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Barge Haulers On The Volga
''Barge Haulers on the Volga'' or '' Burlaki'' (russian: Бурлаки на Волге, ''Burlaki na Volge'') is an 1870–1873 oil-on-canvas painting by artist Ilya Repin. It depicts 11 men physically dragging a barge on the banks of the Volga River. They are at the point of collapse from exhaustion, oppressed by heavy, hot weather.Frank, Joseph. "Dostoevsky: The Mantle of the Prophet, 1871–1881". Princeton University Press, 2003. 111. The work is a condemnation of profit from inhumane labor. Although they are presented as stoical and accepting, the men are defeated; only one stands out: in the center of both the row and canvas, a brightly colored youth fights against his leather binds and takes on a heroic pose. Repin conceived the painting during his travels through Russia as a young man and depicts actual characters he encountered. It drew international praise for its realistic portrayal of the hardships of working men, and launched his career.Hilton, Alison. "The Exhi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ilya Repin
Ilya Yefimovich Repin (russian: Илья Ефимович Репин, translit=Il'ya Yefimovich Repin, p=ˈrʲepʲɪn); fi, Ilja Jefimovitš Repin ( – 29 September 1930) was a Russian painter, born in what is now Ukraine. He became one of the most renowned artists in Russia during the 19th century. His major works include ''Barge Haulers on the Volga'' (1873), '' Religious Procession in Kursk Province'' (1880–1883), ''Ivan the Terrible and His Son Ivan'' (1885); and ''Reply of the Zaporozhian Cossacks'' (1880–1891). He is also known for the revealing portraits he made of the leading literary and artistic figures of his time, including Mikhail Glinka, Modest Mussorgsky, Pavel Tretyakov and especially Leo Tolstoy, with whom he had a long friendship. Repin was born in Chuguyev, in Kharkov Governorate of the Russian Empire. His father had served in an Uhlan Regiment in the Russian army, and then sold horses. Repin began painting icons at age sixteen. He failed at his first ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Burlak
A burlak ( rus, бурла́к, p=bʊrˈlak) was a towpath puller in Russian Empire. Overview The exact origin of the word is unknown. Different versions include old middle-German ''bûrlach'' (working team with fixed rules, artel), or Tatar ''bujdak'', 'homeless'. Burlaks appeared in Russia at the end of 16th century and beginning of the 17th century. With the expansion of freight-hauling, the number of burlaks increased. The chief of a burlak gang was called ''Vodoliv'' (russian: Водолив), the next in line was the ''Dyadya'' (russian: Дядя, captain), followed by the ''Shishka'' (russian: Шишка, first in the line of haulers), while the last in line was called ''Kosny'' (russian: Косный, last in the line of haulers). There were ''seasonal'' burlaks, who worked from spring to autumn, and ''temporary'' burlaks, who worked occasionally. Burlaks did not work in winter, when most Russian rivers were frozen over. The main areas of the burlaks' trade in the Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vladimir Stassov
Vladimir Vasilievich Stasov (also Stassov; rus, Влади́мир Васи́льевич Ста́сов; 14 January Adoption_of_the_Gregorian_calendar#Adoption_in_Eastern_Europe.html" ;"title="/nowiki> O.S._2_January.html" ;"title="Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January">Adoption of the Gregorian calendar#Adoption in Eastern Europe">O.S. 2 January/small> 1824 – 23 October .S. 10 October/small> 1906), was a Russian critic of music and art. Born into a wealthy, noble family Stasov became a prominent figure in mid-19th-century Russian culture. He discovered a large number of its greatest talents, inspired many of their works and fought their battles in numerous articles and letters to the press. As such, he carried on a lifelong debate with Russian novelist and playwright Ivan Turgenev, who considered Stasov "our great all-Russian critic." He wanted Russian art to liberate itself from what he saw as Europe's hold. By copying the west, he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Stone Breakers
''The Stone Breakers'' (french: Les Casseurs de pierres) was an 1849 painting by the French painter Gustave Courbet. It was a work of realism, depicting two peasants, a young man and an old man, breaking rocks. ''The Stone Breakers'' was first exhibited at the Paris Salon of 1850. As a work of realism the subject matter addressed a scene of everyday life. This painting was intended to show the hard labor that poor citizens experienced. Courbet did not show the figure's faces, they represent the "every man" and are not meant to be specific individuals. At the same time the clothing of the figures implies some degree of individuality, the younger man's pants are too short and the older man's vest is striped. The painting was destroyed during World War II, along with 154 other pictures, when a transport vehicle moving the pictures to the castle of Königstein, near Dresden Dresden (, ; Upper Saxon: ''Dräsdn''; wen, label=Upper Sorbian, Drježdźany) is the capital city of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-François Millet
Jean-François Millet (; 4 October 1814 – 20 January 1875) was a French artist and one of the founders of the Barbizon school in rural France. Millet is noted for his paintings of peasant farmers and can be categorized as part of the Realism art movement. Toward the end of his career, he became increasingly interested in painting pure landscapes. He is known best for his oil paintings but is also noted for his pastels, conte crayon drawings, and etchings. Life and work Youth Millet was the first child of Jean-Louis-Nicolas and Aimée-Henriette-Adélaïde Henry Millet, members of the farming community in the village of Gruchy, in Gréville-Hague, Normandy, close to the coast.Murphy, p.xix. Under the guidance of two village priests—one of them was vicar Jean Lebrisseux—Millet acquired a knowledge of Latin and modern authors. But soon he had to help his father with the farm work; because Millet was the eldest of the sons. So all the farmer's work was familiar to him: to mo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Courbet
