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Banjar Mask Dance
Banjar Mask Dance ( id, Tari Topeng Banjar) is a local indigenous art form of Banjar in South Kalimantan, Indonesia. It is called mask dance because the dancers use masks (Topeng) when dancing. This dance is usually played for sacred ceremonies, such as the ''manyanggar'' ceremony. The ceremony is a ritual to clean inherited equipment, treat supernatural diseases, give thanks after harvesting, cleansing the village of evil spirits, and ask for protection from disasters. The Banjar mask dance will be performed in the form of a wayang wong, where the dancers will wear masks and are accompanied by a set of gamelan salendro. Banjar mask dance is known to have grown and developed since the Kingdom of Dipa. The shape of the Banjar mask consists of several types, such as ''Gunung Sari'', ''Patih'', ''Panji'', ''Batarakala'' (Sangkala/Gajah Barung), ''Pantul'', ''Tambam'', ''Pamambi'', ''Pamimdu'', '' Kalana '', and ''Ranggajiwa''. Until now, the banjar mask dance performance is still ...
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South Kalimantan
South Kalimantan ( id, Kalimantan Selatan) is a Provinces of Indonesia, province of Indonesia. It is the smallest province in Kalimantan, the Indonesian territory of Borneo. The provincial capital was Banjarmasin until 15 February 2022 when it was Law on South Kalimantan province, legally moved to Banjarbaru. The population of South Kalimantan was recorded at just over 3.625 million people at the 2010 Census, Sultanate era The Banjar Sultanate began experiencing its heyday in the first decade of the 17th century with Black pepper, pepper as a commodity of trade, practically southwest, southeast and east of the island of Borneo paying tribute to the Sultanate . Previously, the Banjar Sultanate paid tribute to the Demak Sultanate, but after the fall of the Demak Sultanate and the rise of the Kingdom of Pajang, Pajang Sultanate, the Banjar Sultanate no longer sent tribute to Java. The supremacy of Java against Banjarmasin, was carried out again by Tuban in 1615 to conquer B ...
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Banjar People
The Banjar or Banjarese ( bjn, Urang Banjar; ) are an indigenous ethnic group native to the Banjar regions (notably Banjarmasin, Banjarbaru, Banjar Regency, etc.) in the southeastern Kalimantan hemisphere of Indonesia. Nowadays, Banjarese diaspora can be found in neigbouring Banjar regions as well; including Kotabaru Regency, the southeastern regions of Central Kalimantan, southernmost regions of East Kalimantan, and some provinces of Indonesia in general. The Banjarese diaspora community also can be found in neighbouring countries of Indonesia, such as Brunei, Malaysia (notably in Sabah and Perak), and Singapore. Etymology Etymologically, the word ''Banjar'' is derived from terminology in the Janyawai dialect of Ma'anyan language, which rooted from Old Javanese language. It is initially used to identified the Ma'anyan, Meratus Dayak, and Ngaju people who are already "Javanized" when the Javanese people arrived in southeastern Kalimantan regions to established their ci ...
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Indonesia
Indonesia, officially the Republic of Indonesia, is a country in Southeast Asia and Oceania between the Indian and Pacific oceans. It consists of over 17,000 islands, including Sumatra, Java, Sulawesi, and parts of Borneo and New Guinea. Indonesia is the world's largest archipelagic state and the 14th-largest country by area, at . With over 275 million people, Indonesia is the world's fourth-most populous country and the most populous Muslim-majority country. Java, the world's most populous island, is home to more than half of the country's population. Indonesia is a presidential republic with an elected legislature. It has 38 provinces, of which nine have special status. The country's capital, Jakarta, is the world's second-most populous urban area. Indonesia shares land borders with Papua New Guinea, East Timor, and the eastern part of Malaysia, as well as maritime borders with Singapore, Vietnam, Thailand, the Philippines, Australia, Palau, and India ...
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Topeng
''Topeng'' (from ban, ᬢᭀᬧᬾᬂ, su, ᮒᮧᮕᮨᮔᮌ, and jv, ꦠꦺꦴꦥꦺꦁ, topeng, mask) is a dramatic form of Indonesian dance in which one or more mask-wearing, ornately costumed performers interpret traditional narratives concerning fabled kings, heroes and myths, accompanied by gamelan or other traditional music instruments. ''Topeng'' dance is a typical Indonesian dance that can be found in various regions in Indonesia. ''Topeng'' dance has the main characteristic that the dancers use masks to cover their faces. The dance will usually be performed by one dancer or a group of dancers. ''Topeng'' is widely used in dances that are part of traditional ceremonies or the retelling of ancient stories from the ancestors. It is believed that ''topeng'' is closely related to ancestral spirits which are considered interpretations of gods. In some tribes, ''topeng'' still adorns various daily artistic and customary activities. Topeng dance is a performance dance full ...
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Wayang Wong
''Wayang wong'', also known as ''wayang orang'' (literally "human ''wayang''"), is a type of classical Javanese and Balinese dance theatrical performance with themes taken from episodes of the '' Ramayāna'' or '' Mahabharāta''. Performances are stylised, reflecting Javanese court culture: Despite being closely associated with Javanese and Balinese tradition, variants of ''wayang wong'' dance drama can also be found in neighboring Javanese ethnic traditions, including Sundanese tradition. History The bas relief panels on the ninth-century Prambanan temple show episodes of the ''Ramayana'' epic. The adaptation of ''Mahabharata'' episodes has been integrated in the Javanese literature tradition since the Kahuripan and Kediri era, with notable examples such as Arjunawiwaha, composed by Mpu Kanwa in the 11th century. The Penataran temple in East Java depicts themes from the ''Ramayana'' and ''Mahabharata'' in its bas reliefs. The Javanese dance drama associated with ''waya ...
