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Bill Haley And The Comets
Bill Haley & His Comets were an American rock and roll band founded in 1947 that continued until Haley's death in 1981. The band was also known as Bill Haley and the Comets and Bill Haley's Comets. From late 1954 to late 1956, the group record nine Top 20 singles, one of which was number one and three that were Top Ten. The single " Rock Around the Clock" was the best-selling rock single in the history of the genre and maintained that position for several years. Band leader Bill Haley had previously been a Western swing performer; after recording a rockabilly version of Ike Turner and his Kings of Rhythm's "Rocket 88", one of the first rock and roll recordings, Haley changed his band's musical direction to rock music. Though the group was considered to be at the forefront of rock and roll during the genre's formative years, the arrival of more risqué acts such as Elvis Presley and Little Richard by 1956 led the more clean-cut Haley and his Comets to decline in popularity. Ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rudy Pompilli
Rudolph Clement Pompilii (April 16, 1924 – February 5, 1976) was an American musician best known for playing tenor saxophone with Bill Haley and His Comets. He was usually credited under the alternate spelling Rudy Pompilli and occasionally as Rudy Pell. Biography Pompilli was born in Chester, Pennsylvania. Occasional sources spell his first name as "Rudi", although Pompilli himself never used this form. Pompilli was skilled at playing both saxophone and clarinet, and spent the beginning of his career playing in jazz bands. In 1953, he was with the Ralph Marterie Orchestra. That orchestra coincidentally scored a hit with a cover version of Haley's "Crazy Man, Crazy", though research by Haley historian Chris Gardner found no evidence that Pompilli performed on that recording. Pompilli was invited to join the Comets in September 1955, after Haley's previous sax player, Joey Ambrose, quit along with two other Comets to form The Jodimars. According to Haley, the young horn playe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Warner Bros
Warner Bros. Entertainment Inc. (commonly known as Warner Bros. or abbreviated as WB) is an American film and entertainment studio headquartered at the Warner Bros. Studios complex in Burbank, California, and a subsidiary of Warner Bros. Discovery. Founded in 1923 by four brothers, Harry, Albert, Sam, and Jack Warner, the company established itself as a leader in the American film industry before diversifying into animation, television, and video games and is one of the "Big Five" major American film studios, as well as a member of the Motion Picture Association (MPA). The company is known for its film studio division the Warner Bros. Pictures Group, which includes Warner Bros. Pictures, New Line Cinema, the Warner Animation Group, Castle Rock Entertainment, and DC Studios. Among its other assets, stands the television production company Warner Bros. Television Studios. Bugs Bunny, a cartoon character created by Tex Avery, Ben Hardaway, Chuck Jones, Bob Givens and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joey Ambrose
Joseph Frank D'Ambrosio (March 23, 1934 – August 9, 2021), also known by his stage name Joey Ambrose, was an American saxophonist who was best known for being a member of the rock and roll band Bill Haley & His Comets. He played tenor saxophone on two of their biggest hits, ''Rock Around the Clock'' and ''Shake, Rattle and Roll''. He was inducted into the Rock and Roll Hall of Fame in 2012. Life and career D'Ambrosia was born in Philadelphia, Pennsylvania, in March 1934. Ambrose was initially a member of Bill Haley & His Comets between 1954 and 1955, playing on some of their biggest releases, including "Rock Around the Clock" and "Shake, Rattle and Roll". From 1955 to 1959, he was a member of The Jodimars with former Comets members Dick Richards and Marshall Lytle. After their breakup, Ambrose worked at Caesars Palace in Las Vegas, where he would remain for 27 years. In 1987, Ambrose re-grouped with former bandmates Johnny Grande, Franny Beecher, Dick Richards and Marshall Ly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Danny Cedrone
Donato Joseph "Danny" Cedrone (June 20, 1920 – June 17, 1954) was an American guitarist and bandleader, best known for his work with Bill Haley & His Comets on their epochal "Rock Around the Clock" in 1954. Career Cedrone was born in Jamesville, New York. Cedrone's musical career began in the 1940s, but he came into his own in the early 1950s, first as a session guitarist hired by what was then a country and western musical group based out of Chester, Pennsylvania called Bill Haley and His Saddlemen. In 1951, Cedrone played lead on their recording of " Rocket 88" which is considered one of the first acknowledged rock and roll recordings. At around this time, Cedrone formed his own group, The Esquire Boys and this is believed to be one of the reasons he never joined Haley's group as a full-time member. In 1952, Cedrone played lead guitar on Haley's version of "Rock the Joint", and his swift guitar solo, which combined a jazz-influenced first half followed by a lightning-fast d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall Lytle
Marshall Edward Lytle (September 1, 1933 – May 25, 2013) was an American rock and roll bassist, best known for his work with the groups Bill Haley & His Comets and The Jodimars in the 1950s. He played upright slap bass on the iconic 1950s rock and roll records "Crazy Man, Crazy", "Shake, Rattle and Roll", and "Rock Around the Clock". Career Born in Old Fort, North Carolina, Lytle was a guitar player before joining Bill Haley's country music group, The Saddlemen, in 1951. But Lytle was hired to play double bass for the group, replacing departing musician Al Rex, so Haley taught Lytle the basics of slap bass playing. Lytle, who was only a teenager at the time, grew a moustache in order to look a little older, and became a full-time member of The Saddlemen and, in September 1952, he was with the group when they changed their name to Bill Haley & His Comets. Soon after, Lytle co-wrote with Haley the band's first national hit, "Crazy Man, Crazy" although he did not receive co-autho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Jodimars
