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Beat Girl (2013)
''Beat Girl'' is a 1960 British teen exploitation drama film directed by Edmond T. Gréville. The film was released in the United States under the title ''Wild for Kicks''. The title character of ''Beat Girl'' was played by starlet Gillian Hills, who later went on to have numerous small roles in 1960s and 1970s films, such as '' Blowup'' (1966) and ''A Clockwork Orange'' (1971), and became a successful ''" ye-ye"'' singer in France. ''Beat Girl'' marked the first film roles of British pop idol Adam Faith and actor Peter McEnery, although it was not released until after other films featuring Faith ('' Never Let Go'' (1960))Glynn, Stephen. ''The British Pop Music Film: The Beatles and Beyond.'' Palgrave MacMillan, 2013, p. 40. . and McEnery ('' [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Poster
A film poster is a poster used to promote and advertise a film primarily to persuade paying customers into a theater to see it. Studios often print several posters that vary in size and content for various domestic and international markets. They normally contain an image with text. Today's posters often feature printed likenesses of the main actors. Prior to the 1980s, illustrations instead of photos were far more common. The text on film posters usually contains the film title in large lettering and often the names of the main actors. It may also include a tagline, the name of the director, names of characters, the release date, and other pertinent details to inform prospective viewers about the film. Film posters are often displayed inside and on the outside of movie theaters, and elsewhere on the street or in shops. The same images appear in the film exhibitor's pressbook and may also be used on websites, DVD (and historically VHS) packaging, flyers, advertisements in newspap ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drama Film
In film and television, drama is a category or genre of narrative fiction (or semi-fiction) intended to be more serious than humorous in tone. Drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police crime drama, political drama, legal drama, historical drama, domestic drama, teen drama, and comedy-drama (dramedy). These terms tend to indicate a particular setting or subject-matter, or else they qualify the otherwise serious tone of a drama with elements that encourage a broader range of moods. To these ends, a primary element in a drama is the occurrence of conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of cinema or television that involve fictional stories are forms of drama in the broader sense if their storytelling is achieved by means of actors who represent ( mimesis) characters. In this broader sense, drama ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LP Album
The LP (from "long playing" or "long play") is an analog sound storage medium, a phonograph record format characterized by: a speed of rpm; a 12- or 10-inch (30- or 25-cm) diameter; use of the "microgroove" groove specification; and a vinyl (a copolymer of vinyl chloride acetate) composition disk. Introduced by Columbia in 1948, it was soon adopted as a new standard by the entire record industry. Apart from a few relatively minor refinements and the important later addition of stereophonic sound, it remained the standard format for record albums (during a period in popular music known as the album era) until its gradual replacement from the 1980s to the early 2000s, first by cassettes, then by compact discs, and finally by digital music distribution. Beginning in the late 2000s, the LP has experienced a resurgence in popularity. Format advantages At the time the LP was introduced, nearly all phonograph records for home use were made of an abrasive shellac compound ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soundtrack
A soundtrack is recorded music accompanying and synchronised to the images of a motion picture, drama, book, television program, radio program, or video game; a commercially released soundtrack album of music as featured in the soundtrack of a film, video, or television presentation; or the physical area of a film that contains the synchronised recorded sound. In movie industry terminology usage, a sound track is an audio recording created or used in film production or post-production. Initially, the dialogue, sound effects, and music in a film each has its own separate track (''dialogue track'', ''sound effects track'', and '' music track''), and these are mixed together to make what is called the ''composite track,'' which is heard in the film. A ''dubbing track'' is often later created when films are dubbed into another language. This is also known as an M&E (music and effects) track. M&E tracks contain all sound elements minus dialogue, which is then supplied by the f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shirley Anne Field
Shirley Anne Field (born Shirley Broomfield; 27 June 1938) is an English actress who has performed on stage, film and television since 1955, prominent during the British New Wave. Early life Broomfield was born in Forest Gate, Essex (now in the London Borough of Newham). She was the third of four children, with two elder sisters and a younger brother, Earnest "Guy" Broomfield (c. 1939–1999). Her brother was murdered, in 1999, by Harry Dalsey, the son of Adrian Dalsey. At the age of six, Shirley was placed in the National Children's Home at Edgworth, near Bolton, Lancashire and four years later was moved to another children's home in Blackburn, where she attended Blakey Moor School for Girls. She subsequently returned to Edgworth until she was 15, when she moved to a children's home hostel in London, training as a typist while still attending school. Acting career Early roles After a course at the Lucie Clayton School and Model Agency, she became a photographic model for p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oliver Reed
