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BAFTA Award For Best British Film
The BAFTA Award for Outstanding British Film is given annually by the British Academy of Film and Television Arts presented at the British Academy Film Awards. The award was first given at the 1st British Academy Film Awards, first recognising the films of 1947, and lasted until 1968. For over two decades a specific category for British cinema did not exist, until it was revived at the 46th British Academy Film Awards, recognising the films of 1992. It was previously known as the Alexander Korda Award for Best British Film; while still given in honour of Korda, the award is now called "Outstanding British Film" and recognises "outstanding and original British filmmaking which shows exceptional creativity and innovation." To be eligible for nomination as Outstanding British Film, a film "must have significant creative involvement by individuals who are British", including those who have been permanently resident in the UK for ten years or more. The candidates for nomination are the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Academy Film Awards
The British Academy Film Awards, more commonly known as the BAFTA Film Awards is an annual award show hosted by the British Academy of Film and Television Arts (BAFTA) to honour the best British and international contributions to film. The ceremonies were initially held at the flagship Odeon cinema in Leicester Square in London, before being held at the Royal Opera House from 2007 to 2016. Since 2017, the ceremony has been held at the Royal Albert Hall in London. The statue awarded to recipients depicts a theatrical mask. The first BAFTA Awards ceremony was held in 1949, and the ceremony was first broadcast on the BBC in 1956 with Vivien Leigh as the host. The ceremony was initially held in April or May; since 2001, it typically takes place in February. History The British Academy of Film and Television Arts (BAFTA) was founded in 1947 as The British Film Academy, by David Lean, Alexander Korda, Carol Reed, Charles Laughton, Roger Manvell, Laurence Olivier, Emeric Pres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ronald Neame
Ronald Neame CBE, BSC (23 April 1911 – 16 June 2010) was an English film producer, director, cinematographer, and screenwriter. Beginning his career as a cinematographer, for his work on the British war film ''One of Our Aircraft Is Missing'' (1943) he received an Academy Award nomination for Best Special Effects. During a partnership with director David Lean, he produced ''Brief Encounter'' (1945), '' Great Expectations'' (1946), and '' Oliver Twist'' (1948), receiving two Academy Award nominations for writing. Neame then moved into directing, and some notable films included, ''The Man Who Never Was'' (1956), which chronicled Operation Mincemeat, a British WWII deception operation, '' The Prime of Miss Jean Brodie'' (1969), which won Maggie Smith her first Oscar, and the action-adventure disaster film '' The Poseidon Adventure'' (1972). He also directed ''I Could Go On Singing'' (1963), Judy Garland's last film, and '' Scrooge'' (1970), starring Albert Finney. For his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
3rd British Academy Film Awards
The 3rd British Film Awards, known retroactively as the British Academy Film Awards, were given by the British Academy of Film and Television Arts (BAFTA) (known then as the British Film Academy) on 29 May 1950, and honoured the best films of 1948 and 1949. The awards for Best British Film and Best Film from any Source was handed out to ''The Third Man'' and ''Bicycle Thieves'', respectively, and ''The Third Man'' was the most nominated feature film, with two. Winners and nominees ''The Third Man'' and ''Bicycle Thieves'' received the awards for Best British Film and Best Film from any Source, respectively, and ''The Third Man'' received a further nomination in the latter category; ''Daybreak in Udi'' received the award for Best Documentary; French education film, ''La Famille Martin'' received the Special Award; and ''The Search'' received the United Nations Award. Winners are listed first and highlighted in boldface; the nominees are listed below alphabetically and not in b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anthony Havelock-Allan