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Gamelan Salendro
The gamelan salendro is a form of gamelan music found in West Java, Indonesia. It is played as an accompaniment to wayang golek (rod puppet) performances and dances. It uses a similar ensemble as a small central Javanese gamelan, but has developed differently, and shows the more exuberant character.Broughton, Simon, et al., eds. ''World Music: The Rough Guide''. London: The Rough Guides, 1994. Pages 420-421. See also * Gamelan * Degung * Angklung The ( Sundanese: ) is a musical instrument from the Sundanese people in Indonesia made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to have a resonant pitch when struck and are tuned to octaves, simila ... References Gamelan ensembles and genres Sundanese music {{music-genre-stub ...
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Betawi Mask Dance
The Betawi mask dance ( id, Tari Topeng Betawi) is a theatrical form of dance and drama of Betawi people in Jakarta, Indonesia. This dance-drama encompasses dance, music, ''bebodoran'' (comedy) and ''lakon'' (drama). The Betawi mask dance demonstrates the theme of Betawi society life which represented in the form of dance and drama. It is called mask dance because the dancers using ''topeng'' (mask) during dancing which Betawi people believed that the ''topeng'' has magical powers. History and origin The Betawi mask dance was first created by Mak Kinang and Kong Djioen in 1930 which was inspired by Cirebonese mask dance. This theatrical form of dance drama developed in the area of the Betawi Pinggir community (''Betawi Ora'') in Jakarta. Social functions The Betawi mask dance has some social functions in Betawi society. In the past, Betawi people believed that Betawi mask dance has function to keep them away from dangers, diseases and calamities. However, nowadays, Betawi occasio ...
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Cirebonese Mask Dance
Cirebonese mask dance ( id, Tari Topeng Cirebon) is a local indigenous art form of Cirebon in Java, including Indramayu and Jatibarang, West Java and Brebes, Central Java. It is called mask dance because the dancers use masks when dancing. There is a lot of variety in Javanese mask dance, both in terms of the dance style and the stories to be conveyed. Sometimes the mask dance can be performed by solo dancers, or it can also be performed by several people. Tari topeng cirebon comprised Panji, Samba, Rumyang, Tumenggung and Kelana. Each mask represents different meanings. Panji represents holiness like a new born person. Samba represents a child and excitement. Rumyang represents a teenager and life. Tumenggung represents a wise person and loyalty. And last Kelana represents emotions, anger and hatred. All these meanings influence the dance movements. Panji has slow and soft dance movements, while Samba has fast dance movements. Graceful hand and body movements, and musical accomp ...
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Topeng Dance
''Topeng'' (from ban, ᬢᭀᬧᬾᬂ, su, ᮒᮧᮕᮨᮔᮌ, and jv, ꦠꦺꦴꦥꦺꦁ, topeng, mask) is a dramatic form of Indonesian dance in which one or more mask-wearing, ornately costumed performers interpret traditional narratives concerning fabled kings, heroes and myths, accompanied by gamelan or other traditional music instruments. ''Topeng'' dance is a typical Indonesian dance that can be found in various regions in Indonesia. ''Topeng'' dance has the main characteristic that the dancers use masks to cover their faces. The dance will usually be performed by one dancer or a group of dancers. ''Topeng'' is widely used in dances that are part of traditional ceremonies or the retelling of ancient stories from the ancestors. It is believed that ''topeng'' is closely related to ancestral spirits which are considered interpretations of gods. In some tribes, ''topeng'' still adorns various daily artistic and customary activities. Topeng dance is a performance dance full ...
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Dance In Indonesia
Dance in Indonesia ( id, Tarian Indonesia) reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the many dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies. For classification purposes, the dances of Indonesia can be divided according to several aspects. In the historical aspect it can be divided into three eras; the prehistoric-tribal era, the Hindu-Buddhist era, and the era of Islam. According to its patrons, it can be divided into two genres; court dance and folk dance. In its tradition, Indonesian dances can be divided into two types; t ...
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Theatre In Indonesia
''Indonesian theatre'' is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia (also called Nusantara). Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 ethnic cultures in Indonesia. History Theatre performances in Indonesia have been going on for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written) ...
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Traditional Drama And Theatre Of Indonesia
A tradition is a belief or behavior (folk custom) passed down within a group or society with symbolic meaning or special significance with origins in the past. A component of cultural expressions and folklore, common examples include holidays or impractical but socially meaningful clothes (like lawyers' wigs or military officers' spurs), but the idea has also been applied to social norms such as greetings. Traditions can persist and evolve for thousands of years—the word ''tradition'' itself derives from the Latin ''tradere'' literally meaning to transmit, to hand over, to give for safekeeping. While it is commonly assumed that traditions have an ancient history, many traditions have been invented on purpose, whether that be political or cultural, over short periods of time. Various academic disciplines also use the word in a variety of ways. The phrase "according to tradition", or "by tradition", usually means that whatever information follows is known only by oral tradition, ...
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