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Be Alone No More
"Be Alone No More" is the debut single by British R&B vocal quartet Another Level, released on 16 February 1998. It is from their eponymous debut album (1998), and features American rapper Jay-Z. The song was written by Steven Dubin, Andrea Martin and Ivan Matias. In 1999, it was released a second time in remix form together with a cover of the Simply Red song "Holding Back the Years". The two releases peaked at number six and number eleven in the UK respectively. Several UK garage remixes were also released, such as the 'Dubmonsters Mix' and 'Another Groove Mix'. The latter is a mashup with Double 99's " RipGroove". Critical reception Claudia Connell from '' News of the World'' declared "Be Alone No More" "a superb debut single which blends hip-hop and R&B with sophisticated, soulful harmonies."Connell, Claudia (22 February 1998). " Single review; The Goss The Biz". '' News of the World''. Track listing #"Be Alone No More" (C&J Radio Mix) – 4:02 #"Be Alone No More" (B ...
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Another Level (group)
Another Level were a British soul and R&B-influenced boy band that formed in 1997 and broke up in 2000, consisting of Mark Baron, Dane Bowers, Bobak Kianoush and Wayne Williams. They achieved seven top ten singles, including the 1998 number-one "Freak Me". In 2013, the band were about to reunite for the ITV2 documentary, ''The Big Reunion'' however, Williams and Baron chose not to take part in the show. Bowers was the only member to take part in the show and joined the supergroup 5th Story along with Kenzie from Blazin' Squad and former soloists Adam Rickitt, Kavana and Gareth Gates. On 30 November 2014, it was reported that Another Level could make a comeback, but nothing happened. Career Formation and early career (1994–2000) Dane Bowers and Wayne Williams were both students of the BRIT School of Performing Arts & Technology in the London Borough of Croydon when they were discovered. Williams enrolled at the school in 1995, while Bowers was in the year below, but star ...
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Double 99
Double 99, also known as R.I.P. Productions and 10° Below, were a UK garage duo which consisted of members Timothy Andrew Liken (Tim Deluxe) and Omar Adimora. They are best known for their sole UK chart hit single " RipGroove", which reached No. 14 in its second release on the UK Singles Chart in 1997. Career Active since 1995, the duo recorded as R.I.P. Productions and 10° Below, releasing tracks and EPs on the Ice Cream label which they founded alongside Boogie Beat co-owner Andy Lysandrou (later of True Steppers). Under the name R.I.P., their 1997 EP ''Double 99'' first featured the track " RipGroove" with Double 99 later adopted as their alias for the single. Both Liken and Adimora later continued to release solo material and remained active as DJs, remixers and producers under the names Tim Deluxe and DJ Omar / Omar Chandla, respectively. Deluxe had a hit in 2002 with his second solo single, "It Just Won't Do", which reached the top 20 charts in five countries includin ...
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Music Week
''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music Week''. On 17 January 1981, the title again changed, owing to the increasing importance of sell-through videos, to ''Music & Video Week''. The rival ''Record Business'', founded in 1978 by Brian Mulligan and Norman Garrod, was absorbed into Music Week in February 1983. Later that year, the offshoot ''Video Week'' launched and the title of the parent publication reverted to ''Music Week''. Since April 1991, ''Music Week'' has incorporated ''Record Mirror'', initially as a 4 or 8-page chart supplement, later as a dance supplement of articles, reviews and charts. In the 1990s, several magazines and newsletters become part of the Music Week family: ''Music Business International (MBI)'', ''Promo'', ''MIRO Future Hits'', ''Tours Report'', ''Fono ...
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Record Mirror Club Chart
The ''Record Mirror'' Club Chart (also known as ''RM'' Club Chart) was a weekly chart compiled by British trade paper ''Music Week ''Music Week'' is a trade publication for the UK record industry distributed via a website and a monthly print magazine. It is published by Future. History Founded in 1959 as '' Record Retailer'', it relaunched on 18 March 1972 as ''Music W ...''. It was published in their ''RM'' Dance Update, a supplemental insert, and was compiled from a sample of over 500 DJ returns. Number one singles on the ''Record Mirror'' Club Chart 1993 1994 1995 1996 1997 See also''Music Week'' on World Radio History


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UK Singles Chart
The UK Singles Chart (currently titled Official Singles Chart, with the upper section more commonly known as the Official UK Top 40) is compiled by the Official Charts Company (OCC), on behalf of the British record industry, listing the top-selling Single (music), singles in the United Kingdom, based upon physical sales, paid-for downloads and music streaming, streaming. The Official Chart, broadcast on BBC Radio 1 and MTV (Official UK Top 40), is the UK music industry's recognised official measure of singles and albums popularity because it is the most comprehensive research panel of its kind, today surveying over 15,000 retailers and digital services daily, capturing 99.9% of all singles consumed in Britain across the week, and over 98% of albums. To be eligible for the chart, a Single (music), single is currently defined by the Official Charts Company (OCC) as either a 'single bundle' having no more than four tracks and not lasting longer than 25 minutes or one digital audio ...
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Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digita ...
