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Beware Of ABKCO!
''Beware of ABKCO!'' is a bootleg album of songs performed by English rock musician George Harrison in May 1970. It contains songs that were under consideration for Harrison's triple album ''All Things Must Pass'', his first release as a solo artist following the break-up of the Beatles. The performances were taped in a single session at Abbey Road Studios in London, on 27 May 1970, for the benefit of Harrison's co-producer, Phil Spector. Seven of the fifteen songs were subsequently recorded formally for inclusion on ''All Things Must Pass'', as was "Everybody, Nobody" after Harrison reworked it as "Ballad of Sir Frankie Crisp (Let It Roll)". From its 1994 release by Strawberry Records, the bootleg provided the only available record of five songs that Harrison never revisited during his career. Among these is a 1968 collaboration with Bob Dylan titled "Nowhere to Go". All fifteen songs were officially released in August 2021, as part of the Uber and Super deluxe editions of the ' ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Record Collector
''Record Collector'' is a British monthly music magazine. It was founded in 1980 and distributes worldwide. History The early years The first standalone issue of ''Record Collector'' was published in March 1980, though its history stretches back further. In 1963, publisher Sean O'Mahony (alias Johnny Dean) had launched an official Beatles magazine, ''The Beatles Book''. Although it shut down in 1969, ''The Beatles Book'' reappeared in 1976 due to popular demand. Through the late-1970s, the small ads section of ''The Beatles Book'' became an increasingly popular avenue through which collectors could make contact and buy, sell, or trade Beatles records. Reflecting a burgeoning collecting scene in the 1970s, as time went by, the adverts were becoming dominated by traders who were interested in rare vinyl unassociated with the Beatles. In September 1979, ''The Beatles Book'' came with a record collecting supplement, and the response was positive enough for O'Mahony to launch ''Re ...
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Mojo (magazine)
''Mojo'' is a popular music music magazine, magazine published monthly in the United Kingdom, initially by Ascential, Emap, and since January 2008 by Bauer Verlagsgruppe, Bauer. Following the success of the magazine ''Q (magazine), Q'', publishers Emap were looking for a title that would cater for the burgeoning interest in classic rock music. The magazine was designed to appeal to the 30 to 45-plus age group, or the baby boomer generation. ''Mojo'' was first published on 15 October 1993. In keeping with its classic rock aesthetic, the first issue had Bob Dylan and John Lennon as its first cover stars. Noted for its in-depth coverage of both popular and cult acts, it acted as the inspiration for ''Blender (magazine), Blender'' and ''Uncut (magazine), Uncut''. Many noted music critics have written for it, including Charles Shaar Murray, Greil Marcus, Nick Kent, Jon Savage and Sylvie Simmons. The launch editor of ''Mojo'' was Paul Du Noyer and his successors have included Mat Snow, P ...
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Porky's Revenge!
''Porky's Revenge!'' is a 1985 sex comedy film and the third and final film of the original ''Porky's'' film series. It was directed by James Komack. Plot During the semi-final basketball game, the cheerleaders promise the team an orgy if they win. The boys do so. After the game, they are led to one of the girls' homes, and everyone strips down to their underwear and jumps in a swimming pool. In it, the girls throw their underwear out. The boys do likewise, and swim toward the girls. Soon, but too late, they realize the girls are clothed after all and wind up parading nude before the clothed girls and their parents. Porky now owns a riverboat with a casino and strip club. According to Brian, he is extorting money from Coach Goodenough because he has a gambling debt. The gang decide to go to the boat to take pictures of the illegal casino to give to the D.A. During this time, Meat runs into Porky's sex-crazed daughter, Blossom, who forces herself on him. The boys' plan fails bec ...
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I Don't Want To Do It
I Don't Want to Do It is a song written by Bob Dylan and performed by George Harrison for the ''Porky's Revenge!'' soundtrack, released in 1985. It was issued as a single in the United States and some other countries, but failed to chart. History "I Don't Want to Do It" was written by Bob Dylan in 1968 and was little known until George Harrison's version first appeared in March 1985. The song marked the first new release from Harrison in over two years, since his ''Gone Troppo'' album in November 1982. Harrison recorded the song in Los Angeles in November 1984, with producer Dave Edmunds, who was overseeing musical contributions from a number of different artists for the ''Porky's Revenge!'' soundtrack. The soundtrack album was issued on Columbia Records in America on 18 March 1985, with a British release following on 28 June. As a US single from the album, released on 22 April, Columbia selected "I Don't Want to Do It", backed by Edmunds' "Queen of the Hop". The single version is d ...
