Black Coffee (Peggy Lee Album)
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Black Coffee (Peggy Lee Album)
''Black Coffee'' is the first album by Peggy Lee. It was released in the 10-inch format in 1953 by Decca. In 1956, at the request of the record label, Lee recorded four more songs for a reissue of the album in the 12-inch LP format. History By 1953, Lee had been recording professionally since joining the Benny Goodman Orchestra in 1941, but had only released songs on 78s or 45s. This was her first opportunity to record an album. In the early 1950s, record companies usually reserved the 12-in LP for classical music, and in the case of Decca and Columbia, cast recordings of Broadway musicals. This practice ended after this LP was recorded. Ten-inch records were discontinued generally by the mid-1950s. Lee added four songs at sessions in 1956 to expand the running time to the 12-in LP. Reception Neither the 10 nor the 12-in release made the Popular Album Chart, the chart expanding to a listing of 10 to 30 LPs on average during 1956. Joni Mitchell declared the album one of her ...
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Peggy Lee
Norma Deloris Egstrom (May 26, 1920 – January 21, 2002), known professionally as Peggy Lee, was an American jazz and popular music singer, songwriter, composer, and actress, over a career spanning seven decades. From her beginning as a vocalist on local radio to singing with Benny Goodman's big band, Lee created a sophisticated persona, writing music for films, acting, and recording conceptual record albums combining poetry and music. Called the "Queen of American pop music," Lee recorded over 1,100 masters and composed over 270 songs. Early life Lee was born Norma Deloris Egstrom in Jamestown, North Dakota, United States, on May 26, 1920, the seventh of the eight children of Selma Emele (née Anderson) Egstrom and Marvin Olaf Egstrom, a station agent for the Midland Continental Railroad. Her family were Lutherans. Her father was Swedish-American and her mother was Norwegian-American. After her mother died when Lee was four, her father married Minnie Schaumberg Wiese. Lee an ...
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57th Street (Manhattan)
57th Street is a broad thoroughfare in the New York City borough of Manhattan, one of the major two-way, east-west streets in the borough's grid. As with Manhattan's other "crosstown" streets, it is divided into its east and west sections at Fifth Avenue. The street runs from a small park overlooking the East River in the east to the West Side Highway along the Hudson River in the west. 57th Street runs through the neighborhoods of Sutton Place, Midtown Manhattan, and Hell's Kitchen from east to west. 57th Street was created under the Commissioners' Plan of 1811. It was developed as a mainly residential street in the mid-19th century. The central portion of 57th Street was developed as an artistic hub starting in the 1890s, with the development of Carnegie Hall. The section between Fifth and Eighth Avenues is two blocks south of Central Park. Since the early 21st century, the portion of the street south of Central Park has formed part of Billionaires' Row, which contains lu ...
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My Heart Belongs To Daddy
"My Heart Belongs to Daddy" is a song written by Cole Porter, for the 1938 musical ''Leave It to Me!'' which premiered on November 9, 1938. It was originally performed by Mary Martin, who played Dolly Winslow, the young "protégée" of a rich newspaper publisher. In the original context, Dolly is stranded at a Siberian railway station, wearing only a fur coat, and performs a striptease while singing the song. Surrounded by eager Siberian men, she says that since she has met "daddy", she will flirt with other men, but won't "follow through". "Daddy" is her sugar daddy, a newspaper magnate introduced with the words, "I've come to care, for such a sweet millionaire". Later versions Martin sang it again in the 1940 movie '' Love Thy Neighbor''. Again she wears a fur coat, but the setting is a show within a show and the act is more conventional as she wears an evening gown beneath the fur. The words to the introduction are altered, the innuendoes being toned down. Her best-known m ...
