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Buddy Rich Plays And Plays And Plays
''Buddy Rich Plays and Plays and Plays'' is a big band jazz album recorded by Buddy Rich and released by RCA Records in 1977. The album also marked his last for the label. ''Plays and Plays and Plays'' was nominated for the Best Jazz Performance by a Big Band at the 20th Annual Grammy Awards in 1978, but lost to ''Prime Time'' by Count Basie. Track listing LP side A: #"Ya Gotta Try" (Sammy Nestico) – 3:31 #"Tales of Rhoda Rat" (Bob Mintzer) – 5:42 #"'Round About Midnight" (Thelonious Monk, Cootie Williams, Bernie Hanighen) – 6:41 #"Time Out" (Don Menza) – 7:53 LP side B: #"No Jive" (Bob Mintzer) – 5:55 #" Lush Life" (Billy Strayhorn) – 4:05 #"Party Time" (Bob Mintzer) – 5:31 #"Kong" (C. Brown, E. Korvin, M. Baier, R. Punch) – 4:57 #"Mickey Mouse" (Jimmie Dodd) – 2:32 Personnel *Buddy Rich – drums *Alan Gauvin – saxophone *Dean Palanzo – saxophone *Steve Marcus – tenor saxophone, soprano saxophone *Bob Mintzer – tenor saxophone, flute *Mauro Turso â ...
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Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ...
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Thelonious Monk
Thelonious Sphere Monk (, October 10, 1917 – February 17, 1982) was an American jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the standard jazz repertoire, including " 'Round Midnight", "Blue Monk", " Straight, No Chaser", "Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature dissonances and angular melodic twists and are consistent with his unorthodox approach to the piano, which combined a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit during performances: while other musicians continued playing, Monk would stop, stand up, and dance for a few moments before returning to the piano. Monk is one of five jazz musicians to have been featured on the cover of ...
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1977 Albums
Events January * January 8 – Three bombs explode in Moscow within 37 minutes, killing seven. The bombings are attributed to an Armenian separatist group. * January 10 – Mount Nyiragongo erupts in eastern Zaire (now the Democratic Republic of the Congo). * January 17 ** 49 marines from the and are killed as a result of a collision in Barcelona harbour, Spain. * January 18 ** Scientists identify a previously unknown bacterium as the cause of the mysterious Legionnaires' disease. ** Australia's worst railway disaster at Granville, a suburb of Sydney, leaves 83 people dead. ** SFR Yugoslavia Prime minister Džemal Bijedić, his wife and 6 others are killed in a plane crash in Bosnia and Herzegovina. * January 19 – An Ejército del Aire CASA C-207C Azor (registration T.7-15) plane crashes into the side of a mountain near Chiva, on approach to Valencia Airport in Spain, killing all 11 people on board. * January 20 – Jimmy Carter is sworn in as the 39th Pres ...
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Speak No Evil
''Speak No Evil'' is the sixth album by Wayne Shorter. It was released in June 1966 by Blue Note Records. The music combines elements of hard bop and modal jazz, and features Shorter on tenor saxophone, trumpeter Freddie Hubbard, pianist Herbie Hancock, bassist Ron Carter and drummer Elvin Jones. The cover photo is of Shorter's first wife, Teruko (Irene) Nakagami, whom he met in 1961. Reception ''Speak No Evil'' was one of several albums Shorter recorded for Blue Note in 1964, his first year as a member of Miles Davis's mid-1960s quintet. The album is generally regarded as one of Shorter's finest, and also a highlight of the Blue Note catalogue. ''The Penguin Guide to Jazz'' selected this album as part of its suggested "Core Collection" calling it "by far Shorter's most satisfying record". Murray Horwitz stated in 2001 that "''Speak No Evil'' is sort of a consolidation of Wayne Shorter's compositional excellence. It's so thorough and consistent and wide-ranging. It's almos ...
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Gwen Guthrie
Gwendolyn Guthrie (July 9, 1950 – February 3, 1999) was an American singer-songwriter and pianist who also sang backing vocals for Aretha Franklin, Billy Joel, Stevie Wonder, Peter Tosh, and Madonna, among others, and who wrote songs made famous by Ben E. King, Angela Bofill and Roberta Flack. Guthrie is well known for her 1986 anthem "Ain't Nothin' Goin' on But the Rent," and for her 1986 cover of the song " (They Long to Be) Close to You." Life and career Guthrie was born and raised in Newark, New Jersey. In school, she studied classical music, and her father began teaching her piano when she was eight years old. By the early 1970s, she had joined vocal groups such as the Ebonettes and the Matchmakers, while working as an elementary school teacher. She was a backup singer on Aretha Franklin's 1974 single " I'm in Love". Guthrie soon began moonlighting as a singer of commercial jingles, sometimes with her friend Valerie Simpson of Ashford & Simpson fame. A song-writing part ...
