British Première Of Beethoven's Symphony No. 9
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British Première Of Beethoven's Symphony No. 9
The British première of Beethoven's Symphony No. 9, also known as his "Choral Symphony", took place in London at the Argyll Rooms on 21 March 1825. The concert was given by the Philharmonic Society, who had commissioned the work. History Background Sir George Smart, Charles Neate and Ferdinand Ries were important in making Ludwig van Beethoven's music known at the Philharmonic Society. George Smart and Charles Neate were original members of the Philharmonic. Smart in 1814 gave the first performance in Britain of Beethoven's '' Christ on the Mount of Olives''. Neate lived in Vienna from 1815 to 1816 and met Beethoven, who supervised his musical studies there. In subsequent years Neate corresponded with Beethoven, and publicized the composer's works at the Philharmonic. Ries, a pupil of Beethoven, lived in London from 1813 to 1824. He was introduced to the Philharmonic, and many of his compositions were performed at their concerts.Paul Nettl. "Ries" and "Neate, Charles" in ''Beeth ...
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Plaque Of The First UK Performance Of Beethoven's 9th Symphony
Plaque may refer to: Commemorations or awards * Commemorative plaque, a plate or tablet fixed to a wall to mark an event, person, etc. * Memorial Plaque (medallion), issued to next-of-kin of dead British military personnel after World War I * Plaquette, a small plaque in bronze or other materials Science and healthcare * Amyloid plaque * Atheroma or atheromatous plaque, a buildup of deposits within the wall of an artery * Dental plaque, a biofilm that builds up on teeth * A broad papule, a type of cutaneous condition * Pleural plaque, associated with mesothelioma, cancer often caused by exposure to asbestos * Senile plaques, an extracellular protein deposit in the brain implicated in Alzheimer's disease * Skin plaque, a plateau-like lesion that is greater in its diameter than in its depth * Viral plaque, a visible structure formed by virus propagation within a cell culture Other uses * Plaque, a rectangular casino token See also * * * Builder's plate * Plac (disambiguation ...
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Cosi Fan Tutte
Cosi, COSI or CoSi may refer to: * ''Così'', a 1992 play by Louis Nowra ** ''Cosi'' (film), 1996, based on the play * Così (restaurant), an American fast-casual restaurant chain * Compton Spectrometer and Imager, or COSI, a NASA telescope to be launched in 2025 * COSI (Center of Science and Industry), a science museum and research center in Columbus, Ohio, U.S. * COSI Toledo, now Imagination Station, a science museum in Toledo, Ohio, U.S. *Cobalt monosilicide, a material with the chemical formula CoSi * Julián Cosi (born 1998), an Argentine footballer * Valerio Cosi (born 1985), an Italian musician See also * * Così fan tutte (other) '' Così fan tutte'' is a 1790 Italian-language comic opera by Mozart. Così fan tutte or variations may also refer to: * ''Così fan tutte'' (film), or ''All Ladies Do It'', a 1992 Italian sex-comedy * ''Così fan tutte'' (TV series), an Italia ... * Così è (se vi pare) (other) {{disambiguation, surname ...
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Events In London
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Classical Music In London
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures *Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles *Classical music, a variety of Western musical styles from the 9th century to the present *Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose theo ...
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Classical Music Concerts
Classical may refer to: European antiquity *Classical antiquity, a period of history from roughly the 7th or 8th century B.C.E. to the 5th century C.E. centered on the Mediterranean Sea *Classical architecture, architecture derived from Greek and Roman architecture of classical antiquity *Classical mythology, the body of myths from the ancient Greeks and Romans *Classical tradition, the reception of classical Greco-Roman antiquity by later cultures * Classics, study of the language and culture of classical antiquity, particularly its literature *Classicism, a high regard for classical antiquity in the arts Music and arts *Classical ballet, the most formal of the ballet styles * Classical music, a variety of Western musical styles from the 9th century to the present * Classical guitar, a common type of acoustic guitar *Classical Hollywood cinema, a visual and sound style in the American film industry between 1927 and 1963 * Classical Indian dance, various codified art forms whose t ...
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British Music History
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *''Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * B ...
