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Basso Profondo
Basso profondo (Italian: "deep bass"), sometimes basso profundo, contrabass or oktavist, is the lowest bass voice type. While ''The New Grove Dictionary of Opera'' defines a typical bass as having a range that is limited to the second E below middle C ( E2),; ''The Oxford Dictionary of Music'' gives E2 to E4 or F4 operatic bassi profondi can be called on to sing low C ( C2), as in the role of Baron Ochs in ''Der Rosenkavalier''. Often choral composers make use of lower notes, such as G1 or even F1; in such rare cases the choir relies on exceptionally deep-ranged bassi profondi termed oktavists or octavists, who sometimes sing an octave below the bass part. Bass singer Tim Storms holds the Guinness World Record for the "lowest note produced by a human". Definition According to Rousseau (1775): "Basse-contres – the most profound of all voices, singing lower than the bass like a double bass, and should not be confused with contrabasses, which are instruments." Oktavist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass (voice Type)
A bass is a type of classical male singing voice and has the lowest vocal range of all voice types. According to ''The New Grove Dictionary of Opera'', a bass is typically classified as having a vocal range extending from around the second E below middle C to the E above middle C (i.e., E2–E4).; ''The Oxford Dictionary of Music'' gives E2–E4/F4 Its tessitura, or comfortable range, is normally defined by the outermost lines of the bass clef. Categories of bass voices vary according to national style and classification system. Italians favour subdividing basses into the ''basso cantante'' (singing bass), ''basso buffo'' ("funny" bass), or the dramatic ''basso profondo'' (low bass). The American system identifies the bass-baritone, comic bass, lyric bass, and dramatic bass. The German ''Fach'' system offers further distinctions: Spielbass (Bassbuffo), Schwerer Spielbass (Schwerer Bassbuffo), Charakterbass (Bassbariton), and Seriöser Bass. These classification systems can ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Type
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Voice Types
A voice type is a group of voices with similar vocal ranges, capable of singing in a similar tessitura, and with similar vocal transition points ('' passaggi''). Voice classification is most strongly associated with European classical music, though it, and the terms it utilizes, are used in other styles of music as well. A singer will choose a repertoire that suits their voice. Some singers such as Enrico Caruso, Rosa Ponselle, Joan Sutherland, Maria Callas, Jessye Norman, Ewa Podleś, and Plácido Domingo have voices that allow them to sing roles from a wide variety of types; some singers such as Shirley Verrett and Grace Bumbry change type and even voice part over their careers; and some singers such as Leonie Rysanek have voices that lower with age, causing them to cycle through types over their careers. Some roles are hard to classify, having very unusual vocal requirements; Mozart wrote many of his roles for specific singers who often had remarkable voices, and some ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Choral Directors Association
The American Choral Directors Association (ACDA), headquartered in Oklahoma City, Oklahoma, is a non-profit organization with the stated purpose of promoting excellence in the field of choral music. Its membership comprises approximately 22,000 choral directors representing over a million singers. Background information ACDA is organized in seven Divisions, i.e., Central, Eastern, North Central, Northwestern, Southern, Southwestern, and Western. Every year, conferences with topics pertaining to choral conductors are held - in even numbered years, a division conference is held in each division, and in odd numbered years, a national conference takes place in a major U.S. city. In 2009, ACDA celebrated its 50th Anniversary in Oklahoma City; in 2011, the national conference was held in Chicago, Illinois. The 2013 national conference was held in Dallas, Texas. James Madison University was the host for the national chapter for 2011. Each year a different university hosts the yearly A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pittsburgh Post-Gazette
The ''Pittsburgh Post-Gazette'', also known simply as the PG, is the largest newspaper serving metropolitan Pittsburgh, Pennsylvania. Descended from the ''Pittsburgh Gazette'', established in 1786 as the first newspaper published west of the Allegheny Mountains, the paper formed under its present title in 1927 from the consolidation of the ''Pittsburgh Gazette Times'' and ''The Pittsburgh Post''. The ''Post-Gazette'' ended daily print publication in 2018 and has cut down to two print editions per week (Sunday and Thursday), going online-only the rest of the week. In the 2010s, the editorial tone of the paper shifted from liberal to conservative, particularly after the editorial pages of the paper were consolidated in 2018 with '' The Blade'' of Toledo, Ohio. After the consolidation, Keith Burris, the pro-Trump editorial page editor of '' The Blade'', directed the editorial pages of both papers. Early history ''Gazette'' The ''Post-Gazette'' began its history as a four-page w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vocal Weight
