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Bush Band
A bush band is a group of musicians that play Australian bush ballads. A similar bush band tradition is also found in New Zealand. Instruments In addition to vocals, instruments featured in bush bands may include fiddle, accordion, guitar, banjo, mandolin, concertina, harmonica, lagerphone, bush bass (tea chest bass) or double bass, tin whistle, and bodhrán. Less common are the piano, bones, barcoo dog (a sheep herding tool used as a sistrum), spoons, and musical saw. Although not traditional, electric bass guitar or electric guitar have occasionally been used since the 1970s. Repertoire and function Bush bands play music for bush dances, in which the dance program is usually based on dances known to have been danced in Australia from colonial times to the folk revival in the 1950s. Contemporary dances, set in the traditional style, are also featured at bush dances. Some popular traditional bush dances are Stockyards, Haymaker's Jig, Galopede, Brown Jug Polka, Virginia R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galop
In dance, the galop, named after the fastest running gait of a horse (see Gallop), a shortened version of the original term galoppade, is a lively country dance, introduced in the late 1820s to Parisian society by the Duchesse de Berry and popular in Vienna, Berlin and London. In the same closed position familiar in the waltz, the step combined a glissade with a chassé on alternate feet, ordinarily in a fast time. The galop was a forerunner of the polka, which was introduced in Prague ballrooms in the 1830s and made fashionable in Paris when Raab, a dancing teacher of Prague, danced the polka at the Odéon Theatre in 1840. In Australian bush dance, the dance is often called galopede. An even livelier, faster version of the galop called the can-can developed in Paris around 1830. The galop was particularly popular as the final dance of the evening. The " Post Horn Galop", written by the cornet virtuoso Herman Koenig, was first performed in London in 1844; it remains a sign ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ceili Dance
Céilí dances (, ) or true éilí dances (fíor céilí) are a popular form of folk dancing in Ireland. Céilí dances are based on heys ("hedges", pairs of lines facing), round dances, long dances, and quadrilles, generally revived during the Gaelic revival in the first quarter of the twentieth century and codified by the Irish Dancing Commission. These thirty dances form the basis for examination of céilí dance teachers. Irish céilí is a participatory social event attended by both men and women and accompanied by live Irish traditional music. The dance emerged within cultural nationalist consciousness as during the 19th and early 20th century, traditions promoting nationalist agendas were promoted and national identities were regarded as not culturally unified. Irish céilí regained its popularity in the 19th century, when Ireland took effort to regain its cultural and political autonomy after being colonized for 800 years. The goal of the Gaelic League established in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Folk Revival
The American folk music revival began during the 1940s and peaked in popularity in the mid-1960s. Its roots went earlier, and performers like Josh White, Burl Ives, Woody Guthrie, Lead Belly, Big Bill Broonzy, Billie Holiday, Richard Dyer-Bennet, Oscar Brand, Jean Ritchie, John Jacob Niles, Susan Reed, Paul Robeson, Bessie Smith, Ma Rainey and Cisco Houston had enjoyed a limited general popularity in the 1930s and 1940s. The revival brought forward styles of American folk music that had in earlier times contributed to the development of country and western, blues, jazz, and rock and roll music. Overview Early years The folk revival in New York City was rooted in the resurgent interest in square dancing and folk dancing there in the 1940s as espoused by instructors such as Margot Mayo, which gave musicians such as Pete Seeger popular exposure. The folk revival more generally as a popular and commercial phenomenon begins with the career of The Weavers, formed in November 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Of Australia
The history of Australia is the story of the land and peoples of the continent of Australia. People first arrived on the Australian mainland by sea from Maritime Southeast Asia between 50,000 and 65,000 years ago, and penetrated to all parts of the continent, from the rainforests in the north, the deserts of the centre, and the sub-Antarctic islands of Tasmania and Bass Strait. The artistic, musical and spiritual traditions they established are among the longest surviving such traditions in human history. The first Torres Strait Islanders – ethnically and culturally distinct from the Aboriginal people – arrived from what is now Papua New Guinea around 2,500 years ago, and settled in the islands of the Torres Strait and the Cape York Peninsula forming the northern tip of the Australian landmass. The first known landing in Australia by Europeans was in 1606 by Dutch navigator Willem Janszoon. Later that year, Spanish explorer Luís Vaz de Torres sailed through, and navig ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bush Dance
