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BWV 526
The organ sonatas, Bach-Werke-Verzeichnis, BWV 525–530 by Johann Sebastian Bach are a collection of six sonatas in Trio sonata, trio sonata form. Each of the sonatas has three movement (music), movements, with three independent parts in the two manuals and obbligato pedal. The collection was put together in Leipzig in the late 1720s and contained reworkings of prior compositions by Bach from earlier cantatas, organ works and chamber music as well as some newly composed movements. The sixth sonata, BWV 530, is the only one for which all three movements were specially composed for the collection. When played on an organ, the second manual part is often played an octave lower on the keyboard with appropriate registration (organ), registration. Commentators have suggested that the collection might partly have been intended for private study to perfect organ technique, some pointing out that its compass allows it to be played on a clavichord#Pedal clavichord, pedal clavichord. The colle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Inventions And Sinfonias (Bach)
The Inventions and Sinfonias, BWV 772–801, also known as the Two- and Three-Part Inventions, are a collection of thirty short keyboard compositions by Johann Sebastian Bach (1685–1750): 15 '' inventions'', which are two-part contrapuntal pieces, and 15 ''sinfonias'', which are three-part contrapuntal pieces. They were originally written as "''Praeambula''" and "''Fantasiae''" in the Klavierbüchlein für Wilhelm Friedemann Bach, a ''Clavier-booklet'' for his eldest son, and later rewritten as musical exercises for his students. Bach titled the collection: Forthright instruction, wherewith lovers of the clavier, especially those desirous of learning, are shown in a clear way not only 1) to learn to play two voices clearly, but also after further progress 2) to deal correctly and well with three obbligato parts, moreover at the same time to obtain not only good ideas, but also to carry them out well, but most of all to achieve a ''cantabile'' style of playing, and thereby to acqu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Die Himmel Erzählen Die Ehre Gottes, BWV 76
Johann Sebastian Bach composed the church cantata (), 76 in Leipzig for the second Sunday after Trinity of the liturgical year and first performed it on 6 June 1723. Bach composed the cantata at a decisive turning point in his career. Moving from posts in the service of churches and courts to the town of Leipzig on the first Sunday after Trinity, 30 May 1723, he began the project of composing a new cantata for every occasion of the liturgical year. He began his first annual cycle of cantatas ambitiously with , in an unusual layout of 14 movements in two symmetrical parts, to be performed before and after the sermon. , performed a week later, has the same structure. The unknown poet begins his text with a quotation from Psalm 19 and refers to both prescribed readings from the New Testament, the parable of the great banquet as the Gospel, and the First Epistle of John. Bach scored Part I with a trumpet as a symbol of God's Glory. In Part II, performed after the sermon and durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Café Zimmermann
The Café Zimmermann, or was the coffeehouse of Gottfried Zimmermann in Leipzig which formed the backdrop to the first performances of many of Bach's secular cantatas, e.g. the ''Coffee Cantata'' (''Schweigt stille, plaudert nicht''), and instrumental works. In 1723, the year Bach moved to Leipzig, it was the largest and best-appointed Kaffeehaus of Leipzig and a centre for the middle classes and gentlemen. While women were forbidden from frequenting coffeehouses, they could attend public concerts at Zimmermann's. The coffeehouse was located at 14 Katharinenstrasse, then the most elegant street of Leipzig, connecting the Brühl to the market place. The name of the street had been taken from the old St. Catherine's Chapel which had been demolished in 1544. In Telemann's and Bach's day, only the name of the street remained. During the summer months, Zimmermann also ran an outdoor coffee garden in the outside the city walls, near the East Gate. The four-and-a-half-story Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Collegium Musicum
The Collegium Musicum was one of several types of musical societies that arose in German and German-Swiss cities and towns during the Reformation and thrived into the mid-18th century. Generally, while societies such as the (chorale) cultivated vocal music for church performance and the convivium musicum discussed musical philosophy over a banquet, the collegia musica performed both vocal and instrumental music for pleasure; they focused on instrumental music as it rose in stature during the Baroque era. Though closed amateur societies in concept, collegia frequently included professionals to fill out the music and admitted non-members to performances. Moreover, they often provided music for church, state, and academic occasions and gained the patronage of leading citizens. From the 1660s, their functions largely constituted the beginnings of public concert life in Germany. Leipzig Leipzig collegia musica, consisting mostly of university students, enjoyed a succession of part ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
