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Buddhist Art In Japan
Buddhism played an important role in the development of Japanese art between the 6th and the 16th centuries. Buddhist art and Buddhist religious thought came to Japan from China through Korea. Buddhist art was encouraged by Crown Prince Shōtoku in the Suiko period in the sixth century, and by Emperor Shōmu in the Nara period in the eighth century. In the early Heian period, Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among wealthy Japanese. The Kamakura period saw a flowering of Japanese Buddhist sculpture, whose origins are in the works of Heian period sculptor Jōchō. During this period, outstanding ''busshi'' (sculptors of Buddhist statues) appeared one after another in the Kei school, and Unkei, Kaikei, and Tankei were especially famous. The Amida sect of Buddhism provided the basis for many popular artworks. Buddhist art became popular among the masses via scroll paintings, paintings used in worshi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tankei
Tankei (湛慶 1173 – June 13, 1256) was a Japanese sculptor of the Kei school, which flourished in the Kamakura period. He was the student of and eldest son of the master sculptor Unkei. Famous Works *Statue of ''Sahasrabhuja-arya-avalokiteśvara'' in the temple known as Sanjusangen-dō in Kyoto. *The statue of Ugyō, one of the Niō guardians at the Nandaimon in front of the temple Tōdai-ji in Nara The National Archives and Records Administration (NARA) is an " independent federal agency of the United States government within the executive branch", charged with the preservation and documentation of government and historical records. It i ..., with Jōkaku and 12 assistant sculptors. References * Hiromichi Soejima, « Japan, §V: Sculpture > (iv) Kamakura period (1185–1333) » rchive Oxford Art Online, université d’Oxford. Consulté le 3 août 2012 * Hisashi Mōri, Sculpture of the Kamakura period, vol. 11, Weatherhill, coll. « Heibonsha Survey of Japanese Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mudra
A mudra (; sa, मुद्रा, , "seal", "mark", or "gesture"; ,) is a symbolic or ritual gesture or pose in Hinduism, Jainism and Buddhism. While some mudras involve the entire body, most are performed with the hands and fingers. As well as being spiritual gestures employed in the iconography and spiritual practice of Indian religions, mudras have meaning in many forms of Indian dance, and yoga. The range of mudras used in each field (and religion) differs, but with some overlap. In addition, many of the Buddhist mudras are used outside South Asia, and have developed different local forms elsewhere. In hatha yoga, mudras are used in conjunction with pranayama (yogic breathing exercises), generally while in a seated posture, to stimulate different parts of the body involved with breathing and to affect the flow of prana. It is also associated with bindu, bodhicitta, amrita, or consciousness in the body. Unlike older tantric mudras, hatha yogic mudras are generally inte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Asuka Period
The was a period in the history of Japan lasting from 538 to 710 (or 592 to 645), although its beginning could be said to overlap with the preceding Kofun period. The Yamato polity evolved greatly during the Asuka period, which is named after the Asuka region, about south of the modern city of Nara. The Asuka period is characterized by its significant artistic, social, and political transformations, having their origins in the late Kofun period. The introduction of Buddhism marked a change in Japanese society. The Asuka period is also distinguished by the change in the name of the country from to . Naming The term "Asuka period" was first used to describe a period in the history of Japanese fine-arts and architecture. It was proposed by fine-arts scholars and Okakura Kakuzō around 1900. Sekino dated the Asuka period as ending with the Taika Reform of 646. Okakura, however, saw it as ending with the transfer of the capital to the Heijō Palace of Nara. Although historians ge ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Korean Influence On Japanese Culture
Korean influence on Japanese culture refers to the impact of continental Asian influences transmitted through or originating in the Korean Peninsula on Japanese institutions, culture, language and society. Since the Korean Peninsula was the cultural bridge between Japan and China throughout much of East Asian history, these influences have been detected in a variety of aspects of Japanese culture, including technology, philosophy, art, and artistic techniques. Notable examples of Korean influence on Japanese culture include the prehistoric migration of Korean peninsular peoples to Japan near the end of Japan's Jōmon period and the introduction of Buddhism to Japan via the Kingdom of Baekje in 538 AD. From the mid-fifth to the late-seventh centuries, Japan benefited from the immigration of people from Baekje and Gaya who brought with them their knowledge of iron metallurgy, stoneware pottery, law, and Chinese writing. The modulation of continental styles of art in Korea has also be ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hell
