Boar's Head Inn, Whitechapel
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Boar's Head Inn, Whitechapel
The Boar's Head Theatre was an inn-yard theatre in the Whitechapel area of London from 1598 to around 1616. It was based in the yard of the Boar's Head Inn. During its lifetime as a playhouse, it was home to the Earl of Derby's Men (summer 1599-summer 1601, summer 1602-March 1603), the Earl of Worcester's Men (summer 1601-summer 1602, April 1604–1605 or 1606), and Prince Charles's Men (summer 1609-March 1616); the historian Herbert Berry suggests that many other unidentified companies may have played there, as well. Location The Boar's Head was located on the north side of Whitechapel High Street. Berry notes that "it became a playhouse partly because of where it was — just outside the City of London … a few feet beyond the ordinary jurisdiction of the lord mayor and his aldermen". Until the end of the nineteenth century ''Boars Head Yard'', named after the original inn, was a small alley running between Middlesex Street and Gulston Street, parallel to Whitechapel High ...
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Inn-yard Theatre
In the historical era of English Renaissance drama, an Inn-yard theatre or Inn-theatre was a common inn with an inner courtyard with balconies that provided a venue for the presentation of stage plays. Beginnings The Elizabethan era is appropriately famous for the construction of the earliest permanent professional playhouses in Britain, starting with James Burbage's The Theatre in 1576 and continuing through the Curtain (1577), the Rose, Swan, Globe and others —; a development that allowed the evolution of the drama of Christopher Marlowe, William Shakespeare, Ben Jonson and their contemporaries and successors. Prior to the building of The Theatre, plays were sometimes staged in public halls, the private houses of aristocrats, or royal palaces —; but most often, and most publicly, they were acted in the courtyards of inns. (It is an often-stated truism of the critical literature that the open-air public theatres or amphitheatres of Burbage and his successors were modeled on ...
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William Rowley
William Rowley (c. 1585 – February 1626) was an English Jacobean dramatist, best known for works written in collaboration with more successful writers. His date of birth is estimated to have been c. 1585; he was buried on 11 February 1626 in the graveyard of St James's, Clerkenwell in north London. (An unambiguous record of Rowley's death was discovered in 1928, but some authorities persist in listing his year of death as 1642.) Life and work Rowley was an actor-playwright who specialised in playing clown characters (that is, characters whose function is to provide low comedy). He must also have been a large man, since his forte lay specifically in fat-clown roles. He played the Fat Bishop in Thomas Middleton's ''A Game at Chess'', and Plumporridge in the same author's ''Inner Temple Masque''. He also wrote fat-clown parts for himself to play: Jaques in ''All's Lost by Lust'' (a role "personated by the Poet", the 1633 quarto states), and Bustopha in ''The Maid in the Mill'', h ...
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Former Buildings And Structures In The London Borough Of Tower Hamlets
A former is an object, such as a template, gauge or cutting die, which is used to form something such as a boat's hull. Typically, a former gives shape to a structure that may have complex curvature. A former may become an integral part of the finished structure, as in an aircraft fuselage, or it may be removable, being using in the construction process and then discarded or re-used. Aircraft formers Formers are used in the construction of aircraft fuselage, of which a typical fuselage has a series from the nose to the empennage, typically perpendicular to the longitudinal axis of the aircraft. The primary purpose of formers is to establish the shape of the fuselage and reduce the column length of stringers to prevent instability. Formers are typically attached to longerons, which support the skin of the aircraft. The "former-and-longeron" technique (also called stations and stringers) was adopted from boat construction, and was typical of light aircraft built until the ...
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Elizabethan Architecture
Elizabethan architecture refers to buildings of a certain style constructed during the reign of Queen Elizabeth I of England and Ireland from 1558–1603. Historically, the era sits between the long era of the dominant architectural style of religious buildings by the Catholic Church, which ended abruptly at the Dissolution of the Monasteries from c.1536, and the advent of a court culture of pan-European artistic ambition under James I (1603–25). Stylistically, Elizabethan architecture is notably pluralistic. It came at the end of insular traditions in design and construction called the Perpendicular style in the church building, the fenestration, vaulting techniques, and open truss designs of which often affected the detail of larger domestic buildings. However, English design had become open to the influence of early printed architectural texts (namely Vitruvius and Alberti) imported to England by members of the church as early as the 1480s. Into the 16th century, illus ...
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1616 Disestablishments
Events January–June * January ** Six-year-old António Vieira arrives from Portugal, with his parents, in Bahia (present-day Salvador) in Colonial Brazil, where he will become a diplomat, noted author, leading figure of the Church, and protector of Brazilian indigenous peoples, in an age of intolerance. ** Officials in Württemberg charge astronomer Johannes Kepler with practicing "forbidden arts" (witchcraft). His mother had also been so charged and spent 14 months in prison. * January 1 – King James I of England attends the masque ''The Golden Age Restored'', a satire by Ben Jonson on fallen court favorite the Earl of Somerset. The king asks for a repeat performance on January 6. * January 3 – In the court of James I of England, the king's favorite George Villiers becomes Master of the Horse (encouraging development of the thoroughbred horse); on April 24 he receives the Order of the Garter; and on August 27 is created Viscount Villiers and Baron Waddon, receivin ...
