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Bayat E Kurd
Bayat e Kurd, also transliterated as Bayat-e Kord or in full as Avaz-e Bayat-e Kord (Persian:بیات کرد) (Kurdish:بیاتی کورد) is a part of Dastgāh-e Šur in Iranian classical music. in the past it was cited as a branch of Chahargah. Etymology The name of this branch of Iranian music refers to its Kurdish folklore Kurdish mythology is the collective term for the beliefs and practices of the culturally, ethnically or linguistically related group of ancient peoples who inhabited the Kurdistan mountains of northwestern Zagros, northern Mesopotamia and southeast ... origins. References {{Musical radif Kurdish music ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Persian Language
Persian (), also known by its endonym Farsi (, ', ), is a Western Iranian language belonging to the Iranian branch of the Indo-Iranian subdivision of the Indo-European languages. Persian is a pluricentric language predominantly spoken and used officially within Iran, Afghanistan, and Tajikistan in three mutually intelligible standard varieties, namely Iranian Persian (officially known as ''Persian''), Dari Persian (officially known as ''Dari'' since 1964) and Tajiki Persian (officially known as ''Tajik'' since 1999).Siddikzoda, S. "Tajik Language: Farsi or not Farsi?" in ''Media Insight Central Asia #27'', August 2002. It is also spoken natively in the Tajik variety by a significant population within Uzbekistan, as well as within other regions with a Persianate history in the cultural sphere of Greater Iran. It is written officially within Iran and Afghanistan in the Persian alphabet, a derivation of the Arabic script, and within Tajikistan in the Tajik alphabet, a der ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurdish Languages
Kurdish (, ) is a language or a group of languages spoken by Kurds in the geo-cultural region of Kurdistan and the Kurdish diaspora. Kurdish constitutes a dialect continuum, belonging to Western Iranian languages in the Indo-European language family. The main three dialects or languages of Kurdish are Northern Kurdish (), Central Kurdish (), and Southern Kurdish (). A separate group of non-Kurdish Northwestern Iranian languages, the Zaza–Gorani languages, are also spoken by several million ethnic Kurds.Kaya, Mehmet. The Zaza Kurds of Turkey: A Middle Eastern Minority in a Globalised Society. The majority of the Kurds speak Kurmanji, and most Kurdish texts are written in Kurmanji and Sorani. Kurmanji is written in the Hawar alphabet, a derivation of the Latin script, and Sorani is written in the Sorani alphabet, a derivation of Arabic script. The classification of Laki as a dialect of Southern Kurdish or as a fourth language under Kurdish is a matter of debate, but the diff ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dastgāh-e Šur
Dastgāh-e Šur ( fa, دستگاه شور; az, Şur) is one of the seven ''Dastgāh''s of Persian Music (Classically, Persian Music is organized into seven ''Dastgāhs'' and five '' Āvāz''es, however from a merely technical point of view, one can consider them as an ensemble of 12 ''Dastgāh''s). Introduction ''Šur'' is in some respects the most important of the ''Dastgāh''s. It contains a large body of pieces, and in its domain belong four important '' Āvāz''es: '' Dašti'', '' Abuatā'', '' Bayāt-e Tork'' and '' Afšāri''. A great many folk tunes, from different parts of Persia, are founded on the modal schemes of ''Šur'' or its derivative ''Dastgāh''s and ''Guše''s. The melodic formation in ''Šur'' is conceived within the modal structure shown below for ''Šur D'' : :: The characteristics of this mode are: # The tetrachord above the finalis (marked with "F") is the focal point of melodic activity. # The finalis is the most emphasized tone. # The 4th above is th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iranian Classical Music
Persian traditional music or Iranian traditional music, also known as Persian classical music or Iranian classical music, refers to the art music, classical music of Iran (also known as ''name of Iran, Persia''). It consists of characteristics developed through the country's classical, Middle Ages, medieval, and contemporary eras. It also influenced areas and regions that are considered part of Greater Iran. Due to the exchange of musical science throughout history, many of Iran's classical modes are related to those of its neighboring cultures. Iran's classical art music continues to function as a spiritual tool, as it has throughout history, and much less of a recreational activity. It belongs for the most part to the social elite, as opposed to Iranian folk music, the folkloric and Iranian pop music, popular music, in which the society as a whole participates. However, components of Iran's classical music have also been incorporated into folk and pop music compositions. Hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chahargah (mode)
Dastgāh-e Chahārgāh ( fa, دستگاه چهارگاه; az, Çahargah) is a musical modal system in traditional mugham music and one of the seven ''Dastgāh''s of Persian Music Persian music may refer to various types of the music of Persia/Iran or other Persian-speaking countries: * Persian traditional music * Persian ritual music *Persian pop music * Persian symphonic music * Persian piano music See also *Music of Ira .... Classically, Persian Music is organized into seven ''Dastgāhs'' and five '' Āvāz''es, however from a merely technical point of view, one can consider them as an ensemble of 12 ''Dastgāh''s. This is the fifth and the longest mode according to the amount of sounds. It consists of eleven membranes. Three tetra-chords are amalgamated with two methods. The first and the second tetra-chords are amalgamated with the first method. The second and the third tetra-chords are amalgamated with different method. Tetra-chords are 0.5+1.5+0.5 tone structural. Chahar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kurdish Folklore
Kurdish mythology is the collective term for the beliefs and practices of the culturally, ethnically or linguistically related group of ancient peoples who inhabited the Kurdistan mountains of northwestern Zagros, northern Mesopotamia and southeastern Anatolia. This includes their Indo-European pagan religion prior to them converting to Islam or Christianity, as well the local myths, legends and folklore that they produced after becoming Muslims. Before Islam Origin story In Kurdish mythology, the ancestors of the Kurds fled to the mountains to escape the oppression of a king named Zahhak. It is believed that these people, like Kaveh the Blacksmith who hid in the mountains over the course of history created a Kurdish ethnicity. Mountains, to this day, are still important geographical and symbolic figures in Kurdish life. In common with other national myths, Kurdish mythology is used for political aims. After Islam The Sasanian king Chosroes II Parvez is highly esteemed in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
