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BWV 30.1
(Pleasant Wiederau, rejoice in thy meadows), BWV 30.1 (formerly BWV 30a),Work , ''Angenehmes Wiederau, freue dich in deinen Auen'', at Bach Digital website. is a 1737 secular cantata by Johann Sebastian Bach, on a libretto by Christian Friedrich Henrici (Picander). Bach reused some of its music in later works, including ''Freue dich, erlöste Schar'', BWV 30.2, one of his church cantatas, which was nearly entirely modelled after the secular composition.Work , ''Freue dich, erlöste Schar'', at Bach Digital website. History and text was composed in Leipzig in 1737 by which time most of Bach's cantatas had already been completed. It was an homage to , who had acquired an estate at in Pegau near Leipzig. The work was performed on 28 September at Hennicke's . The libretto of the cantata was written by Christian Friedrich Henrici (Picander), a frequent collaborator of the composer. Scoring and structure The piece is scored for basso continuo , along with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neues Bachisches Collegium Musicum
Neues Bachisches Collegium Musicum (NBCM, New Bach's Collegium Musicum) is a German chamber orchestra, founded in Leipzig, Saxony. It follows the tradition of collegia musica, developed by Johann Sebastian Bach, also in Leipzig. The orchestra is dedicated to historically informed performances, based on the latest research. History Neues Bachisches Collegium Musicum was founded in 1979 by Max Pommer and Walter Heinz Bernstein. All musicians are members of the Gewandhausorchester. The ensemble collaborates with the Bach Archive in applying historical research to performances with modern instruments. The name refers to the which Georg Philipp Telemann founded in 1701 at the Leipzig University, and which Bach directed from 1729. The ensemble, subsequently called Bachisches Collegium, played Bach's works regularly at Zimmermannsches Kaffeehaus, including secular cantatas and instrumental works such as the ''Coffee Cantata'', which Bach had composed for the ensemble. Pommer was th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leipziger Universitätschor
The Leipziger Universitätschor (LUC) is the university choir of the University of Leipzig. A mixed choir, it is formed by approximately 100 students from all faculties. It was founded in 1926 as Madrigalkreis Leipziger Studenten (Madrigal circle of Leipzig students), and has gone by its present name since 1938. It is now part of the Leipziger Universitätsmusik. History Music at the University of Leipzig has a long tradition. Music was one of four initial topics taught upon the university's founding. The first (director of university music) known by name was Werner Fabricius, who served from 1656 to 1679; he was followed by Johann Kuhnau and Max Reger, among many others. On 17 June 1926, Friedrich Rabenschlag founded the Madrigalkreis Leipziger Studenten in his room in the Leipzig Bachviertel. The small group performed mostly a cappella music of the Renaissance. When Rabenschlag became the church musician (''Kantor'') of the Paulinerkirche, Leipzig, the university church, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hänssler Classic
Hänssler-Verlag is a German music publishing house founded in 1919 as Musikverlag Hänssler by Friedrich Hänssler Senior (died 1972) to publish church music. The company is now based in Holzgerlingen. Since 1972 Hänssler Verlag has also published contemporary and jazz music. Hänssler Classic (now written ''hänssler CLASSIC'' in the company's own materials), was founded 1975 by Friedrich Hänssler Jr., as the company's in-house classical record label. The record label is one of the publishers of the classical radio station Südwestrundfunk (SWR) which has three orchestras, a choir and a big band. The label is also a partner with the Internationale Bachakademie Stuttgart, founded 1981 by Helmuth Rilling. In 2002 Hänssler became part of SCM ( [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helmuth Rilling
Helmuth Rilling (born 29 May 1933) is a German choral conductor and an academic teacher. He is the founder of the Gächinger Kantorei (1954), the Bach-Collegium Stuttgart (1965), the Oregon Bach Festival (1970), the Internationale Bachakademie Stuttgart (1981) and other Bach Academies worldwide, as well as the "Festival Ensemble Stuttgart" (2001) and the "Junges Stuttgarter Bach Ensemble" (2011). He taught choral conducting at the Frankfurt Musikhochschule from 1965 to 1989 and led the Frankfurter Kantorei from 1969 to 1982. Education Rilling was born into a musical family. He received his early training at the Protestant Seminaries in Württemberg. From 1952 to 1955 he studied organ, composition, and choral conducting at the Stuttgart College of Music. He completed his studies with Fernando Germani in Rome and at the Accademia Musicale Chigiana in Siena. While still a student in 1954, he founded his first choir, the Gächinger Kantorei. Starting in 1957, he was organist and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach-Collegium Stuttgart