Jean Désiré Gustave Courbet ( , , ; 10 June 1819 – 31 December 1877) was a French painter who led the Realism movement in 19th-century French painting. Committed to painting only what he could see, he rejected academic convention and the Romanticism of the previous generation of visual artists. His independence set an example that was important to later artists, such as the Impressionists and the Cubists. Courbet occupies an important place in 19th-century French painting as an innovator and as an artist willing to make bold social statements through his work. Courbet's paintings of the late 1840s and early 1850s brought him his first recognition. They challenged convention by depicting unidealized peasants and workers, often on a grand scale traditionally reserved for paintings of religious or historical subjects. Courbet's subsequent paintings were mostly of a less overtly political character: landscapes, seascapes, hunting scenes, nudes, and still lifes. Courbet, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Genre Works
Genre art is the pictorial representation in any of various media of scenes or events from everyday life, such as markets, domestic settings, interiors, parties, inn scenes, work, and street scenes. Such representations (also called genre works, genre scenes, or genre views) may be realistic, imagined, or romanticized by the artist. Some variations of the term ''genre art'' specify the medium or type of visual work, as in ''genre painting'', ''genre prints'', ''genre photographs'', and so on. The following concentrates on painting, but genre motifs were also extremely popular in many forms of the decorative arts, especially from the Rococo of the early 18th century onwards. Single figures or small groups decorated a huge variety of objects such as porcelain, furniture, wallpaper, and textiles. Genre painting ''Genre painting'', also called ''genre scene'' or ''petit genre'', depicts aspects of everyday life by portraying ordinary people engaged in common activities. One comm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dacha
A dacha ( rus, дача, p=ˈdatɕə, a=ru-dacha.ogg) is a seasonal or year-round second home, often located in the exurbs of post-Soviet countries, including Russia. A cottage (, ') or shack serving as a family's main or only home, or an outbuilding, is not considered a dacha, although some dachas recently have been converted to year-round residences and vice versa. The noun "dacha", coming from verb "davat" (''to give''), originally referred to land allotted by the tsar to his nobles; and indeed the dacha in Soviet times is similar to the allotment in some Western countries – a piece of land allotted, normally free, to citizens by the local government for gardening or growing vegetables for personal consumption. With time the name for the land was applied to the building on it. In some cases, owners occupy their dachas for part of the year and rent them to urban residents as summer retreats. People living in dachas are colloquially called ''dachniki'' (); the term usually ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ukraine
Ukraine ( uk, Україна, Ukraïna, ) is a country in Eastern Europe. It is the second-largest European country after Russia, which it borders to the east and northeast. Ukraine covers approximately . Prior to the ongoing Russian invasion, it was the eighth-most populous country in Europe, with a population of around 41 million people. It is also bordered by Belarus to the north; by Poland, Slovakia, and Hungary to the west; and by Romania and Moldova to the southwest; with a coastline along the Black Sea and the Sea of Azov to the south and southeast. Kyiv is the nation's capital and largest city. Ukraine's state language is Ukrainian; Russian is also widely spoken, especially in the east and south. During the Middle Ages, Ukraine was the site of early Slavic expansion and the area later became a key centre of East Slavic culture under the state of Kievan Rus', which emerged in the 9th century. The state eventually disintegrated into rival regional po ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kharkov Governorate
The Kharkov Governorate ( pre-reform Russian: , tr. ''Khárkovskaya gubérniya'', IPA: xarʲkəfskəjə ɡʊˈbʲernʲɪjə ) was a governorate of the Russian Empire founded in 1835. It embraced the historical region of Sloboda Ukraine. From 1765 to 1780 and from 1796 to 1835 the governorate was called the Sloboda Ukraine Governorate. In 1780-1796 there existed the Kharkov Viceroyalty. From 1765 to 1780, the Sloboda–Ukraine Governorate existed. In 1780, the Kharkov Viceroyalty was established and lasted until 1796. In 1835, the Viceroyalty was again reorganized into the Sloboda-Ukrainian Governorate, and from 1835 onwards, the Kharkov Governorate was formed, which existed until 1925. With each reorganization, the boundaries and administrative structure change significantly. The main state tax implementation, processing, and publishing of statistical information for the Kharkov governorate were the Kharkov Governorate Statistical Committee. History Slobozhanshchyna, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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