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Baden Powell De Aquino
Baden Powell de Aquino (; 6 August 1937 – 26 September 2000), known professionally as Baden Powell, was a Brazilian guitarist. He combined classical techniques with popular harmony and swing. He performed in many styles, including bossa nova, samba, Brazilian jazz, Latin jazz and MPB. He performed on stage during most of his lifetime. Powell composed many pieces for guitar, such as "Abração em Madrid", "Braziliense", "Canto de Ossanha", "Casa Velha", "Consolação", "Horizon", "Imagem", "Lotus", "Samba", "Samba Triste", "Simplesmente", "Tristeza e Solidão", and "Samba da Benção". He released ''Os Afro-sambas'', a watershed album in MPB, with Vinicius de Moraes in 1966. Biography Baden Powell de Aquino was born in Varre-Sai in Rio de Janeiro, Brazil. His father, a Scouting enthusiast, named him after Robert Baden-Powell. When he was three months old, his family relocated to the Rio suburb of São Cristóvão. His house was a stop for popular musicians during his formativ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Varre-Sai
Varre-Sai (, ''Sweep Before You Part'') is a municipality located in the Brazilian state of Rio de Janeiro Rio de Janeiro ( , , ; literally 'River of January'), or simply Rio, is the capital of the state of the same name, Brazil's third-most populous state, and the second-most populous city in Brazil, after São Paulo. Listed by the GaWC as a .... Its population was 10,207 (2022) and its area is 201 km². References Municipalities in Rio de Janeiro (state) {{RiodeJaneiro-geo-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar
The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier. The guitar is classified as a chordophone – meaning the sound is produced by a vibrating string stretched between two fixed points. Historically, a guitar was constructed from wood with its strings made of catgut. Steel guitar strings were introduced near the end of the nineteenth century in the United States; nylon strings came in the 1940s. The guitar's ancestors include the gittern, the vihuela, the four- course Renaissance guitar, and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elenco Records
Elenco is a Brazilian record label established in 1963 by Aloysio de Oliveira. It was a major factor in the development of the bossa nova style, also releasing samba, jazz, and spoken word recordings. It is often considered one of the most influential labels in the bossa nova and MPB genres. Overview Producer Aloysio de Oliveira, a key figure in the internationalization of Brazilian popular music, founded Elenco in 1963. While the label is renowned for its output of bossa nova, Elenco's first releases were early MPB and Latin jazz, reflecting the tastes of its founder, who was also a musician. Musicians such as Baden Powell de Aquino (commonly known as Baden Powell), Astrud Gilberto, Antonio Carlos Jobim, Maysa, Lúcio Alves, and Sylvia Telles recorded stellar albums for Elenco, which are today considered masterpieces of their genres. The most significant records were released between 1963 and 1968 and are instantly recognizable by their minimalistic sleeve artwork, designed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Moacir Santos
Moacir Santos (26 July 1926 – 6 August 2006) was a Brazilian composer, multi-instrumentalist and music educator. Musicians such as Baden Powell, Bola Sete and Wilson das Neves studied under him. As a composer, Santos worked with Nara Leão, Roberto Menescal, Sérgio Mendes and Lynda Laurence, among others. His music was highly respected by musicians in Brazil and the United States, despite never achieving wider recognition. Mark Levine, Anat Cohen, and Muiza Adnet have all released albums consisting entirely of Santos' music. Life and career Moacir Santos was born in Flores do Pajeú, Pernambuco in 1926. His mother died when he was two years old, and as his father had already left the family, he was taken in by another family. He grew up in poverty but his adoptive family assisted him with attending school and music lessons. By age 14, he could play the saxophone, banjo, guitar and mandolin. As a teenager, he played in the band of the Military Police of Parabia and later beca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Os Afro-sambas (1966 Album)
''Os Afro-sambas'' is a 1966 studio album (that shoud not be confused with the album of the same name and different artwork recorded live) by Baden Powell and VinÃcius de Moraes. The live album is ranked number 29 on Rolling Stone's list of 100 Greatest Brazilian Albums. Background Considered a watershed (the original live recording) in MPB for fusing various elements of African sound with samba, ''Os Afro-sambas'' was recorded by Baden Powell, VinÃcius de Moraes, and Quarteto em Cy in 1966. In the mid-1960s VinÃcius was fascinated by an LP of samba de roda songs with candomblé influences from Bahia. Baden Powell had also gone to Bahia and heard the songs of the Bahian candomblé. From this mutual enchantment with samba and religiosity found in Bahia, the Afro-sambas project emerged. The eight songs (11 in the live show) have a rich and unique musicality: a mix of candomblé and umbanda instruments (like atabaques and afoxés) with timbres common to Brazilian music (agog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Capoeira
Capoeira () is an Afro-Brazilian martial art that combines elements of dance, acrobatics, music and spirituality. Born of the melting pot of enslaved Africans, Indigenous Brazilians and Portuguese influences at the beginning of the 16th century, capoeira is a constantly evolving art form. It is known for its acrobatic and complex maneuvers, often involving hands on the ground and inverted kicks. It emphasizes flowing movements rather than fixed stances; the '' ginga'', a rocking step, is usually the focal point of the technique. Although debated, the most widely accepted origin of the word ''capoeira'' comes from the Tupi words ''ka'a'' ("forest") ''paũ'' ("round"), referring to the areas of low vegetation in the Brazilian interior where fugitive slaves would hide. A practitioner of the art is called a capoeirista (). Though often said to be a martial art disguised as a dance, capoeira served not only as a form of self defence, but also as a way to maintain spirituality and cu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Umbanda