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Leo Robin
Leo Robin (April 6, 1900 – December 29, 1984) was an American composer, lyricist and songwriter. He is probably best known for collaborating with Ralph Rainger on the 1938 Oscar-winning song "Thanks for the Memory," sung by Bob Hope and Shirley Ross in the film ''The Big Broadcast of 1938'', and with Jule Styne on "Diamonds Are a Girl's Best Friend," a song whose witty, Cole Porter style of lyric came to be identified with its famous interpreter Marilyn Monroe. Biography Robin was born in Pittsburgh, Pennsylvania, United States. His father was Max Robin, a salesman. Leo's mother was Fannie Finkelpearl Robin. He studied at the University of Pittsburgh School of Law and at Carnegie Tech's drama school. He later worked as a reporter and as a publicist. Robin's first hits came in 1926 with the Broadway production ''By the Way'', with hits in several other musicals immediately following, such as ''Bubbling Over'' (1926), ''Hit the Deck, Judy'' (1927), and ''Hello Yourself'' (1928 ...
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Ralph Rainger
Ralph Rainger ( Reichenthal; October 7, 1901 – October 23, 1942) was an American composer of popular music principally for films. Biography Born Ralph Reichenthal in New York City, United States, Rainger initially embarked on a legal career, having obtained his law degree at Brown University in 1926. He had, however, studied piano from a young age and attended the Institute of Musical Art in New York. Public performances include radio broadcasts from New York and WOR (New Jersey) as early as 1922. These were as soloist, accompanist to singers, and as duo-pianist with Adam Carroll or "Edgar Fairchild" (the name Milton Suskind used for commercial work).“Round the Radio Circuit.” New York Telegram and Evening Mail, 2 July 1924. He also prepared piano rolls between 1922 and 1928 for Ampico, Standard, and DeLuxe. Some of these used the "Reichenthal" surname, others the "Rainger" name he was gradually adopting commercially. Other early musical activities include arranging for ...
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Easy Living (song)
"Easy Living" (1937) is a jazz standard written by Ralph Rainger and lyrics by Leo Robin for the film '' Easy Living'' where it was the main theme of the score but not sung. A popular recording in 1937 was by Teddy Wilson with Billie Holiday, Benny Goodman, and Lester Young. A multitude of other artists have also recorded the song. See also *List of 1930s jazz standards Jazz standards are musical compositions that are widely known, performed and recorded by jazz artists as part of the genre's musical repertoire. This list includes compositions written in the 1930s that are considered standards by at least one ... References {{DEFAULTSORT:Easy Living (song) 1937 songs 1930s jazz standards Songs with lyrics by Leo Robin Songs with music by Ralph Rainger Billie Holiday songs The Coasters songs ...
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Cole Porter
Cole Albert Porter (June 9, 1891 – October 15, 1964) was an American composer and songwriter. Many of his songs became standards noted for their witty, urbane lyrics, and many of his scores found success on Broadway and in film. Born to a wealthy family in Indiana, Porter defied his grandfather's wishes for him to practice law and took up music as a profession. Classically trained, he was drawn to musical theatre. After a slow start, he began to achieve success in the 1920s, and by the 1930s he was one of the major songwriters for the Broadway musical stage. Unlike many successful Broadway composers, Porter wrote the lyrics as well as the music for his songs. After a serious horseback riding accident in 1937, Porter was left disabled and in constant pain, but he continued to work. His shows of the early 1940s did not contain the lasting hits of his best work of the 1920s and 1930s, but in 1948 he made a triumphant comeback with his most successful musical, ''Kiss Me, Kate ...
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I've Got You Under My Skin
"I've Got You Under My Skin" is a song written by American composer Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film ''Born to Dance'' in which it was performed by Virginia Bruce. It was nominated for the Academy Award for Best Original Song that year but lost out to The Way You Look Tonight. Popular recordings in 1936 were by Ray Noble and his Orchestra (vocal by Al Bowlly) and by Hal Kemp and his Orchestra (vocal by Skinnay Ennis). The song has subsequently been recorded by hundreds of artists. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. Charts Weekly charts Louis Prima and Keely Smith The Four Seasons Year-end charts The Four Seasons Versions by Frank Sinatra Sinatra first sang the song in 1946 on his weekly radio show, as the second part of a medley with "Easy to Love". He recorded a studio version of the song with Nelson Riddle orchestral arrangement, accompanied by ...
