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Black Film
Black film is a classification of film that has a broad definition relating to the film involving participation and/or representation of black people. The definition may involve the film having a black cast, a black crew, a black director, a black story, or a focus on black audiences. Academic Romi Crawford said, "I think a black film is a film work that takes into account in some way the relationship of African-Americans or blacks from the African Diaspora to filmmaking practice, means and industry. For me, it's in that relation between blacks and the film industry. How one engages in that relationship can be a mixture of black director and black acting talent; black director and black content in story; black content in story, no black director; black production money, nothing else that reads as black." ''Chicago Tribune''s Allan Johnson said in 2005 that the definition is blurred by black actors who star in films where their ethnicity is unrelated to their character, such as Den ...
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Black People
Black is a racialized classification of people, usually a political and skin color-based category for specific populations with a mid to dark brown complexion. Not all people considered "black" have dark skin; in certain countries, often in socially based systems of racial classification in the Western world, the term "black" is used to describe persons who are perceived as dark-skinned compared to other populations. It is most commonly used for people of sub-Saharan African ancestry and the indigenous peoples of Oceania, though it has been applied in many contexts to other groups, and is no indicator of any close ancestral relationship whatsoever. Indigenous African societies do not use the term ''black'' as a racial identity outside of influences brought by Western cultures. The term "black" may or may not be capitalized. The '' AP Stylebook'' changed its guide to capitalize the "b" in ''black'' in 2020. The '' ASA Style Guide'' says that the "b" should not be capitalized. S ...
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American Black Film Festival
The American Black Film Festival (originally called the Acalpulco Black Film Festival) is an independent film festival that focuses primarily on black film—works by Black members of the film industry. It is held to recognize achievements of film actors of African descent and to honor films that stand out in their portrayal of Black experience. It has been called "the nation’s most prominent film festival.""Hollywood's Biggest African American Stars Snub the 2010 ABFF"
Rollingout.com
The festival is held annually and features full-length narratives,
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Hood Film
Hood film is a 1990s film genre originating in the United States, which features aspects of urban African American or Hispanic American culture. John Singleton, Mario Van Peebles, F. Gary Gray, Hughes Brothers, and Spike Lee are all directors who have created work typically classified as part of this genre. The genre has been identified as a sub-genre of the gangster film genre. The genre has since spread outside the US, to places such as the UK and Canada. Hood films have been variously described under a wide-array of names by critics, such as 'street-gang', 'ghetto-centric', 'action-crime-adventure', 'gangsta rap films', 'black action films', 'new black realism', 'new jack cinema', and 'black urban cinema'. Spike Lee disparagingly referred to the genre as 'hiphop, urban drama, ghetto film'. Criteria Characteristics include hip hop music (including gangsta rap), street gangs, racial discrimination, organized crime/gangster, gang affiliation scenes, drug use and traffickin ...
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Race Film
The race film or race movie was a genre of film produced in the United States between about 1915 and the early 1950s, consisting of films produced for black audiences, and featuring black casts. Approximately five hundred race films were produced. Of these, fewer than one hundred remain. Because race films were produced outside the Hollywood studio system, they were largely forgotten by mainstream film historians until they resurfaced in the 1980s on the BET cable network. In their day, race films were very popular among African-American theatergoers. Their influence continues to be felt in cinema and television marketed to African Americans. The term "race film" is sometimes used to describe films of the period aimed at other minority audiences. For instance, the 1926 film ''Silk Bouquet'' (also known as ''The Dragon Horse'') starred the Asian-American actress Anna May Wong and was marketed to Chinese-American audiences. Financing and production African Americans produced ...
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Blaxploitation
Blaxploitation is an ethnic subgenre of the exploitation film that emerged in the United States during the early 1970s. The term, a portmanteau of the words "black" and "exploitation", was coined in August 1972 by Junius Griffin, the president of the Beverly Hills-Hollywood NAACP branch. He claimed the genre was "proliferating offenses" to the black community in its perpetuation of stereotypical characters often involved in crime. The genre does rank among the first after the race films in the 1940s and 1960s in which black characters and communities are the protagonists and subjects of film and television, rather than sidekicks, antagonists or victims of brutality. The genre's inception coincides with the rethinking of race relations in the 1970s. Blaxploitation films were originally aimed at an urban African-American audience but the genre's audience appeal soon broadened across racial and ethnic lines. Hollywood realized the potential profit of expanding the audiences of bla ...
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List Of Black Films Of The 2010s
The following is a list of black films that were released in the 2010s. Black films listed here are generally associated with the peoples from the African diaspora; the cinema of Africa is distinct from this topic (see list of African films). Lawrence Ware of ''The New York Times ''The New York Times'' (''the Times'', ''NYT'', or the Gray Lady) is a daily newspaper based in New York City with a worldwide readership reported in 2020 to comprise a declining 840,000 paid print subscribers, and a growing 6 million paid ...'' said "the 2010s were the most important decade for black film in America" and that such films across various genres were "all being taken seriously critically, and most were successful financially". List of films 2010 2011 2012 2013 2014 2015 2016 2017 2018 2019 References Bibliography *{{citation , last1=Berry , first1=S. Torriano , last2=Berry , first2=Venise T. , year=2015 , title=Historical Dictionary of African American C ...
