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Bridge Camera
Bridge cameras are cameras that fill the niche between relatively simple point-and-shoot cameras and interchangeable-lens cameras such as mirrorless cameras and single-lens reflex cameras (SLRs). They are often comparable in size and weight to the smallest digital SLRs (DSLR), but lack interchangeable lenses, and almost all digital bridge cameras lack an optical viewfinder system. The phrase "bridge camera" has been in use at least since the 1980s, and continues to be used with digital cameras. The term was originally used to refer to film cameras which "bridged the gap" between point-and-shoot cameras and SLRs. Like other cameras, most current bridge cameras are digital. These cameras typically feature full manual controls over shutter speed, aperture, ISO sensitivity, color balance and metering. Generally, their feature sets are similar to consumer DSLRs, except for a smaller range of ISO sensitivity because of their typically smaller image sensor. Many bridge cameras ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panasonic Lumix DMC-FZ50 Img 1017
formerly between 1935 and 2008 and the first incarnation of between 2008 and 2022, is a major Japanese multinational conglomerate corporation, headquartered in Kadoma, Osaka. It was founded by Kōnosuke Matsushita in 1918 as a lightbulb socket manufacturer. In addition to consumer electronics, of which it was the world's largest maker in the late 20th century, Panasonic offers a wide range of products and services, including rechargeable batteries, automotive and avionic systems, industrial systems, as well as home renovation and construction. Panasonic has a primary listing on the Tokyo Stock Exchange and is a constituent of the Nikkei 225 and TOPIX 100 indices. It has a secondary listing on the Nagoya Stock Exchange. Corporate name From 1935 to October 1, 2008, the company's corporate name was "Matsushita Electric Industrial Co." (MEI). On January 10, 2008, the company announced that it would change its name to "Panasonic Corporation", in effect on October 1, 2008, to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Color Balance
In photography and image processing, color balance is the global adjustment of the intensities of the colors (typically red, green, and blue primary colors). An important goal of this adjustment is to render specific colors – particularly neutral colors like white or grey – correctly. Hence, the general method is sometimes called gray balance, neutral balance, or white balance. Color balance changes the overall mixture of colors in an image and is used for color correction. Generalized versions of color balance are used to correct colors other than neutrals or to deliberately change them for effect. White balance is one of the most common kinds of balancing, and is when colors are adjusted to make a white object (such as a piece of paper or a wall) appear white and not a shade of any other colour. Image data acquired by sensors – either film or electronic image sensors – must be transformed from the acquired values to new values that are appropriate for color reproduct ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electronic Viewfinder
An electronic viewfinder (EVF) is a camera viewfinder where the image captured by the lens is displayed on a small screen (usually LCD or OLED) which the photographer can look through when composing their shot. It differs from a live preview screen in being smaller and shaded from ambient light, and may also use less power. The sensor records the view through the lens, the view is processed, and finally projected on a miniature display which is viewable through the eyepiece. Digital viewfinders are used in digital still cameras and in video cameras. Some cameras (such as Panasonic, Sony, Fujifilm) have an automatic eye sensor which switches the display from screen to EVF when the viewfinder is near the eye. More modest cameras use a button to switch the display. Some have no button at all. While many cameras come with a built-in EVF, this is fixed in place and can only be used while holding the camera to the user's eye, which may not be convenient. Other cameras don't come with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Liquid Crystal Display
A liquid-crystal display (LCD) is a flat panel display, flat-panel display or other Electro-optic modulator, electronically modulated optical device that uses the light-modulating properties of liquid crystals combined with polarizers. Liquid crystals do not emit light directly but instead use a backlight or reflector (photography), reflector to produce images in color or monochrome monitor, monochrome. LCDs are available to display arbitrary images (as in a general-purpose computer display) or fixed images with low information content, which can be displayed or hidden. For instance: preset words, digits, and seven-segment displays, as in a digital clock, are all good examples of devices with these displays. They use the same basic technology, except that arbitrary images are made from a matrix of small pixels, while other displays have larger elements. LCDs can either be normally on (positive) or off (negative), depending on the polarizer arrangement. For example, a character ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35 Mm Equivalent Focal Length
In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is popular because in the early years of digital photography, most photographers experienced with interchangeable lenses were most familiar with the 35 mm film format. On any 35 mm film camera, a 28 mm lens is a wide-angle lens, and a 200 mm lens is a long-focus lens. However, now that digital cameras have mostly replaced 35 mm cameras, there is no uniform relation between the focal length of a lens and the angle of view, since the size of the camera sensor also determines angle of view, and sensor size is not standardized as film size was. The 35 mm equivalent focal length of a particular lens–sensor combination is the focal length that one would need for a 35 mm film camera to obtain the same angle of view. Most commonly, the 35 mm equivalent focal length is bas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikon Coolpix P90