Bush dance is a style of dance from Australia, particularly where the music is provided by a bush band. The dances are mainly based on the traditional folk dances of the UK, Ireland and central Europe.__TOC__ Eras of bush dance in Australia *Early European 1770–1850 settlers came with their local dance traditions. *Gold rush 1850–1860 miners brought dances from Europe some via the American gold rush. *Pastoral period 1860–1950 rural woolshed balls and dances in local halls. *Revival 1950–1960 collectors and enthusiasts document and perform dances. *Recent popularity 1970–1980 most areas and many social clubs have regular Bushy Balls. Dance styles *Bush dance – in general less emphasis on complex foot work and more about people being in the right place. Dress codes are relaxed. *Colonial dance – more concern for correct foot work. Many of the dances are unique to Australia. Dress code usually period costume. Dance formations Dances can be grouped by the forma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Guitar
The bass guitar, electric bass or simply bass (), is the lowest-pitched member of the string family. It is a plucked string instrument similar in appearance and construction to an electric or an acoustic guitar, but with a longer neck and scale length, and typically four to six strings or courses. Since the mid-1950s, the bass guitar has largely replaced the double bass in popular music. The four-string bass is usually tuned the same as the double bass, which corresponds to pitches one octave lower than the four lowest-pitched strings of a guitar (typically E, A, D, and G). It is played primarily with the fingers or thumb, or with a pick. To be heard at normal performance volumes, electric basses require external amplification. Terminology According to the ''New Grove Dictionary of Music and Musicians'', an "Electric bass guitar sa Guitar, usually with four heavy strings tuned E1'–A1'–D2–G2." It also defines ''bass'' as "Bass (iv). A contraction of Double bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Musical Saw
A musical saw, also called a singing saw, is a hand saw used as a musical instrument. Capable of continuous glissando (portamento), the sound creates an ethereal tone, very similar to the theremin. The musical saw is classified as a plaque friction idiophone with direct friction (132.22) under the Hornbostel-Sachs system of musical instrument classification, and as a metal sheet played by friction (151) under the revision of the Hornbostel-Sachs classification by the MIMO Consortium. Playing The saw is generally played seated with the handle squeezed between the legs, and the far end held with one hand. Some sawists play standing, either with the handle between the knees and the blade sticking out in front of them. The saw is usually played with the serrated edge, or "teeth", facing the body, though some players face them away. Some saw players file down the teeth, which makes no discernable difference to the sound. Manyespecially professionalsaw players use a handle, cal ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Spoon (musical Instrument)
Spoons can be played as a makeshift percussion instrument, or more specifically, an idiophone related to the castanets. They are played by hitting one spoon against the other. Techniques # Fire tongs style: A pair of spoons is held tight with concave sides facing out and with index finger between their handles to space them apart. When the pair is struck, the spoons sharply hit each other and then spring back to their original position. The spoons are typically struck against the knee and the palm of the hand. The fingers and other body parts may also be used as striking surfaces to produce different sounds, rhythms, rattles and visual effects. # Salad serving style: One spoon between little, ring, and long finger; the other spoon between ring, thumb, and index finger in such a way that they can be rotated with ring finger as the common axis. They can be hit to each other at the convex sides by gathering the fingers (mostly middle and thumb). # Castanets style: Two in each h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sistrum
A sistrum (plural: sistra or Latin sistra; from the Greek ''seistron'' of the same meaning; literally "that which is being shaken", from ''seiein'', "to shake") is a musical instrument of the percussion family, chiefly associated with ancient Egypt. It consists of a handle and a U-shaped metal frame, made of brass or bronze and between 30 and 76 cm in width. When shaken, the small rings or loops of thin metal on its movable crossbars produce a sound that can be from a soft clank to a loud jangling. Its name in the ancient Egyptian language was sekhem ''(sḫm)'' and sesheshet ''(sššt).'' Sekhem is the simpler, hoop-like sistrum, while sesheshet (an onomatopoeic word) is the naos-shaped one. The modern day West African disc rattle instrument is also called a sistrum. Egyptian sistrum The sistrum was a sacred instrument in ancient Egypt. Perhaps originating in the worship of Bat, it was used in dances and religious ceremonies, particularly in the worship of the goddes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
