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Betsy Norden
Betsy Norden (born October 17, 1945) is an American soprano who appeared with the Metropolitan Opera over 500 times. Born in Cincinnati, Ohio, she studied at Boston University, and began her career in musical comedy. Norden joined the Met chorus in 1969, and sang her first solo role there on January 27, 1972, as the Peasant Girl in ''Le nozze di Figaro'', opposite Cesare Siepi in the name part, with Karl Böhm conducting. The lyric soprano went on to sing thirty-nine different roles at the Met, including Despina in ''Cosi fan tutte'', Zerlina in ''Don Giovanni'', Oscar in ''Un ballo in maschera'', Musetta in ''La bohème'', Liu in ''Turandot'', Sophie in ''Werther'', Gretel in ''Hänsel und Gretel (opera), Hänsel und Gretel'', and Constance in ''Dialogues des Carmélites'', as well as numerous secondary roles. On December 27, 1975, she sang four different roles on the same day (possibly a Met record) during the matinee and evening performances of ''Hänsel und Gretel'' and ''Il tr ...
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Soprano
A soprano () is a type of classical female singing voice and has the highest vocal range of all voice types. The soprano's vocal range (using scientific pitch notation) is from approximately middle C (C4) = 261  Hz to "high A" (A5) = 880 Hz in choral music, or to "soprano C" (C6, two octaves above middle C) = 1046 Hz or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which often encompasses the melody. The soprano voice type is generally divided into the coloratura, soubrette, lyric, spinto, and dramatic soprano. Etymology The word "soprano" comes from the Italian word '' sopra'' (above, over, on top of),"Soprano"
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Il Trittico
''Il trittico'' (''The Triptych'') is the title of a collection of three one-act operas, ''Il tabarro'', ''Suor Angelica'', and ''Gianni Schicchi'', by Giacomo Puccini. The work received its world premiere at the Metropolitan Opera on 14 December 1918. Background Around 1904, Puccini first began planning a set of one-act operas, largely because of the success of Pietro Mascagni's ''Cavalleria rusticana''. Originally, he planned to write each opera to reflect one of the parts of Dante's ''Divine Comedy''. However, he eventually based only ''Gianni Schicchi'' on Dante's epic poem. The link in the final work is that each opera deals with the concealment of a death. Puccini also intended that the three should be performed as a set, and wrote to Casa Ricordi to complain about their giving permission in 1920 to The Royal Opera, London, "for ''Tabarro'' and ''Schicchi'' without ''Angelica''". He reluctantly agreed that the two operas could be given in a programme with Serge Diaghilev's ...
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Milwaukee Symphony Orchestra
The Milwaukee Symphony Orchestra (MSO) is an American symphony orchestra based in Milwaukee, Wisconsin. The orchestra performs primarily at the Bradley Symphony Center in Allen-Bradley Hall. The orchestra also serves as the orchestra for Florentine Opera productions. History The precursor ensemble to the orchestra was the Milwaukee Pops Orchestra, a part-time ensemble which had been founded 10 years earlier. In 1959, the orchestra formally changed its name to the Milwaukee Symphony Orchestra, with Harry John Brown as its first music director. During his nine-year tenure, Brown led the orchestra's transition from a semi-professional pops group to a fully professional, full-time symphony orchestra. During the tenure of Kenneth Schermerhorn, the orchestra's second music director, from 1968 to 1980, the orchestra had begun its 'State Tour' programme of concerts around Wisconsin, to such cities as Fish Creek, Fond du Lac, Marinette, Ripon, Rhinelander, Three Lakes, West Bend, ...