Umbanda () is a syncretic Afro-Brazilian religion that blends traditional African religions with Roman Catholicism, Spiritism, and Indigenous American beliefs. Although some of its beliefs and most of its practices existed in the late 19th century in almost all Brazil, it is assumed that Umbanda originated in Niterói and surrounding areas in the early 20th century, mainly due to the work of Zélio Fernandino de Moraes, a psychic ("medium") who practiced Umbanda among the poor Brazilian of African descent. Since then, Umbanda has spread across mainly southern Brazil and neighboring countries like Argentina and Uruguay. Umbanda has many branches, each one with a different set of beliefs and practices. Some common beliefs are the existence of a Supreme Being and creator of the universe known as Olodumare. Other common beliefs are the existence of deities called Orixás, most of them syncretized with Catholic saints that act as divine energy and forces of nature; spirits of d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Candomblé
Candomblé () is an African diasporic religion that developed in Brazil during the 19th century. It arose through a process of syncretism between several of the traditional religions of West Africa, especially that of the Yoruba, and the Roman Catholic form of Christianity. There is no central authority in control of Candomblé, which is organised through autonomous groups. Candomblé involves the veneration of spirits known as ''orixás''. Deriving their names and attributes from traditional West African deities, they are equated with Roman Catholic saints. Various myths are told about these orixás, which are regarded as subservient to a transcendent creator deity, Oludumaré. Each individual is believed to have a tutelary orixá who has been connected to them since before birth and who informs their personality. An initiatory tradition, Candomblé's members usually meet in temples known as ''terreiros'' run by priests called ''babalorixás'' and priestesses called ''ialorixà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Samba
''Jazz Samba'' is a bossa nova album by Stan Getz and Charlie Byrd released by Verve Records in 1962. ''Jazz Samba'' signaled the beginning of the bossa nova craze in America. Stan Getz was the featured soloist and the tracks were arranged by Charlie Byrd, who had first heard bossa nova during a tour of Brazil in 1961. Getz and Byrd were accompanied by two bassists: Keter Betts and Joe Byrd, Charlie Byrd's brother who also played guitar. They were joined by two drummers: Buddy Deppenschmidt and Bill Reichenbach. The album was recorded at All Souls Unitarian Church in Washington, D.C. on February 13, 1962 and released in April of that year. Two songs, "Desafinado" (Off Key or Out of Tune) and "Samba de Uma Nota Só" (One Note Samba) were composed by Antonio Carlos Jobim and were released as singles in the U.S. and Europe. Charlie Byrd wrote one song, "Samba Dees Days", while the rest were by Brazilian composers. Stan Getz won the Grammy Award for Best Jazz Performance of 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Byrd
Charlie Lee Byrd (September 16, 1925 – December 2, 1999) was an American jazz guitarist. Byrd was best known for his association with Brazilian music, especially bossa nova. In 1962, he collaborated with Stan Getz on the album '' Jazz Samba'', a recording which brought bossa nova into the mainstream of North American music. Byrd played fingerstyle on a classical guitar. Early life Charlie Byrd was born in 1925 in Suffolk, Virginia, and grew up in the borough of Chuckatuck. His father, a mandolinist and guitarist, taught him how to play the acoustic steel guitar at age 10. Byrd had three brothers, Oscar, Jack, and Gene "Joe" Byrd, who was a bass player. In 1942, Byrd entered the Virginia Polytechnic Institute and played in the school orchestra. In 1943, he was drafted into the United States Army, saw combat in World War II, and was stationed in Paris in 1945. There he played in an Army Special Services band and toured occupied Europe in the all-soldier production '' G.I. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stan Getz
Stanley Getz (February 2, 1927 – June 6, 1991) was an American jazz saxophonist. Playing primarily the tenor saxophone, Getz was known as "The Sound" because of his warm, lyrical tone, with his prime influence being the wispy, mellow timbre of his idol, Lester Young. Coming to prominence in the late 1940s with Woody Herman's big band, Getz is described by critic Scott Yanow as "one of the all-time great tenor saxophonists". Getz performed in bebop and cool jazz groups. Influenced by João Gilberto and Antônio Carlos Jobim, he also helped popularize bossa nova in the United States with the hit 1964 single "The Girl from Ipanema". Early life Stan Getz was born on February 2, 1927, at St. Vincent's Hospital in Philadelphia, Pennsylvania, United States. Getz's father Alexander ("Al") was a Ukrainian Jewish immigrant who was born in Mile End, London, in 1904, while his mother Goldie (née Yampolsky) was born in Philadelphia in 1907. His paternal grandparents Harris and Beckie Gaye ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cover Version
In popular music, a cover version, cover song, remake, revival, or simply cover, is a new performance or recording by a musician other than the original performer or composer of the song. Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. History The term "cover" goes back decades when cover version originally described a rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams' 1949 hit tune "The Hucklebuck" and Hank Williams' 1952 song "Jambalaya". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd – the production of musical entertainment was seen as a live event, even if it was reproduced at home via a cop ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