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Thirty Three & 1/3
''Thirty Three & ⅓'' (stylised as ''Thirty Three & 1/ॐ'' on the album cover) is the seventh studio album by English musician George Harrison, released in November 1976. It was Harrison's first album release on his Dark Horse record label, the worldwide distribution for which changed from A&M Records to Warner Bros. as a result of his late delivery of the album's master tapes. Among other misfortunes affecting its creation, Harrison suffered hepatitis midway through recording, and the copyright infringement suit regarding his 1970–71 hit song "My Sweet Lord" was decided in favour of the plaintiff, Bright Tunes Music. The album contains the US top 30 singles "This Song" – Harrison's satire on that lawsuit and the notion of plagiarism in pop music – and "Crackerbox Palace". Despite the problems associated with the album, many music critics recognised ''Thirty Three & ⅓'' as a return to form for Harrison after his poorly received work during 1974–75, and considered it hi ...
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Beautiful Girl (George Harrison Song)
"Beautiful Girl" is a song by English musician George Harrison, released on his 1976 album ''Thirty Three & 1/3''. Harrison began writing the song in 1969 and considered recording it for his 1970 triple album ''All Things Must Pass''. In its finished, 1976 form, the lyrics of "Beautiful Girl" were inspired by Harrison's second wife, Olivia Arias. The recording features musical contributions from Billy Preston, Gary Wright and Willie Weeks. Some music critics have noted aspects of the Beatles' mid-'60s sound in "Beautiful Girl"; like much of ''Thirty Three & 1/3'', the song is highly regarded for its melodic qualities. Author Nicholas Schaffner described the track as "a great lost ''Rubber Soul'' classic".Schaffner, p. 192. Background and composition In his 1980 autobiography, ''I, Me, Mine'', Harrison states that he began writing "Beautiful Girl" during sessions for singer Doris Troy's eponymous solo album on Apple Records,Harrison, p. 190. recording for which commenced in Octob ...
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Wall Of Sound
The Wall of Sound (also called the Spector Sound) is a music production formula developed by American record producer Phil Spector at Gold Star Studios, in the 1960s, with assistance from engineer Larry Levine and the conglomerate of session musicians later known as " the Wrecking Crew". The intention was to exploit the possibilities of studio recording to create an unusually dense orchestral aesthetic that came across well through radios and jukeboxes of the era. Spector explained in 1964: "I was looking for a sound, a sound so strong that if the material was not the greatest, the sound would carry the record. It was a case of augmenting, augmenting. It all fit together like a jigsaw." A popular misconception holds that the Wall of Sound was created simply through a maximum of noise and distortion, but the method was actually more nuanced. To attain the Wall of Sound, Spector's arrangements called for large ensembles (including some instruments not generally used for ensemble ...
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Hear Me Lord
"Hear Me Lord" is a song by English rock musician George Harrison from his 1970 triple album ''All Things Must Pass''. It was the last track on side four of the original LP format and is generally viewed as the closing song on the album, disc three being the largely instrumental ''Apple Jam''. Harrison wrote "Hear Me Lord" in January 1969 while still a member of the Beatles. The band rehearsed it briefly at Twickenham Film Studios that month, but it was passed over for inclusion on what became their final album, ''Let It Be''. The song is in the gospel-rock musical style and the lyrics take the form of a personal prayer, in which Harrison seeks help and forgiveness from his deity. Along with "My Sweet Lord", it is among the most overtly religious selections on ''All Things Must Pass''. The recording was co-produced by Phil Spector and includes musical contributions from Eric Clapton, Gary Wright, Billy Preston, Bobby Whitlock and other musicians from Delaney & Bonnie's Friends ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Billboard (magazine)
''Billboard'' (stylized as ''billboard'') is an American music and entertainment magazine published weekly by Penske Media Corporation. The magazine provides music charts, news, video, opinion, reviews, events, and style related to the music industry. Its music charts include the Hot 100, the 200, and the Global 200, tracking the most popular albums and songs in different genres of music. It also hosts events, owns a publishing firm, and operates several TV shows. ''Billboard'' was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs, and burlesque shows, and also created a mail service for travelling entertainers. ''Billboard'' began focusing more on the music industry as the jukebox, phonograph, and radio became commonplace. Many topics it covered were spun-off ...
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Electronic Sound
''Electronic Sound'' is the second studio album by English rock musician George Harrison. Released in May 1969, it was the last of two LPs issued on the Beatles' short-lived Zapple record label, a subsidiary of Apple Records that specialised in the avant-garde. The album is an experimental work comprising two lengthy pieces performed on a Moog 3-series synthesizer. It was one of the first electronic music albums by a rock musician, made at a time when the Moog was usually played by dedicated exponents of the technology. Harrison subsequently introduced the Moog to the Beatles' sound, and the band featured synthesizer for the first time on their 1969 album ''Abbey Road''. Harrison began the project in Los Angeles, in November 1968, while he was producing sessions for his Apple Records artist Jackie Lomax. "No Time or Space" comprises an edit of a Moog demonstration given there by Bernie Krause, an American synthesizer exponent and Moog salesman. Once his own Moog system had arriv ...
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