Sir Anthony James Allan Havelock-Allan, 4th Baronet (28 February 1904 – 11 January 2003) was a British film producer and screenwriter whose credits included ''This Happy Breed'', '' Blithe Spirit'', '' Great Expectations'', '' Oliver Twist'', the 1968 version of '' Romeo and Juliet'' and ''Ryan's Daughter''. Personal life and career Havelock-Allan was born at the family home of Blackwell Grange near Darlington, County Durham, and was educated at Charterhouse and schools in Switzerland. Before becoming a film producer, he worked as a stockbroker, jeweller, record company executive and cabaret manager. In 1935, Havelock-Allan joined the short-lived British and Dominions Imperial Studios, producing films with them like '' Lancashire Luck'' (1937) until and even shortly after the studios burnt down in 1936. After working with her on ''This Man in Paris'', Havelock-Allan married actress Valerie Hobson on 12 April 1939. Their sons were Simon Anthony Clerveaux Havelock-Allan (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fergus McDonell
Fergus McDonell (6 October 1910, Ticehurst, Sussex – 3 January 1984, Norwich, Norfolk) was an English film editor and director. He was nominated for the Academy Award for Best Film Editing for ''Odd Man Out'' (1947). Critical assessments Discussing ''Private Information'', one of McDonell's three films as a director, Steve Chibnall and Brian McFarlane praise his "sensitive regard for human relationships and for the ways in which the pressure of circumstance highlights aspects of character", and they note that he "had a knack for obtaining striking performances from his leading ladies".Steve Chibnall & Brian McFarlane, ''The British 'B' Film'', Palgrave Macmillan, London, 2009, p. 267–68. Partial filmography Director * ''The Small Voice'' (1949) * ''Prelude to Fame'' (1950) * ''Private Information'' (1952) Editor * ''I Met a Murderer'' (1939) * ''The Dummy Talks'' (1943) * ''Odd Man Out'' (1947) * '' Nothing But the Best'' (1964) * ''Khartoum'' (1966) * ''Charlie Bubbles'' (19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Small Voice
''The Small Voice'' (released in the United States as ''The Hideout'') is a 1948 British thriller film directed by Fergus McDonell and starring Valerie Hobson, James Donald and Howard Keel (who was credited as Harold Keel). The film is part of a group of British film noir produced around this time. It was based on the 1940 Robert Westerby novel of the same name. The film's sets were designed by the art director Andrew Mazzei. It was the film debut of Howard Keel who made it while appearing in the original London production of ''Oklahoma!'' The film received a BAFTA nomination for Best British Film in 1949. The "small voice" of the title is referred to at the end of the film: the small voice in your own head, of one's conscience telling one not to do something. Plot Three ex-army men escape from Dartmoor Prison and kill a man to get his car. Meanwhile, Mr and Mrs Byrne bicker on a train and discuss divorce before arriving at Llanbach in Wales near their home. He has lost a leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Balcon
Sir Michael Elias Balcon (19 May 1896 – 17 October 1977) was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock. Balcon had earlier co-founded Gainsborough Pictures with Victor Saville in 1923, later working with Gaumont British, which absorbed their studio. Later still he worked with MGM-British. In 1956 he founded a production company known as Ealing Films, and later headed British Lion Films. He served as chairman of the British Film Institute production board to help fund and encourage new work. Balcon was described in his obituary in ''The Times' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Frend
Charles Herbert Frend (21 November 1909, Pulborough, Sussex – 8 January 1977, London) was an English film director and editor, best known for his films produced at Ealing Studios. He began directing in the early 1940s and is known for such films as ''Scott of the Antarctic'' (1948) and '' The Cruel Sea'' (1953). Biography Frend was born in Pulborough, Sussex, on 21 November 1909 to Edward Charles and Bertha Maud Frend. He was educated at The King's School, Canterbury and at Oxford University, where he was the film critic of ''The Isis Magazine''. Editor He began his career in the film industry at British International Pictures in 1931. He worked as an editor on '' Arms and the Man'' (1932) Frend moved to Gaumont British Pictures, where he worked under producer Michael Balcon. He edited Alfred Hitchcock's ''Waltzes from Vienna'' (1934), then '' My Song for You'' (1934), ''Oh, Daddy!'' (1934), Tom Walls' ''Fighting Stock'' (1935), '' The Tunnel'' (1935), and ''Car of Dreams ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scott Of The Antarctic (1948 Film)