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Afrofuturism In Film
In film, Afrofuturism is the incorporation of black people's history and culture in science fiction film and related genres. ''The Guardian''s Ashley Clark said the term Afrofuturism has "an amorphous nature" but that Afrofuturist films are "united by one key theme: the centering of the international black experience in alternate and imagined realities, whether fiction or documentary; past or present; science fiction or straight drama". ''The New York Times''s Glenn Kenny Glenn Kenny (born August 8, 1959) is an American film critic and journalist. He writes for ''The New York Times'' and '' RogerEbert.com''. Biography Kenny attended William Paterson University, where he majored in English literature. The 2018 film ''
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Tim Story
Timothy Kevin Story (born March 13, 1970) is an African American film director. He is best known for '' Barbershop'' (2002), the '' Fantastic Four'' (2005) and the ''Ride Along'' franchise. He has been nominated for two NAACP Image Awards for Outstanding Directing in a Feature Film/Television Movie in 2006 and 2013. He is the founder of The Story Company, an entertainment production company that he started with his wife in 1996. Early life Born in Los Angeles on March 13, 1970, Story attended LA's Westchester High School, with jazz pianist Eric Reed and actresses Regina King and Nia Long. He was senior class president at Westchester High. He graduated from the USC School of Cinematic Arts in 1991. While in high school, Story briefly attempted a career in music. He was part of Ice-T's Rhyme Syndicate and even appeared as a member of the group T.D.F. on the song "T.D.F. Connection" from the 1988 compilation album ''Rhyme Syndicate Comin' Through''. A group member was shot an ...
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Romi Crawford
Romi is a given name and may refer to: *Romi Dames (born 1979), Japanese-American actress *Romi Garduce (born 1969), Filipino mountain climber and IT Professional in Procter and Gamble Philippines *Romi Goldmuntz (1882–1960), Belgian businessman who played an essential role in the survival of the diamond business in Antwerp *Romi Mayes, Canadian-born musician *Romi Park (born 1972), Japanese-Korean actress and voice actor *Romi Ropati (born 1976), retired rugby union player best known for his time with the Highlanders Super Rugby franchise *Romi Spada, Swiss bobsledder who competed in the early 1950s See also *Return on marketing investment *Romis Rumis ( fa, روميس, also Romanized as Rūmīs; also known as Romeys, Romeyẕ, Romīs, and Romīş) is a village in Moshrageh Rural District, Moshrageh District, Ramshir County, Khuzestan Province, Iran Iran, officially the Isla ... {{given name ja:Romi ru:Romi ...
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Angela Robinson (director)
Angela Robinson (born February 14, 1971) is an American film and television director, screenwriter and producer. Outfest Fusion LGBTQ People of Color Film Festival awarded Robinson with the Fusion Achievement Award in 2013 for her contribution to LGBTQ+ media visibility. Early life Robinson was born in Chicago. Robinson attended Brown University, where she majored in theatre and later received an MFA from New York University. Career Robinson frequently deals with gay and lesbian topics in her films. Angela Robinson's first screen work was a black and white film, Chickulal Teenage Vampire about a queer vampire. The film was shown at LGBTQ film festivals in 1995. Films D.E.B.S She directed the short film '' D.E.B.S.'' (2003), produced by POWER UP. The short film has won four awards which includes the Bearfest-Big Bear Lake International Film Festival Jury Award for Best Short Film, the PlanetOut Short Movie Awards Grand Prize, the Philadelphia International Gay & Lesbian Film ...
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Antoine Fuqua
Antoine Fuqua (born May 30, 1965) is an American filmmaker, known for his work in the action and thriller genres. He was originally known as a director of music videos, and made his film debut in 1998 with ''The Replacement Killers''. His critical breakthrough was the award-winning 2001 crime thriller ''Training Day''. His subsequent films include ''Tears of the Sun'' (2003), ''King Arthur'' (2004), ''Shooter'' (2007), ''Brooklyn's Finest'' (2009), '' Olympus Has Fallen'' (2013), ''The Equalizer'' (2014) and its 2018 sequel, '' Southpaw'' (2015), the 2016 remake of ''The Magnificent Seven,'' and ''Infinite'' (2021). He often collaborates with actors Denzel Washington and Mark Wahlberg. He also directed the critically-acclaimed documentaries '' American Dream/American Knightmare'' (2018) and '' What's My Name: Muhammad Ali'' (2019), and the 2022 Hulu documentary series ''Legacy: The True Story of the LA Lakers''. Early life Fuqua was born in Pittsburgh, Pennsylvania, the son ...
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