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Babruvahana (film)
''Babruvahana'' is a 1977 Indian Kannada-language Hindu mythological film directed by Hunsur Krishnamurthy . The film stars Rajkumar in a dual role as Arjuna and his son Babruvahana, the titular character alongside an ensemble supporting cast that includes B. Saroja Devi, Kanchana, Jayamala, Vajramuni, Thoogudeepa Srinivas and Ramakrishna. The film narrates the story of Babruvahana, the son of Arjuna and Chitrangada, and the events that lead to him waging a war against his own father so as to restore his mother's honour. This was the first Kannada movie and seventh Indian movie to be based on Babruvahana. The film won two awards at the 1976–77 Karnataka State Film Awards — Best Actor (Rajkumar) and Best Sound Recording (S. P. Ramanathan). The movie saw a theatrical run of 25 weeks. The movie was dubbed in Telugu in 1979 as ''Arjuna Garvabhangam''. It was also dubbed in Hindi as ''Veer Arjun'' in 1977. This was the second instance of him portraying the role of Arjuna's son ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hunsur Krishnamurthy
Hunsur Krishnamurthy (9 February 1914 – 13 February 1989) was an Indian playwright, film director, producer, actor, screenwriter and lyricist in Kannada cinema. He worked with noted theatre personalities early in his career; Gubbi Veeranna, Mohammed Peer and B. R. Panthulu before entering films. As a film director, he made films mostly in the mythological genre such as '' Satya Harishchandra'' (1965), '' Bhakta Kumbara'' (1974) and '' Babruvahana'' (1977), all of which star Rajkumar. The films were major critical and commercial successes and are seen as milestones in Kannada cinema and in the career of Rajkumar. Career Theatre Prior to working in films, Krishnamurthy worked in theatre as a playwright, writing plays such as ''Swarga Samrajya''. He then worked for the Bangalore-based Bharat Nataka Company as a playwright and a scenarist, following which, he had a stint at Bombay Talkies. He then worked as a part of Marathi stage actor Bal Gandharva's theatre troupe. During ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hastinapur
Hastinapur is a city in the Meerut district in the Indian state of Uttar Pradesh. ''Hastinapura'', described in Hindu texts such as the ''Mahabharata'' and the Puranas as the capital of the Kuru Kingdom, is also mentioned in ancient Jain texts. Hastinapur is located on the right bank of the Ganga river. Etymology In Sanskrit, ''Hastinapura'' translates to 'the City of Elephants' from ''Hastina'' (elephant) and ''pura'' (city). Its history dates back to the period of ''Mahabharata''. It is said that the city was named after King Hasti. It is also mentioned in the ''Ramayana'' (2:68), the 13th and 14th verses of which say (translated): History The early archaeological remains of the region belong to Ochre Coloured Pottery culture which was a Bronze Age culture of Ganga Yamuna doab. Around c.1200 BCE the region transformed to an Iron Age culture. The region was occupied by the Painted Grey Ware culture which corresponds to the Vedic Period. In the ''Mahabharata'', Hastinap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ganga In Hinduism
Ganga ( sa, गङ्गा or गंगा, Gaṅgā) is the personification of the river Ganges, who is worshipped by Hindus as the goddess of purification and forgiveness. Known by many names, Ganga is often depicted as a fair, beautiful woman, riding a divine crocodile-like creature called the makara. Some of the earliest mentions of Ganga are found in the Rigveda, where she is mentioned as the holiest of the rivers. Her stories mainly appear in post-Vedic texts such as the ''Ramayana'', ''Mahabharata,'' and the ''Puranas''. The Ramayana describes her to be the firstborn of Himavat, the personification of the Himalayas, and the sister of the mother goddess Parvati. However, other texts mention her origin from the preserver deity, Vishnu. Legends focus on her descent to earth, which occurred because of a royal-sage Bhagiratha, aided by the god Shiva. In the epic Mahabharata, Ganga is the mother of the warrior Bhishma in a union with the Kuru Kingdom, Kuru king Shantanu. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashvamedha
