence of Savonarola, which led him to become a Dominican friar in 1500, renouncing painting for several years. Typically his paintings are of static groups of figures in subjects such as the Virgin and Child with Saints. He was instructed to resume painting for the benefit of his order in 1504, and then developed an idealized High Renaissance style, seen in his ''Vision of St Bernard'' of that year, now in poor condition but whose "figures and drapery move with a seraphic grace that must have struck the young Raphael with the force of revelation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baccio Del Bianco
Luigi Baccio del Bianco or Baccio del Bianco (31 October 1604 – July 1657) was an Italian architect, engineer, scenic designer and painter. Biography He was born in Florence where his father, Cosimo del Bianco, sold cloth to the nobility for use in festivals, tournaments, and theatrical performances. He studied painting under Giovanni Bilivert from 1612 to 1620. Baccio's work and letters also show the influence exerted on the painter by Vincenzio Bocaccio of Rome, who came to Florence, delegated as one of the best students of the architect and painter Lodovico Cigoli. He also apprenticed under Giulio Parigi. Bratislava - Vienna – Prague - Milan In 1620 he visited ''Germania'' and travelled to the Slovakia, where he assisted Giovanni de Galliano Pieroni (1586–1654) in construction of a fortress in Bratislava. On his return he decorated several houses, and painted for churches and theatres. In 1622 he went to Vienna, and the same year both went on to Prague, where he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baccio Da Montelupo
Baccio da Montelupo (1469–1523(?)), born Bartolomeo di Giovanni d'Astore dei Sinibaldi, was a sculptor of the Italian Renaissance. He is the father of another Italian sculptor, Raffaello da Montelupo. Both father and son are profiled in Vasari's ''Le Vite delle più eccellenti pittori, scultori, ed architettori'' (or, in English, ''Lives of the Most Excellent Painters, Sculptors, and Architects''). Life Born into a family of modest social conditions in Montelupo Fiorentino, he moved at eighteen to Florence and pursued the study of sculpture, attending the "scuola" of Bertoldo di Giovanni, founded in the gardens of Lorenzo de' Medici and attended by other young sculptors including Michelangelo, Giovanni Francesco Rustici, and Jacopo Sansovino. Baccio received his first important commission from the friars of the Basilica of San Domenico in Bologna, for a "Compianto" (lamentation scene), a series of terracotta statues (c. 1495). He then returned to Florence where he cre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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