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Beauty And The Beast (1946 Film)
''Beauty and the Beast'' (french: La Belle et la Bête – also the UK title) is a 1946 French romantic fantasy film directed by French poet and filmmaker Jean Cocteau. Starring Josette Day as Belle and Jean Marais as the Beast, it is an adaptation of the 1757 story ''Beauty and the Beast'', written by Jeanne-Marie Leprince de Beaumont and published as part of a fairy tale anthology. The plot of Cocteau's film revolves around Belle's father who is sentenced to death for picking a rose from Beast's garden. Belle offers to go back to the Beast in her father's place. Beast falls in love with her and proposes marriage on a nightly basis which she refuses. Belle eventually becomes more drawn to Beast, who tests her by letting her return home to her family and telling her that if she doesn't return to him within a week, he will die of grief. ''Beauty and the Beast'' is now recognized as a classic of French cinema. Plot While scrubbing the floor at home, Belle (Josette Day) is inter ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Cocteau
Jean Maurice Eugène Clément Cocteau (, , ; 5 July 1889 – 11 October 1963) was a French poet, playwright, novelist, designer, filmmaker, visual artist and critic. He was one of the foremost creatives of the surrealist, avant-garde, and Dadaist movements; and one of the most influential figures in early 20th-century art as a whole. The ''National Observer'' suggested that, “of the artistic generation whose daring gave birth to Twentieth Century Art, Cocteau came closest to being a Renaissance man.” He is best known for his novels ''Le Grand Écart'' (1923), ''Le Livre blanc'' (1928), and '' Les Enfants Terribles'' (1929); the stage plays ''La Voix Humaine'' (1930), '' La Machine Infernale'' (1934), ''Les Parents terribles'' (1938), '' La Machine à écrire'' (1941), and ''L'Aigle à deux têtes'' (1946); and the films ''The Blood of a Poet'' (1930), ''Les Parents Terribles'' (1948), ''Beauty and the Beast'' (1946), ''Orpheus'' (1950), and ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candelabra
A candelabra (plural candelabras) or candelabrum (plural candelabra or candelabrums) is a candle holder with multiple arms. Although electricity has relegated candleholders to decorative use, interior designers continue to model light fixtures and lighting accessories after candelabra and candlesticks. Accordingly, the term candelabra has entered common use to describe small-based light bulbs used in chandeliers and other lighting fixtures made for decoration as well as lighting. In Judaism and in the Philippine religion Iglesia ni Cristo, the menorah is a special kind of candelabrum. The Candelabra is also used in certain Eastern Catholic and Eastern Orthodox church architecture and liturgy by bishops as the Trikiridikiri. Singular and plural This word originally came from Latin, in which ''candelabrum'' is the singular form and ''candelabra'' is the plural. Over time, English usage changed so that ''candelabra'' as the singular and ''candelabras'' as the plural is no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Christian Bérard
Christian Bérard (20 August 1902 – 11 February 1949), also known as Bebè, was a French artist, fashion illustrator and designer. Bérard and his lover Boris Kochno, who worked for the Ballets Russes and was also co-founder of the Ballets des Champs-Elysées, were one of the most prominent openly homosexual couples in French theater during the 1930s and 1940s. Early life Born in Paris in 1902, Bérard studied at the Lycée Janson de Sailly as a child. In 1920, he entered the Academie Ranson, where his style was influenced by Édouard Vuillard and Maurice Denis. Career Bérard showed his first exhibition in 1925, at the Gallery Pierre. From the start of his career he had an interest in theatrical scenery and costume designs, and played an important role in the development of theatrical design in the 1930s and 1940s. In the early 1930s Bérard worked with Jean-Michel Frank, painting screens, wood-work and drawing projects for carpets. He also worked as a fashion illustrato ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jan Vermeer
Johannes Vermeer ( , , see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle-class life. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. Nonetheless, he produced relatively few paintings and evidently was not wealthy, leaving his wife and children in debt at his death. Vermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for his masterly treatment and use of light in his work. "Almost all his paintings", Hans Koningsberger wrote, "are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women." His modest celebrity gave way to obscurity after his death. He was barely mentioned in Arnold Houbraken's major source book on 17 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Doré
Paul Gustave Louis Christophe Doré ( , , ; 6 January 1832 – 23 January 1883) was a French artist, as a printmaker, illustrator, painter, comics artist, caricaturist, and sculptor. He is best known for his prolific output of wood-engravings, especially those illustrating classic books, including 241 illustrating the Bible. These achieved great international success, and he is the best-known artist in this printmaking technique, although his role was normally as the designer only; at the height of his career some 40 block-cutters were employed to cut his drawings onto the wooden printing blocks, usually also signing the image. In all he created some 10,000 illustrations, the most important of which were "duplicated in electrotype shells that were printed ... on cylinder presses", allowing very large print runs as steel engravings, "hypnotizing the widest public ever captured by a major illustrator", and being published simultaneously in many countries. The drawings given to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Engraving
Engraving is the practice of incising a design onto a hard, usually flat surface by cutting grooves into it with a Burin (engraving), burin. The result may be a decorated object in itself, as when silver, gold, steel, or Glass engraving, glass are engraved, or may provide an Intaglio (printmaking), intaglio printing plate, of copper or another metal, for printing images on paper as prints or illustrations; these images are also called "engravings". Engraving is one of the oldest and most important techniques in printmaking. Wood engraving is a form of relief printing and is not covered in this article, same with rock engravings like petroglyphs. Engraving was a historically important method of producing images on paper in artistic printmaking, in mapmaking, and also for commercial reproductions and illustrations for books and magazines. It has long been replaced by various photographic processes in its commercial applications and, partly because of the difficulty of learning th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Once Upon A Time