In religion and folklore, hell is a location in the afterlife in which evil souls are subjected to punitive suffering, most often through torture, as eternal punishment after death. Religions with a linear divine history often depict hells as eternal destinations, the biggest examples of which are Christianity and Islam, whereas religions with reincarnation usually depict a hell as an intermediary period between incarnations, as is the case in the dharmic religions. Religions typically locate hell in another dimension or under Earth's surface. Other afterlife destinations include heaven, paradise, purgatory, limbo, and the underworld. Other religions, which do not conceive of the afterlife as a place of punishment or reward, merely describe an abode of the dead, the grave, a neutral place that is located under the surface of Earth (for example, see Kur, Hades, and Sheol). Such places are sometimes equated with the English word ''hell'', though a more correct translatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saint
In religious belief, a saint is a person who is recognized as having an exceptional degree of Q-D-Š, holiness, likeness, or closeness to God. However, the use of the term ''saint'' depends on the context and Christian denomination, denomination. In Catholic Church, Catholic, Eastern Orthodox Church, Eastern Orthodox, Anglican Communion, Anglican, Oriental Orthodox, and Lutheranism, Lutheran doctrine, all of their faithful deceased in Heaven are considered to be saints, but some are considered worthy of greater honor or emulation. Official ecclesiastical recognition, and consequently a public cult of veneration, is conferred on some denominational saints through the process of canonization in the Catholic Church or glorification in the Eastern Orthodox Church after their approval. While the English word ''saint'' originated in Christianity, History of religion, historians of religion tend to use the appellation "in a more general way to refer to the state of special holiness t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhas
In Buddhism, Buddha (; Pali, Sanskrit: 𑀩𑀼𑀤𑁆𑀥, बुद्ध), "awakened one", is a title for those who are awake, and have attained nirvana and Buddhahood through their own efforts and insight, without a teacher to point out the dharma (Sanskrit 𑀥𑀭𑁆𑀫; Pali ''dhamma''; "right way of living"). The title is most commonly used for Gautama Buddha, the founder of Buddhism, who is often simply known as "the Buddha". Buddhahood ( sa, 𑀩𑀼𑀤𑁆𑀥𑀢𑁆𑀯, buddhatva; pi, buddhatta or ; ) is the condition and rank of a buddha "awakened one". This highest spiritual state of being is also termed ''sammā-sambodhi'' (skt. samyaksaṃbodhi 'full complete awakening'). The title is also used for other beings who have achieved ''bodhi'' (awakening) and ''moksha'' (release from craving), such as the other human Buddhas who achieved enlightenment before Gautama, the five celestial Buddhas worshiped primarily in Mahayana, and the bodhisattva named Mai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emakimono
or is an illustrated horizontal narration system of painted handscrolls that dates back to Nara-period (710–794 CE) Japan. Initially copying their much older Chinese counterparts in style, during the succeeding Heian (794–1185) and Kamakura periods (1185–1333), Japanese developed their own distinct style. The term therefore refers only to Japanese painted narrative scrolls. As in the Chinese and Korean scrolls, combine calligraphy and illustrations and are painted, drawn or stamped on long rolls of paper or silk sometimes measuring several metres. The reader unwinds each scroll little by little, revealing the story as seen fit. are therefore a narrative genre similar to the book, developing romantic or epic stories, or illustrating religious texts and legends. Fully anchored in the style, these Japanese works are above all an everyday art, centered on the human being and the sensations conveyed by the artist. Although the very first 8th-century were copies of Chin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddhist Monks
A ''bhikkhu'' (Pali: भिक्खु, Sanskrit: भिक्षु, ''bhikṣu'') is an ordained male in Buddhist monasticism. Male and female monastics ("nun", ''bhikkhunī'', Sanskrit ''bhikṣuṇī'') are members of the Sangha (Buddhist community). The lives of all Buddhist monastics are governed by a set of rules called the prātimokṣa or pātimokkha. Their lifestyles are shaped to support their spiritual practice: to live a simple and meditative life and attain nirvana. A person under the age of 20 cannot be ordained as a bhikkhu or bhikkhuni but can be ordained as a śrāmaṇera or śrāmaṇērī. Definition ''Bhikkhu'' literally means "beggar" or "one who lives by alms". The historical Buddha, Prince Siddhartha, having abandoned a life of pleasure and status, lived as an alms mendicant as part of his śramaṇa lifestyle. Those of his more serious students who renounced their lives as householders and came to study full-time under his supervision also adopted ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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