Vocal weight refers to the perceived "lightness" or "heaviness" of a singing voice. This quality of the voice is one of the major determining factors in voice classification within classical music. Lighter voices are often associated with the term "lyric" and are usually brighter and more agile; heavier voices are often associated with the term "dramatic" and are usually powerful, rich, and darker. Other voice types like the spinto have a more medium vocal weight. Vocal weight can also affect overall vocal agility; heavier voices often have more difficulty maneuvering through florid coloratura passages than their lighter counterparts, as their weight and power compromises agility. Likewise, dramatic roles are often written with larger orchestras in mind as dramatic voices can carry more easily over larger ensembles. See also * Fach * Voice type * Singing * Music Music is generally defined as the art of arranging sound to create some combination of form, harmony, melo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fach
The German system (; literally "compartment" or "subject of study", here in the sense of "vocal specialization") is a method of classifying singers, primarily opera singers, according to the range, weight, and color of their voices. It is used worldwide, but primarily in Europe, especially in German-speaking countries and by repertory opera houses. The ' system is a convenience for singers and opera houses. It prevents singers from being asked to sing roles which they are incapable of performing. Opera companies keep lists of available singers by ' so that when they are casting roles for an upcoming production, they do not inadvertently contact performers who would be inappropriate for the part. Below is a list of ' (), their ranges as written on sheet music, and roles generally considered appropriate to each. When two names for the ' are given, the first is in more common use today. Where possible, an English and/or Italian equivalent of each ' is listed; however, not all ' hav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Symphony No
A symphony is an extended musical composition in Western classical music, most often for orchestra. Although the term has had many meanings from its origins in the ancient Greek era, by the late 18th century the word had taken on the meaning common today: a work usually consisting of multiple distinct sections or movements, often four, with the first movement in sonata form. Symphonies are almost always scored for an orchestra consisting of a string section (violin, viola, cello, and double bass), brass, woodwind, and percussion instruments which altogether number about 30 to 100 musicians. Symphonies are notated in a musical score, which contains all the instrument parts. Orchestral musicians play from parts which contain just the notated music for their own instrument. Some symphonies also contain vocal parts (e.g., Beethoven's Ninth Symphony). Etymology and origins The word ''symphony'' is derived from the Greek word (), meaning "agreement or concord of sound", "concert of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Krzysztof Penderecki
Krzysztof Eugeniusz Penderecki (; 23 November 1933 – 29 March 2020) was a Polish composer and conductor. His best known works include ''Threnody to the Victims of Hiroshima'', Symphony No. 3, his '' St Luke Passion'', ''Polish Requiem'', ''Anaklasis'' and ''Utrenja''. Penderecki's ''oeuvre'' includes four operas, eight symphonies and other orchestral pieces, a variety of instrumental concertos, choral settings of mainly religious texts, as well as chamber and instrumental works''.'' Born in Dębica, Penderecki studied music at Jagiellonian University and the Academy of Music in Kraków. After graduating from the Academy, he became a teacher there and began his career as a composer in 1959 during the Warsaw Autumn festival. His ''Threnody to the Victims of Hiroshima'' for string orchestra and the choral work ''St. Luke Passion'' have received popular acclaim. His first opera, ''The Devils of Loudun'', was not immediately successful. In the mid-1970s, Penderecki became a pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pavel Chesnokov
Pavel Grigorievich Chesnokov (Russian: Пáвел Григóрьевич Чеснокóв) (24 October 1877, Voskresensk, Zvenigorodsky Uyezd, Moscow Governorate – 14 March 1944, Moscow, also transliterated ''Tschesnokoff'', ''Tchesnokov'', ''Tchesnokoff'', and ''Chesnokoff'') was an Imperial Russian and Soviet composer, choral conductor and teacher. He composed over five hundred choral works, over four hundred of which are sacred. Today, he is most known for his piece '' Salvation is Created'' as well as works such as ''Do Not Reject Me in Old Age'' (solo for basso profondo) and movements from various settings of the Divine Liturgy of St John Chrysostom. Life Chesnokov was born in Vladimir, near Moscow on 24 October 1877. While attending the Moscow Conservatory, he received extensive training in both instrumental and vocal music including nine years of solfège, and seven years training for both the piano and violin. His studies in composition included four years of harm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
All-Night Vigil (Rachmaninoff)
The ''All-Night Vigil'' ( Pre-reform Russian: ''Всенощное бдѣніе'', ''Vsénoshchnoye bdéniye''; Modern Russian: ''Всенощное бдение'') is an a cappella choral composition by Sergei Rachmaninoff, his Op. 37, premiered on 23 March 1915 in Moscow. The piece consists of settings of texts taken from the Russian Orthodox All-night vigil ceremony. It has been praised as Rachmaninoff's finest achievement and "the greatest musical achievement of the Russian Orthodox Church". It was one of Rachmaninoff's two favorite compositions along with '' The Bells'', and the composer requested that its fifth movement (Нынѣ отпущаеши, ''Nunc dimittis'') be sung at his funeral.Sergei Bertensson, Jay Leyda, Sophia Satina, ''Sergei Rachmaninoff: A Lifetime in Music'', Indiana University Press, 2001p. 191/ref> The title of the work is often mis-translated as ''Vespers''. This is both literally and conceptually incorrect as applied to the entire work; only ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
