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''Who Framed Roger Rabbit'' is a media franchise owned by The Walt Disney Company and Amblin Entertainment, that began with the 1988 film, ''Who Framed Roger Rabbit'', itself based on a book titled ''Who Censored Roger Rabbit?'' by Gary K. Wolf. The original film was released through Disney's Touchstone Pictures banner on June 22, 1988, and became a blockbuster hit. It brought a renewed interest in the Golden Age of American animation, spearheading modern American animation and the Disney Renaissance. It won three Academy Awards for Best Film Editing, Best Sound Effects Editing and Best Visual Effects and received a Special Achievement Academy Award for its animation direction by Williams. In 2016, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". There's also media related to the 1988 film ''Who Framed Roger Rabbit'', including books, three animated shor ...
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Who Framed Roger Rabbit
''Who Framed Roger Rabbit'' is a 1988 American live-action/animated comedy mystery film directed by Robert Zemeckis, produced by Frank Marshall and Robert Watts, and loosely adapted by Jeffrey Price and Peter S. Seaman from Gary K. Wolf's 1981 novel ''Who Censored Roger Rabbit?''. The film stars Bob Hoskins, Christopher Lloyd, Stubby Kaye, and Joanna Cassidy, with the voices of Charles Fleischer and an uncredited Kathleen Turner. Set in a 1947 version of Hollywood where cartoon characters (commonly referred to as "toons") and people co-exist, the film follows Eddie Valiant, a private investigator who must help exonerate Roger Rabbit, a toon who has been framed for the murder of the Acme Corporation's owner. Walt Disney Pictures purchased the film rights for the film's story in 1981. Price and Seaman wrote two drafts of the script before Disney brought in executive producer Steven Spielberg and his production company, Amblin Entertainment. Zemeckis was brought on to direc ...
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Media Franchise
A media franchise, also known as a multimedia franchise, is a collection of related media in which several derivative works have been produced from an original creative work of fiction, such as a film, a work of literature, a television program or a video game. Bob Iger, chief executive of the Walt Disney Company, defined the word ''franchise'' as “something that creates value across multiple businesses and across multiple territories over a long period of time.” Transmedia franchise A media franchise often consists of cross-marketing across more than one medium. For the owners, the goal of increasing profit through diversity can extend the commercial profitability of the franchise and create strong feelings of identity and ownership in its consumers. Those large groups of dedicated consumers create the franchise's fandom, which is the community of fans that indulge in many of its mediums and are committed to interacting with and keeping up with other consumers. Large franch ...
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Library Of Congress
The Library of Congress (LOC) is the research library that officially serves the United States Congress and is the ''de facto'' national library of the United States. It is the oldest federal cultural institution in the country. The library is housed in three buildings on Capitol Hill in Washington, D.C.; it also maintains a conservation center in Culpeper, Virginia. The library's functions are overseen by the Librarian of Congress, and its buildings are maintained by the Architect of the Capitol. The Library of Congress is one of the largest libraries in the world. Its "collections are universal, not limited by subject, format, or national boundary, and include research materials from all parts of the world and in more than 470 languages." Congress moved to Washington, D.C., in 1800 after holding sessions for eleven years in the temporary national capitals in New York City and Philadelphia. In both cities, members of the U.S. Congress had access to the sizable collection ...
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National Film Registry
The National Film Registry (NFR) is the United States National Film Preservation Board's (NFPB) collection of films selected for preservation, each selected for its historical, cultural and aesthetic contributions since the NFPB’s inception in 1988. History Through the 1980s, several prominent filmmakers and industry personalities in the United States, such as Frank Capra and Martin Scorsese, advocated for Congress to enact a film preservation bill in order to avoid commercial modifications (such as pan and scan and editing for TV) of classic films, which they saw as negative. In response to the controversy over the colorization of originally black and white films in the decade specifically, Representatives Robert J. Mrazek and Sidney R. Yates introduced the National Film Preservation Act of 1988, which established the National Film Registry, its purpose, and the criteria for selecting films for preservation. The Act was passed and the NFR's mission was subsequently reau ...
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Special Achievement Academy Award
The Special Achievement Award is an Academy Award The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment ind ... given for an achievement that makes an exceptional contribution to the motion picture for which it was created, but for which there is no annual award category. Many of the film projects that received these awards were noted for breaking new ground in terms of technology, where an awards category simply did not yet exist for the given area. New awards categories were often opened in following years. For example, ''Toy Story'' was awarded a special achievement award as the first computer animated feature film in 1996, before the best animated feature category debuted in 2001. The award may only be conferred for achievements in productions that also qualify as an eligible release for ...
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Academy Award For Best Visual Effects
The Academy Award for Best Visual Effects is an Academy Award given for the best achievement in visual effects. History of the award The Academy of Motion Picture Arts and Sciences first recognized the technical contributions of special effects to movies at its inaugural dinner in 1929, presenting a plaque for "Best Engineering Effects" to the first Best Picture Oscar winner, the World War I flying drama ''Wings''. Producer David O. Selznick, then production head at RKO Studios, petitioned the Academy Board of Governors to recognize the work of animator Willis O'Brien for his groundbreaking work on 1933's ''King Kong''. It was not until 1938 when a film was actually recognized for its effects work, when a "Special Achievement Award for Special Effects" was given to the Paramount film ''Spawn of the North''. The following year, "Best Special Effects" became a recognized category, although on occasion the Academy has chosen to honor a single film outright rather than nominate two ...