The Ashvamedha ( sa, अश्वमेध, aśvamedha, translit-std=IAST) was a horse sacrifice ritual followed by the Śrauta tradition of Vedic religion. It was used by ancient Indian kings to prove their imperial sovereignty: a horse accompanied by the king's warriors would be released to wander for a year. In the territory traversed by the horse, any rival could dispute the king's authority by challenging the warriors accompanying it. After one year, if no enemy had managed to kill or capture the horse, the animal would be guided back to the king's capital. It would be then sacrificed, and the king would be declared as an undisputed sovereign. The best-known text describing the sacrifice is the ''Ashvamedhika Parva'' ( sa, अश्वमेध पर्व), or the "Book of Horse Sacrifice," the fourteenth of eighteen books of the Indian epic poem ''Mahabharata''. Krishna and Vyasa advise King Yudhishthira to perform the sacrifice, which is described at great length. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duryodhana
Duryodhana ( sa, दुर्योधन, ) also known as Suyodhana, is the primary antagonist in the Hindu epic ''Mahabharata.'' He was the eldest of the Kauravas, the hundred sons of the blind king Dhritarashtra and his queen Gandhari. Being the first-born son of the blind king, he was the crown prince of the Kuru Kingdom and its capital of Hastinapura, often forced into ceding the title to his cousin Yudhishthira, who was older than him. Karna was the prince's closest friend. Notably, Duryodhana, with significant assistance from Karna, performs the Vaishnava Yagna when the Pandavas are in exile. Duryodhana used his greater skill in wielding the mace to defeat his opponents. He was also an extremely courageous warrior and was said to be a good ruler. Duryodhana's greed and arrogance were the two qualities said to have led to his downfall in the Mahabharata. Etymology The Sanskrit word, ''Duryodhana'' means "invincible" in battle. Birth When Gandhari's pregnancy continue ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balarama
Balarama (Sanskrit: बलराम, IAST: ''Balarāma'') is a Hindu god and the elder brother of Krishna. He is particularly significant in the Jagannath tradition, as one of the triad deities. He is also known as Haladhara, Halayudha, Baladeva, Balabhadra, and Sankarshana. The first two epithets associate him with ''hala'' (''langala'', "plough") from his strong associations with farming and farmers, as the deity who used farm equipment as weapons when needed, and the next two refer to his strength. Balarama is sometimes described as incarnation of Shesha, the serpent associated with the deity Vishnu; Krishna is regarded as an incarnation of Vishnu. Some traditions regard him as one of the 10 principal avatars of Vishnu himself. Balarama's significance in Indian culture has ancient roots. His image in artwork is dated to around the start of the common era, and in coins dated to the second-century BCE. In Jainism, he is known as Baladeva, and has been a historically signif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Subhadra
Subhadra ( sa, सुभद्रा, Subhadrā) is a Hindu goddess mentioned in ancient Hindu scriptures like the ''Mahabharata'' and the ''Bhagavata Purana''. She is described as the favourite child of Vasudeva and the younger sister of deities Krishna and Balarama. According to the Mahabharata, Arjuna—one of the Pandava brothers—married her, with whom she bore one son, Abhimanyu. Subhadra is one of the three deities worshipped at the Jagannath Temple at Puri, along with Krishna (as Jagannatha) and Balarama (or Balabhadra). One of the chariots in the annual Ratha Yatra is dedicated to her. Etymology and epithets The word 'Subhadra' is made up of two words 'su' and 'bhadra'. Many scholars translate this name into 'glorious', 'fortunate', 'splendid' or 'auspicious'. * Chitra (चित्रा) - the text '' Harivamsa'' mentions Chitra (lit. bright, clear, excellent or colourful) as her birth name. * Bhadra (भद्रा) - sister of Balbhadra * Veer Sōdari ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ghatotkacha
