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BT.709
Rec. 709, also known as Rec.709, BT.709, and ITU 709, is a standard developed by ITU-R for image encoding and signal characteristics of high-definition television. The most recent version is BT.709-6 released in 2015. BT.709-6 defines the Picture characteristics as having a (widescreen) aspect ratio of 16:9, 1080 active lines per picture, 1920 samples per line, and a square pixel aspect ratio. The first version of the standard was approved by the CCIR as Rec.709 in 1990 (there was also CCIR Rec. XA/11 MOD F in 1989), with the stated goal of a worldwide HDTV standard. The ITU superseded the CCIR in 1992, and subsequently released BT.709-1 in November 1993. These early versions still left many unanswered questions, and the lack of consensus toward a worldwide HDTV standard was evident. So much so, some early HDTV systems such as 1125/60 and 1250/50 were still a part of the standard as late as 2002 in BT.709-5. Technical details The standard is freely available at thITU webs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SRGB
sRGB is a standard RGB (red, green, blue) color space that HP and Microsoft created cooperatively in 1996 to use on monitors, printers, and the World Wide Web. It was subsequently standardized by the International Electrotechnical Commission (IEC) as IEC 61966-2-1:1999. sRGB is the current defined standard colorspace for the web, and it is usually the assumed colorspace for images that are neither tagged for a colorspace nor have an embedded color profile. sRGB essentially codifies the display specifications for the computer monitors in use at that time, which greatly aided its acceptance. sRGB uses the same color primaries and white point as ITU-R BT.709 standard for HDTV, a transfer function (or gamma) compatible with the era's CRT displays, and a viewing environment designed to match typical home and office viewing conditions. An amendment of the IEC 61966-2-1 standard document that defines sRGB includes the definition of a number of variants including sYCC, which is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
HD-MAC
HD-MAC (High Definition Multiplexed Analogue Components) was a broadcast television standard proposed by the European Commission in 1986, as part of Eureka 95 project. It belongs to the MAC - Multiplexed Analogue Components standard family. It is an early attempt by the EEC to provide High-definition television (HDTV) in Europe. It is a complex mix of analogue signal (based on the Multiplexed Analogue Components standard), multiplexed with digital sound, and assistance data for decoding (DATV). The video signal (1250 lines/50 fields per second in 16:9 aspect ratio, with 1152 visible lines) was encoded with a modified D2-MAC encoder. HD-MAC could be decoded by normal D2-MAC standard definition receivers, but no extra resolution was obtained and certain artifacts were visible. To decode the signal in full resolution a specific HD-MAC tuner was required . Naming convention The European Broadcasting Union video format description is as follows: width x height can type: i or p/ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
OOTF
This article is about the Transfer function, transfer functions used in Image, pictures and Video, videos and describing the relationship between Signal, electrical signal, scene light and displayed light. Definition The opto-electronic transfer function (OETF) is the transfer function having the scene light as input and converting into the picture or video signal as output. This is typically done within a camera. The electro-optical transfer function (EOTF) is the transfer function having the picture or video signal as input and converting it into the linear light output of the display. This is done within the display device. The opto-optical transfer function (OOTF) is the transfer function having the scene light as input and the displayed light as output. The OOTF is the result of the OETF and the EOTF and is usually non-Linear function (calculus), linear. List of transfer functions Linear function (calculus), Linear * RAW format, Raw formats *Some OETF and EOTF have an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-optical Transfer Function
This article is about the transfer functions used in pictures and videos and describing the relationship between electrical signal, scene light and displayed light. Definition The opto-electronic transfer function (OETF) is the transfer function having the scene light as input and converting into the picture or video signal as output. This is typically done within a camera. The electro-optical transfer function (EOTF) is the transfer function having the picture or video signal as input and converting it into the linear light output of the display. This is done within the display device. The opto-optical transfer function (OOTF) is the transfer function having the scene light as input and the displayed light as output. The OOTF is the result of the OETF and the EOTF and is usually non-linear. List of transfer functions Linear * Raw formats *Some OETF and EOTF have an initial linear portion followed by a non-linear part (e.g. sRGB and Rec.709). Gamma * Rec. 601, Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opto-electronic Transfer Function
This article is about the transfer functions used in pictures and videos and describing the relationship between electrical signal, scene light and displayed light. Definition The opto-electronic transfer function (OETF) is the transfer function having the scene light as input and converting into the picture or video signal as output. This is typically done within a camera. The electro-optical transfer function (EOTF) is the transfer function having the picture or video signal as input and converting it into the linear light output of the display. This is done within the display device. The opto-optical transfer function (OOTF) is the transfer function having the scene light as input and the displayed light as output. The OOTF is the result of the OETF and the EOTF and is usually non-linear. List of transfer functions Linear * Raw formats *Some OETF and EOTF have an initial linear portion followed by a non-linear part (e.g. sRGB and Rec.709). Gamma * Rec. 601, Rec. 7 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
High-definition Television