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Minnesota Orchestra
The Minnesota Orchestra is an American orchestra based in Minneapolis, Minnesota. Founded originally as the Minneapolis Symphony Orchestra in 1903, the Minnesota Orchestra plays most of its concerts at Minneapolis's Orchestra Hall. History Emil Oberhoffer founded the orchestra as the Minneapolis Symphony Orchestra in 1903, and it gave its first performance on November 5 of that year in Minneapolis's Exposition Building. In 1968, the orchestra changed its name to the Minnesota Orchestra. It makes its home in downtown Minneapolis at Orchestra Hall, which was built for the ensemble in 1974. The orchestra's previous hall, starting in 1929, was Northrop Memorial Auditorium on the University of Minnesota's Minneapolis campus. Financial concerns In 2007 the Minnesota Orchestra's assets began declining, a trend exacerbated by the financial crisis of 2007–2008. In August 2008, the Minnesota Orchestra Association's invested assets totaled $168.5 million, 13% less than the $192.4 mi ...
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Marilyn Horne
Marilyn Horne (born January 16, 1934) is an American mezzo-soprano opera singer. She specialized in roles requiring beauty of tone, excellent breath support, and the ability to execute difficult coloratura passages. She is a recipient of the National Medal of Arts, the Kennedy Center Honors, and has won four Grammy Awards. Early life Marilyn Horne was born in Bradford, Pennsylvania, to Berneice and Bentz Horne. Her parents were both politicians, with her mother serving as city assessor of the Fifth Ward and her father appointed as McKean County assessor. Bentz was also a semi-professional singer and, noticing Marilyn's talent, sought to move the family to a place where she could have access to professional vocal training and more opportunities to perform. Along with her older brother Richard and sister Gloria, the family moved to Long Beach, California when Marilyn was 11. At age 13, Horne became part of the newly formed Roger Wagner Chorale. She is an alumna of Long Beach Polytec ...
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Teresa Stratas
Teresa Stratas (born May 26, 1938) is a retired operatic soprano from Canada of Greek descent. She is especially well known for her award-winning recording of Alban Berg's ''Lulu''. Early life and career Stratas was born Anastasia Stratakis to a struggling immigrant Cretan family in Oshawa, near Toronto, Ontario. At age 13, she performed Greek pop songs on the radio. She graduated from The Royal Conservatory of Music in Toronto. At age 20, Stratas made her professional opera debut as Mimì in ''La bohème'' at the Toronto Opera Festival. One year later in 1959, she co-won the Metropolitan Opera National Council Auditions, appearing later that year with the Metropolitan Opera as Poussette in ''Manon''. She created the title role in Peggy Glanville-Hicks' ''Nausicaa'' at the Herod Atticus Theatre in Athens in 1961, made her Covent Garden debut as Mimì that same year and in 1962, she made her La Scala debut as Isabella in Manuel de Falla's ''L'Atlántida''. She continued her car ...
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The Ghosts Of Versailles
''The Ghosts of Versailles'' is an opera in two acts, with music by John Corigliano to an English libretto by William M. Hoffman. The Metropolitan Opera had commissioned the work from Corigliano in 1980 in celebration of its 100th anniversary, with the premiere scheduled for 1983. Corigliano and Hoffman took as the starting point for the opera the 1792 play ''La Mère coupable'' (''The Guilty Mother'') by Pierre Beaumarchais. They took seven years to complete the opera, past the initial deadline. The opera received its premiere on December 19, 1991, at the Metropolitan Opera, with the production directed by Colin Graham. The premiere run of seven performances was sold out. The original cast included Teresa Stratas, Håkan Hagegård, Renée Fleming, Graham Clark (tenor), Graham Clark, Gino Quilico, and Marilyn Horne. The Metropolitan Opera revived the opera in the 1994/1995 season. Corigliano considers this work a "grand opera buffa" because it incorporates both elements of the gr ...
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Mirella Freni
Mirella Freni, OMRI (, born Mirella Fregni, 27 February 1935 – 9 February 2020) was an Italian operatic soprano who had a career of 50 years and appeared at major international opera houses. She received international attention at the Glyndebourne Festival, where she appeared as Zerlina in Mozart's ''Don Giovanni'' and as Adina in Donizetti's ''L'elisir d'amore''. Freni is associated with the role of Mimi in Puccini's ''La bohème'', which featured in her repertoire from 1957 to 1999 and which she sang at La Scala in Milan and the Vienna State Opera in 1963, conducted by Herbert von Karajan. She also performed the role in a film of the production and as her debut at the Metropolitan Opera in New York City in 1965. In the earliest opera DVDs, she portrayed her characters convincingly in both acting and singing. Freni was married for many years to the Bulgarian bass Nicolai Ghiaurov, with whom she performed and recorded. Her obituary from ''The New York Times'' describes he ...