The Jodimars was an American rock 'n' roll band that was formed in the summer of 1955 and remained active until 1958. The band was created by former members of Bill Haley & His Comets who had quit that group in a salary dispute. The name of the group was derived from the first letters of the first names of the founding members: Joey Ambrose (real name Joey d'Ambrosio) (saxophone), Dick Boccelli (under the name "Dick Richards") (vocals and drums), and Marshall Lytle (string bass). Other members included Chuck Hess (guitar), Jim Buffington (drums), Bob Simpson (Piano), and Max Daffner (drums). Career During the summer of 1955, Lytle, Ambrose and Richards, who were paid on a set salary (as opposed to the other two Comets, pianist Johnny Grande and steel guitar player Billy Williamson, who were considered partners with Haley), requested a pay raise. According to the books ''Bill Haley'' by John Swenson and ''Sound and Glory'' by John W. Haley and John von Hoelle, their request was de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name — as London American Recordings, often shortened to London American — was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti. In a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddah Records
Buddah Records (later known as Buddha Records) was an American record label founded in 1967 in New York City. The label was born out of Kama Sutra Records, an MGM Records-distributed label, which remained a key imprint following Buddah's founding. Buddah handled a variety of music genres, including bubblegum pop (the Ohio Express and the 1910 Fruitgum Company), folk rock (Melanie Safka, Melanie), experimental music (Captain Beefheart), and soul music, soul (Gladys Knight & the Pips). In addition to the Buddah imprint, the company distributed many other independent labels, including Kama Sutra Records (after Kama Sutra cut their distribution ties with MGM in 1969), Curtom Records (Curtis Mayfield), T-Neck Records (the Isley Brothers), Charisma Records (Genesis (band), Genesis, Monty Python), Sussex Records (Bill Withers), Hot Wax Records (Holland-Dozier-Holland post-Motown productions) and smaller subsidiaries. History Kama Sutra Records helped bolster MGM Records's profits durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonet Records
Sonet Records was a jazz, pop and rock record label operating as an imprint of Universal Music Sweden. It was founded in Sweden in 1956. Sonet Records was established by Sven Lindholm and Gunnar Bergström, who managed the label into the 1980s. Dag Haeggqvist, the owner of Gazell Records, became an executive of the label in 1960, and Sonet eventually acquired Gazell's catalogue. It was distributed by Pickwick Records in North America in the 1960s, where it was involved in releasing some of Bill Haley's latter-day material. The label set up offices throughout Europe, including the United Kingdom. It also expanded into film, video, and other visual arts in addition to music. The label released both new material and reissues, many by Scandinavian artists in addition to albums by American jazz musicians as well as non-jazz material such as pop and rock music. It acquired the Danish label Storyville Records at some point. Sonet Records was acquired by PolyGram in 1991. Artists who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Roulette Records
Roulette Records was an American record company and label founded in 1957 by George Goldner, Joe Kolsky, Morris Levy and Phil Kahl, with creative control given to producers and songwriters Hugo Peretti and Luigi Creatore. Levy was appointed director. The label had known ties to New York City mobsters. Levy ran the label with an iron fist. In 1958 Roost Records was purchased. Goldner subsequently bowed out of his partnership interest in Roulette and, to cover his gambling debts, sold his record labels Tico, Rama, Gee and—years later—End and Gone to Levy, who grouped them into Roulette. Peretti and Creatore later left Roulette and worked as freelance producers for RCA Records throughout the 1960s. They co-founded Avco Records in 1969. In 1971 Roulette took over the catalog of Jubilee Records. History During the late 1950s, Roulette scored hits by Buddy Knox, Jimmy Bowen, The Playmates, Jimmie Rodgers, Ronnie Hawkins and The Delicates as well as releasing albums by Pearl Bailey, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
United Artists Records
United Artists Records was an American record label founded by Max E. Youngstein of United Artists in 1957 to issue movie soundtracks. The label expanded into other genres, such as easy listening, jazz, pop, and R&B. History Genres In 1959, United Artists released ''Forest of the Amazons,'' a cantata by Brazilian composer Heitor Villa-Lobos adapted from the music he composed for MGM's ''Green Mansions'', with the composer conducting the Symphony of the Air. Brazilian soprano Bidu Sayão was the featured soloist on the unusual recording, which was released on both LP and reel-to-reel tape. United Artists releases included soundtracks and cover versions from the James Bond movies, ''It's a Mad, Mad, Mad, Mad World'' (1963), '' A Hard Day's Night'' starring the Beatles (1964), ''The Greatest Story Ever Told'' (1965), '' A Funny Thing Happened on the Way to the Forum'' (1966), '' Fiddler on the Roof'' (1971), and '' Man of La Mancha'' (1972). The soundtrack album of United Art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gone Records
Gone Records was a record label founded in 1957 by George Goldner, along with music publishing arm Real Gone Music, that was active in the late 1950s and early 1960s. Among the artists that recorded for the label were Bill Haley & His Comets, Ral Donner, Jo-Ann Campbell, Eddie Platt, Johnny Rivers, and The Four Seasons. It was acquired by Morris Levy and incorporated into Roulette Records in 1962. See also * List of record labels File:Alvinoreyguitarboogie.jpg File:AmMusicBunk78.jpg File:Bingola1011b.jpg Lists of record labels cover record labels, brands or trademarks associated with marketing of music recordings and music videos. The lists are organized alphabetically, b ... References Defunct record labels of the United States Rock and roll record labels {{Authority control ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
