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BFI Production Board
The BFI Production Board (1964-2000) was a state-funded film production fund managed by the British Film Institute (BFI) and "explicitly charged with backing work by new and uncommercial filmmakers." Emerging from the Experimental Film Fund, the BFI Production Board was a major source of funding for experimental, art house, animation, short and documentary cinema, with a continuing commitment to funding under-represented voices in filmmaking. 1952-63: Experimental Film Fund and early productions At its foundation in the 1930s, the BFI had no mandate to fund film production in the UK. However, the 1948 Radcliffe Report 'create a more favourable climate for potential film production by recommending that the Institute should focus its activities exclusively on the promotion of film as an art form'. As part of the plans for the Festival of Britain in 1951, the BFI was allocated funding to produce a cinematic side of the festival, using £10,000 to commission several short experimental f ...
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British Film Institute
The British Film Institute (BFI) is a film and television charitable organisation which promotes and preserves film-making and television in the United Kingdom. The BFI uses funds provided by the National Lottery to encourage film production, distribution, and education. It is sponsored by the Department for Digital, Culture, Media and Sport, and partially funded under the British Film Institute Act 1949. Purpose It was established in 1933 to encourage the development of the arts of film, television and the moving image throughout the United Kingdom, to promote their use as a record of contemporary life and manners, to promote education about film, television and the moving image generally, and their impact on society, to promote access to and appreciation of the widest possible range of British and world cinema and to establish, care for and develop collections reflecting the moving image history and heritage of the United Kingdom. BFI activities Archive The BFI maint ...
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Waterloo (London)
Waterloo station (), also known as London Waterloo, is a central London terminus on the National Rail network in the United Kingdom, in the Waterloo area of the London Borough of Lambeth. It is connected to a London Underground station of the same name and is adjacent to Waterloo East station on the South Eastern Main Line. The station is the terminus of the South West Main Line to via Southampton, the West of England main line to Exeter via , the Portsmouth Direct line to which connects with ferry services to the Isle of Wight, and several commuter services around west and south-west London, Surrey, Hampshire and Berkshire. The station was opened in 1848 by the London and South Western Railway, and it replaced the earlier as it was closer to the West End. It was never designed to be a terminus, as the original intention was to continue the line towards the City of London, and consequently the station developed in a haphazard fashion, leading to difficulty finding ...
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London Film-Makers' Co-op
The London Film-makers' Co-op, or LFMC, was a British film-making workshop founded in 1966. It ceased to exist in 1999 when it merged with London Video Arts to form LUX. It grew out of film screenings at the Better Books bookstore, part of the 1960s counter-culture in London, before moving to the original Arts Lab on Drury Lane, then sharing offices with John 'Hoppy' Hopkins' BIT information service and then, with the breakaway group that formed the New Arts Lab, to the Camden-based Institute for Research in Art and Technology. With the end of IRAT's lease in 1971 the Co-op found a base in a long-term squat in a former dairy at 13a Prince of Wales Crescent in Kentish Town. For most of its life the LFMC was based in Gloucester Avenue in Camden in a run down building which for a number of years also housed the London Musicians Collective. In 1997 the LFMC moved together with London Video Arts to the new Lux Centre, Hoxton Square. Founded by, amongst others, Stephen Dwoskin and Bob ...
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A Private Enterprise
''A Private Enterprise'' is a 1974 British film directed by Peter K Smith. It stars Salmaan Peerzada as Shiv Verma, an Indian immigrant in Birmingham who attempts to start his own business. It is regarded as the first British Asian British Asians (also referred to as Asian Britons) are British citizens of Asian descent. They constitute a significant and growing minority of the people living in the United Kingdom, with 6.9% of the population identifying as Asian/Asian Brit ... film. External links IMDB page for ''A Private Enterprise''BFI Review of the film (with clips)* Brief overview of the filmShort review from Time Out Films shot in London Films set in London Films about immigration British Indian films 1974 films Films set in Birmingham, West Midlands British drama films 1974 drama films 1970s English-language films 1970s British films {{1970s-UK-film-stub ...
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Andrew Mollo
Andrew Mollo (born 15 May 1940 in Epsom, Surrey, England)Kevin Brownlow: ''How It Happened Here.'' UKA Press, London/Amsterdam/Shizuoka 2007, , p. 201. is a British expert on military uniforms, which has led him into a career in motion pictures and as an author of various books on military uniforms. Biography Andrew Mollo is the son of a Russian father and British mother and the brother of costume designer and historical consultant John Mollo. In 1956, the family moved to London, where he studied at the Regent Street Polytechnic. Film In the late 1950s Mollo was approached by Kevin Brownlow for assistance regarding the development of his film ''It Happened Here''. Initially, he was to advise on German uniforms but became so interested in the project that ended up co-writing, co-directing and co-producing the movie. The film took eight years to make and premiered in 1964. Mollo worked for Woodfall Film Productions as a runner and then assistant director on 1960s Saturday Night ...
