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Baji Rao (other)
Baji Rao may refer to * Baji Rao I Baji Rao I (18 August 1700 – 28 April 1740), born as Visaji, also known as Bajirao Ballal (Pronunciation: ad͡ʒiɾaːʋ bəlːaːɭ, was the 7th Peshwa of the Maratha Empire. During his 20-year tenure as a Peshwa, he defeated Nizam-ul-M ... (1700-1740), Peshwa of the Indian Marathas * Balaji Baji Rao ("Nanasaheb") (1720-1761), Peshwa of the Indian Marathas * Baji Rao II (1775-1851), last Peshwa of the Indian Marathas * Bajirao Singham, fictional Indian police officer in the ''Singham'' film series See also * '' Bajirao Mastani'', 2015 Indian epic historical romance film by Sanjay Leela Bhansali, about Bajirao I and his wife Mastani ** ''Bajirao Mastani'' (soundtrack), its soundtrack by Bhansali * ''Bajirao Mastani'' (TV series), an Indian television show about the ruler and his wife aired on Colors Marathi {{disambiguation ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baji Rao I
Baji Rao I (18 August 1700 – 28 April 1740), born as Visaji, also known as Bajirao Ballal (Pronunciation: ad͡ʒiɾaːʋ bəlːaːɭ, was the 7th Peshwa of the Maratha Empire. During his 20-year tenure as a Peshwa, he defeated Nizam-ul-Mulk at several battles like the Battle of Delhi and Battle of Bhopal. Baji Rao's contributed for Maratha supremacy in southern India and northern India. Thus, he was partly responsible for establishing Maratha power in Gujarat, Malwa, Rajputana and Bundelkhand and liberating Konkan (western coast of India) from the Siddis of Janjira and Portuguese rule. Baji Rao's relationship with his Muslim wife, a controversial subject, has been adapted in Indian novels and cinema. Early life Baji Rao was born into a Bhat Family in Sinnar, near Nashik. His biological father was Balaji Vishwanath the ''Peshwa'' of Shahu Maharaj I and his mother was Radhabai Barve. Baji Rao had a younger brother, Chimaji Appa, and two younger sisters, Anubai and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Balaji Baji Rao
Baji Bajirao (8 December 1720 – 23 June 1761), also known as Nana Saheb I, was the 8th Peshwa of the Maratha Confederacy in India. He was appointed as Peshwa in 1740 upon the death of his illustrious father, the Peshwa Bajirao I. During his tenure, the Chhatrapati (Maratha Emperor) was a mere figurehead. At the same time, the Maratha empire started transforming into a confederacy, in which individual chiefs—such as the Holkars, the Scindias and the Bhonsles of Nagpur kingdom—became more powerful. During Balaji Rao's tenure, the Maratha territory reached its zenith. A large part of this expansion, however, was led by the individual chiefs of the Maratha Empire. Balaji Bajirao was an astute strategist, a shrewd diplomat and an accomplished statesman. He, along with his cousin Sadashivrao Bhau, introduced new legislative and financial systems in the state. Under his leadership, the borders of the Maratha Empire expanded to Peshawar in present-day Pakistan, Srirangapat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baji Rao II
Shrimant Peshwa Baji Rao II (10 January 1775 – 28 January 1851) was the 13th and the last Peshwa of the Maratha Empire. He governed from 1795 to 1818. He was installed as a puppet ruler by the Maratha nobles, whose growing power prompted him to flee his capital Poona and sign the Treaty of Bassein (1802) with the British. This resulted in the Second Anglo-Maratha War (1803–1805), in which the British emerged victorious and re-installed him as the titular Peshwa. In 1817, Baji Rao II joined the Third Anglo-Maratha War against the British, after they favoured the Gaekwad nobles in a revenue-sharing dispute. After suffering several battle defeats, the Peshwa surrendered to the British, and agreed to retire in return for an estate at Bithoor and an annual pension. Personal life Baji Rao was the son of the former ''Peshwa'' Raghunathrao and his wife Anandibai. Raghunathrao had defected to the English, causing the First Anglo-Maratha War, which ended with the Treaty of Salbai. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajirao Singham
