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Bathwick Church And Workhouse Act 1847
The Church of St Mary the Virgin is located on Darlington Street in the Bathwick area of Bath, Somerset, England. The church is Anglican and located near Pinch's Sydney Place (1808) and Bath's famed Sydney Pleasure Gardens. The church was constructed by the Pulteney family, who used it to replace the medieval parish church of St Mary's, Bathwick, known even in Georgian times as Bathwick Old Church. The churchyard is now part of Smallcombe Cemetery. The Church of St Mary the Virgin was where the band Muse recorded the organ parts on their second studio album '' Origin of Symmetry''. History William Pulteney commissioned a bridge across the Avon when he inherited land across the river in what was then rural countryside. When the bridge was completed in 1774, it encouraged new settlement into the Bathwick Estate and the population increased here. The needs of a congregation called for a new church and a committee was formed in 1810. William Vane, Earl of Darlington, as ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Church Of England
The Church of England (C of E) is the established Christian church in England and the mother church of the international Anglican Communion. It traces its history to the Christian church recorded as existing in the Roman province of Britain by the 3rd century and to the 6th-century Gregorian mission to Kent led by Augustine of Canterbury. The English church renounced papal authority in 1534 when Henry VIII failed to secure a papal annulment of his marriage to Catherine of Aragon. The English Reformation accelerated under Edward VI's regents, before a brief restoration of papal authority under Queen Mary I and King Philip. The Act of Supremacy 1558 renewed the breach, and the Elizabethan Settlement charted a course enabling the English church to describe itself as both Reformed and Catholic. In the earlier phase of the English Reformation there were both Roman Catholic martyrs and radical Protestant martyrs. The later phases saw the Penal Laws punish Ro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
St Mary's Church, Bathwick
St Mary's Church, Bathwick (also called Bathwick Old Church) was a parish church in Bathwick in the city of Bath in England. The church was demolished in 1818. Its parish was succeeded by St Mary the Virgin's Church, Bathwick on Church Road at the base of Bathwick Hill. Its churchyard is currently contained in that of St John the Baptist's Church, Bathwick. Medieval in origin, it was recorded in May 1815 as being merely 64 feet long, 17 feet wide with room for 130 people seated. It featured a dominant Early English tower, a nave and chancel and large nearly triangular buttresses. By the Georgian era, it was fast becoming a ruin. With William Pulteney's purchase of the Manor of Bathwick estate in 1727, the Pulteneys wished to relieve themselves of the small ruin on their estate, but waited until they had developed the property. By 1814, the new parish church of St Mary the Virgin, Bathwick The Church of St Mary the Virgin is located on Darlington Street in the Bathwick ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Ecclesiastical Parishes In The Diocese Of Bath And Wells
The ecclesiastical parishes within the Diocese of Bath and Wells cover the majority of the ceremonial counties of England, English county of Somerset and small areas of Devon, Dorset, Gloucestershire and Wiltshire. The cathedra, episcopal seat of the Bishop of Bath and Wells is in the Wells Cathedral, Cathedral Church of Saint Andrew in the city of Wells, Somerset, Wells in Somerset. The diocesan offices, the bishops' offices and residences and the cathedral are all located around the Bishop's Palace, Wells, Bishop's Palace in Wells. The diocese is not referred to as "Bath diocese" or "Wells diocese", but as "Bath and Wells diocese". The ordinary of the diocese is the diocesan Bishop of Bath and Wells, Peter Hancock; he is assisted throughout the diocese by the Bishop of Taunton, Bishop suffragan of Taunton, Ruth Worsley. Her See was created in 1911. Alternative episcopal oversight (for parishes in the diocese that reject the ministry of women priests) is provided by the provi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oxford Movement
The Oxford Movement was a movement of high church members of the Church of England which began in the 1830s and eventually developed into Anglo-Catholicism. The movement, whose original devotees were mostly associated with the University of Oxford, argued for the reinstatement of some older Christian traditions of faith and their inclusion into Anglican liturgy and theology. They thought of Anglicanism as one of three branches of the " one, holy, catholic, and apostolic" Christian church. Many key participants subsequently converted to Roman Catholicism. The movement's philosophy was known as Tractarianism after its series of publications, the ''Tracts for the Times'', published from 1833 to 1841. Tractarians were also disparagingly referred to as "Newmanites" (before 1845) and "Puseyites" (after 1845) after two prominent Tractarians, John Henry Newman and Edward Bouverie Pusey. Other well-known Tractarians included John Keble, Charles Marriott, Richard Froude, Robert Wilbe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Benjamin Barker (artist)
Benjamin Barker (1776–1838), was an English landscape painter. Barker was the son of Benjamin and brother of Thomas Barker, called ‘Barker of Bath,’ resided at Bath, Somerset and between 1800 and 1821 exhibited occasionally at the Royal Academy. During the years 1813–20 he was a large exhibitor of views and landscape compositions at the Watercolour Society. He was also an exhibitor at the British Institution. There are three of his watercolour drawings in the South Kensington Museum. He was an artist of some skill and taste, but little power or originality. He died at Totnes after a lingering illness, 2 March 1838, aged 62. Thales Fielding Thales Fielding (1793–1837) was an English watercolour painter. Life Fielding was the third son of Nathan Theodore Fielding, and like his brothers is mainly known as a painter in watercolours. He was an associate exhibitor of the Royal Soci ... engraved forty-eight of his landscapes in aquatint. References External links ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adoration Of The Magi