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Audio Engineering
Audio most commonly refers to sound, as it is transmitted in signal form. It may also refer to: Sound * Audio signal, an electrical representation of sound *Audio frequency, a frequency in the audio spectrum * Digital audio, representation of sound in a form processed and/or stored by computers or digital electronics *Audio, audible content (media) in audio production and publishing *Semantic audio, extraction of symbols or meaning from audio * Stereophonic audio, method of sound reproduction that creates an illusion of multi-directional audible perspective * Audio equipment Entertainment *AUDIO (group), an American R&B band of 5 brothers formerly known as TNT Boyz and as B5 * ''Audio'' (album), an album by the Blue Man Group * ''Audio'' (magazine), a magazine published from 1947 to 2000 *Audio (musician), British drum and bass artist * "Audio" (song), a song by LSD Computing *, an HTML element, see HTML5 audio See also *Acoustic (other) *Audible (other) *A ...
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Programming (music)
Programming is a form of music production and performance using electronic devices and computer software, such as sequencers and workstations or hardware synthesizers, sampler and sequencers, to generate sounds of musical instruments. These musical sounds are created through the use of music coding languages. There are many music coding languages of varying complexity. Music programming is also frequently used in modern pop and rock music from various regions of the world, and sometimes in jazz and contemporary classical music. It gained popularity in the 1950s and has been emerging ever since. Music programming is the process in which a musician produces a sound or "patch" (be it from scratch or with the aid of a synthesizer/ sampler), or uses a sequencer to arrange a song. Coding languages Music coding languages are used to program the electronic devices to produce the instrumental sounds they make. Each coding language has its own level of difficulty and function. Alda ...
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Musical Keyboard
A musical keyboard is the set of adjacent depressible levers or keys on a musical instrument. Keyboards typically contain keys for playing the twelve notes of the Western musical scale, with a combination of larger, longer keys and smaller, shorter keys that repeats at the interval of an octave. Pressing a key on the keyboard makes the instrument produce sounds—either by mechanically striking a string or tine ( acoustic and electric piano, clavichord), plucking a string ( harpsichord), causing air to flow through a pipe organ, striking a bell (carillon), or, on electric and electronic keyboards, completing a circuit (Hammond organ, digital piano, synthesizer). Since the most commonly encountered keyboard instrument is the piano, the keyboard layout is often referred to as the ''piano keyboard''. Description The twelve notes of the Western musical scale are laid out with the lowest note on the left. The longer keys (for the seven "natural" notes of the C major scale: C, D, E ...
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Record Producer
A record producer is a recording project's creative and technical leader, commanding studio time and coaching artists, and in popular genres typically creates the song's very sound and structure.Virgil Moorefield"Introduction" ''The Producer as Composer: Shaping the Sounds of Popular Music'' (Cambridge, MA & London, UK: MIT Press, 2005).Richard James Burgess, ''The History of Music Production'' (New York: Oxford University Press, 2014)pp 12–13Allan Watson, ''Cultural Production in and Beyond the Recording Studio'' (New York: Routledge, 2015)pp 25–27 The record producer, or simply the producer, is likened to film director and art director. The executive producer, on the other hand, enables the recording project through entrepreneurship, and an audio engineer operates the technology. Varying by project, the producer may or may not choose all of the artists. If employing only synthesized or sampled instrumentation, the producer may be the sole artist. Conversely, some artists ...
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Songwriter
A songwriter is a musician who professionally composes musical compositions or writes lyrics for songs, or both. The writer of the music for a song can be called a composer, although this term tends to be used mainly in the classical music genre and film scoring. A songwriter who mainly writes the lyrics for a song is referred to as a lyricist. The pressure from the music industry to produce popular hits means that song writing is often an activity for which the tasks are distributed between a number of people. For example, a songwriter who excels at writing lyrics might be paired with a songwriter with the task of creating original melodies. Pop songs may be composed by group members from the band or by staff writers – songwriters directly employed by music publishers. Some songwriters serve as their own music publishers, while others have external publishers. The old-style apprenticeship approach to learning how to write songs is being supplemented by university degrees, c ...
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Blacksmith (musical Group)
Blacksmith are a British record production and remixing trio consisting of brothers Hugh and Karl Atkins, and Pete Trotman. They are also known by their aliases Tim Blacksmith, Karl Blacksmith and Peter Blacksmith, respectively. In 1988, under the alias The Beat Lads they released the single "It's You" on 4th & Broadway Records then in 1989 and 1990 released the singles "Get Back to Love" and "Hold You Back" on London Records' sublabel FFRR. Among their earliest remixes (in 1989) include those of Bananarama's " Cruel Summer '89 (Swing Beat Dub)", Cookie Crew's "Come On & Get Some (Jack Swing Mix)", Big Daddy Kane's "Ain't No Stoppin' Us Now (Brixton Dance Hall Mix)" and the Brixton and UPSO mixes of Salt-N-Pepa's "Expression (song), Expression". Throughout the 1990s and 2000s, they produced and remixed for many artists including Salt-N-Pepa, Eric B. & Rakim, DJ Jazzy Jeff & the Fresh Prince, Massive Attack, Tony! Toni! Toné!, Another Level (group), Another Level, Eternal (grou ...
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