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Blossom Dearie Sings Rootin' Songs
''Blossom Dearie Sings Rootin' Songs'' is a 1963 studio album by Blossom Dearie. Her first album after leaving Verve Records, ''Blossom Dearie Sings Rootin' Songs'' was recorded for Hires Root Beer, on whose television commercials Dearie had sung. The album was originally available for 50¢ and two bottle caps. Vinyl copies are now rare but it has been released on CD most recently by DIW Records, a Japanese record label, in 2008 (). Song listing #" Days of Wine and Roses" (Henry Mancini, Johnny Mercer) – 2:28 #"I Left My Heart in San Francisco" ( George Cory, Douglass Cross) – 2:41 #"I Wanna Be Around" (Johnny Mercer, Sadie Vimmerstadt) – 2:34 #" The Sweetest Sounds" (Richard Rodgers) – 2:33 #" The Good Life" (Sacha Distel, Jack Reardon) – 2:47 #"Those Lazy-Hazy-Crazy Days of Summer" (Hans Carste, Charles Tobias) – 2:08 #"Desafinado" (Antônio Carlos Jobim, Newton Mendonça, Jon Hendricks, Jesse Cavanagh) – 3:10 #"Our Day Will Come" (Bob Hilliard, Mort Garson) – ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blossom Dearie
Margrethe Blossom Dearie (April 28, 1924 – February 7, 2009) was an American jazz singer and pianist. She had a recognizably light and girlish voice.[ Profile at AllMusic] Dearie performed regular engagements in London and New York City over many years and collaborated with many musicians, including Johnny Mercer, Miles Davis, Jack Segal, Johnny Mandel, Duncan Lamont (musician), Duncan Lamont, Bob Dorough, Dave Frishberg, and Jay Berliner. Early life Margrethe Blossom Dearie was born on April 28, 1924, in East Durham, New York, to a father of Scotch-Irish American, Scots Irish descent and a mother of Norwegian descent. She reportedly received the name Blossom because of "a neighbor who delivered peach blossoms to her house the day she was born", although she once recalled it was her brothers who brought the flowers to the house. Career Beginnings After high school, Dearie moved to Manhattan to pursue a music career. Dropping her first name, she began to sing in groups such ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mort Garson
Morton Sanford Garson (20 July 1924 – 4 January 2008) was a Canadian composer, arranger, songwriter, and pioneer of electronic music. He is best known for his albums in the 1960s and 1970s, such as '' Mother Earth's Plantasia'' (1976), He also co-wrote several hit songs, including "Our Day Will Come", a hit for Ruby & the Romantics. According to Allmusic, "Mort Garson boasts one of the most unique and outright bizarre resumés in popular music, spanning from easy listening to occult-influenced space-age electronic pop." Early life Mort Garson was born in Saint John, New Brunswick, Canada, the son of Russian Jewish refugees.Camilla Aisa, "Totally Wired", ''Shindig!'', No.108, October 2020, pp.52-55 He later moved to New York City where he studied music at the Juilliard School of Music. He worked as a pianist and arranger before being called into the Army near the end of World War II. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Hilliard
Bob Hilliard (born Hilliard Goldsmith; January 28, 1918 – February 1, 1971) was an American lyricist. He wrote the words for the songs: " Alice in Wonderland", "In the Wee Small Hours of the Morning", " Any Day Now", "Dear Hearts and Gentle People", "Our Day Will Come", " My Little Corner of the World", " Tower of Strength" and " Seven Little Girls (Sitting in the Back Seat)". Career After finishing high school, Hilliard began working as a lyricist in Tin Pan Alley. At the age of 28 he had his first success with "The Coffee Song". During his Broadway years, Hilliard wrote successful scores for both '' Angel in the Wings'' (1947) and ''Hazel Flagg'' (1953). He also worked as lyricist of the film score for '' Alice in Wonderland'' (1951). This included providing the words to the theme song, as well as "I'm Late" and the unused Cheshire Cat song "I'm Odd." The 1954 comedy film ''Living It Up'' included his songs "Money Burns a Hole in My Pocket" and "That's What I Like." Hilli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Our Day Will Come
"Our Day Will Come" is a popular song composed by Mort Garson with lyrics by Bob Hilliard. It was recorded by American R&B group Ruby & the Romantics in early December 1962, reaching #1 on the ''Billboard'' Hot 100. Ruby & the Romantics' original version The song's composers were hoping to place "Our Day Will Come" with an established easy listening act and only agreed to let the new R&B group Ruby & the Romantics record the song after Kapp Records' A&R director Al Stanton promised that, if the Ruby & the Romantics' single failed, Kapp would record the song with Jack Jones. Stanton cut two versions of "Our Day Will Come" with Ruby & the Romantics, one with a mid-tempo arrangement and the other in a bossa nova style; the latter version, featuring a Hammond organ solo, was selected for release as a single in December 1962 and reached #1 on the ''Billboard'' Hot 100 in March 1963. "Our Day Will Come" also charted at #11 in Australia and at #38 the United Kingdom. The personnel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jon Hendricks
John Carl Hendricks (September 16, 1921 – November 22, 2017), known professionally as Jon Hendricks, was an American jazz lyricist and singer. He is one of the originators of vocalese, which adds lyrics to existing instrumental songs and replaces many instruments with vocalists, such as the big-band arrangements of Duke Ellington and Count Basie. He is considered one of the best practitioners of scat singing, which involves vocal jazz soloing. Jazz critic and historian Leonard Feather called him the "Poet Laureate of Jazz", while ''Time'' dubbed him the "James Joyce of Jive". Al Jarreau called him "pound-for-pound the best jazz singer on the planet—maybe that's ever been". Early years Born in 1921 in Newark, Ohio, Hendricks and his 14 siblings moved many times, following their father's assignments as an AME pastor, before settling permanently in Toledo. The house was often full of visiting jazz musicians, for whom Jon's mother provided meals. Hendricks began his singin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newton Mendonça