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Academy Award For Best Sound Editing
The Academy Award for Best Sound Editing was an Academy Award granted yearly to a film exhibiting the finest or most aesthetic sound design or sound editing. Sound editing is the creation of sound effects (such as foley). The award was usually received by the Supervising Sound Editors of the film, sometimes accompanied by the Sound Designers. Beginning with the 93rd Academy Awards, Best Sound Editing was combined with Best Sound Mixing into a single award for Best Sound. The nominations process previously took place in two phases. The sound branch of the Academy of Motion Picture Arts and Sciences shortlisted seven films during the early 1980s until 2006. Clips were screened at a "bake-off" and branch members voted using a weighted ballot to select up to three nominees. In a rule change on June 30, 2006, the bake-off for the Sound Branch was eliminated. The usual process of a "preferential ballot" submission was instituted resulting in five nominees each year. This is a list o ...
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Academy Award For Best Film Editing
The Academy Award for Best Film Editing is one of the annual awards of the Academy of Motion Picture Arts and Sciences (AMPAS). Nominations for this award are closely correlated with the Academy Award for Best Picture. For 33 consecutive years, 1981 to 2013, every Best Picture winner had also been nominated for the Film Editing Oscar, and about two thirds of the Best Picture winners have also won for Film Editing. In 1980, ''Ordinary People'' won as Best Picture, but its editor Jeff Kanew was not nominated for Best Editing. Only the principal, "Above-the-line (filmmaking), above the line" editor(s) as listed in the film's credits are named on the award; additional editors, supervising editors, etc. are not currently eligible. The nominations for this Academy Award are determined by a ballot of the voting members of the Editing Branch of the Academy; there were 220 members of the Editing Branch in 2012. The members may vote for up to five of the eligible films in the order of the ...
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Academy Awards
The Academy Awards, better known as the Oscars, are awards for artistic and technical merit for the American and international film industry. The awards are regarded by many as the most prestigious, significant awards in the entertainment industry worldwide. Given annually by the Academy of Motion Picture Arts and Sciences (AMPAS), the awards are an international recognition of excellence in cinematic achievements, as assessed by the Academy's voting membership. The various category winners are awarded a copy of a golden statuette as a trophy, officially called the "Academy Award of Merit", although more commonly referred to by its nickname, the "Oscar". The statuette, depicting a knight rendered in the Art Deco style, was originally sculpted by Los Angeles artist George Stanley from a design sketch by art director Cedric Gibbons. The 1st Academy Awards were held in 1929 at a private dinner hosted by Douglas Fairbanks in The Hollywood Roosevelt Hotel. The Academy Awards cerem ...
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Disney Renaissance
The Disney Renaissance was the period from 1989 to 1999 during which Walt Disney Feature Animation returned to producing critically and commercially successful animated films that were mostly musical adaptations of well-known stories, much as the studio did during the era of Walt Disney during the 1930s to 1960s. The resurgence allowed Disney's animated films to become a powerhouse of successes at the domestic and foreign box office, earning much greater profits than most of the Disney films of previous eras. The animated films released by Disney during this period are '' The Little Mermaid'' (1989), ''The Rescuers Down Under'' (1990), ''Beauty and the Beast'' (1991), ''Aladdin'' (1992), ''The Lion King'' (1994), ''Pocahontas'' (1995), ''The Hunchback of Notre Dame'' (1996), ''Hercules'' (1997), '' Mulan'' (1998), and ''Tarzan'' (1999). Background (pre-1989) After the deaths of Walt and Roy O. Disney (in 1966 and 1971, respectively), Walt Disney Productions were left ...
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Modern Animation In The United States
Modern animation in the United States from the late 1980s to the late 1990s is referred to as the renaissance age of American animation (or Silver Age of American animation). During this period, many large American entertainment companies reformed and reinvigorated their animation departments, following a dark age during the 1960s to mid 1980s. During this time the United States had a profound effect on animation worldwide. Many companies originating in the golden age of American animation experienced newfound critical and commercial success. During the Disney Renaissance, The Walt Disney Company went back to producing critically and commercially successful animated films based on well known stories, just as Walt Disney had done during his lifetime. Disney also began producing successful animated television shows, a first for the company. Warner Bros. produced highly successful animated television series inspired by their classic ''Looney Tunes'' cartoons, while also launching th ...
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Golden Age Of American Animation
The golden age of American animation was a period in the history of U.S. animation that began with the popularization of sound cartoons in 1928 and gradually ended in the late 1960s, where theatrical animated shorts began losing popularity to the newer medium of television animation, produced on cheaper budgets and in a more limited animation style by companies such as Hanna-Barbera, UPA, Jay Ward Productions, and DePatie-Freleng. Many popular characters emerged from this period, including Disney's' '' Mickey Mouse'', ''Minnie Mouse'', '' Donald Duck'', '' Daisy Duck'', '' Goofy'', and ''Pluto''; Warner Bros.' ''Bugs Bunny'', ''Daffy Duck'', '' Porky Pig'', ''Tweety'', and '' Sylvester''; MGM's ''Tom and Jerry'' and ''Droopy''; Fleischer Studios' '' Betty Boop''; ''Felix the Cat''; Walter Lantz's ''Woody Woodpecker''; Terrytoons' ''Mighty Mouse''; UPA's '' Mr. Magoo''; and Jay Ward Productions' ''Rocky and Bullwinkle''. Feature-length animation began during this period, most ...
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