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Bibliography Of Classical Guitar
The following is a bibliography of classical guitar related publications. The classical guitar (also called the "Spanish guitar" or "nylon string guitar") is a six-stringed plucked string instrument from the family of instruments called chordophones. The classical guitar is well known for its comprehensive right-hand technique, which allows the soloist to perform complex melodic and polyphonic material, in much the same manner as the piano. A *Annala, Hannu & Mätlik, Heiki: '' Handbook of Guitar and Lute Composers'' (Pacific, Missouri: Mel Bay, 2007) *Ansorge, Peter & Richter, Helmut (eds.): ''Die klassische Gitarre im 20. Jahrhundert. Beiträge zu ihrer Entwicklung im deutschsprachigen Raum'' (Oberhausen: European Guitar Teachers Association Deutschland e.V., 2010) *Appleby, Wilfrid M.: ''The Evolution of the Classic Guitar: a Tentative Outline'' (Cheltenham, Glos.: International Classic Guitar Association, 1966) *Azpiazu Iriarte, José de: ''The Guitar and Guitarists, from th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bibliography
Bibliography (from and ), as a discipline, is traditionally the academic study of books as physical, cultural objects; in this sense, it is also known as bibliology (from ). English author and bibliographer John Carter describes ''bibliography'' as a word having two senses: one, a list of books for further study or of works consulted by an author (or enumerative bibliography); the other one, applicable for collectors, is "the study of books as physical objects" and "the systematic description of books as objects" (or descriptive bibliography). Etymology The word was used by Greek writers in the first three centuries CE to mean the copying of books by hand. In the 12th century, the word started being used for "the intellectual activity of composing books." The 17th century then saw the emergence of the modern meaning, that of description of books. Currently, the field of bibliography has expanded to include studies that consider the book as a material object. Bibliography, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classical Guitar
The classical guitar (also known as the nylon-string guitar or Spanish guitar) is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon, it is a precursor of the modern acoustic and electric guitars, both of which use metal strings. Classical guitars derive from the Spanish vihuela and gittern of the fifteenth and sixteenth century. Those instruments evolved into the seventeenth and eighteenth-century baroque guitar—and by the mid-nineteenth century, early forms of the modern classical guitar. For a right-handed player, the traditional classical guitar has twelve frets clear of the body and is properly held up by the left leg, so that the hand that plucks or strums the strings does so near the back of the sound hole (this is called the classical position). However, the right-hand may move closer to the fretboard to achieve different tonal qualities. The player typically holds the left leg ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Plucked String Instrument
Plucked string instruments are a subcategory of string instruments that are played by plucking the strings. Plucking is a way of pulling and releasing the string in such a way as to give it an impulse that causes the string to vibrate. Plucking can be done with either a finger or a plectrum. Most plucked string instruments belong to the lute family (such as guitar, bass guitar, mandolin, banjo, balalaika, sitar, pipa, etc.), which generally consist of a resonating body, and a neck; the strings run along the neck and can be stopped at different pitches. The zither family (including the Qanún/kanun, autoharp, kantele, gusli, kannel, kankles, kokles, koto, guqin, gu zheng and many others) does not have a neck, and the strings are stretched across the soundboard. In the harp family (including the lyre), the strings are perpendicular to the soundboard and do not run across it. The harpsichord does not fit any of these categories but is also a plucked string instrument, as its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chordophone
String instruments, stringed instruments, or chordophones are musical instruments that produce sound from vibrating strings when a performer plays or sounds the strings in some manner. Musicians play some string instruments by plucking the strings with their fingers or a plectrum—and others by hitting the strings with a light wooden hammer or by rubbing the strings with a bow. In some keyboard instruments, such as the harpsichord, the musician presses a key that plucks the string. Other musical instruments generate sound by striking the string. With bowed instruments, the player pulls a rosined horsehair bow across the strings, causing them to vibrate. With a hurdy-gurdy, the musician cranks a wheel whose rosined edge touches the strings. Bowed instruments include the string section instruments of the orchestra in Western classical music (violin, viola, cello and double bass) and a number of other instruments (e.g., viols and gambas used in early music from the Baroque ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and ''fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the grea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rita Brondi
