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Blonde And Beyond
''Blonde and Beyond'' is a compilation album of recordings by Blondie released on Chrysalis Records in 1993. As of August 9, 2005 it has sold 43,000 copies in United States. Overview ''Blonde and Beyond'' is a compilation that gathers some of the band's hit singles like " Heart of Glass", " Denis", " X Offender", " Picture This" and " Island Of Lost Souls" along with album tracks, single b-sides and previously unreleased recordings, which include three demos ("Underground Girl", "Scenery" and "Once I Had A Love") and a live cover of T. Rex's " Bang a Gong (Get It On)". Most of the single b-sides and previously unreleased songs included on ''Blonde and Beyond'' have since been recycled as bonus tracks on 2001 reissues of the band's studio albums or other EMI compilations. Track listing # "Underground Girl" ( Frank Infante) - 3:54 #* Demo from ''Parallel Lines'' sessions, 1978 # "English Boys" ( Debbie Harry, Chris Stein) - 3:48 #* From the album '' The Hunter'', 1982 # ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Compilation Album
A compilation album comprises Album#Tracks, tracks, which may be previously released or unreleased, usually from several separate recordings by either one or several Performing arts#Performers, performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may be collected together as a greatest hits album or box set. If from several performers, there may be a theme, topic, time period, or genre which links the tracks, or they may have been intended for release as a single work—such as a tribute album. When the tracks are by the same recording artist, the album may be referred to as a retrospective album or an anthology. Content and scope Songs included on a compilation album may be previously released or unreleased, usually from several separate recordings by either one or several performers. If by one artist, then generally the tracks were not originally intended for release together as a single work, but may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parallel Lines
In geometry, parallel lines are coplanar straight lines that do not intersect at any point. Parallel planes are planes in the same three-dimensional space that never meet. ''Parallel curves'' are curves that do not touch each other or intersect and keep a fixed minimum distance. In three-dimensional Euclidean space, a line and a plane that do not share a point are also said to be parallel. However, two noncoplanar lines are called ''skew lines''. Parallel lines are the subject of Euclid's parallel postulate. Parallelism is primarily a property of affine geometries and Euclidean geometry is a special instance of this type of geometry. In some other geometries, such as hyperbolic geometry, lines can have analogous properties that are referred to as parallelism. Symbol The parallel symbol is \parallel. For example, AB \parallel CD indicates that line ''AB'' is parallel to line ''CD''. In the Unicode character set, the "parallel" and "not parallel" signs have codepoint ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Autoamerican
''Autoamerican'' is the fifth studio album by American rock band Blondie. It was released in November 1980 and reached in the UK charts, in the US, and in Australia. Background The album was a radical departure for the band, with the opening track "Europa" setting the pace. The track is a dramatic instrumental overture featuring orchestral arrangements and ending with vocalist Debbie Harry declaiming a passage about automobile culture over an electronic soundtrack. Besides rock and pop tracks, the band explored a wide range of other musical genres: "Here's Looking at You" and "Faces" show jazz and blues influences, "The Tide Is High" was a cover of the Paragons' 1967 Jamaican ska song, whereas " Rapture" combined funk, rock, jazz, and even saw them embracing the then-emerging genre of rap. The closing track, "Follow Me", was a cover of a torch song from Alan Jay Lerner and Frederick Loewe's 1960 Broadway musical ''Camelot''. Producer Mike Chapman insisted the band record ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
(I'm Always Touched By Your) Presence, Dear
"(I'm Always Touched by Your) Presence, Dear" is a song by the American band Blondie, from their 1978 album ''Plastic Letters''. Written by recently departed Blondie bassist Gary Valentine, the song was based on the telepathic connections that Valentine believed he experienced with his girlfriend, journalist Lisa Jane Persky, while on tour. Though Valentine had left the band, drummer Clem Burke convinced the band to record the song for ''Plastic Letters''. "Presence, Dear" was released in 1978 as the second single from ''Plastic Letters'', reaching number 10 in the UK singles chart in May 1978. It was never released as a single in the US. The song has since seen critical acclaim and has been ranked by some music writers as one of the band's best songs. Background It was written by Blondie bass player Gary Valentine for his then-girlfriend, the actress and journalist Lisa Jane Persky, before his departure from the band. Valentine had also written the band's first single, "X Offen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy Destri
Jimmy Destri (born James Mollica, April 13, 1954, Brooklyn, New York City, United States) is an American musician. Background Destri is of Italian descent. His father was a novelist who also wrote screenplays and eventually advertising copy to support his family while his mother was a housewife. He has a sister, Donna Destri, who is also a singer and did backing vocals for Blondie and Jimmy's own solo record. Destri grew up in Boro Park and was raised in his grandmother's house. His uncle played drums for Joey Dee and the Starlighters. He attended Catholic schools and went to Bishop Ford High School. Destri dropped out of high school in order to form his first band. He played keyboards in the rock band Blondie, and was one of the principal songwriters for the band along with Chris Stein and Deborah Harry. He rejoined Blondie in 1997. Destri ceased touring with the band in 2004, but remained an official member for several more years. After he stopped playing Blondie he worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blondie (album)
''Blondie'' is the debut studio album by American rock band Blondie, released in December 1976 by Private Stock Records. Overview The first single "X Offender" was originally titled "Sex Offender", but since radio stations would not play a song with such a provocative title, the band renamed the song. After disappointing sales and poor publicity, the band ended their contract with Private Stock and signed with Chrysalis Records in mid 1977. Chrysalis re-released the album in September 1977, when they issued Blondie's 2nd album "Plastic Letters", along with the single "In the Flesh". The album reached No. 14 in Australia, where the band had already had a top-3 entry with "In the Flesh". The album also charted at No. 75 in the UK in early 1979, where the band had become immensely popular. Through the production of Richard Gottehrer, who had worked with the Angels and other artists of the 1950s and 1960s, much of the music is suffused with the girl group sound of that era. Debbie H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gary Lachman