The Adoration of the Magi or Adoration of the Kings is the name traditionally given to the subject in the Nativity of Jesus in art in which the three Magi, represented as kings, especially in the West, having found Jesus by following a star, lay before him gifts of gold, frankincense, and myrrh, and worship him. It is related in the Bible by Matthew 2:11: "On entering the house, they saw the child with Mary his mother; and they knelt down and paid him homage. Then, opening their treasure chests, they offered him gifts of gold, frankincense, and myrrh. And having been warned in a dream not to return to Herod, they left for their own country by another path". Christian iconography considerably expanded the bare account of the Biblical Magi described in the Gospel of Matthew ( 2:1– 22). By the later Middle Ages this drew from non-canonical sources like the Golden Legend by Jacobus de Voragine. Artists used the expanded Christian iconography to reinforce the idea that J ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyptych
A polyptych ( ; Greek: ''poly-'' "many" and ''ptychē'' "fold") is a painting (usually panel painting) which is divided into sections, or panels. Specifically, a "diptych" is a two-part work of art; a "triptych" is a three-part work; a tetraptych or quadriptych has four parts, and so on. Historically, polyptychs typically displayed one "central" or "main" panel that was usually the largest of the attachments; the other panels are called "side" panels, or "wings". Sometimes, as evident in the Ghent and Isenheim works (see below), the hinged panels can be varied in arrangement to show different "views" or "openings" in the piece. The upper panels often depict static scenes, while the lower register, the predella, often depict small narrative scenes. Polyptychs were most commonly created by early Renaissance painters, the majority of whom designed their works to be altarpieces in churches and cathedrals. The polyptych form of art was also quite popular among ukiyo-e printmakers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lintel
A lintel or lintol is a type of beam (a horizontal structural element) that spans openings such as portals, doors, windows and fireplaces. It can be a decorative architectural element, or a combined ornamented structural item. In the case of windows, the bottom span is instead referred to as a sill, but, unlike a lintel, does not serve to bear a load to ensure the integrity of the wall. Modern day lintels are made using prestressed concrete and are also referred to as beams in beam and block slabs or ribs in rib and block slabs. These prestressed concrete lintels and blocks are components that are packed together and propped to form a suspended floor concrete slab. Structural uses In worldwide architecture of different eras and many cultures, a lintel has been an element of post and lintel construction. Many different building materials have been used for lintels. In classical Western architecture and construction methods, by ''Merriam-Webster'' definition, a lintel is a l ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clerestory
In architecture, a clerestory ( ; , also clearstory, clearstorey, or overstorey) is a high section of wall that contains windows above eye level. Its purpose is to admit light, fresh air, or both. Historically, ''clerestory'' denoted an upper level of a Roman basilica or of the nave of a Romanesque or Gothic church, the walls of which rise above the rooflines of the lower aisles and are pierced with windows. Similar structures have been used in transportation vehicles to provide additional lighting, ventilation, or headroom. History Ancient world The technology of the clerestory appears to originate in the temples of ancient Egypt. The term "clerestory" is applicable to Egyptian temples, where the lighting of the hall of columns was obtained over the stone roofs of the adjoining aisles, through gaps left in the vertical slabs of stone. Clerestory appeared in Egypt at least as early as the Amarna period. In the Minoan palaces of Crete such as Knossos, by contrast, lightwel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tracery
Tracery is an architecture, architectural device by which windows (or screens, panels, and vaults) are divided into sections of various proportions by stone ''bars'' or ''ribs'' of Molding (decorative), moulding. Most commonly, it refers to the stonework elements that support the glass in a window. The term probably derives from the tracing floors on which the complex patterns of windows were laid out in late Gothic architecture. Tracery can also be found on the interior of buildings and the exterior. There are two main types: plate tracery and the later bar tracery.Hugh Honour, Honour, H. and J. Fleming, (2009) ''A World History of Art''. 7th edn. London: Laurence King Publishing, p. 948. The evolving style from Romanesque architecture, Romanesque to Gothic architecture and changing features, such as the thinning of lateral walls and enlarging of windows, led to the innovation of tracery. The earliest form of tracery, called plate tracery, began as openings that were pierced fro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nave
The nave () is the central part of a church, stretching from the (normally western) main entrance or rear wall, to the transepts, or in a church without transepts, to the chancel. When a church contains side aisles, as in a basilica-type building, the strict definition of the term "nave" is restricted to the central aisle. In a broader, more colloquial sense, the nave includes all areas available for the lay worshippers, including the side-aisles and transepts.Cram, Ralph Adams Nave The Catholic Encyclopedia. Vol. 10. New York: Robert Appleton Company, 1911. Accessed 13 July 2018 Either way, the nave is distinct from the area reserved for the choir and clergy. Description The nave extends from the entry—which may have a separate vestibule (the narthex)—to the chancel and may be flanked by lower side-aisles separated from the nave by an arcade. If the aisles are high and of a width comparable to the central nave, the structure is sometimes said to have three naves. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parapet
A parapet is a barrier that is an extension of the wall at the edge of a roof, terrace, balcony, walkway or other structure. The word comes ultimately from the Italian ''parapetto'' (''parare'' 'to cover/defend' and ''petto'' 'chest/breast'). Where extending above a roof, a parapet may simply be the portion of an exterior wall that continues above the edge line of the roof surface, or may be a continuation of a vertical feature beneath the roof such as a fire wall or party wall. Parapets were originally used to defend buildings from military attack, but today they are primarily used as guard rails, to conceal rooftop equipment, reduce wind loads on the roof, and to prevent the spread of fires. In the Bible the Hebrews are obligated to build a parapet on the roof of their houses to prevent people falling (Deuteronomy 22:8). Parapet types Parapets may be plain, embattled, perforated or panelled, which are not mutually exclusive terms. *Plain parapets are upward extensions of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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