The Nikon Coolpix P90 was launched by Nikon on 3 February 2009 as an improved version of the Nikon Coolpix P80. It is a 12-megapixel CCD digital camera with a fixed 24× zoom lens giving more than twelve times image magnification fully extended. A year later in March 2010, the camera was replaced by the P100 model. The notable improvement in the P100 is the use of a CMOS image sensor with claimed better light sensitivity and less noise, but with a lower 10 MP resolution. Features It is a 12-megapixel CCD digital camera A digital camera is a camera that captures photographs in digital memory. Most cameras produced today are digital, largely replacing those that capture images on photographic film. Digital cameras are now widely incorporated into mobile device ... with a fixed 24× zoom Nikkor ED glass lens giving more than twelve times image magnification fully extended. Vibration reduction (VR) image stabilisation. The camera has a three-inch (76 mm) LCD display t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
35mm Equivalent
In photography, the 35 mm equivalent focal length is a measure that indicates the angle of view of a particular combination of a camera lens and film or sensor size. The term is popular because in the early years of digital photography, most photographers experienced with interchangeable lenses were most familiar with the 35 mm film format. On any 35 mm film camera, a 28 mm lens is a wide-angle lens, and a 200 mm lens is a long-focus lens. However, now that digital cameras have mostly replaced 35 mm cameras, there is no uniform relation between the focal length of a lens and the angle of view, since the size of the camera sensor also determines angle of view, and sensor size is not standardized as film size was. The 35 mm equivalent focal length of a particular lens–sensor combination is the focal length that one would need for a 35 mm film camera to obtain the same angle of view. Most commonly, the 35 mm equivalent focal length is b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macro Photography
Macro photography (or photomacrography or macrography, and sometimes macrophotography) is extreme close-up photography, usually of very small subjects and living organisms like insects, in which the size of the subject in the photograph is greater than life size (though ''macrophotography'' also refers to the art of making very large photographs). By the original definition, a macro photograph is one in which the size of the subject on the negative or image sensor is life size or greater. In some senses, however, it refers to a finished photograph of a subject that is greater than life size. The ratio of the subject size on the film plane (or sensor plane) to the actual subject size is known as the reproduction ratio. Likewise, a macro lens is classically a lens capable of reproduction ratios of at least 1:1, although it often refers to any lens with a large reproduction ratio, despite rarely exceeding 1:1. Apart from technical photography and film-based processes, where the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Telephoto Lens
A telephoto lens, in photography and cinematography, is a specific type of a long-focus lens in which the physical length of the lens is shorter than the focal length. This is achieved by incorporating a special lens group known as a ''telephoto group'' that extends the light path to create a long-focus lens in a much shorter overall design. The angle of view and other effects of long-focus lenses are the same for telephoto lenses of the same specified focal length. Long-focal-length lenses are often informally referred to as ''telephoto lenses'', although this is technically incorrect: a telephoto lens specifically incorporates the telephoto group. Telephoto lenses are sometimes broken into the further sub-types of short telephoto (85–135 mm in 35 mm film format), medium telephoto: (135–300 mm in 35 mm film format) and super telephoto (over 300 mm in 35 mm film format) . Construction In contrast to a telephoto lens, for any given focal len ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wide-angle Lens
In photography and cinematography, a wide-angle lens refers to a lens whose focal length is substantially smaller than the focal length of a normal lens for a given film plane. This type of lens allows more of the scene to be included in the photograph, which is useful in architectural, interior and landscape photography where the photographer may not be able to move farther from the scene to photograph it. Another use is where the photographer wishes to emphasise the difference in size or distance between objects in the foreground and the background; nearby objects appear very large and objects at a moderate distance appear small and far away. This exaggeration of relative size can be used to make foreground objects more prominent and striking, while capturing expansive backgrounds. A wide angle lens is also one that projects a substantially larger image circle than would be typical for a standard design lens of the same focal length. This large image circle enables either lar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
APS-C
Advanced Photo System type-C (APS-C) is an image sensor format approximately equivalent in size to the Advanced Photo System film negative in its C ("Classic") format, of 25.1×16.7 mm, an aspect ratio of 3:2 and Ø 31.15 mm field diameter. It is therefore also equivalent in size to the Super 35 motion picture film format, which has the dimensions of 24.89 mm × 18.66 mm (0.980 in × 0.735 in) and Ø 31.11 mm field diameter. Sensors approximating these dimensions are used in many digital single-lens reflex cameras (DSLRs), mirrorless interchangeable-lens cameras (MILCs), and a few large-sensor live-preview digital cameras. APS-C size sensors are also used in a few digital rangefinders. Such sensors exist in many different variants depending on the manufacturer and camera model. All APS-C variants are considerably smaller than 35 mm standard film which measures 36×24 mm. Because of this, devices with APS-C sensors are known as "cropp ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Canon PowerShot G
The Canon PowerShot G is a series of digital cameras introduced by Canon in its PowerShot line in 2000. The G series cameras are Canon's flagship compact models aimed at photography enthusiasts desiring more flexibility than a point-and-shoot without the bulk of a digital single-lens reflex camera. The G series has a lithium-ion battery, full manual exposure control, an articulated LCD screen (G7, G9, G10, G15, and G16 have a fixed screen), Raw image format capture (all models except G7), a lens with a wider maximum aperture than standard PowerShot models, remote capture (except G11), and faster image processing. The range also includes a hot shoe (except G7 X and G9 X) for an external flashgun, including Canon's EX range. New models in the series have larger sensors than most other point-and-shoot cameras ( G1X, G1X Mark II, G7X). Main specifications G1 to G6 Common features across the early G series were: * A fast lens (minimum F number of 2.0). * A flip out and twist LCD ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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