|
Break My Stride
"Break My Stride" is a song performed by American recording artist Matthew Wilder. It was released in October 1983 as the lead single from his debut album, '' I Don't Speak the Language'', and became a major worldwide hit single for him in late 1983 and spring 1984, reaching number five on the ''Billboard'' Hot 100 and number two on the ''Cash Box'' Top 100. The song has been covered by many artists throughout the years, including Unique II in 1996 and Blue Lagoon in 2004 (whose versions both charted highly in various places) and, in interpolations, Puff Daddy with his 1997 hit "Can't Nobody Hold Me Down" and Aaron Carter on the song "Stride (Jump on the Fizzy)" from his 2001 album ''Oh Aaron''. In 2009 it was interpolated by Matisyahu in the song "Jerusalem". Composition Industry executive Clive Davis signed Wilder to Arista Records in 1981 or 1982, but Wilder was not getting the results he or the producers wanted with finding the style of music that worked for him. Poor an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Matthew Wilder
Matthew Wilder ( Weiner; January 24, 1953) is an American musician, singer, songwriter and record producer. In early 1984, his single "Break My Stride" hit No. 2 on the ''Cash Box'' chart and No. 5 on the Billboard Hot 100, ''Billboard'' Hot 100. He also wrote the music for the Walt Disney Animation Studios, Disney animated feature film ''Mulan (1998 film), Mulan'' and provided the singing voice for the character Ling. Early life Born in New York City,Farance, Jeff (June 16, 2006). "Seeing Stars: Where's Wilder? With Waldo?" ''The Daytona Beach News-Journal''. p. E14. Wilder graduated from the New Lincoln School. Career Wilder was one-half of the Greenwich Village folk rock group Matthew & Peter in the 1970s. In 1978, he moved to Los Angeles, and sang for television commercials and as a backing vocalist for Rickie Lee Jones and Bette Midler. Wilder's debut album, ''I Don't Speak the Language'' (1983), reached No. 49 on the Billboard 200, ''Billboard'' 200, fueled by "Break My ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arista Records
Arista Records () is an American record label owned by Sony Music Entertainment, a subsidiary of Sony Corporation of America, the North American division of the Japanese conglomerate Sony. The label was previously handled by BMG Entertainment, the North American division of German conglomerate Bertelsmann. Though the label was founded in November 1974 by Clive Davis, Arista in its current form was re-established in 2018. Along with Epic Records, RCA Records, and Columbia Records, Arista is one of Sony Music's four flagship record labels. History Background After being fired from CBS Records, Clive Davis was recruited by Alan Hirschfield, CEO of Columbia Pictures, in June 1974 to be a consultant for the company's record and music operations. Shortly after his hiring by CPI, Davis became president of Bell Records, replacing the departing Larry Uttal. Davis's real goal was to reorganize and revitalize Columbia Pictures' music division. With a $10 million investme ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
RPM (magazine)
''RPM'' ( and later ) was a Canadian music-industry publication that featured song and album charts for Canada. The publication was founded by Walt Grealis in February 1964, supported through its existence by record label owner Stan Klees. ''RPM'' ceased publication in November 2000. ''RPM'' stood for "Records, Promotion, Music". The magazine's title varied over the years, including ''RPM Weekly'' and ''RPM Magazine''. Canadian music charts ''RPM'' maintained several format charts, including Top Singles (all genres), Adult Contemporary, Dance, Urban, Rock/Alternative and Country Tracks (or Top Country Tracks) for country music. On 21 March 1966, ''RPM'' expanded its Top Singles chart from 40 positions to 100. On 6 December 1980, the main chart became a top-50 chart and remained this way until 4 August 1984, whereupon it reverted to a top-100 singles chart. For the first several weeks of its existence, the magazine did not compile a national chart, but simply printed the cur ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austrian Singles Chart
Austrian may refer to: * Austrians, someone from Austria or of Austrian descent ** Someone who is considered an Austrian citizen, see Austrian nationality law * Austrian German dialect * Something associated with the country Austria, for example: ** Austria-Hungary ** Austrian Airlines (AUA) ** Austrian cuisine ** Austrian Empire ** Austrian monarchy ** Austrian German (language/dialects) ** Austrian literature ** Austrian nationality law ** Austrian Service Abroad ** Music of Austria ** Austrian School of Economics * Economists of the Austrian school of economic thought * The Austrian Attack variation of the Pirc Defence chess opening. See also * * * Austria (other) * Australian (other) * L'Autrichienne (other) is the feminine form of the French word , meaning "The Austrian". It may refer to: *A derogatory nickname for Queen Marie Antoinette of France *L'Autrichienne (film), ''L'Autrichienne'' (film), a 1990 French film on Marie Antoinette wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kent Music Report