Ghatotkacha ( sa, घटोत्कच, , literally: "Bald Pot") is a prominent character in the story of ''Mahabharata''. His name comes from the fact that his head was hairless (''utkacha'') and shaped like a ghatam, or a pot. Ghatotkacha was the son of the Pandava Bhima and the demoness Hidimbi, and thus a half-human, half-demon hybrid. He is the father of Anjanaparvan, Barbarika and Meghavarna. He was an important fighter from the Pandava side in the Kurukshetra war and caused a great deal of destruction to the Kaurava army. Ghatotkacha killed many demons like Characters in the Mahabharata, Alambusha, List of characters in the Mahabharata, Alayudha, and many gigantic Asuras. He was specifically called out as the warrior who forced Karna to use his Vasavi Shakti weapon, and courted a hero’s death in the great war. Birth and the Legends On the burning of the 'Lakshagriha', the Pandavas escape through a tunnel and reached a forest. While they were sleeping the demon chi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gandharva Marriage
A Gandharva marriage (Sanskrit: गान्धर्व विवाह, '' pronounced gənd̪ʱərvə vɪvaːhə'') (also known as love marriage) is one of the eight classical types of Hindu marriage. This ancient marriage tradition from the Indian subcontinent was based on consensual acceptance between two people, with no rituals, witnesses or family participation. The marriage of Dushyanta and Shakuntala was a historically celebrated example of this class of marriage. Etymology In Hinduism and Buddhism, ''Gandharvas'' are male nature spirits and the masculine counterparts of the Apsaras. They are passionate lovers of women and arouse erotic and romantic passion in women. History The Smritis of Hinduism recognize eight types of marriage, one of them being Gandharva marriage. The other seven are: ''Brahma'', ''Daiva'', ''Arya'', ''Prajapatya'', ''Asura'', ''Raksasa'' and ''Paisacha''.The Illustrated Encyclopedia of Hinduism: A-M, James G. Lochtefeld (2001), , Page 427Hindu S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patala
In Indian religions, Patala (Sanskrit: पाताल, IAST: pātāla, lit. ''that which is below the feet''), denotes the subterranean realms of the universe – which are located under the earthly dimension. Patala is often translated as underworld or netherworld. Patala is described as more beautiful than Svarga (subtle dimensions, loosely translated as heaven). Patala is described as filled with splendid jewels, beautiful groves and lakes. In Vajrayana Buddhism, caves inhabited by asuras are entrances to Patala; these asuras, particularly female asuras, are often "tamed" (converted to Buddhism) as dharmapala or dakinis by famous Buddhist figures such as Padmasambhava. In Hindu cosmology, the universe is divided into the three worlds: Svarga, Prithvi or Martya (earth/mortal plane) and Patala (gross dimensions, the underworld). Patala is composed of seven realms/dimensions or lokas, the seventh and lowest of them is also called Patala or Naga-loka, the region of the Nagas. T ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ulupi
Ulupi (), also known as Uluchi and Ulupika, is a character the Hindu epic ''Mahabharata''. She is a Naga princess, the daughter of the king Kauravya, and is among the four wives of Arjuna. She also finds a mention in the ''Vishnu Purana'' and the ''Bhagavata Purana''. Ulupi is said to have met and married Arjuna when he was in exile, and with whom she bore his son Iravan. She played a major part in the upbringing of Babruvahana, Arjuna's son with Chitrangada. She is also credited with redeeming Arjuna from the curse of the Vasus by restoring his life after he was slain in a battle by Babruvahana. Etymology and form Little is said about Ulupi in the ''Mahabharata''. Ulupi is known by numerous names in the ''Mahabharata''—Bhujagātmajā, Bhujagendrakanyakā, Bhujagottamā Kauravī, Kauravyaduhitā, Kauravyakulanandinī, Pannaganandinī, Pannagasutā, Pannagātmajā, Pannageśvarakanyā, Pannagī, and Uragātmajā. Ulupi is described as a mythical form of a ''Nāgakanyā'' (N ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
