Black And White (ballet)
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Black And White (ballet)
''Black and White'' is a ballet made by New York City Ballet ballet master, subsequently ballet master in chief, Peter Martins to some of Michael Torke's eponymous music which was commissioned for City Ballet's American Music Festival; the premiere took place on 7 May 1988 at the New York State Theater, Lincoln Center. ''Black and White'' was the second in a series of collaborations between the choreographer and composer. Original cast * Heather Watts * Jock Soto See also *'' Ash'' *''Echo'' *''Ecstatic Orange'' Articles Sunday NY Timesby Anna Kisselgoff Anna Kisselgoff (born 12 January 1938) is a dance critic and cultural news reporter for ''The New York Times''. She began at the ''Times'' as a dance critic and cultural news reporter in 1968, and became its Chief Dance Critic in 1977, a role she h ..., July 7, 1991 Reviews NY Timesby Anne Kisselgoff, May 9, 1988 NY Timesby Jack Anderson, February 22, 1990 {{Michael Torke Ballets by Peter Martins Ballets by Mic ...
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New York City Ballet
New York City Ballet (NYCB) is a ballet company founded in 1948 by choreographer George Balanchine and Lincoln Kirstein. Balanchine and Jerome Robbins are considered the founding choreographers of the company. Léon Barzin was the company's first music director. City Ballet grew out of earlier troupes: the Producing Company of the School of American Ballet, 1934; the American Ballet, 1935, and Ballet Caravan, 1936, which merged into American Ballet Caravan, 1941; and directly from the Ballet Society, 1946. History In a 1946 letter, Kirstein stated, "The only justification I have is to enable Balanchine to do exactly what he wants to do in the way he wants to do it."Alastair Macaulay, "A Paragon of the Arts, as Both Man and Titan"
(review of Martin Du ...
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Ecstatic Orange
''Ecstatic Orange'' is a ballet made by New York City Ballet ballet master (subsequently ballet master in chief) Peter Martins to Michael Torke's ''Verdant Music'' (1985), ''Purple'' (1987) and ''Ecstatic Orange'' (1985) for City Ballet's American Music Festival; the second movement, ''Purple'', was to a score commissioned for the occasion. The premiere of the expanded version took place on 11 June 1987 at the New York State Theater, Lincoln Center, with lighting by Mark Stanley (an earlier version appeared in January of that year.) ''Ecstatic Orange'' was the first in a series of collaborations between the choreographer and composer. Original cast *Heather Watts * Helene Alexopoulos * Victoria Hall *Jock Soto *Peter Frame *Mel Tomlinson See also *''Ash'' *''Black and White'' *''Echo'' References *''Playbill'', New York City Ballet, Friday, June 27, 2008 Articles Sunday NY Timesby Anna Kisselgoff, July 7, 1991 Reviews NY Timesby Anna Kisselgoff, January 17, 1987NY Times ...
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1988 Ballet Premieres
{{DEFAULTSORT:1988 ballet premieres, List of *1988 ballet premieres, List of Lists of ballet premieres by year Lists of 1980s ballet premieres Ballet Ballet () is a type of performance dance that originated during the Italian Renaissance in the fifteenth century and later developed into a concert dance form in France and Russia. It has since become a widespread and highly technical form of ...
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Ballets By Michael Torke
Michael Torke (; born September 22, 1961) is an American composer who writes music influenced by jazz and minimalism. Torke was born in Milwaukee, Wisconsin, where he attended Wilson Elementary School, graduated from Wauwatosa East High School, and studied at the Eastman School of Music with Joseph Schwantner and Christopher Rouse, and at Yale University. Works Sometimes described as a post-minimalist, his most characteristically postminimal piece is ''Four Proverbs'', in which the syllable for each pitch is fixed and variations in the melody produce streams of nonsense words. Other works in this style include ''Book of Proverbs'' and ''Song of Isaiah''. An early piece where he first used a certain post-minimalist style was '' Vanada'', made in 1984. His best-known work is probably '' Javelin'', which he composed in 1994, commissioned by the Atlanta Committee for the Olympic Games in celebration of the Atlanta Symphony Orchestra's 50th anniversary season, in conjunction wit ...
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Ballets By Peter Martins
Peter Martins (born 27 October 1946) is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as Ballet master, balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt ...
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Jack Anderson (dance Critic)
Jack Anderson (born June 15, 1935) is an American poet, dance critic, and dance historian. He is well known for his numerous reviews of dance performances in ''The New York Times'' and ''Dance Magazine'' as well as for his scholarly studies in dance history and for eleven volumes of poetry. Early life and education Jack Warren Anderson was born in Milwaukee, Wisconsin, where his father, George, was a motion picture projectionist at a downtown movie theater and his mother, Eleanore, was a hospital administrator. As a youth, Jack took piano lessons and acted in little theater groups before leaving home to go to college. At Northwestern University he earned a bachelor's degree with a major in theater and minors in English literature and philosophy, and at Indiana University he earned a master's degree in creative writing. He pursued further graduate study at the University of California at Berkeley but abandoned it after a year when he got his first job with a newspaper. Journalism ...