High-definition television (HD or HDTV) describes a television system which provides a substantially higher image resolution than the previous generation of technologies. The term has been used since 1936; in more recent times, it refers to the generation following standard-definition television (SDTV), often abbreviated to HDTV or HD-TV. It is the current de facto standard video format used in most broadcasts: terrestrial broadcast television, cable television, satellite television and Blu-ray Discs. Formats HDTV may be transmitted in various formats: * 720p (1280 horizontal pixels × 720 lines): 921,600 pixels * 1080i (1920×1080) interlaced scan: 1,036,800 pixels (~1.04 MP). * 1080p (1920×1080) progressive scan: 2,073,600 pixels (~2.07 MP). ** Some countries also use a non-standard CEA resolution, such as 1440×1080i: 777,600 pixels (~0.78 MP) per field or 1,555,200 pixels (~1.56 MP) per frame When transmitted at two megapixels per frame, HDTV provides about five times ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro-optical Transfer Function
This article is about the transfer functions used in pictures and videos and describing the relationship between electrical signal, scene light and displayed light. Definition The opto-electronic transfer function (OETF) is the transfer function having the scene light as input and converting into the picture or video signal as output. This is typically done within a camera. The electro-optical transfer function (EOTF) is the transfer function having the picture or video signal as input and converting it into the linear light output of the display. This is done within the display device. The opto-optical transfer function (OOTF) is the transfer function having the scene light as input and the displayed light as output. The OOTF is the result of the OETF and the EOTF and is usually non-linear. List of transfer functions Linear * Raw formats *Some OETF and EOTF have an initial linear portion followed by a non-linear part (e.g. sRGB and Rec.709). Gamma * Rec. 601, Re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RGB Color Space
An RGB color space is any additive color space based on the RGB color model. An RGB color space is defined by chromaticity coordinates of the red, green, and blue additive primaries, the white point which is usually a standard illuminant, and the transfer function which is also known as the tone response curve (TRC) or gamma. Applying Grassmann's law of light additivity, a colorspace so defined can produce colors which are enclosed within the 2D triangle on the chromaticity diagram defined by those primary coordinates. The TRC and white point further define the possible colors, creating a volume in a 3D shape that never exceeds the triangular bounds. The primary colors are often specified in terms of their xyY chromaticity coordinates, though the uʹ,vʹ coordinates from the UCS chromaticity diagram may be used. Both xyY and uʹ,vʹ are derived from the CIE 1931 color space, a device independent space also known as XYZ which uses the 2° standard observer, an averaging of expe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Space
A color space is a specific organization of colors. In combination with color profiling supported by various physical devices, it supports reproducible representations of colorwhether such representation entails an analog or a digital representation. A color space may be arbitrary, i.e. with physically realized colors assigned to a set of physical color swatches with corresponding assigned color names (including discrete numbers infor examplethe Pantone collection), or structured with mathematical rigor (as with the NCS System, Adobe RGB and sRGB). A "color space" is a useful conceptual tool for understanding the color capabilities of a particular device or digital file. When trying to reproduce color on another device, color spaces can show whether shadow/highlight detail and color saturation can be retained, and by how much either will be compromised. A "color model" is an abstract mathematical model describing the way colors can be represented as tuples of numbers (e.g. tr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primary Color
A set (mathematics), set of primary colors or primary colours (see American and British English spelling differences#-our, -or, spelling differences) consists of colorants or colored lights that can be mixed in varying amounts to produce a gamut of colors. This is the essential method used to create the perception of a broad range of colors in, e.g., electronic displays, color printing, and paintings. Perceptions associated with a given combination of primary colors can be predicted by an appropriate mixing model (e.g., additive mixing, additive, subtractive mixing, subtractive) that reflects the physics of how light interacts with physical media, and ultimately the retina. Primary colors can also be conceptual (not necessarily real), either as additive mathematical elements of a color space or as irreducible phenomenological categories in domains such as psychology and Philosophy of color, philosophy. Color space primaries are precisely defined and empirically rooted in psychop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Progressive Segmented Frame
Progressive segmented Frame (PsF, sF, SF) is a scheme designed to acquire, store, modify, and distribute progressive scan video using interlaced equipment. With PsF, a progressive frame is divided into two ''segments'', with the odd lines in one segment and the even lines in the other segment. Technically, the segments are equivalent to interlaced ''fields'', but unlike native interlaced video, there is no motion between the two fields that make up the video frame: both fields represent the same instant in time. This technique allows for a progressive picture to be processed through the same electronic circuitry that is used to store, process and route interlaced video. The term ''progressive segmented frame'' is used predominantly in relation to high-definition video, high definition video. In the world of standard-definition video, which traditionally has been using interlaced scanning, it is also known as ''quasi-interlace'', ''progressive recording'' or ''movie mode''. Other na ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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