Bust Of Auguste Rodin (Bourdelle)
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Bust Of Auguste Rodin (Bourdelle)
The ''Bust of Auguste Rodin'' is a totemic portrait originally moulded in clay in 1909 by the French artist Antoine Bourdelle. The artist's teacher and associate, Auguste Rodin, is portrayed as a sacred icon with the visage and horns of Michelangelo's ''Moses''. A bronze cast of a modified version was displayed in the 1910 Salon de la Société Nationale des Beaux–Arts on the Champ de Mars along with his ''Hercules the Archer ''Hercules the Archer'' is a sculpture by Antoine Bourdelle, originally made in 1909, which now exists in many versions. It was a commission of the financier and philanthropist Gabriel Thomas, as a single copy in gilt-bronze in April 1909; Bourd ...''. See also * ''Bust of Auguste Rodin'' (Claudel) References External links 1910 sculptures Bronze sculptures Sculptures by Antoine Bourdelle Cultural depictions of Auguste Rodin {{France-sculpture-stub ...
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Musée Rodin
The Musée Rodin ( en, Rodin Museum) in Paris, France, is a museum that was opened in 1919, primarily dedicated to the works of the French sculptor Auguste Rodin. It has two sites: the Hôtel Biron and surrounding grounds in central Paris, as well as just outside Paris at Rodin's old home, the Villa des Brillants at Meudon, Hauts-de-Seine. The collection includes 6,600 sculptures, 8,000 drawings, 8,000 old photographs and 7,000 objets d'art. The museum receives 700,000 visitors annually. While living in the Villa des Brillants, Rodin used the Hôtel Biron as his workshop from 1908, and subsequently donated his entire collection of sculptures – along with paintings by Vincent van Gogh, Claude Monet and Pierre-Auguste Renoir that he had acquired – to the French State on the condition that they turn the buildings into a museum dedicated to his works. The Musée Rodin contains most of Rodin's significant creations, including ''The Thinker'', '' The Kiss'' and ''The Gat ...
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Antoine Bourdelle
Antoine Bourdelle (30 October 1861 – 1 October 1929), born Émile Antoine Bordelles, was an influential and prolific French sculptor and teacher. He was a student of Auguste Rodin, a teacher of Giacometti and Henri Matisse, and an important figure in the Art Deco movement and the transition from the Beaux-Arts style to modern sculpture. His studio became the Musée Bourdelle, an art museum dedicated to his work, located at 18, rue Antoine Bourdelle, in the 15th arrondissement of Paris, France. Early life and education Émile Antoine Bourdelle was born at Montauban, Tarn-et-Garonne in France on 30 October 1861. His father was a wood craftsman and cabinet-maker. In 1874, at the age of thirteen, he left school to work in his father's workshop, and also began carving his first sculptures of wood. In 1876, with the assistance of writer Émile Pouvillon, he received a scholarship to attend the School of Fine Arts in Toulouse, though he remained fiercely independent and resisted the ...
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Totem
A totem (from oj, ᑑᑌᒼ, italics=no or ''doodem'') is a spirit being, sacred object, or symbol that serves as an emblem of a group of people, such as a family, clan, lineage, or tribe, such as in the Anishinaabe clan system. While ''the word'' totem itself is an anglicisation of the Ojibwe term (and both the word and beliefs associated with it are part of the Ojibwe language and culture), belief in tutelary spirits and deities is not limited to the Ojibwe people. Similar concepts, under differing names and with variations in beliefs and practices, may be found in a number of cultures worldwide. The term has also been adopted, and at times redefined, by anthropologists and philosophers of different cultures. Contemporary neoshamanic, New Age, and mythopoetic men's movements not otherwise involved in the practice of a traditional, tribal religion have been known to use "totem" terminology for the personal identification with a tutelary spirit or spirit guide. However, this ...
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Auguste Rodin
François Auguste René Rodin (12 November 184017 November 1917) was a French sculptor, generally considered the founder of modern sculpture. He was schooled traditionally and took a craftsman-like approach to his work. Rodin possessed a unique ability to model a complex, turbulent, and deeply pocketed surface in clay. He is known for such sculptures as ''The Thinker'', ''Monument to Balzac'', '' The Kiss'', ''The Burghers of Calais'', and ''The Gates of Hell''. Many of Rodin's most notable sculptures were criticized, as they clashed with predominant figurative sculpture traditions in which works were decorative, formulaic, or highly thematic. Rodin's most original work departed from traditional themes of mythology and allegory. He modeled the human body with naturalism, and his sculptures celebrate individual character and physicality. Although Rodin was sensitive to the controversy surrounding his work, he refused to change his style, and his continued output brought increas ...
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Moses (Michelangelo)
''Moses'' ( it, Mosè ; c. 1513–1515) is a sculpture by the Italian High Renaissance artist Michelangelo Buonarroti, housed in the church of San Pietro in Vincoli in Rome. Commissioned in 1505 by Pope Julius II for his tomb, it depicts the biblical figure Moses with horns on his head, based on a description in chapter 34 of Exodus in the Vulgate, the Latin translation of the Bible used at that time. Commissioning and history Pope Julius II commissioned Michelangelo to build his tomb in 1505 and it was finally completed in 1545; Julius II died in 1513.Erwin Panofsky (1937The First Two Projects of Michelangelo's Tomb of Julius IIThe Art Bulletin 19(4):561-579 The initial design by Michelangelo was massive and called for over 40 statues. The statue of Moses would have been placed on a tier about 3.74 meters high (12 ft 3 in), opposite a figure of St. Paul. In the final design, the statue of Moses sits in the center of the bottom tier. Description Giorgio Vasari in the ''Lif ...