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Paul Francis Webster
Paul Francis Webster (December 20, 1907 – March 18, 1984) was an American lyricist who won three Academy Awards for Best Original Song, and was nominated sixteen times for the award. Life and career Webster was born in New York City, United States, the son of Myron Lawrence Webster and Blanche Pauline Stonehill Webster. His family was Jewish. His father was born in Augustów, Poland. He attended the Horace Mann School ( Riverdale, Bronx, New York), graduating in 1926, and then went to Cornell University from 1927 to 1928 and New York University from 1928 to 1930, leaving without receiving a degree. He worked on ships throughout Asia and then became a dance instructor at an Arthur Murray studio in New York City. By 1931, however, he turned his career direction to writing song lyrics. His first professional lyric was "Masquerade" (music by John Jacob Loeb) which became a hit in 1932, performed by Paul Whiteman. In 1935, Twentieth Century Fox signed him to a contract to write lyr ...
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Sonny Burke
Joseph Francis "Sonny" Burke (March 22, 1914 – May 31, 1980) was an American musical arranger, composer, Big Band leader and producer. In 1937, he graduated from Duke University, where he had formed and led the jazz big band known as the Duke Ambassadors. Background During the 1930s and 1940s, Burke was a big band arranger in New York City, worked with Sam Donahue's band, and during the 1940s and 1950s worked as an arranger for the Charlie Spivak and Jimmy Dorsey bands, among others. In 1955, he wrote, along with Peggy Lee, the songs to Disney's ''Lady and the Tramp''. He also wrote songs with John Elliot for Disney's ''Toot, Whistle, Plunk and Boom'', which won the 1953 Oscar for Best Short Subject (Cartoons).Cotter, Bill, ''The Wonderful World of Disney Television: A Complete History'', p. 549, Hyperion, 1997. He wrote the music for number of popular songs, including " Black Coffee" and "Midnight Sun", co-written with jazz vibraphonist Lionel Hampton. The song's lyrics ...
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Black Coffee (1948 Song)
"Black Coffee" is a song with music by Sonny Burke and words by Paul Francis Webster. The song was published in 1948. Sarah Vaughan charted with this song in 1949 on Columbia; arranged by Joe Lipman, it is considered one of the most notable versions. Peggy Lee recorded the song on May 4, 1953, and it was included on her first LP record '' Black Coffee''. It was included in the soundtrack for the 1960 Columbia Pictures feature ''Let No Man Write My Epitaph'', recorded on Verve by Ella Fitzgerald, also in 1960. The version by Ella Fitzgerald was a favourite song of Polish Nobel Prize laureate Wisława Szymborska who chose it as the song to be performed at her funeral. Relationship to song "What's Your Story, Morning Glory?" "Black Coffee"'s first two measures are nearly identical to Mary Lou Williams' 1938 piece "What's Your Story Morning Glory", and both songs share melodic motifs drawn from blues (including a strong melodic emphasis on the flat third and flat seventh interval ...
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Artists And Repertoire
Artists and repertoire (colloquially abbreviated to A&R) is the division of a record label or music publishing company that is responsible for talent scouting and overseeing the artistic development of recording artists (singers, instrumentalists, bands, and so on) and songwriters. It also acts as a liaison between artists and the record label or publishing company; every activity involving artists to the point of album release is generally considered under the purview, and responsibility, of A&R. Responsibilities Finding talent The A&R division of a record label is responsible for finding new recording artists and bringing those artists to the record company. A&R staff may go to hear emerging bands play at nightclubs and festivals to scout for talent. Personnel in the A&R division are expected to understand the current tastes of the market and to be able to find artists that will be commercially successful. For this reason, A&R people are often young and many are musicians, mus ...
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