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The Harmonicon
''The Harmonicon'' was an influential monthly journal of music published in London from 1823 to 1833. It was edited at one period by William Ayrton (1777–1858.) Issues contained articles on diverse topics, including reviews of musical compositions, reviews of concert and opera performances, news of contemporary musicians and composers, features on music theory Music theory is the study of the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory". The first is the "rudiments", that are needed to understand music notation (ke ... and the physics of sound, and biographical sketches of important musical figures. References The Harmonicon archive at HathiTrust 1823 establishments in the United Kingdom 1833 disestablishments in the United Kingdom Monthly magazines published in the United Kingdom Music magazines published in the United Kingdom Defunct magazines published in the United Kingdom ...
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Ode To Joy
"Ode to Joy" (German language, German: , literally "To [the] Joy") is an ode written in the summer of 1785 by German poet, playwright, and historian Friedrich Schiller and published the following year in ''Thalia (magazine), Thalia''. A slightly revised version appeared in 1808, changing two lines of the first and omitting the last stanza. "Ode to Joy" is best known for its use by Ludwig van Beethoven in the final (fourth) movement of his Symphony No. 9 (Beethoven), Ninth Symphony, completed in 1824. Symphony No. 9 (Beethoven)#Text of the fourth movement, Beethoven's text is not based entirely on Schiller's poem, and it introduces a few new sections. His tune (but not Schiller's words) was adopted as the "Anthem of Europe" by the Council of Europe in 1972 and subsequently by the European Union. Rhodesia's national anthem from 1974 until 1979, "Rise, O Voices of Rhodesia", used the tune of "Ode to Joy". The poem Schiller wrote the first version of the poem in German when he w ...
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Franz Cramer
Franz Anton Dorotheus Cramer or François Cramer (12 June 17721 August 1848) was an English violinist and conductor who was Master of the King's/Queen's Musick from 1834 until his death. He was born in either Mannheim or London, the son of Wilhelm Cramer and the brother of Johann Baptist Cramer. He was no doubt his father's pupil. Next to nothing seems to be known about his activities or compositions, yet he was appointed Master of the King's Musick in 1834, by King William IV, succeeding Christopher (or Christian) Kramer, who was no relation. The king died in 1837, and Cramer continued as Master of the Queen's Musick to Queen Victoria. He did not contribute any music to her coronation, leading ''The Spectator'' to complain that he had been allowed "to proclaim to the world his inability to discharge the first, and the most grateful duty of his office — the composition of a Coronation Anthem". He died in 1848 aged 76, and was succeeded by George Frederick Anderson. The o ...
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Henry Phillips (singer)
Henry Phillips (1801–1876) was an English singer, who took on operatic roles in the 1820s and 1830s. Life The son of Richard Phillips, an actor, he was born in Bristol on 13 August 1801. At age eight he appeared as a boy singer at Harrogate Theatre, and soon afterwards was engaged to sing soprano parts, first at the Haymarket Theatre, and then at Drury Lane Theatre. Phillips became a pupil of Mr Broadhurst, and began his career as a bass at Covent Garden in Henry Rowley Bishop's ''Law of Java''. At this time he was baritone, occasionally singing as a bass. His voice was weak, and he moved to Bath. He returned to London in 1823, studied under Sir George Smart, and was engaged by Charles Kemble to sing in Thomas Arne's '' Artaxerxes''; but was a failure in it. In 1824, however, Phillips sang Caspar in a production of ''Der Freischütz'', with success, and his reputation rose. He participated in provincial musical festivals, and had much theatre and concert work. In 1825 he beca ...
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Thomas Vaughan (singer)
Thomas Vaughan (1782 – 9 January 1843) was an English singer. A tenor, he sang in prominent concerts of the day. Life Vaughan was born in Norwich in 1782, and was a chorister of the cathedral under John Christmas Beckwith. His father died while Vaughan, still very young, was preparing to enter the musical profession, which he was enabled to do under the advice and patronage of Canon Charles Smith. In June 1799 Vaughan was elected lay-clerk of St George's Chapel, Windsor, where he attracted the notice of George III. In May 1803 he was admitted a Gentleman of the Chapel Royal, and about the same time became vicar-choral of St Paul's Cathedral and lay vicar of Westminster Abbey. In 1811 he joined Charles Knyvett in establishing vocal subscription concerts, in opposition to the Vocal Concerts; but on the death of Samuel Harrison in 1812 the two enterprises were merged, and Vaughan became principal tenor soloist at all the prominent concerts and festivals. He sang at the Three Choir ...
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