The Kent Music Report was a weekly record chart of Australian music singles and albums which was compiled by music enthusiast David Kent from May 1974 through to January 1999. The chart was re-branded the Australian Music Report (AMR) in July 1987. From June 1988, the Australian Recording Industry Association, which had been using the top 50 portion of the report under licence since mid-1983, chose to produce their own listing as the ARIA Charts. Before the Kent Report, ''Go-Set'' magazine published weekly Top-40 Singles from 1966, and Album charts from 1970 until the magazine's demise in August 1974. David Kent later published Australian charts from 1940 to 1973 in a retrospective fashion, using state by state chart data obtained from various Australian radio stations. Background Kent had spent a number of years previously working in the music industry at both EMI and Phonogram records and had developed the report initially as a hobby. The Kent Music Report was first release ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Club Songs
Dance Club Songs is a chart published weekly by '' Billboard'' magazine in the United States. It is a national look over of club disc jockeys to determine the most popular songs being played in nightclubs across the country. It was launched as the Disco Action Top 30 chart on August 28, 1976, and became the first chart by ''Billboard'' to document the popularity of dance music. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the Bee Gees, spending five weeks atop the chart and the group's only number-one song on the chart. In January 2017, ''Billboard'' proclaimed Madonna as the most successful artist in the history of the chart, ranking her first in their list of the 100 top all-time dance artists. Madonna holds the record for the most number-one songs with 50. Katy Perry holds the record for having eighteen consecutive number-one songs. Perry's third studio album, '' Teenage Dream'' (2010), became the first album in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box
''Cashbox'', also known as ''Cash Box'', was an American music industry trade magazine, originally published weekly from July 1942 to November 1996. Ten years after its dissolution, it was revived and continues as ''Cashbox Magazine'', an online magazine with weekly charts and occasional special print issues. In addition to the music industry, the magazine covered the amusement arcade industry, including jukebox machines and arcade games. History Print edition charts (1952–1996) ''Cashbox'' was one of several magazines that published record charts in the United States. Its most prominent competitors were '' Billboard'' and '' Record World'' (known as ''Music Vendor'' prior to April 1964). Unlike ''Billboard'', ''Cashbox'' combined all currently available recordings of a song into one chart position with artist and label information shown for each version, alphabetized by label. Originally, no indication of which version was the biggest seller was given, but from October 25, 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billboard Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oberheim DMX
The DMX is a programmable digital drum machine manufactured by Oberheim. It was introduced in 1980 at a list price of and remained in the company's product line until the mid-1980s. The Oberheim DMX was the second digital drum machine ever to be sold as a commercial product, following the Linn LM-1 Drum Computer in 1980. Its popularity among musicians of the era contributed to the sound and evolution of 1980s new wave, synthpop and hip hop music. Background Immediately following the success of the Linn LM-1, other manufacturers began to develop and release drum machines intended to compete with the LM-1's ease of programmability and realistic sound quality. The DMX featured sampled sounds of real drums, as well as individual tuning controls for each drum voice and a swing function. In addition, it boasted several humanizing elements such as rolls, flams, and timing variations that were meant to mimic those of real drummers. The DMX features 24 individual drum sounds derived ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Herring
Dennis Herring is an American record producer, engineer, mixer, and musician. Herring has produced for The Hives, Elvis Costello, Counting Crows, Modest Mouse, Camper Van Beethoven, and Jars of Clay. The producer owns a 24-track recording studio in Los Angeles named DTLA Recording. Herring has won two Grammy awards. Selected work * 1986 - ''American Girls'' by American Girls * 1988 - '' Our Beloved Revolutionary Sweetheart'' by Camper Van Beethoven * 1989 - ''Key Lime Pie'' by Camper Van Beethoven * 1991 - ''The Real Ramona'' by Throwing Muses * 1995 - '' Glow'' by The Innocence Mission * 1996 - ''See the Ocean Blue'' by The Ocean Blue * 1999 - '' This Desert Life'' by Counting Crows * 1999 - ''If I Left the Zoo'' by Jars of Clay (Note: Won Grammy Award for Best Pop/Contemporary Gospel Album) * 2001 - '' Sweet Tea'' by Buddy Guy * 2003 - '' Blues Singer'' by Buddy Guy * 2004 - ''Good News for People Who Love Bad News'' by Modest Mouse * 2004 - ''The Delivery Man'' by E ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bill Elliott (musician)
Bill Elliott (born William F. Elliott; October 2, 1951) is an American pianist, bandleader, Hollywood composer and Broadway orchestrator. In 2015, he won a Tony Award for best orchestration for the Broadway musical, ''An American in Paris''. In 2012 he was nominated for both Tony and Grammy awards for Broadway's '' Nice Work if You Can Get It''. Elliott won Drama Desk Award for Outstanding Orchestrations in 2017 for the Broadway Musical ''Bandstand''. Elliott began as a Los Angeles studio musician, recording with artists such as Stevie Nicks, Smokey Robinson, Donna Summer, Bette Midler, and others. In his 20s he was the pianist in Bonnie Raitt's band. His career in contemporary pop music gradually and serendipitously turned toward orchestration of films, television, and then Broadway musicals. Films that feature Elliott's music include '' Dick Tracy'', ''Nixon'', ''Contact'', '' Independence Day'' and ''Wedding Crashers''. He has written music for Disney's video sequels to ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