"Once upon a time" is a stock phrase used to introduce a narrative of past events, typically in fairy tales and folk tales. It has been used in some form since at least 1380 (according to the ''Oxford English Dictionary'') in storytelling in the English language and has started many narratives since 1600. These stories sometimes end with "and they all lived happily ever after", or, originally, "happily until their deaths". The phrase is common in fairy tales for younger children. It was used in the original translations of the stories of Charles Perrault as a translation for the French "", of Hans Christian Andersen as a translation for the Danish "", (literally "there was once"), the Brothers Grimm as a translation for the German "" (literally "it was once") and Joseph Jacobs in English translations and fairy tales. The phrase is also used in retellings of myths, fables and folklore. Other languages The "story-starting phrase" is a common feature of many languages. , , 3 a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Sesame (phrase)
"Open sesame" (french: Sésame, ouvre-toi; ar, افتح يا سمسم) is a magical phrase in the story of "Ali Baba and the Forty Thieves" in Antoine Galland's version of ''One Thousand and One Nights''. It opens the mouth of a cave in which forty thieves have hidden a treasure. Documentation The phrase first appears in Antoine Galland's French translation of '' One Thousand and One Nights'' (1704–1717) as ''Sésame, ouvre-toi'' (English, "Sesame, open yourself"). In the story, Ali Baba overhears one of the 40 thieves saying "open sesame". His brother later cannot remember the phrase, and confuses it with the names of grains other than sesame, becoming trapped in the magic cave. Galland's phrase has been variously translated from the French into English as "Sesame, open", "Open, sesame" and "Open, O sesame". Classification Open sesame has been classified by Stith Thompson as motif element D1552.2, "Mountain opens to magic formula". Origin Sesame seeds grow in a seed pod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Criterion Collection
The Criterion Collection, Inc. (or simply Criterion) is an American home-video distribution company that focuses on licensing, restoring and distributing "important classic and contemporary films." Criterion serves film and media scholars, cinephiles and public and academic libraries. Criterion has helped to standardize certain aspects of home-video releases such as film restoration, the letterboxing format for widescreen films and the inclusion of bonus features such as scholarly essays and commentary tracks. Criterion has produced and distributed more than 1,000 special editions of its films in VHS, Betamax, LaserDisc, DVD, Blu-ray and Ultra HD Blu-ray formats and box sets. These films and their special features are also available via an online streaming service that the company operates. History The company was founded in 1984 by Robert Stein, Aleen Stein and Joe Medjuck, who later were joined by Roger Smith. In 1985, the Steins, William Becker and Jonathan B. Turell f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Janus Films
Janus Films is an American film distribution company. The distributor is credited with introducing numerous films, now considered masterpieces of world cinema, to American audiences, including the films of Michelangelo Antonioni, Sergei Eisenstein, Ingmar Bergman, Federico Fellini, Akira Kurosawa, Satyajit Ray, François Truffaut, Yasujirō Ozu and many other well-regarded directors. Ingmar Bergman's ''The Seventh Seal'' (1957) was the film responsible for the company's initial growth. Janus has a close business relationship with The Criterion Collection regarding the release of its films on DVD and Blu-ray and is still an active theatrical distributor. The company's name and logo come from Janus, the two-faced Roman god of transitions, passages, beginnings, and endings. History Janus Films was founded in 1956 by Bryant Haliday and Cyrus Harvey, Jr., in the historic Brattle Theater, a Harvard Square landmark in Cambridge, Massachusetts. Prior to the conception of Janus, Haliday a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fourth Wall
The fourth wall is a performance convention in which an invisible, imaginary wall separates actors from the audience. While the audience can see through this ''wall'', the convention assumes the actors act as if they cannot. From the 16th century onward, the rise of illusionism in staging practices, which culminated in the realism and naturalism of the theatre of the 19th century, led to the development of the fourth wall concept. The metaphor suggests a relationship to the mise-en-scène behind a proscenium arch. When a scene is set indoors and three of the walls of its room are presented onstage, in what is known as a box set, the fourth of them would run along the line (technically called the proscenium) dividing the room from the auditorium. The ''fourth wall'', though, is a theatrical convention, rather than of set design. The actors ignore the audience, focus their attention exclusively on the dramatic world, and remain absorbed in its fiction, in a state that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opening Credits
In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or sometimes on top of action in the show. There may or may not be accompanying music. When opening credits are built into a separate sequence of their own, the correct term is a title sequence (such as the familiar ''James Bond'' and ''Pink Panther'' title sequences). Opening credits since the early 1980s, if present at all, identify the major actors and crew, while the closing credits list an extensive cast and production crew. Historically, however, opening credits have been the only source of crew credits and, largely, the cast, although over time the tendency to repeat the cast, and perhaps add a few players, with their roles identified (as was not always the case in the opening credits), evolved. The ascendancy of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