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Plácido Domingo
José Plácido Domingo Embil (born 21 January 1941) is a Spanish opera singer, conductor, and arts administrator. He has recorded over a hundred complete operas and is well known for his versatility, regularly performing in Italian, French, German, Spanish, English and Russian in the most prestigious opera houses in the world. Although primarily a ''lirico-spinto'' tenor for most of his career, especially popular for his Cavaradossi, Hoffmann, Don José and Canio, he quickly moved into more dramatic roles, becoming the most acclaimed Otello of his generation. In the early 2010s, he transitioned from the tenor repertory into exclusively baritone parts, most notably Simon Boccanegra. As of 2020, he has performed 151 different roles. Domingo has also achieved significant success as a crossover artist, especially in the genres of Latin and popular music. In addition to winning fourteen Grammy and Latin Grammy Awards, several of his records have gone silver, gold, platinum an ...
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Rigoletto
''Rigoletto'' is an opera in three acts by Giuseppe Verdi. The Italian libretto was written by Francesco Maria Piave based on the 1832 play ''Le roi s'amuse'' by Victor Hugo. Despite serious initial problems with the Austrian censors who had control over northern Italian theatres at the time, the opera had a triumphant premiere at La Fenice in Venice on 11 March 1851. The work, Verdi's sixteenth in the genre, is widely considered to be the first of the operatic masterpieces of Verdi's middle-to-late career. Its tragic story revolves around the licentious Duchy of Mantua, Duke of Mantua, his hunch-backed court jester Rigoletto, and Rigoletto's daughter Gilda. The opera's original title, ''La maledizione'' (The Curse), refers to a curse placed on both the Duke and Rigoletto by a courtier whose daughter the Duke has seduced with Rigoletto's encouragement. The curse comes to fruition when Gilda falls in love with the Duke and sacrifices her life to save him from the assassin hired by ...
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Renata Scotto
Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. Recognized for her sense of style, her musicality, and as a remarkable singer-actress, Scotto is considered one of the preeminent singers of her generation. Since retiring from the stage as a singer in 2002, she has turned successfully to directing opera as well as teaching in Italy and America, along with academic posts at the Accademia Nazionale di Santa Cecilia in Rome and the Juilliard School in New York. Singing career Renata Scotto was born in Savona, Italy. She made her operatic debut in her home town on Christmas Eve of 1952 at the age of 18 in front of a sold-out house as Violetta in Verdi's '' La traviata''.The next day, she made her 'official' opera debut at the Teatro Nuovo in Milan as Violetta. Shortly after, she performed in her first Puccini opera, ''Madama Butterfly'', in Savona and was paid twenty-five thousand lire. Both roles would later become closely associated with her name. ...
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John Dexter
John Dexter (2 August 1925 – 23 March 1990) was an English theatre, opera and film director. Theatre Born in Derby, Derbyshire, England, Dexter left school at the age of fourteen to serve in the British Army during the Second World War. Following the war, he began working as a stage actor before turning to producing and directing shows for repertory companies. In 1957, he was appointed Associate Director of the English Stage Company based at the Royal Court. Dexter's first great success was his production of ''Roots'', in 1959, which brought Joan Plowright to prominence. He went on to direct '' Toys in the Attic'' (with Wendy Hiller, 1960) and '' Saint Joan'' (1963). In 1964, he was named Associate Director of the National Theatre of Great Britain, and he produced ''The Royal Hunt of the Sun'' (1964). That year, he also directed '' Othello'', with Sir Laurence Olivier, Maggie Smith and Frank Finlay. It was considered a tremendous success. RCA recorded an audio version, ...
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