''Scott of the Antarctic'' is a 1948 British adventure film starring John Mills as Robert Falcon Scott in his ill-fated attempt to reach the South Pole. The film more or less faithfully recreates the events that befell the ''Terra Nova'' Expedition in 1912. The film was directed by Charles Frend from screenplay by Ivor Montagu and Walter Meade with "additional dialogue" by the novelist Mary Hayley Bell (Mills' wife). The film score was by Ralph Vaughan Williams, who reworked elements of it into his 1952 ''Sinfonia antartica''. The supporting cast included James Robertson Justice, Derek Bond, Kenneth More, John Gregson, Barry Letts and Christopher Lee. Much of the film was shot in Technicolor at Ealing Studios in London. Landscape and glacier exteriors from the Swiss Alps, Norway, and pre-war stock footage of Graham Land were used but no actual scenes were done in Antarctica. Plot Captain Scott is given the men, but not the funds, to go on a second expedition to the Antarctic. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emeric Pressburger
Emeric Pressburger (born Imre József Pressburger; 5 December 19025 February 1988) was a Hungarian-British screenwriter, film director, and producer. He is best known for his series of film collaborations with Michael Powell, in a collaboration partnership known as the Archers, and produced a series of films, including '' 49th Parallel'' (1941), ''The Life and Death of Colonel Blimp'' (1943), '' A Matter of Life and Death'' (US: ''Stairway to Heaven'', 1946), ''Black Narcissus'' (1947), '' The Red Shoes'' (1948), and ''The Tales of Hoffmann'' (1951). He has been played on screen by Alec Westwood in the award-winning short film ''Òran na h-Eala'' (2022) which explores Moira Shearer's life-changing decision to appear in ''The Red Shoes''. Early years Imre József Pressburger was born in Miskolc, in the Kingdom of Hungary, of Jewish heritage."350 years: Variety Club colour supplement." ''Jewish Chronicle'', 15 December 2006, pp. 28–29. He was the only son (he had one elder ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Powell
Michael Latham Powell (30 September 1905 – 19 February 1990) was an English filmmaker, celebrated for his partnership with Emeric Pressburger. Through their production company The Archers, they together wrote, produced and directed a series of classic British films, notably ''The Life and Death of Colonel Blimp'' (1943), ''A Canterbury Tale'' (1944), ''I Know Where I'm Going!'' (1945), '' A Matter of Life and Death'' (1946, also called ''Stairway to Heaven''), ''Black Narcissus'' (1947), '' The Red Shoes'' (1948), and ''The Tales of Hoffmann'' (1951). His later controversial 1960 film ''Peeping Tom'', while today considered a classic, and a contender as the first " slasher", was so vilified on first release that his career was seriously damaged. Many filmmakers such as Martin Scorsese, Francis Ford Coppola and George A. Romero have cited Powell as an influence. In 1981, he received the BAFTA Academy Fellowship Award along with his partner Pressburger, the highest honour th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Red Shoes (1948 Film)
''The Red Shoes'' is a 1948 British drama film written, directed, and produced by Michael Powell and Emeric Pressburger. It follows Victoria Page (Moira Shearer), a ballerina who joins the world renowned Ballet Lermontov, owned and operated by Boris Lermontov (Anton Walbrook), who tests her dedication to the ballet by making her choose between her career and her romance with composer Julian Craster (Marius Goring). It marked the feature film debut of Shearer, an established ballerina, and also features Robert Helpmann, Léonide Massine, and Ludmilla Tchérina, other renowned dancers from the ballet world. The plot is based on the 1845 eponymous fairytale by Hans Christian Andersen, and features a ballet within it by the same title, also adapted from the Andersen work. ''The Red Shoes'' was filmmaking team Powell and Pressburger's tenth collaboration and follow-up to 1947's ''Black Narcissus''. It had originally been conceived by Powell and producer Alexander Korda in the 1930 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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