Robert Oliver Reed (13 February 1938 – 2 May 1999) was an English actor known for his well-to-do, macho image and "hellraiser" lifestyle. After making his first significant screen appearances in Hammer Horror films in the early 1960s, his notable films include '' The Trap'' (1966), playing Bill Sikes in the 1968 Best Picture Oscar winner ''Oliver!'' (a film directed by his uncle Carol Reed), ''Women in Love'' (1969), '' Hannibal Brooks'' (1969), '' The Devils'' (1971), ''Revolver'' (1973), portraying Athos in ''The Three Musketeers'' (1973) and '' The Four Musketeers'' (1974); the lover and stepfather in ''Tommy'' (1975), ''The Brood'' (1979), ''Lion of the Desert'' (1981), ''Castaway'' (1986), ''The Adventures of Baron Munchausen'' (1988), ''Funny Bones'' (1995) and ''Gladiator'' (2000). For playing Antonius Proximo, the old, gruff gladiator trainer in Ridley Scott's ''Gladiator'', in what was his final film, Reed was posthumously nominated for the BAFTA Award for Best Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nigel Green
Nigel McGown Green (15 October 192415 May 1972) was an English character actor. Because of his strapping build, commanding height () and regimental demeanour he would often be found playing military types and men of action in such classic 1960s films as '' Jason and the Argonauts'', '' Zulu'', ''Tobruk'' and ''The Ipcress File''. Early life and stage career The son of a professor, Green was born in Pretoria, South Africa, and was raised in London, attending King's College School, Wimbledon and the University of London, followed by the Royal Academy of Dramatic Art. During the Second World War he trained as an Observer in the Royal Navy's Fleet Air Arm. Among early stage appearances, he was at London's New Theatre (now the Noël Coward Theatre) in October 1948, playing multiple roles in John Burrell's Old Vic company revival of ''The Tragical History of Doctor Faustus''. At the Stratford Memorial Theatre in 1950, he was cast as Sir Thomas Lovell in ''Henry VIII'' (directed by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tunes Of Glory
''Tunes of Glory'' is a 1960 British drama film directed by Ronald Neame, based on the 1956 novel and screenplay by James Kennaway. The film is a "dark psychological drama" focusing on events in a wintry Scottish Highland regimental barracks in the period immediately following the Second World War. It stars Alec Guinness and John Mills, featuring Dennis Price, Kay Walsh, John Fraser, Duncan MacRae, Gordon Jackson and Susannah York. Writer Kennaway served with the Gordon Highlanders, and the title refers to the bagpiping that accompanies every important action of the battalion. The original pipe music was composed by Malcolm Arnold, who also wrote the music for ''The Bridge on the River Kwai''. The film was generally well received by critics, the acting in particular garnering praise. Kennaway's screenplay was nominated for an Oscar. Plot Set in January 1948, the film opens in an officers' mess of an unnamed Highland Battalion, Jock Sinclair announces that this is his last day ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Never Let Go (1960 Film)
''Never Let Go'' (also known as ''Moment of Truth'') is a 1960 British thriller film directed by John Guillermin and starring Richard Todd, Peter Sellers and Elizabeth Sellars. It was written by Alun Falconer. A man attempts to recover his stolen car. Plot Lionel Meadows is a London garage owner who deals in stolen cars. Meadows buys log books from scrapped models, then has other cars corresponding to the log books stolen and the number plates replaced. He gives a list of cars to young petty thief Tommy Towers, which includes a 1959 Ford Anglia. The car Tommy steals belongs to struggling cosmetics salesman John Cummings, who needs the car to keep his job but who could not afford to insure the car against theft. Desperate to recover it, Cummings learns that he is going to lose his job to a younger colleague. Alerted to Tommy by a street newspaper vendor, Alfie, who witnessed the crime, Cummings starts investigating the activities of Meadows and his associates. Meadows, dis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Peter McEnery
Peter Robert McEnery (born 21 February 1940) is a retired English stage and film actor. Early life McEnery was born in Walsall, Staffordshire, to Charles and Ada Mary (née Brinson) McEnery. He was educated at Ellesmere College, Shropshire. His younger brothers are actor John and the photographer David. Career McEnery was notably featured in ''Victim'', a 1961 British neo noir suspense film directed by Basil Dearden in which McEnery plays Barrett, a young working-class gay man who falls prey to blackmailers after he and the title character are photographed in an intimate embrace he film's makers claim the older man was merely comforting the younger one who was in tears; the whole premise of the film was that there was no actual intimacy McEnery was also recognized for having given Hayley Mills her first grown-up screen kiss in the 1964 film ''The Moon-Spinners''. In 1966 he took the lead in the Disney live action adventure film, ''The Fighting Prince of Donegal''. He played ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Hennessey
Mike Hennessey (25 February 1928 – 16 August 2017) was an English music journalist and jazz piano, jazz pianist. Born in London as the third of four children, Hennessey, who came from a musical family, began learning piano at the age of six. After his military service, he began working as a journalist. He wrote for jazz magazines in Europe and North America and worked for 27 years as a correspondent and international editor for the US magazine ''Billboard (magazine), Billboard'', before retiring in 1994. He specialised in international copyright and intellectual property, and advocated strengthening of copyright protection for the music industry. He co-founded ''Music Week'' and ''Music & Media'' and wrote biographies of jazz musicians Kenny Clarke and Johnny Griffin. As a pianist he was a member of Chas Burchell's band, with which he recorded two albums. He also joined the Paris Reunion band with Nat Adderley, toured with Adderley, Billy Mitchell (saxophonist), Billy Mitchell, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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