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1598 Establishments In England
__NOTOC__ Events January–June * February 21 – Boris Godunov seizes the throne of Russia, following the death of his brother-in-law, Tsar Feodor I; the ''Time of Troubles'' starts. * April 13 – Edict of Nantes (promulgated April 30): Henry IV of France grants French Huguenots equal rights with Catholics; this is considered the end of the French Wars of Religion. * May – Tycho Brahe's star catalogue Astronomiæ instauratæ mechanica', listing the positions of 1,004 stars, is published. * May 2 – The Peace of Vervins ends the war between France and Spain. July–December * July – Philosopher Tommaso Campanella moves from Naples to Calabria, where he would be involved in a revolt against the rule of the Spanish viceroy the following year. * August 14 – Battle of the Yellow Ford in Ireland: Hugh O'Neill, Earl of Tyrone, gains victory over an English expeditionary force under Henry Bagenal, in the Nine Years' War against English rule. * September 13 †...
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English Renaissance Theatre
English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642. This is the style of the plays of William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified ...
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Museum Of London Archaeology
MOLA (Museum of London Archaeology) is an archaeology and built heritage practice and independent charitable company registered with the Chartered Institute for Archaeologists (CIfA), providing a wide range of professional archaeological services to clients in London and across the country. It is one of the largest archaeological service providers in the UK, and is the only one with IRO (Independent Research Organisation) status. MOLA’s operations were historically focused within Greater London but are increasingly nationwide. It employs over 300 staff across 4 locations: the central London headquarters, and further offices in Northampton, Basingstoke, and Birmingham. MOLA is a registered charity (since 2011) with its own academic research strategy and extensive community engagement and education programmes including the Thames Discovery Programme, CITiZAN and the Time Truck. Commercial services offered include expertise and advice at all stages of development from pre-plan ...
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The Rose (theatre)
The Rose was an Elizabethan theatre. It was the fourth of the public theatres to be built, after The Theatre (1576), the Curtain (1577), and the theatre at Newington Butts (c. 1580?) – and the first of several playhouses to be situated in Bankside, Southwark, in a liberty outside the jurisdiction of the City of London's civic authorities. Its remains were excavated by archaeologists in 1989 and are listed by Historic England as a Scheduled Monument. History The Rose was built in 1587 by Philip Henslowe and by a grocer named John Cholmley. It was the first purpose-built playhouse to ever stage a production of any of Shakespeare's plays. The theatre was built on a messuage called the "Little Rose," which Henslowe had leased from the parish of St. Saviour, Southwark in 1585. The Rose was the first of several theatres to be situated in Bankside, Southwark near the south shore of the River Thames. The area was known for its leisure attractions such as bear/bull-baitings, gam ...
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The Swan (theatre)
The Swan was a theatre in Southwark, London, England, built in 1595 on top of a previously standing structure, during the first half of William Shakespeare's career. It was the fifth in the series of large public playhouses of London, after James Burbage's The Theatre (1576) and Curtain (1577), the Newington Butts Theatre (between 1575 and 1577) and Philip Henslowe's Rose (1587–88). The Swan Theatre was located in the manor of Paris Gardens, on the west end of the Bankside district of Southwark, across the Thames River from the City of London. It was at the northeast corner of the Paris Garden estate nearest to London Bridge that Francis Langley had purchased in May 1589, four hundred and twenty-six feet from the river's edge. Playgoers could arrive also by water landing at the Paris Garden Stairs or the Falcon Stairs, both short walking distances from the theatre.Trussler, Simon. ''The Cambridge Illustrated History of British Theatre''. New York: Press Syndicate of ...
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Fortune Playhouse
Fortune may refer to: General * Fortuna or Fortune, the Roman goddess of luck * Luck * Wealth * Fortune, a prediction made in fortune-telling * Fortune, in a fortune cookie Arts and entertainment Film and television * ''The Fortune'' (1931 film), a French film * ''The Fortune'', a 1975 American film * Fortune TV, Burma * '' Fortune: Million Pound Giveaway'', a 2007 UK TV programme * "Fortune" (''Smallville''), a US TV episode Music * Fortune Records, 1946–1995 * Fortune (band), 1980s, US * The Fortunes, an English harmony beat group * ''Fortune'' (Beni album), 2011 * ''Fortune'' (Callers album) and its title song, 2008 * ''Fortune'' (Chris Brown album), 2012 * "Fortune" (song), by Nami Tamaki, 2005 * "Fortune", a song by Emma Pollock from ''Watch the Fireworks'', 2007 * "Fortune", a song by Great Big Sea from ''Sea of No Cares'', 2002 Sports and games * Fortune (''Metal Gear''), a video game character * Fortune (professional wrestling) Theatres * Fortune Playhouse, a t ...
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Bankside
Bankside is an area of London, England, within the London Borough of Southwark. Bankside is located on the southern bank of the River Thames, east of Charing Cross, running from a little west of Blackfriars Bridge to just a short distance before London Bridge at St Mary Overie Dock. It is part of a business improvement district known as 'Better Bankside'. History Toponymy The 'banke' was reclaimed by the Bishop of Winchester who owned the manor of the Clink of which this is part. There is a map plan in the Duchy of Lancaster archive showing 'the way to the banke'. The name is recorded in 1554 as ''the Banke syde'' and means 'street along the bank of the Thames'. In 1860 Southwark Street was created to connect the Blackfriars and London bridge crossings here and that can be regarded as the area's informal southern perimeter. Urban development Bankside is the riverside of the former liberties of the Clink and Paris Garden. In the Elizabethan period, because it was outside the ...
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