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BWV 427
Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following: * four-part harmony * SATB vocal forces * pre-existing hymn tune allotted to the soprano part * text treatment: ** homophony, homophonic ** no repetitions (i.e., each syllable of the hymn text is sung one time) Around 400 of such chorale settings by Bach, mostly composed in the first four decades of the 18th century, are extant: * Around half of that number are chorales which were transmitted in the context of larger vocal works such as cantatas, motets, Passions and oratorios. A large part of these chorales are extant as autographs by the composer, and for nearly all of them a colla parte instrumental and/or basso continuo, continuo accompaniment are known. * All other four-part chorales exclusively survived in collections of short works, which include manuscripts and 18th-century prints of Bach's four-part chorales, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jesus Christus, Unser Heiland, Der Den Tod überwand (Bach)
"Jesus Christus, unser Heiland, der den Tod überwand" ( en, Jesus Christ, our Saviour, who conquered death) is a hymn for Easter by Martin Luther. The text originated in 1524. Johannes Zahn listed three hymn tunes for it. Two of these, Zahn number, Zahn Nos. 1976 and 1977, were published in 1724. A third, Zahn No. 1978, is attributed to Luther and was first published in 1529. Variants of this melody originated up to the early 17th century. Text Below is the original German version of the text :Jesus Christus unser Heiland, :der den Tod überwand, :ist auferstanden, :die Sünd hat er gefangen. ::Kyrie eleison. :Der ohn Sünden war geboren, :trug für uns Gottes Zorn, :hat uns versöhnet, :dass Gott uns sein Huld gönnet. ::Kyrie eleison. :Tod, Sünd, Leben und auch Gnad, :alls in Händen er hat; :er kann erretten :alle, die zu ihm treten. ::Kyrie eleison. An English translation of the first stanza by George MacDonald : :Jesus Christ, our Saviour true, :He who Dea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chorale Prelude
In music, a chorale prelude or chorale setting is a short liturgical composition for organ using a chorale tune as its basis. It was a predominant style of the German Baroque era and reached its culmination in the works of J.S. Bach, who wrote 46 (with a 47th unfinished) examples of the form in his Orgelbüchlein, along with multiple other works of the type in other collections. Function The precise liturgical function of a chorale prelude in the Baroque period is uncertain and is a subject of debate. One possibility is that they were used to introduce the hymn about to be sung by the congregation, usually in a Protestant, and originally in a Lutheran, church. This assumption may be valid for the shorter chorale preludes (Bach's setting of 'Liebster Jesu, wir sind hier, BWV 731, for example), but many chorale preludes are very long. It could be the case that these were played during extended ceremonial in church or in cathedrals. Style Chorale preludes are typically polyphonic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Sanford Terry (historian)
Charles Sanford Terry (24 October 1864, Newport Pagnell – 5 November 1936, Aberdeen) was an English historian and musicologist who published extensively on Scottish and European history as well as the life and works of J. S. Bach. Career Terry was the eldest son of Charles Terry, a physician, and Ellen Octavia Prichard. After attending St Paul's Cathedral School, King's College School, and Lancing College, he was an undergraduate at Clare College, Cambridge, where he obtained a B.A. in history (2nd class) in 1886 and an M.A. in 1891. He held lectureships in history at Durham College of Science (now part of the University of Newcastle-upon-Tyne), the University of Aberdeen and the University of Cambridge. In 1901 he married Edith Mary Allfrey of Newport Pagnell, daughter of Francis Allfrey, a brewer; the marriage was childless. He was appointed Burnett-Fletcher Professor of History and Archaeology at the University of Aberdeen from 1903 until his retirement in 1930. He serve ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Riemenschneider
(Charles) Albert Riemenschneider (August 31, 1878 – July 20, 1950) was an American musician and Bach musicologist. Riemenschneider was born into a musical family. His father, Karl H. Riemenschneider, was the president of German Wallace College in Berea, Ohio (which later became Baldwin-Wallace (BW) College). While still a student at the college, he was offered the then vacant position of Director of the Music Department in 1898, a post he held until his retirement 50 years later.Tom Riemenschneider and Laura Kennelly: "The Baldwin-Wallace College Bach Legacy At 75 Years" This department then became under his directorship the [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clef
A clef (from French: 'key') is a Musical notation, musical symbol used to indicate which Musical note, notes are represented by the lines and spaces on a musical staff (music), stave. Placing a clef on a stave assigns a particular pitch to one of the five lines, which defines the pitches on the remaining lines and spaces. The three clef symbols used in modern music notation are the #G-clefs, G-clef, #F-clefs, F-clef, and #C-clefs, C-clef. Placing these clefs on a line fixes a reference note to that line—an F-clef fixes the F below middle C, a C-clef fixes middle C, and a G-clef fixes the G above middle C. In modern music notation, the G-clef is most frequently seen as treble clef (placing Scientific pitch notation, G4 on the second line of the stave), and the F-clef as bass clef (placing F3 on the fourth line). The C-clef is mostly encountered as alto clef (placing middle C on the third line) or tenor clef (middle C on the fourth line). A clef may be placed on a space ins ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johann Gottlob Immanuel Breitkopf
Johann Gottlob Immanuel Breitkopf (Leipzig, 23 November 1719 – 28 January 1794, Leipzig) was a German music publisher and typographer. Biography Breitkopf was the son of the publisher Bernhard Christoph Breitkopf, founder of the publishing house Breitkopf & Härtel. He was born in Leipzig and attended the University of Leipzig. His investigations in history and mathematics led him to a scientific study of printing, which resulted in a more artistic development of German text, and an improvement of musical notation (1754). He revolutionized the music score printing with movable type Movable type (US English; moveable type in British English) is the system and technology of printing and typography that uses movable components to reproduce the elements of a document (usually individual alphanumeric characters or punctuatio ...s, and fonts designed as Breitkopf Fraktur. References * * * External links * German typographers and type designers 1719 births 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