The Cop Universe is an Indian media franchise and shared universe created by Rohit Shetty consisting of media focusing on police officers. The franchise includes films, animated series, video games and web series. The shared universe was established by crossing over common plot elements, settings, cast, and characters. The first two films, '' Singham'' (2011) and '' Singham Returns'' (2014) focus on Bajirao Singham, an honest DCP who fights for justice. The third, ''Simmba'' (2018), focuses on Sangram "Simmba" Bhalerao, a corrupt Inspector from the same town as Bajirao, who takes advantage of his job. The franchise has another installment, '' Sooryavanshi'' (2021) starring Akshay Kumar as Veer Sooryavanshi, another DCP. Development Seeing the success of the Tamil-language film, Singam (2010), directed by Hari, the film rights for the Hindi and Kannada versions were sold by the makers. Reliance Big Pictures, which co-produced the original version, bought the Hindi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singham (film Series)
The Cop Universe is an Indian media franchise and shared universe created by Rohit Shetty consisting of media focusing on police officers. The franchise includes films, animated series, video games and web series. The shared universe was established by crossing over common plot elements, settings, cast, and characters. The first two films, '' Singham'' (2011) and '' Singham Returns'' (2014) focus on Bajirao Singham, an honest DCP who fights for justice. The third, ''Simmba'' (2018), focuses on Sangram "Simmba" Bhalerao, a corrupt Inspector from the same town as Bajirao, who takes advantage of his job. The franchise has another installment, '' Sooryavanshi'' (2021) starring Akshay Kumar as Veer Sooryavanshi, another DCP. Development Seeing the success of the Tamil-language film, Singam (2010), directed by Hari, the film rights for the Hindi and Kannada versions were sold by the makers. Reliance Big Pictures, which co-produced the original version, bought the Hindi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajirao Mastani
''Bajirao Mastani'' is a 2015 Indian Hindi-language epic historical romance film directed by Sanjay Leela Bhansali, who co-produced it with Eros International and composed its soundtrack. The film stars Ranveer Singh, Deepika Padukone and Priyanka Chopra with Tanvi Azmi, Vaibhav Tatwawaadi, Milind Soman, Mahesh Manjrekar and Aditya Pancholi in supporting roles. Based on Nagnath S. Inamdar's Marathi novel '' Rau'', ''Bajirao Mastani'' narrates the story of the Maratha ''Peshwa'' Bajirao I (1700–1740 AD) and his second wife, Mastani. Conceived as early as the 1990s, Bhansali announced the film in 2003 but production was delayed several times due to its changing cast. ''Bajirao Mastani'', a passion project for Bhansali, spent the next eleven twelve years in development hell before being revived in 2014. Extensive research was done before moving into pre-production, which required the creation of twenty-two highly detailed sets, and numerous costumes and props to strengthen its ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bajirao Mastani (soundtrack)
''Bajirao Mastani'' is the soundtrack album, composed by Sanjay Leela Bhansali with assistance by Shreyas Puranik & Devrath to the 2015 Hindi film of the same name. The film stars Ranveer Singh, Deepika Padukone and Priyanka Chopra in lead roles. The album, originally recorded in Hindi features nine songs, and was released on 31 October 2015 by Eros Music. The original score of the film is composed by Sanchit Balhara. The music in the film is situational and narrative in nature. The songs were conceived progressively with the development of film script that was completed in twelve years. Bhansali was inspired by the music of ''Mughal-e-Azam'' to compose the film soundtrack. The songs cover genres of Marathi folk, Sufi, lavani, qawwali and Indian classical apart from fusion of different ragas in single tracks. Upon release, music critics anticipated in positive that the tunes will match visuals, justifying lyrical interpretations. Critics noted the album as semi-classica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