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Anne Kisselgoff
Anne, alternatively spelled Ann, is a form of the Latin female given name Anna. This in turn is a representation of the Hebrew Hannah, which means 'favour' or 'grace'. Related names include Annie. Anne is sometimes used as a male name in the Netherlands, particularly in the Frisian speaking part (for example, author Anne de Vries). In this incarnation, it is related to Germanic arn-names and means 'eagle'.See entry on "Anne" in th''Behind the Name'' databaseand th"Anne"an"Ane"entries (in Dutch) in the Nederlandse Voornamenbank (Dutch First Names Database) of the Meertens Instituut (23 October 2018). It has also been used for males in France ( Anne de Montmorency) and Scotland (Lord Anne Hamilton). Anne is a common name and the following lists represent a small selection. For a comprehensive list, see instead: . As a feminine name Anne * Saint Anne, Mother of the Virgin Mary * Anne, Queen of Great Britain (1665–1714), Queen of England, Scotland, and Ireland (1702–07) ...
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Anna Kisselgoff
Anna Kisselgoff (born 12 January 1938) is a dance critic and cultural news reporter for ''The New York Times''. She began at the ''Times'' as a dance critic and cultural news reporter in 1968, and became its Chief Dance Critic in 1977, a role she held until 2005. She left the ''Times'' as an employee at the end of 2006, but still contributes to the paper. Biography She was born on 12 January 1938 in Paris. Kisselgoff began studying ballet at the age of four in New York City with Valentina Belova, and later for nine years with Jean Yazvinsky. She graduated from Bryn Mawr College, and then studied French History at the Sorbonne and Russian at the School of Oriental Languages in Paris. Later, she received an M.A. in European History and an M.A. in journalism at Columbia University. Before joining ''The New York Times'', she wrote features and dance reviews as a freelancer for the New York Times International Edition and worked at the English desk of Agence France-Presse in Paris. ...
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Echo (ballet)
''Echo'' is a ballet made by New York City Ballet ballet master (subsequently ballet master in chief) Peter Martins to Michael Torke's ''Slate'' (1989). The premiere took place on 15 June 1989 at the New York State Theater, Lincoln Center. ''Echo'' was the third in a series of collaborations between the choreographer and composer. Cast Original *Kyra Nichols *Heather Watts *Darci Kistler *Suzanne Farrell * Adam Luders *Jock Soto * Jeppe Mytskov * Robert Hill See also *''Ash'' *'' Black and White'' *''Ecstatic Orange'' Articles Sunday NY Timesby Anna Kisselgoff, July 7, 1991 Reviews NY Timesby Anna Kisselgoff, June 17, 1989 NY Timesby Anna Kisselgoff Anna Kisselgoff (born 12 January 1938) is a dance critic and cultural news reporter for ''The New York Times''. She began at the ''Times'' as a dance critic and cultural news reporter in 1968, and became its Chief Dance Critic in 1977, a role she h ..., January 7, 1990 {{Michael Torke Ballets by Peter Martins Ba ...
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Peter Martins
Peter Martins (born 27 October 1946) is a Danish ballet dancer and choreographer. Martins was a principal dancer with the Royal Danish Ballet and with the New York City Ballet, where he joined George Balanchine, Jerome Robbins, and John Taras as balletmaster in 1981. He retired from dancing in 1983, having achieved the rank of danseur noble, becoming Co-Ballet Master-In-Chief with Robbins. From 1990 until January 2018, he was solely responsible for artistic leadership of City Ballet. Early life Martins was born and raised in Copenhagen, Denmark.Mary Ellen Snodgrass (2015)''The Encyclopedia of World Ballet,''Rowman & Littlefield. His parents were Børge Martins, an engineer, and Tove Christa Ornberg, a pianist. His maternal aunt and uncle, Leif and Elna Ornberg, members of the Royal Danish Ballet, started teaching him ballroom combinations when he was five years of age; when he applied to ballet school, however, he was the subject of discrimination because his aunt and uncle had ...
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Ash (ballet)
''Ash'' is a ballet made by New York City Ballet's ballet master in chief Peter Martins to ''Ash'' (1991) by Michael Torke. The premiere took place Thursday, June 20, 1991, at the David H. Koch Theater, New York State Theater, Lincoln Center for the Performing Arts, Lincoln Center. ''Ash'' was the fourth in a series of collaborations between the choreographer and composer. Original cast *Wendy Whelan *Yvonne Borree *Rebecca Metzger *Monique Meunier *Kathleen Tracey *Nilas Martins *Albert Evans (dancer), Albert Evans *Arch Higgins *Russell Kaiser *Ethan Stiefel See also *''Black and White (ballet), Black and White'' *''Echo (ballet), Echo'' *''Ecstatic Orange'' Articles Sunday NY Timesby Anna Kisselgoff, July 7, 1991 Reviews NY Timesby Anna Kisselgoff, June 24, 1991NY Times
by Jack Anderson (dance critic), Jack Anderson, June 15, 1999 {{Michael Torke Ballets by Peter Martins Ballets by Michael Torke 1991 ballet premieres New York City Ballet repertory ...
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Jock Soto
Jock Soto (born 1965)Kisselgoff, Anna. "Not Only a Partner, a Dynamic Interpreter", ''The New York Times'', June 18, 2005. p. B7. is a former American ballet dancer and current ballet instructor. Career Jock Soto danced featured roles in over 40 ballets, of which more than 35 were created for him. While a student at the School of American Ballet (SAB) he danced the role of Luke in Peter Martins' ''The Magic Flute'', which was choreographed for SAB's 1981 workshop performances. It transferred to the New York City Ballet, and he retained his role. He joined New York City Ballet in 1981 and made his debut as Luke in ''The Magic Flute'' the following January. He was promoted to soloist in 1984 and to principal dancer in 1985. Soto danced the role of a parent in the 1993 film version of ''The Nutcracker'', a version based on the New York City Ballet production choreographed by George Balanchine. He gave his farewell performance on Sunday, June 19, 2005. The program featured balle ...
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