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Société Nationale Des Beaux-Arts
Société Nationale des Beaux-Arts (SNBA; ; en, National Society of Fine Arts) was the term under which two groups of French artists united, the first for some exhibitions in the early 1860s, the second since 1890 for annual exhibitions. 1862 Established in 1862 by the painter and gallery owner Louis Martinet and the writer Théophile Gautier, the Société Nationale des Beaux-Arts was first chaired by Gautier, with the painter Aimé Millet as deputy chairman. The committee was composed of the painters Eugène Delacroix, Carrier-Belleuse, and Puvis de Chavannes, and among the exhibitors were Léon Bonnat, Jean-Baptiste Carpeaux, Charles-François Daubigny, Gustave Doré, and Édouard Manet. In 1864, just after the death of Delacroix, the society organized a retrospective exhibition of 248 paintings and lithographs of this famous painter and step-uncle of the emperor – and ceased to mount further exhibitions. The 19th century in French art is characterised by a continuous str ...
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Champ De Mars
The Champ de Mars (; en, Field of Mars) is a large public greenspace in Paris, France, located in the seventh ''arrondissement'', between the Eiffel Tower to the northwest and the École Militaire to the southeast. The park is named after the Campus Martius ("Mars Field") in Rome, a tribute to the Roman god of war. The name alludes to the fact that the lawns here were formerly used as drilling and marching grounds by the French military. The nearest Métro stations are La Motte-Picquet–Grenelle, École Militaire, and Champ de Mars-Tour Eiffel, an RER suburban-commuter-railway station. A disused station, Champ de Mars, is also nearby. History Originally, the Champ de Mars was part of a large flat open area called Grenelle, which was reserved for market gardening. Citizens would claim small plots and exploit them by growing fruits, vegetables, and flowers for the local market. However, the plain of Grenelle was not an especially fertile place for farming. The constructio ...
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Hercules The Archer
''Hercules the Archer'' is a sculpture by Antoine Bourdelle, originally made in 1909, which now exists in many versions. It was a commission of the financier and philanthropist Gabriel Thomas, as a single copy in gilt-bronze in April 1909; Bourdelle worked on the sculpture in the summer of 1909. It was cast by Eugène Rudier, and it was exhibited at the National Society of Fine Arts in 1910, and much appreciated. The dimensions were 2.50 m × 2.40 m. The second version was developed around 1923. It differed from the first version with additions of reliefs on the rock right, representing the Lernaean Hydra and the Nemean Lion. Finally a banner along the base of the sculpture and the monogram completed the work. Background Bourdelle was inspired by the myth of Hercules, he chose the sixth of them : the extermination of the Stymphalian birds. In the Greek mythology, the birds of this lake were monstrous, feeding on human flesh, which infesting the woods surrounding the lake S ...
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Bust Of Auguste Rodin (Claudel)
The ''Bust of Auguste Rodin'' was sculpted by the French artist Camille Claudel in 1888-1889 as a tribute to her teacher and lover, Auguste Rodin. Casts A bronze cast of the work was displayed in the 1892 Salon de la Société Nationale des Beaux–Arts on the Champ de Mars The Champ de Mars (; en, Field of Mars) is a large public greenspace in Paris, France, located in the seventh ''arrondissement'', between the Eiffel Tower to the northwest and the École Militaire to the southeast. The park is named after t ... to critical acclaim. See also * ''Bust of Auguste Rodin'' (Bourdelle) References External links 1889 sculptures Bronze sculptures Sculptures by Camille Claudel Cultural depictions of Auguste Rodin {{France-sculpture-stub ...
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1910 Sculptures
Year 191 ( CXCI) was a common year starting on Friday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Apronianus and Bradua (or, less frequently, year 944 ''Ab urbe condita''). The denomination 191 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Parthia * King Vologases IV of Parthia dies after a 44-year reign, and is succeeded by his son Vologases V. China * A coalition of Chinese warlords from the east of Hangu Pass launches a punitive campaign against the warlord Dong Zhuo, who seized control of the central government in 189, and held the figurehead Emperor Xian hostage. After suffering some defeats against the coalition forces, Dong Zhuo forcefully relocates the imperial capital from Luoyang to Chang'an. Before leaving, Dong Zhuo orders his troops to loot the tombs of the Ha ...
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Bronze Sculptures
Bronze is the most popular metal for Casting (metalworking), cast metal sculptures; a cast bronze sculpture is often called simply "a bronze". It can be used for statues, singly or in groups, reliefs, and small statuettes and figurines, as well as bronze elements to be fitted to other objects such as furniture. It is often gilding, gilded to give gilt-bronze or ormolu. Common bronze alloys have the unusual and desirable property of expanding slightly just before they set, thus filling the finest details of a mould. Then, as the bronze cools, it shrinks a little, making it easier to separate from the mould. Their strength and wikt:ductility, ductility (lack of brittleness) is an advantage when figures in action poses are to be created, especially when compared to various ceramic or stone materials (such as marble sculpture). These qualities allow the creation of extended figures, as in ''Jeté'', or figures that have small cross sections in their support, such as the Richard ...
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Sculptures By Antoine Bourdelle
Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sculptural processes originally used carving (the removal of material) and modelling (the addition of material, as clay), in stone, metal, ceramics, wood and other materials but, since Modernism, there has been an almost complete freedom of materials and process. A wide variety of materials may be worked by removal such as carving, assembled by welding or modelling, or moulded or cast. Sculpture in stone survives far better than works of art in perishable materials, and often represents the majority of the surviving works (other than pottery) from ancient cultures, though conversely traditions of sculpture in wood may have vanished almost entirely. However, most ancient sculpture was brightly painted, and this has been lost.
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