Gary Joseph Lachman (born December 24, 1955), also known as Gary Valentine, is an American writer and musician. He came to prominence in the mid-1970s as the bass guitarist for rock band Blondie. Since the 1990s, Lachman has written full-time, often about mysticism and occultism. Biography Musical career Lachman joined Blondie in spring 1975 after original bassist Fred Smith left to join Television amid founding bassist Richard Hell's departure. He wrote the music to the band's first single, "X-Offender", and popularized the band's sixties-retro look. In 1977 he left the group to form his own band and was replaced by Nigel Harrison, just as Blondie were starting to gain recognition. His song " (I'm Always Touched by Your) Presence, Dear" was a UK top ten hit in 1978, and was subsequently recorded by Tracey Ullman and Annie Lennox. After Blondie, Lachman moved to Los Angeles and in 1978 released a single, "The First One/Tomorrow Belongs to You" on Beat Records. Shortl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plastic Letters
''Plastic Letters'' is the second studio album by American rock band Blondie, released in February 1978 by Chrysalis Records. An earlier version with a rearranged track listing was released in Japan in late December 1977. Overview This is the second and final Blondie album to be produced by Richard Gottehrer. " Denis", a cover of Randy & the Rainbows' 1963 song "Denise", was successful across Europe, reaching No. 2 in March 1978 in the United Kingdom, and also reached No. 19 in Australia. "(I'm Always Touched by Your) Presence, Dear" was the second single from the album, reaching No. 10 in the UK in May 1978. The song was written by the band's second bassist, Gary Valentine, shortly before he left for a solo career prior to the recording of ''Plastic Letters''; his departure necessitated Chris Stein playing bass on the album, as well as guitar. During recording Blondie was still signed to their old label, Private Stock Records. The album peaked at No. 10 in the UK and has been ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eat To The Beat
''Eat to the Beat'' is the fourth studio album by American rock band Blondie, released on September 28, 1979, by Chrysalis Records. The album was certified Platinum in the United States, where it spent a year on the ''Billboard'' 200. Peaking at , it was one of ''Billboard''s top 10 albums of 1980. It also reached on the UK Albums Chart in October 1979 and has been certified Platinum by the British Phonographic Industry (BPI). Musical style The primarily pop album includes a diverse range of styles in the songs: rock, disco, new wave, punk, reggae, and funk, as well as a lullaby. " Atomic" and " The Hardest Part" fused disco with rock. Blondie's first two albums were new wave productions, followed by ''Parallel Lines'' which dropped the new wave material, exchanging it entirely for rock-inflected pop. ''Eat to the Beat'' continued in this pop direction. History Three singles were released in the UK from this album (" Dreaming", "Union City Blue" and " Atomic"). " The Hardes ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Tide Is High
"The Tide Is High" is a 1967 rocksteady song written by John Holt, originally produced by Duke Reid and performed by the Jamaican group the Paragons, with Holt as lead singer. The song gained international attention in 1980, when a cover version by the American band Blondie became a US and UK number one hit. The song topped the UK Singles Chart again in 2002 with a version by the British girl group Atomic Kitten, while Canadian rapper Kardinal Offishall had a minor hit with his interpretation in 2008. The Paragons version "The Tide Is High" was written by John Holt and originally recorded by the Paragons (the rocksteady vocal trio of which he was a member), and accompanied by Tommy McCook and the Supersonic Band. It was produced by Duke Reid and released as a 7-inch single on Reid's Treasure Isle and Trojan labels and as the B-side of the single "Only a Smile". The song features the violin of "White Rum" Raymond, and was popular in Jamaica as well as in the UK when a deejay ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Harrison
Nigel Harrison (born 24 April 1951) is an English musician. Harrison spent several years as the bassist of the American rock band Blondie during the 1970s and 1980s. Life & career Harrison grew up in Princes Risborough, a small town in the Chiltern Hills. He was the bassist for the local band Farm, and later recorded and toured with Silverhead (fronted by Michael Des Barres) from 1972 to 1974. On August 11, 1974 he played bass for "Murder of a Virgin", Iggy Pop's first solo performance. He was also an uncredited session bassist for The Runaways debut album when producer and manager Kim Fowley refused to have Runaways bassist Jackie Fox perform on the record. He was recruited to Blondie from Nite City (former The Doors' keyboardist Ray Manzarek's short-lived band) in 1977, after the band recorded their second album ''Plastic Letters'' without a regular bass player, and stayed until the band split after Tracks Across America Tour '82. During his time with Blondie, Nigel Har ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sunday Girl
"Sunday Girl" is a song recorded by the American new wave band Blondie, from the band's 1978 album ''Parallel Lines''. Written by guitarist Chris Stein, the song was inspired by Debbie Harry's cat, who was named Sunday Man—the cat had recently run away, inspiring the song's "plaintive" nature. "Sunday Girl" was released as the follow-up single to the band's number one hit single, " Heart of Glass," in the UK and Europe (though not in the US). The single was a number 1 hit in the UK and Ireland and reached the top ten in several European countries. It has since seen critical acclaim and has been included on several compilation albums. Background "Sunday Girl" was written solely by Blondie guitarist Chris Stein. Stein recalled, "I wrote that one all by myself, but I was so nervous about having my own song, I asked [Debbie Harry] to put her name on it. ... We left [the credit] to me in the long run." Stein wrote the song for Harry's cat, who was named Sunday Man. Stein explained ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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