Maria Rita Brondi (5 July 1889 – 1 July 1941) was an Italian guitarist, lutenist, singer, composer, and music historian. Early life Maria Rita Brondi was born in Rimini. She studied guitar with Luigi Mozzani, and with Francisco Tárrega; she studied voice with Paolo Tosti in England. Tárrega dedicated a solo guitar composition to Brondi. Career Brondi toured in Europe as a guitarist and singer, known for singing Italian regional folk songs. She was also a composer of guitar works. She wrote a book on the history of the guitar, titled ''Il liuto e la chitarra'' (1926), which was published in several editions through the twentieth century. She was mentioned as a peer of Italian musicians (1878–1972) and Geni Sadero (also known as Eugenia Scarpa, 1886–1961), though both of them outlived her. Julian Bream mentioned her as making early lute recordings, in company with Suzanne Bloch and Diana Poulton. Personal life Brondi died at age 51 in Rome, in 1941. Her composit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fratelli Bocca
Fratelli Bocca Editori was an Italian publishing house. Their activity as printers in Piedmont dates back to the first decades of the 18th century. The business ceased in Milan in the 1950s. History Origins Antonio Secondo Bocca worked as a printer in the first half of the 18th century in Piedmont. Tancredi Faletti di Barolo: ''Stanze di Giuseppe Baretti Torinese al padre Serafino Bianchi da Novara'' printed by Antonio Secondo Bocca, documents his activity as printer of the city of Cuneo in 1744. Typographic notes starting from 1745 report: ''Excudebat Secundus Antonius Bocca in Torino: a spese di Domenico Maurizio Ponzone librajo vicino a S. Rocco''. Other publications edited by the same printer up to 1757 are present in various libraries. Giuseppe Bocca and the development of the publishing house Giuseppe Bocca was born in Asti around 1790. He initially managed a bookshop in Milan, but in 1829 he sold the business to Luigi Dumolard and moved to Turin, where he took over the mana ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Lienau
Robert Emil Lienau (28 December 1838 – 22 July 1920) was a prolific Germany , German music publisher. Lienau was born in Neustadt in Holstein and entered the publishing firm of Adolf Martin Schlesinger in Berlin in 1863. In the following year he acquired the firm, initially merely adding his own name to Schlesinger's. The firm Robert Lienau issued the works of leading composers such as Anton Bruckner, Jean Sibelius, Leopold Godowsky and Alban Berg. In 1875 he also acquired the Vienna-based publishing company Haslinger, originally founded by Tobias Haslinger, which also brought many works by Ludwig van Beethoven, Beethoven, Franz Liszt, Liszt, Louis Spohr, Spohr, Johann Nepomuk Hummel, Hummel, and Johann Strauss I, Johann Strauss senior and Johann Strauss II, junior into the business. Robert Lienau withdrew from the management of the company in 1898 (he died in 1920 in Neustadt in Holstein) and inherited it to his son Robert Heinrich Lienau (1866–1949), whose lobbying on the is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carlo Carfagna
Carlo Carfagna (born 1940 in Guarcino, Italy) is an Italian classical guitarist, author of many musical publications. His musical education took place at the Conservatory of Rome and Naples, under the guidance of Mario Gangi, and was subsequently a teaching colleague for many years at Santa Cecilia. Publications Transcriptions and revisions Main works * Integral edition in three volumes of Fernando Sor's Studies for guitar. * Integral edition in three volumes of Francisco Tárrega's works. * Revision of the four ''Lute Suites'' by Johann Sebastian Bach. * Revision of the four sonatas by Sor He published with the following firms: Bèrben (Ancona), Ricordi (Milan), Music Inc. (Dallas), Nicolai (Rome), Domani Musica (Rome), Erom (Rome). Essays * ''Profilo storico della chitarra'', (with Alberto Caprani), Bèrben, Ancona, 1966 * ''Dizionario Chitarristico Italiano'' (with Mario Gangi), Bèrben, Ancona, 1968 * ''Liuteria Classica Italiana, chitarre del XIX e XX secolo'' (wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cambridge Companions To Music
The Cambridge Companions to Music form a book series published by Cambridge University Press Cambridge University Press is the university press of the University of Cambridge. Granted letters patent by Henry VIII of England, King Henry VIII in 1534, it is the oldest university press A university press is an academic publishing hou .... Each book is a collection of essays on the topic commissioned by the publisher. on Cambridge University Press website, accessed 21 September 2015. Volumes (sortable table) References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sharon Isbin
Sharon ( he, שָׁרוֹן ''Šārôn'' "plain") is a given name as well as an Israeli surname. In English-speaking areas, Sharon is now predominantly a feminine given name. However, historically it was also used as a masculine given name. In Israel, it is used both as a masculine and a feminine given name. Etymology The Hebrew word simply means "plain", but in the Hebrew Bible, is the name specifically given to the fertile plain between the Samarian Hills and the coast, known (tautologically) as Sharon plain in English. The phrase "rose of Sharon" (חבצלת השרון ''ḥăḇaṣṣeleṯ ha-sharon'') occurs in the KJV translation of the Song of Solomon ("I am the rose of Sharon, the lily of the valley"), and has since been used in reference to a number of flowering plants. Unlike other unisex names that have come to be used almost exclusively as feminine (e.g. Evelyn), ''Sharon'' was never predominantly a masculine name. Usage before 1925 is very rare and was apparen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