Newton Ferreira de Mendonça (February 14, 1927 – November 22, 1960) was a musician, composer, and lyricist. He began as a pianist in 1950. Mendonça was born in Rio de Janeiro. In 1953 he started working with Antônio Carlos Jobim, something for which he is best known. Mendonça went on to co-compose music and lyrics for Desafinado, Meditação, and Samba de uma nota só. In 1959 he had his first heart attack, but his songs continued gaining attention. In 1960 his second heart attack proved fatal.All Music/ref> References Bibliography * De Stefano, Gildo, ''Il popolo del samba, La vicenda e i protagonisti della storia della musica popolare brasiliana'', Preface by Chico Buarque de Hollanda, Introduction by Gianni Minà, RAI-ERI, Rome 2005, * De Stefano, Gildo, ''Saudade Bossa Nova: musiche, contaminazioni e ritmi del Brasile'', Preface by Chico Buarque, Introduction by Gianni Minà, Logisma Editore, Firenze Florence ( ; it, Firenze ) is a city in Central It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antônio Carlos Jobim
Antônio Carlos Brasileiro de Almeida Jobim (25 January 1927 – 8 December 1994), also known as Tom Jobim (), was a Brazilian composer, pianist, guitarist, songwriter, arranger, and singer. Considered one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound, with popular success. As a result, he is sometimes known as the "father of bossa nova". Jobim was a primary force behind the creation of the bossa nova style, and his songs have been performed by many singers and instrumentalists internationally since the early 1960s. In 1965, the album ''Getz/Gilberto'' was the first jazz record to win the Grammy Award for Album of the Year. It also won Best Jazz Instrumental Album – Individual or Group and Best Engineered Album, Non-Classical. The album's single '" Garota de Ipanema (The Girl from Ipanema)'", composed by Jobim, has become one of the most r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Desafinado
"Desafinado" (a Portuguese word, usually rendered into English as "Out of Tune", or as "Off Key") is a 1959 bossa nova song and jazz standard composed by Antônio Carlos Jobim with lyrics (in Portuguese) by Newton Mendonça. Background "Desafinado" was originally a response to critics who claimed that bossa nova was a new genre for singers who can't sing. The English language lyrics were written by Jon Hendricks and "Jessie Cavanaugh" (a pseudonym used by The Richmond Organisation). Another English lyric, more closely based on the original Portuguese lyric (but not a translation) was written by Gene Lees, and appears on some recordings as well. Chart performance The version by Stan Getz and Charlie Byrd (from the album ''Jazz Samba'') was a major hit in 1962, reaching number 15 and number 4 on ''Billboard''′s pop and easy-listening charts, respectively; their definitive rendering also reached number 11 in the UK. Ella Fitzgerald's version made number 38. Accolades The song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Tobias
Charles Tobias (August 15, 1898 – July 7, 1970) was an American songwriter. Biography Born in New York City, United States, Tobias grew up in Worcester, Massachusetts with brothers Harry Tobias and Henry Tobias, also songwriters. He started his musical career in vaudeville. In 1923, he founded his own music publishing firm and worked on Tin Pan Alley. Tobias referred to himself as "the boy who writes the songs you sing." His credits include "Merrily We Roll Along," "Rose O'Day," "Those Lazy-Hazy-Crazy Days of Summer," "Comes Love," and " Don't Sit Under the Apple Tree (With Anyone Else but Me)." With frequent collaborators Al Sherman and Howard Johnson he wrote, " Dew-Dew-Dewey Day". In the 1930s, Tobias and several of his fellow hit makers formed a revue called " Songwriters on Parade," performing across the Eastern seaboard on the Loew's and Keith circuits. He co-wrote the 1933 to 1936 Merrie Melodies theme song "I Think You're Ducky" with Gerald Marks and Sidney Clare. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hans Carste
Hans Friedrich August Carste (5 September 1909 in Frankenthal – 11 May 1971 in Bad Wiessee) was a German composer and conductor. He arrived in Berlin in 1931 after working in Vienna and Breslau. He composed film music and as well as songs for the stage. Electrola offered him and his orchestra an exclusive recording contract and he recorded many high quality sides for them. Hans Carste joined the NSDAP in 1933. In 1937, when Ludwig Rüth, the Jewish band leader, emigrated to South Africa, Hans Carste took up the baton. For some time the orchestra was still known as the Ludwig (Lewis) Rüth Orchester but acknowledged that Carste was the conductor. Within a short time it became known as the Hans Carste Orchester. In 1942, Carste was drafted and sent to the Eastern Front. He was badly injured and captured by the Red Army. Released in 1948, he returned to Germany, becoming one of the musical directors at ''Rundfunk im amerikanischen Sektor'' (RIAS) radio station in Berlin, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Those Lazy-Hazy-Crazy Days Of Summer (song)
"Those Lazy-Hazy-Crazy Days of Summer" is a popular song composed by Hans Carste. It was originally written as "Du spielst 'ne tolle Rolle", with German lyrics by Hans Bradtke (de), and was first recorded under that title in 1962 by Willy Hagara. Nat King Cole recording In 1963, it was recorded by Nat King Cole, with English lyrics written by Charles Tobias on a theme of nostalgia. Cole's version, arranged by Ralph Carmichael and produced by Lee Gillette, reached number 6 on the US Hot 100 The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming .... On the US Middle-Road Singles chart, "Those Lazy-Hazy-Crazy Days of Summer" reached number 3. It was the opening track of Cole's 1963 album of the same name. Chart performance Copyrights Original copyrights : Vol. 17; Part 5, No. 2 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