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Kevin Brownlow
Kevin Brownlow (born Robert Kevin Brownlow; 2 June 1938) is a British film historian, television documentary-maker, filmmaker, author, and film editor. He is best known for his work documenting the history of the silent era, having become interested in silent film at the age of eleven. This interest grew into a career spent documenting and restoring film. Brownlow has rescued many silent films and their history. His initiative in interviewing many largely forgotten, elderly film pioneers in the 1960s and 1970s preserved a legacy of early mass-entertainment cinema. He received an Academy Honorary Award at the 2nd Annual Governors Awards given by the Academy of Motion Picture Arts and Sciences on 13 November 2010. This was the first occasion on which an Academy Honorary Award was given to a film preservationist. Early life Brownlow was born in Crowborough, Sussex, the only child of Thomas Brownlow, an Irish commercial artist making film posters for The Rank Organisation and Disne ...
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Winstanley (film)
''Winstanley'' is a 1975 British black-and-white film about social reformer and writer Gerrard Winstanley. It was made by Kevin Brownlow and Andrew Mollo (creators of ''It Happened Here'') and based on the 1961 David Caute novel ''Comrade Jacob''. Plot The film details the story of the 17th-century social reformer and writer Gerrard Winstanley, who, along with a small band of followers known as the Diggers, tried to establish a self-sufficient farming community on common land at St George's Hill ("Diggers' Hill") near Cobham, Surrey. The community was one of the world's first small-scale experiments in socialism or communism, and its ideas were copied elsewhere in England during the time of the Protectorate of Oliver Cromwell, but it was quickly suppressed, and in the end left only a legacy of ideas to inspire later generations of socialist theorists. Cast * Miles Halliwell – Gerrard Winstanley * Terry Higgins – Tom Haydon * Jerome Willis – Lord General Fairfax * Phil O ...
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Michael Relph
Michael Leighton George Relph (16 February 1915 – 30 September 2004) was an English film producer, art director, screenwriter and film director. He was the son of actor George Relph. Films Relph began his film career in 1933 as an assistant art director under Alfred Junge at Gaumont British then headed by Michael Balcon. In 1942 Relph began work at Ealing as chief art director, where his designs included the influential 1945 supernatural anthology ''Dead of Night''. He worked mainly on Basil Dearden's films, and in 1949 was nominated for an Academy Award for art direction for his work on the Stewart Granger vehicle ''Saraband for Dead Lovers'' (1948). Theatre Michael Relph also designed for the theatre, particularly the West End in the 1940s, from '' The Doctor's Dilemma'' and '' A Month in the Country'', to ''Nap Hand'' and ''The Man Who Came to Dinner''. Producer Relph is largely known as a film producer. He served as associate producer on the Ealing comedy ''Kind Hearts ...
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Venice Film Festival
The Venice Film Festival or Venice International Film Festival ( it, Mostra Internazionale d'Arte Cinematografica della Biennale di Venezia, "International Exhibition of Cinematographic Art of the Venice Biennale") is an annual film festival held in Venice, Italy. It is the world's oldest film festival and one of the "Big Six" International film festivals worldwide, which include the Film festival#Notable festivals, Big Three European Film Festivals, alongside the Toronto Film Festival in Canada the Sundance Film Festival in the United States and the Melbourne International Film Festival in Australia. The Festivals are internationally acclaimed for giving creators the artistic freedom to express themselves through film. In 1951, FIAPF formally accredited the festival. Founded by the National Fascist Party in Venice in August 1932, the festival is part of the Venice Biennale, one of the world's oldest exhibitions of art, created by the Venice City Council on 19 April 1893. The ra ...
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Bill Douglas
William Gerald Douglas (17 April 1934 – 18 June 1991) was a Scottish film director best known for the trilogy of films about his early life. Biography Born in Newcraighall on the outskirts of Edinburgh, he was brought up initially by his maternal grandmother, Jean Beveridge; following her death, he lived with his father and paternal grandmother. He undertook his National Service in Egypt, where he met his lifelong friend, Peter Jewell. On returning to Britain, Douglas moved to London and began a career of acting and writing. After spending some time with Joan Littlewood's 'Theatre Workshop' company at the Theatre Royal Stratford East, he was cast in the Granada television series, ''The Younger Generation'' in 1961 and had a musical, ''Solo'', produced in 1962 at Cheltenham. Filmmaking career Having been interested in film-making all his life, in 1969 Douglas enrolled at the London School of Film Technique, where he wrote the screenplay for a short autobiographical film ...
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London Film School
London Film School (LFS) is a film school in London and is situated in a converted brewery in Covent Garden, London, neighbouring Soho, a hub of the UK film industry. It is the oldest film school in the UK."LFS History"
London Film School. Retrieved June 2020.
LFS was founded in 1956 by Gilmore Roberts as the London School of Film Technique (LSFT). Originally based on in , the school moved to its current premises on Shelton Street in 1966, after a brief parenthesis in

Mamoun Hassan
Mamoun Hassan (12 December 1937 – 29 July 2022) was a Saudi-born British screenwriter, director, editor, producer and teacher of film who held prominent positions in British cinema during the 1970s and 1980s, frequently backing experimental work. He was the first head of production of the British Film Institute (BFI) and later managing director of the National Film Finance Corporation (NFFC). Life and career Mamoun Hassan was born in Jeddah, in Saudi Arabia on 12 December 1937. He began his career in film working as an editing assistant with Kevin Brownlow. He made his first distributed short film 'The Meeting', in1965, for which he was awarded a best prize award at the Oberhausen Film Festival. He was the first head of production of the British Film Institute from 1971, in which post he instigated the BFI's policy of backing low-budget feature films that charted in new directions; he assisted the director Bill Douglas by securing crew and funding to make '' The Bill Douglas Trilo ...
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