Bach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra. Its members are mostly orchestra musicians from Germany and Switzerland who get together for projects associated with the choir and also instrumental programs of their own. The ensemble has performed at festivals such as the "Musikfest Stuttgart" of the Internationale Bachakademie Stuttgart, Salzburg Festival, Lucerne Festival, Prague Spring or Rheingau Musik Festival. Gächinger Kantorei and Bach-Collegium Stuttgart, conducted by Rilling, completed a first recording worldwide of Bach's cantatas and oratorios, a project of 15 years in collaboration with Hänssler Classic, in 1985 on the occasion of the composer's 300th birthday. The recording was awarded a Grand Prix du Disque. The Bach-Collegium Stuttgart has been instrumental in premieres of works such as Wolfgang Rihm's ''Deus Passus (Passions ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gächinger Kantorei
Gächinger Kantorei (Gächingen Chorale) is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen (part of St. Johann close to Reutlingen) and conducted by him until 2013, succeeded by Hans-Christoph Rademann. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore officially named Gächinger Kantorei Stuttgart. The choir has up to 200 voices, called together for projects from Germany and Switzerland, most of them singers with a degree in music. Since 1965 they have performed music with orchestra as Gächinger Kantorei and Bach-Collegium Stuttgart, including several first performances. History Initially the choir was dedicated to a cappella music of the 16th, 17th and 20th century, later adding works from the period of Romanticism. In 1965 Rilling founded the orchestra Bach-Collegium Stuttgart, and both groups started performing choral music w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ton Koopman
Antonius Gerhardus Michael Koopman (; born 2 October 1944), known professionally as Ton Koopman, is a Dutch conductor, organist, harpsichordist, and musicologist, primarily known for being the founder and director of the Amsterdam Baroque Orchestra & Choir. He is a professor at the Royal Conservatory of The Hague and the University of Leiden. In April 2003 he was knighted in the Netherlands, and received the Order of the Netherlands Lion. Biography Koopman had a "classical education" and then studied the organ (with Simon C. Jansen), harpsichord (with Gustav Leonhardt), and musicology at the Amsterdam conservatory. He specialized in Baroque music and received the Prix d'Excellence for both organ and harpsichord. In the organ, he never learned how to play with heels and toes, and because of his short height, always plays with his toes on the pedalboard. This is an authentic Baroque practice. Koopman founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Cho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amsterdam Baroque Orchestra & Choir
The Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam. The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in 1992.Amsterdam Baroque Orchestra & Choir on Bach Cantatas, 2001 They have performed in concert halls such as the Amsterdam, London, |
BWV 210
The (BWV; ; ) is a Catalogues of classical compositions, catalogue of compositions by Johann Sebastian Bach. It was first published in 1950, edited by Wolfgang Schmieder. The catalogue's second edition appeared in 1990. An abbreviated version of that second edition, known as BWV2a, was published in 1998. The catalogue groups compositions by genre. Even within a genre, compositions are not necessarily collated chronologically. For example, BWV 992 was composed many years before BWV 1. BWV numbers were assigned to 1,126 compositions in the 20th century, and more have been added to the catalogue in the 21st century. The BWV Anh., Anhang (Anh.; Annex) of the BWV lists over 200 lost, doubtful and spurious compositions. History The first edition of the ''Bach-Werke-Verzeichnis'' was published in 1950. It allocated a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following the 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aria
In music, an aria (Italian: ; plural: ''arie'' , or ''arias'' in common usage, diminutive form arietta , plural ariette, or in English simply air) is a self-contained piece for one voice, with or without instrumental or orchestral accompaniment, normally part of a larger work. The typical context for arias is opera, but vocal arias also feature in oratorios and cantatas, or they can be stand-alone concert arias. The term was originally used to refer to any expressive melody, usually, but not always, performed by a singer. Etymology The Italian term ''aria'', which derives from the Greek ἀήρ and Latin ''aer'' (air), first appeared in relation to music in the 14th century when it simply signified a manner or style of singing or playing. By the end of the 16th century, the term 'aria' refers to an instrumental form (cf. Santino Garsi da Parma lute works, 'Aria del Gran Duca'). By the early 16th century it was in common use as meaning a simple setting of strophic poetry; me ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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