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Will Lee (bassist)
Will Lee is an American bassist known for his work on the ''Late Show with David Letterman'' as part of the CBS Orchestra and before that " The World's Most Dangerous Band" when Letterman hosted the NBC " Late Night" show. Lee has recorded and toured with many artists. He appeared on the Mark & Clark Band's hit record '' Worn Down Piano''. He performs with his Beatles tribute band, The Fab Faux, which he co-founded in 1998. Career Beginnings in music Lee was greatly influenced to pursue music because of his parents. His father, William Franklin Lee III played piano, trumpet and the upright bass professionally. Lee's mother Lois sang with big bands. Lee took up drums after seeing the Beatles on ''The Ed Sullivan Show'', and by the time he was 12 had formed his first band in Miami. The band members each earned $9 a night playing the popular surfing tunes characteristic of the 60s. With the great numbers of drummers in Miami, Lee shifted to bass, an instrument that offered mo ...
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Steve Khan
Steve Khan (born Steven Harris Cahn; April 28, 1947) is an American jazz guitarist. Career Steven Harris Cahn was born in Los Angeles. His father, lyricist Sammy Cahn, "loved to hear any and all versions of his songs". He took piano lessons as a child and played drums for the surf rock band the Chantays. The band's guitarist exposed him to the albums ''Tough Talk'' by The Crusaders and ''Movin' Wes'' by Wes Montgomery. In his late teens he quit the drums and started playing guitar. He was a member of the R&B band Friends of Distinction, recorded with keyboardist Phil Moore, then played on the album ''Bullitt'' by Wilton Felder ("one of my heroes"). Despite his father's advice to avoid a career in the music business, he graduated from UCLA with a degree in music composition and theory. In the early 1970s, he performed in an acoustic guitar duo with Larry Coryell and was a member of the Brecker Brothers band. As a session musician, he appeared on albums by Ashford & Simpson, Ruper ...
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Dave Stahl
Dave Stahl (born January 23, 1949) is an American jazz and big band trumpeter, known mainly for his lead trumpet work with the bands of Buddy Rich, Woody Herman, and Liza Minnelli. Career Born in Reading, Pennsylvania, Stahl studied trumpet with Walter Gier and attended Penn State University, graduating in 1970 with a degree in Music Education. From 1970 to 1973 he served in the U.S. Army, where he performed as a soloist with The Army Band, lead trumpet for the Army Blues and principal trumpet for the White House Herald Trumpets. After his discharge, he toured and recorded as lead trumpet with the bands of Woody Herman (1973-1975), Count Basie (1975), Buddy Rich (1977-1978), Liza Minnelli (1987-1999), Larry Elgart and Toshiko Akiyoshi. In addition, he played lead trumpet for the Broadway productions of Damn Yankees (1994-1995), and Saturday Night Fever (1999-2000), among other shows. In 1987 Stahl formed his own record label, Abee Cake Records, which records the work of both of ...
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Steve Marcus
Steve Marcus (September 18, 1939 – September 25, 2005) was an American jazz saxophonist. Biography Marcus was born in The Bronx, New York, United States. He studied at the Berklee College of Music in Boston, Massachusetts, between 1959 and 1961. He gained experience playing in the bands of Stan Kenton, Herbie Mann and Larry Coryell from 1963 to 1973. His first album as a leader included an arrangement of the Beatles' song, "Tomorrow Never Knows". He worked with jazz drummer Buddy Rich for the last twelve years of Rich's life. After Rich died, Marcus led the band and renamed it Buddy's Buddies. His song "Half a Heart" (1968) has a riff very similar to the famous saxophone riff of " Baker Street" by Gerry Rafferty (recorded in 1977, released in 1978). Marcus died in September 2005 in New Hope, Pennsylvania. Discography As leader/co-leader * ''Tomorrow Never Knows'' (Vortex, 1968) * ''Count's Rock Band'' (Vortex, 1969) * ''The Lord's Prayer'' (Vortex, 1969) * ''Green Line'' ...
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Drumkit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player ( drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral m ...
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ...
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Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ...
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